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Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Participatory discrepancies.'
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Journal articles on the topic "Participatory discrepancies":
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Keil, Charles. "Participatory Discrepancies and the Power of Music." Cultural Anthropology 2, no. 3 (August 1987): 275–83. http://dx.doi.org/10.1525/can.1987.2.3.02a00010.
Butterfield, Matthew. "Participatory Discrepancies and the Perception of Beats in Jazz." Music Perception 27, no. 3 (February 1, 2010): 157–76. http://dx.doi.org/10.1525/mp.2010.27.3.157.
A POPULAR THEORY HOLDS THAT "SWING" STEMS specifically from asynchronous timing between bass and drums in their shared articulation of the beat, a phenomenon Charles Keil has dubbed "participatory discrepancies" (PDs; Keil, 1987). The "push and pull" between these instruments purportedly generates a "productive tension" thought to drive the groove with energy. This paper presents the results of two experiments on the perception of PDs. Experiment 1 employed synthetic recordings of a conventional swing groove in which the onset asynchronies between bass and drums were varied. Participants used three listening strategies to perceive the asynchrony and its purported effects. Experiment 2 employed recordings of professional jazz musicians and tested for the effects of learning in the perception of PDs. Little evidence emerged from either experiment in support of the PD framework. An alternative proposal drawn from metric entrainment theory explains the effects of PDs as more limited and local than previously thought.
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Sanjek, Roger. "Worth Holding Onto: the participatory discrepancies of political activism." City Society 14, no. 1 (January 2002): 103–17. http://dx.doi.org/10.1525/city.2002.14.1.103.
McElfish, Pearl Anna, Britni L. Ayers, Rachel S. Purvis, Christopher R. Long, Ka’imi Sinclair, Monica Esquivel, and Susan C. Steelman. "Best practices for community-engaged participatory research with Pacific Islander communities in the USA and USAPI: protocol for a scoping review." BMJ Open 8, no. 1 (January 2018): e019653. http://dx.doi.org/10.1136/bmjopen-2017-019653.
IntroductionCommunity-based participatory research is a partnership approach to research that seeks to equally involve community members, organisational representatives and academic partners throughout the research process in a coequal and mutually beneficial partnership. To date, no published article has synthesised the best practices for community-based participatory research practices with Pacific Islanders.Methods and analysisThe reviewers will examine studies’ titles, abstracts and full text, comparing eligibility to address discrepancies. For each eligible study, data extraction will be executed by two reviewers and one confirmation coder, comparing extracted data to address any discrepancies. Eligible data will be synthesised and reported in a narrative review assessing coverage and gaps in existing literature related to community-based participatory research with Pacific Islanders.Discussion and disseminationThe purpose of this review is to identify best practices used when conducting community-based participatory research with Pacific Islanders; it will also extrapolate where the gaps are in the existing literature. This will be the first scoping review on community-based participatory research with Pacific Islanders. To facilitate dissemination, the results of this scoping review will be submitted for publication to a peer-reviewed journal, presented at conferences and shared with community-based participatory research stakeholders.
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Progler, J. A. "Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section." Ethnomusicology 39, no. 1 (1995): 21. http://dx.doi.org/10.2307/852199.
Cowdery, James R., Dane L. Harwood, James Kippen, Michele Kisliuk, David Locke, Eddie S. Meadows, Leonard B. Meyer, et al. "[The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses." Ethnomusicology 39, no. 1 (1995): 73. http://dx.doi.org/10.2307/852201.
Keil, Charles, and J. A. Progler. "[The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Rejoinders." Ethnomusicology 39, no. 1 (1995): 97. http://dx.doi.org/10.2307/852202.
Gaunt, Kyra D. "Got Rhythm?: difficult encounters in theory and practice and other participatory discrepancies in music." City Society 14, no. 1 (January 2002): 119–40. http://dx.doi.org/10.1525/city.2002.14.1.119.
Wallin, Ida, Julia Carlsson, and Hans Peter Hansen. "Envisioning future forested landscapes in Sweden – Revealing local-national discrepancies through participatory action research." Forest Policy and Economics 73 (December 2016): 25–40. http://dx.doi.org/10.1016/j.forpol.2016.07.010.
Overview - Much work has and is being done on the topic of timing variation in Western notated art music: see Appendix A to this thesis and ... However, less investigation has been undertaken into microtiming deviations in repetitive musics with globally stable tempo. Such musics are here referred to inclusively as groove musics – some examples are: traditional African drumming; funk; and Latin music.
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This thesis presents a theory (the Covert Clock Theory) and proposes a model of the production of musical groove. The computer model presented rests on arguments regarding what constitutes groove, both in a musical sense and - beyond the scope of musicology - in terms of how and why humans produce and respond to groove.
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Through the examination of human perception and production of rhythm, I propose to develop a model, based on the Covert Clock Theory, of the generation of microtiming deviations characteristic of groove. Ideally, the model should be intuitively controllable by a musician setting a small number of parameters, and should generate deviation patterns which are musically useful and have similar characteristics to those generated by human musicians. ...
Book chapters on the topic "Participatory discrepancies":
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Albert, Marie-Theres, Roland Bernecker, Claire Cave, Anca Claudia Prodan, and Matthias Ripp. "Outlook." In 50 Years World Heritage Convention: Shared Responsibility – Conflict & Reconciliation, 481–85. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05660-4_38.
