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Dissertations / Theses on the topic 'Passacaglia'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Consult the top 18 dissertations / theses for your research on the topic 'Passacaglia.'

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1

Beckman, Bradley. "Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279229/.

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This paper investigates Ronald Stevenson's unique treatment of large-scaled structure in his Passacaglia on D S C H. This piece's unusual eighty-minute length, use of traditional forms and unusual piano techniques, musical references to other cultures and a massive triple-fugue over a ground bass will be examined as they relate to its overall form. The elements of rhythm, melody/mode, harmony, counterpoint, piano techniques, and tonality are also used as means of highlighting many unifying elements of the piece which contribute to its overall cohesiveness. Tributes to other composers, among th

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2

Bedford, Don Michael. "Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935654/.

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This document consists of the following elements: (1) an examination of Healey Willan's background in the English Cathedral tradition; (2) a study of the formation of his compositional style based on his knowledge of English composers and treatises of the day; (3) a look at the German influences on his compositional style; and (4) an analysis showing how he merged these styles into a unified whole to create a monumental work for the organ. Included are musical examples of English and German keyboard works compared with examples from Willan's introduction, Passacaglia and Fugue in order to illu

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3

Kopáčik, Vladimír. "Sigfrid Karg-Elert: Passacaglia a fúga n ab-a-c-h op. 150." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202763.

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The Master's Thesis Sigfrid Karg-Elert: Passacaglia and Fugue on B-A-C-H, op.150 concentrates both on the composer's life and this specific composition. The thesis traces the history of the formation of the composition. It begins by offering insights into the perception of music at the beginning of the 20th Century. I then attempt to show the relationship between the composer's life and his work, dealing with his musical language and his various compositions. The main topic is the formation of the composition "B-A-C-H" and an analysis. In the chapters devoted to the main topic, I analyze

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4

Haaheim, Kip. "Histories I. light and dark potentials II. bones under the weeping willow III. passacaglia." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/565585.

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5

Bae, Jin Young. "Karg-Elert's Passacaglia and fugue on B-A-C-H : a study of harmonic and stylistic analysis /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11401.

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6

Almeida, Cosme Luis de. "O processo de transcrição para dois violões da Passacaglia e Fuga BWV 582 de Johann S. Bach." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/3974.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-27T14:27:54Z No. of bitstreams: 4 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Cosme Luis de Almeida - 2014 (1).pdf: 18748213 bytes, checksum: 0ec6968228794598f5856e4303624fa9 (MD5) Dissertação - Cosme Luis de Almeida - 2014 (2).pdf: 18823898 bytes, checksum: 9d5dbcc6d89d10d50e2fad8f78130178 (MD5) Dissertação - Cosme Luis de Almeida - 2014 (3).pdf: 7540917 bytes, checksum: 4a3d2e88bba8c9064dd80e5905ae13fb (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on

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7

Wu, Siyu. "Harmonic and Rhythmic Transformation in Ligeti's Harpsichord Compositions: A Comparative Analysis of Continuum, Hungarian Rock and Passacaglia Ungherese." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1595470695585872.

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8

Son, SE. "Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J.S Bach." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1353089121.

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9

Mariottini, Filippo. "The Passacaglia by Johann Sebastian Bach Interpretation perspectives : How the Bach score can lead to such different musical results." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2874.

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10

Cassidy, Robert L. "A comparison of passacaglias in piano trios by Ravel and Shostakovich from a historical and theoretical perspective." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1343464.

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This dissertation contains a comparison from a historical and theoretical perspective of the passacaglia from the Piano Trio in E Minor, Op. 67, written by Dmitri Shostakovich (1906-1975), and the passacaglia from the Piano Trio in A Minor, written by Maurice Ravel (1875-1937).Before the history and theory discussion of these two movements begins, a background is given on the passacaglia form and its origins. References are made to the beginnings of the passacaglia in Italy and Spain, as well as the gradual evolution of the form into the keyboard music of the 17th century. Early published exam

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11

Hines, Jane. "Reinventing Tradition: Brahms, Progress, and Basso Ostinato." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904.

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12

De, Villiers Bernadette. "Benjamin Britten's use of the passacaglia." Thesis, 2014.

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13

de, Villiers Bernadette. "Benjamin Britten's use of the passacaglia." Thesis, 2015. http://hdl.handle.net/10539/16589.

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14

LIU, WEI HSUAN, and 劉蔚萱. "A Study of Variation Technique and Interpretation in Copland 's Passacaglia and Piano Variations." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/64218994081737743675.

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15

Wang, Yi-Yuan, and 王依園. "Past-Present and Virtual-Reality in Tan Dun’s “Passacaglia: Secret of Wind and Birds”." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/7t9vav.

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碩士<br>國立中山大學<br>音樂學系研究所<br>107<br>Tan Dun has established his own composing style by blurring cultural boundaries in his compositions, experimenting musical concepts and techniques such as Organic music. In his orchestral work Passacaglia: Secrets of Wind and Birds (2015), Tan adopted mobile phones as an instrument and allowed audiences to play audio of bird songs in order to create a “digital forest”. In this way, the composer is able to confuse sounds between a virtual world and reality. Tan also creatively experiments the form of passcaglia, blending the past and present musical styles. The

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16

Barkoskie, Alvez Theodore. "Rasgueado for flute, clarinet in Bb, violin, cello, percussion and piano." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-12-4822.

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"Rasgueado” is an expansion of a chorale from an earlier work I composed for brass quintet. It is based on a seven measure progression that appears in many several different variations throughout the work. Traditionally, this form is known as a passacaglia, which has origins in Spain and Italy. In Spain, the pasacalle, is a rasgueado, or strummed interlude between dances or the verses of a song. I choose to name this piece “Rasgueado” since parts of the piece are loosely based on the idea of the passacaglia and since the piece opens and closes with the strumming of the cello.<br>text

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17

"Chaconnes and passacaglias in the keyboard music of François Couperin (1668-1733) and Johann Caspar Ferdinand Fischer (1665-1746)." Thesis, 2003. http://hdl.handle.net/2152/838.

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18

Park, Misung 1968. "Chaconnes and passacaglias in the keyboard music of François Couperin (1668-1733) and Johann Caspar Ferdinand Fischer (1665-1746)." 2003. http://hdl.handle.net/2152/12928.

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