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Relevant bibliographies by topics / Pasolini, Pier Paolo, 1922-1975 / Books

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Books on the topic 'Pasolini, Pier Paolo, 1922-1975'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Pasolini, Pier Paolo. P.P.P., Pier Paolo Pasolini: Pier Paolo Pasolini and death. Ostfildern: Hatje Cantz, 2005.

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2

Pier Paolo Pasolini: In living memory. Washington, DC: New Academia Pub., 2009.

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3

Pier Paolo Pasolini: Cinema as heresy. Princeton, N.J: Princeton University Press, 1990.

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4

1922-1975, Pasolini Pier Paolo, ed. The passion of Pier Paolo Pasolini. Bloomington: Indiana University Press, 1995.

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5

Rohdie, Sam. The passion of Pier Paolo Pasolini. London: British Film Institute, 1995.

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6

Gordon, Robert Samuel Clive. Pasolini: Forms of subjectivity. Oxford: Clarendon Press, 1996.

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7

A poetics of resistance: Narrative and the writings of Pier Paolo Pasolini. Madison [N.J.]: Fairleigh Dickinson University Press, 1995.

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8

Il primo Pasolini e la sua narrativa. New York: P. Lang, 1987.

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9

The resurrection of the body: Pier Paolo Pasolini from Saint Paul to Sade. Chicago: University of Chicago Press, 2009.

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10

Pasolini, Pier Paolo. In danger: A Pasolini anthology. San Francisco, Calif: City Lights Books, 2010.

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11

Peterson, Thomas E. The paraphrase of an imaginary dialogue: The poetics and poetry of Pier Paolo Pasolini. New York: P. Lang, 1994.

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12

Brisolin, Viola. Power and subjectivity in the late work of Roland Barthes and Pier Paolo Pasolini. Oxford: Peter Lang, 2011.

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13

Metaphern von Musik und Stille als Erkenntnismittel in den Filmen Pasolinis. Frankfurt: Lang, 1999.

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14

Allegories of contamination: Pier Paolo Pasolini's Trilogy of life. Toronto: University of Toronto Press, 1996.

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15

Pasolini requiem. New York: Pantheon Books, 1992.

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16

Barlera, Paolo, ed. Pasolini Requiem. Venezia: Marsilio, 1995.

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17

A certain realism: Making use of Pasolini's film theory and practice. Berkeley: University of California Press, 1993.

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18

Sex, the self, and the sacred: Women in the cinema of Pier Paolo Pasolini. Toronto: University of Toronto Press, 2007.

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19

Di Blasi, Luca, Manuele Gragnolati, and Christoph F. E. Holzhey, eds. The Scandal of Self-Contradiction. Vienna: Turia + Kant, 2012. http://dx.doi.org/10.37050/ci-06.

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Abstract:

Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini’s ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a ‘euro-eccentric’ and multifaceted Pasolini of great interest for the present.

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20

Pasolini, Pier Paolo. La rabbia. Bologna: Cineteca Bologna, 2009.

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21

The worldliness of a cosmopolitan education: Passionate lives in public service. New York, NY: Routledge, 2010.

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22

Chiesi, Roberto, Peter Kammer, Loris Lepri, Giuseppe Zigaina, and Pier Paolo Pasolini. Pasolini and Death: Pier Paolo Pasolini 1922-1975. Hatje Cantz Publishers, 2006.

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23

(Introduction), Enzo Siciliano, Norman Macafee (Translator), and Luciano Martinengo (Translator), eds. Pier Paolo Pasolini: Poems. Farrar Straus Giroux, 1996.

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24

Greene, Naomi. Pier Paolo Pasolini: Cinema as Heresy. Princeton University Press, 2017.

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25

Greene, Naomi. Pier Paolo Pasolini: Cinema As Heresy. Princeton University Press, 2017.

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26

Pier Paolo Pasolini: Cinema as Heresy. Princeton U.P., 1990.

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27

Greene, Naomi. Pier Paolo Pasolini: Cinema as Heresy. Princeton University Press, 2017.

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28

Annovi, Gian Maria. Pier Paolo Pasolini: Performing Authorship. Columbia University Press, 2017.

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29

Pier Paolo Pasolini: Performing Authorship. Columbia University Press, 2017.

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30

Pier Paolo Pasolini Poet of Ashes. City Lights Books, 2007.

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31

Testa, Bart, and Patrick Rumble. Pier Paolo Pasolini: Contemporary Perspectives. University of Toronto Press, 2016.

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32

Bergonzoni, Maura, and Benjamin Lawton. Pier paolo Pasolini: In Living Memory. New Academia Publishing, LLC, 2009.

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33

Viano, Maurizio. Certain Realism: Making Use of Pasolini's Film Theory and Practice. University of California Press, 1993.

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34

Greene, Naomi. Pier Paolo Pasolini: Cinema As Heresy. Princeton Univ Pr, 1992.

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35

(Editor), Patrick Rumble, and Bart Testa (Editor), eds. Pier Paolo Pasolini: Contemporary Perspectives (Toronto Italian Studies). University of Toronto Press, 1994.

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36

(Editor), Patrick Rumble, and Bart Testa (Editor), eds. Pier Paolo Pasolini: Contemporary Perspectives (Toronto Italian Studies). University of Toronto Press, 1994.

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37

(Introduction), Paul Bailey, and J. Shepley (Translator), eds. Pasolini. Bloomsbury Publishing PLC, 1987.

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38

Rohdie, Sam, and Pier Paolo Pasolini. The Passion of Pier Paolo Pasolini (Perspectives (Bloomington, Indiana).). Indiana University Press, 1996.

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39

Maggi, Armando. Resurrection of the Body: Pier Paolo Pasolini from Saint Paul to Sade. University of Chicago Press, 2009.

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40

Nathanaël. Pasolini's Our. Nightboat Books, 2018.

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41

Pasolini : the Massacre Game: Terminal Film, Text, Words, 1974-75. Sun Vision Press, 2013.

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42

Felten, Uta, Kristin Mlynek-Theil, and Franziska Andraschik. Pasolini Intermedial. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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43

Felten, Uta. Pasolini Intermedial. Lang Publishing, Incorporated, Peter, 2013.

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44

Pasolini Intermedial. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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45

Patti, Emanuela. Pasolini after Dante. Taylor & Francis Group, 2020.

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46

Brisolin, Viola. Power and Subjectivity in the Late Work of Roland Barthes and Pier Paolo Pasolini. Lang AG International Academic Publishers, Peter, 2011.

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47

Di un Uomo: Leopardi, Dostoevskij, Pasolini. La Scuola S.P.A., 2018.

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48

Schwartz, Barth David. Pasolini Requiem. Random House Value Publishing, 1998.

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49

Schwartz, Barth David. Pasolini Requiem. Vintage, 1995.

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50

Pinar, William F. Worldliness of a Cosmopolitan Education: Passionate Lives in Public Service. Taylor & Francis Group, 2009.

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