AbstractThe chapter “Outlook” brings together the main messages of this book; formulates concluding comments and reflects on the way forward. Out of the many conflicts affecting World Heritage, the chapter highlights some, which appear as obstacles that must be overcome for a sustainable protection. The unequal geographical distribution of World Heritage properties and of the decision-making bodies; and the difficulty to reconcile economic interests with conservation and development needs are two examples. Further examples refer to the discrepancies in the interpretation of the meaning of World Heritage between experts and the civil society; and the climate and biodiversity crises, which require full participatory and inclusive approaches that integrate culture and nature protection. In light of these examples, the chapter concludes by underlining that the future of the World Heritage Convention can only be envisioned if such challenges were confronted and resolved.
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"Chapter 7. Worth Holding Onto: The Participatory Discrepancies of Political Activism." In Ethnography in Today's World, 103–14. University of Pennsylvania Press, 2014. http://dx.doi.org/10.9783/9780812208764.103.
Farmani, R., D. A. Savic, H. J. Henriksen, J. L. Molina, R. Giordano, and J. Bromley. "Evolutionary Bayesian Belief Networks for Participatory Water Resources Management under Uncertainty." In Green Technologies, 524–39. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-472-1.ch309.
A participatory integrated (social, economic, environmental) approach based on causal loop diagram, Bayesian belief networks and evolutionary multiobjective optimisation is proposed for efficient water resources management. The proposed methodology incorporates all the conflicting objectives in the decision making process. Causal loop diagram allows a range of different factors to be considered simultaneously and provides a framework within which the contributions of stakeholders can be taken into account. Bayesian belief networks takes into account uncertainty by assigning probability to those variables whose states are not certain. The integration of Bayesian belief network with evolutionary multiobjective optimisation algorithm allows analysis of trade-off between different objectives and incorporation and acknowledgement of a broader set of decision goals into the search and decision making process. The proposed methodology is used to model decision making process for complex environmental problems, considering uncertainties, addressing temporal dynamics, uncovering discrepancies in decision analysis process (e.g. completeness or redundancy of the model based on utility function) and generating policy options that trade-off between conflicting objectives. The effectiveness of the proposed methodology is examined in several water resources management problems. The case studies include optimum water demand management, UK; management of groundwater contamination of Copenhagen source capture zone areas, Denmark and simultaneous optimum management of four overexploited aquifers in Spain. It is shown that the proposed methodology generates large number of management options that trade-off between different objectives. The remaining task is to choose, depending on the preference of decision makers, a group of solutions for more detailed analysis.
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Sangiuliano, Maria, Claudia Canali, and Vasiliki Madesi. "Shaping Gender Equality Policies in IST-ICT Research Institutions Reflective Negotiations from the Participatory Audit to Design of Gender Equality Plans." In Institutional Change for Gender Equality in Research Lesson Learned from the Field. Venice: Fondazione Università Ca’ Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-334-2/001.
One of the critical issues highlighted by the existing literature on structural change for gender equality refers to the tensions and negotiations between the transformative goal of gender equality policies and the multiple ways they can be re-assumed and incorporated into existing policies and institutional goals. Institutional change can happen via small steps by exploiting existing discursive opportunities, or it can be overtly resisted and seen as a destabilizing factor for the status quo and existing power structures. The H2020 EQUAL-IST (Gender Equality Plans for Information Sciences and Technology Research Institutions) project supported 6 Universities across Europe starting from their Informatics and/or Information Systems Departments to initiate the design and implementation of gender equality plans from a field such as ICT/IST featured by extremely low representation of female researchers and full professors. The chapter analyzes the internal assessment phase and the preliminary steps of the initiated design process : based on a mixed methodology and a participatory approach to design gender equality policies, quantitative data collection has gone hand in hand with a qualitative Participatory Gender Audit: staff members and students discussed the main challenges related to gender inequalities and an idea generation process was kicked off. Discrepancies between the ‘diagnostic’ aspect of assessing problems and ‘prognostic’ ideas for measures and solutions are highlighted, leading to interesting insights as far as the afore-mentioned tensions are concerned.
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Kammay, Aviv. "How Does It Feel to Be." In Fandom and The Beatles, 167–87. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190917852.003.0007.
Beatles tribute concerts are visceral, experiential, and participatory arenas of Beatles fandom. This chapter covers principal aspects and characteristics of these shows. The caricaturization of Lennon, McCartney, Harrison, and Starr in impersonation acts is traced back to its roots in film and television portrayals of the individual Beatles. Discrepancies are pointed out between the Beatles’ own irreverent tendencies in the band’s career and the stereotypes presented on the tribute show stages. Various types of simulations, reenactments, and dreamed-up fantasy scenarios featured in Beatles tribute shows are paired with the fan-driven motivations behind them. Tribute shows that break away from the typical four-men-in-wigs model are noted for creating inclusive Beatles fan spaces on and off the stage. Finally, the pursuit of musical accuracy in producing note-for-note Beatles tribute shows is examined through a consideration of the challenges and possibilities presented by material from different recording periods of the Beatles.
