Relevant bibliographies by topics / Passages quoted

Contents

  1. Journal articles
  2. Books
  3. Book chapters

Academic literature on the topic 'Passages quoted'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Passages quoted.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Passages quoted"

1

Zvi Stampfer, Y. "Genizah within the Genizah." Intellectual History of the Islamicate World 8, no. 2-3 (2020): 265–83. http://dx.doi.org/10.1163/2212943x-20201008.

Full text
Abstract:
Abstract This paper deals with passages from works by Muslim authors embedded within works of Jewish Law (Halakha) and biblical commentary; some passages are quoted verbatim, while others were reworked to fit the Jewish context by replacing references to the Qurʾān with references to the Jewish Bible. The Jewish works were written in Judeo-Arabic, making it easy to seamlessly adapt and integrate passages written in Arabic. Neither of the Jewish authors note that they are borrowing from earlier sources: sometimes one can recognize the embedded passage through a change in the linguistic register, but in other cases only familiarity with the borrowed texts can bring them to the reader’s attention. While scholars have noted this phenomenon in fields outside the Jewish legal context, such as philology and philosophy, it has not been recognized within judicial works. The sources discussed here survived only in the Cairo Genizah and have not previously been published.
APA, Harvard, Vancouver, ISO, and other styles
2

Arblaster, Anthony. "‘A London Symphony’ and ‘Tono-Bungay’." Tempo, no. 163 (December 1987): 21–25. http://dx.doi.org/10.1017/s0040298200023573.

Full text
Abstract:
SHORTLY BEFORE HIS DEATH in 1958 Vaughan Williams told Michael Kennedy, who was already committed to writing the composer's ‘musical biography’, that the coda or Epilogue to the final movement of his A London Symphony had a link with the end of H.G. Wells's novel Tono-Bungay, in which London is evoked as the book's narrator and central character passes down the Thames through the city to the open sea. ‘For actual coda see end of Wells's Tono Bungay’ was the composer's laconic advice. Kennedy then quotes two short passages from the final chapter of Tono-Bungay, and these have since become a standard point of reference for other writers on the symphony. They have appeared in record sleeve and programme notes, and in other places, such as Hugh Ottaway's BBC Music Guide to the Vaughan Williams Symphonies. The most frequently quoted passage is the following:Light after light goes down. England and the Kingdom, Britain and the Empire, the old prides and the old devotions, glide abeam, astern, sink down upon the horizon, pass—pass. The river passes—London passes, England passes…
APA, Harvard, Vancouver, ISO, and other styles
3

Lanier, Gregory R. "‘As It Is Written’ … Where? Examining Generic Citations of Scripture in the New Testament." Journal for the Study of the New Testament 43, no. 4 (2021): 570–604. http://dx.doi.org/10.1177/0142064x211004419.

Full text
Abstract:
This article examines 33 ‘generic’ citations of Israel’s scriptures in the NT, defined as passages containing an introductory formula or other overt reference to a source, but lacking any actual quoted text. Each passage (from the gospels, Acts and Pauline epistles) is examined in terms of its citation form and particular meaning in context, and then this broader pattern of ‘generic’ citation is compared with Second Temple citation practices. Having rarely been studied collectively, these citations provide interesting insight into how the NT authors draw upon the whole of the OT – without reference to specific prooftexts – to make assertions about Israel’s history, Christology, and the church. They should be given more consideration in the broader field of biblical intertextuality.
APA, Harvard, Vancouver, ISO, and other styles
4

Hudson-williams, A. "Notes on Some Passages in Seneca's Tragedies and the Octavia." Classical Quarterly 39, no. 1 (1989): 186–96. http://dx.doi.org/10.1017/s000983880004057x.

Full text
Abstract:
The text quoted above each note is that of the edition of Seneca's tragedies by Otto Zwierlein (Zw.), OCT 1986; numerous passages are discussed in his Kritischer Kommentar zu den Tragüdien Senecas (K.K.), Stuttgart, 1986; various textual suggestions were made in a correspondence with Zw. by B. Axelson (Ax.). Other works on Seneca's tragedies, referred to by the scholar's name only, are: (i)Text and translation: F. J. Miller, Loeb, 1917; L. Herrmann, Budé, 1924–6. (ii)Text with commentary: R. J. Tarrant, Agamemnon (Cambridge, 1976), and Thyestes (Atlanta, 1985); J. G. Fitch, Hercules Furens (Ithaca, 1987). (iii) Text with commentary and translation: Elaine Fantham, Troades (Princeton, 1982); A. J.Boyle, Phaedra (Liverpool, 1987).
APA, Harvard, Vancouver, ISO, and other styles
5

HUANG, Yu-mei. "Similar Passages Quoted by Guanding in his Jizhesilu and by Jizang in his Fahuaxuan lun." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 55, no. 2 (2007): 614–17. http://dx.doi.org/10.4259/ibk.55.614.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hudson, Elizabeth. "Gilda seduced: A tale untold." Cambridge Opera Journal 4, no. 3 (1992): 229–51. http://dx.doi.org/10.1017/s0954586700003785.

Full text
Abstract:
A natural starting point for a critical reading of Verdi's Rigoletto might be the protagonist's ‘Cortigiani, vil razza dannata’ in Act II: an utterance around which much of the emotional intensity of the opera is centred. Rigoletto's outburst can be discussed to great advantage in terms of current musicological fashion, as it alters conventional forms in fascinating and provocative ways, and to great dramatic effect. Yet such an approach presupposes that the key to understanding operas lies in their Great Moments – those passages of intense musical expression that tend to be quoted in movies and television commercials. Of course these moments are a crucial aspect of our delight, and can be a rich source for interpretative ventures. But there is more to opera: various levels of meaning invite our exploration and enjoyment; hermeneutic ‘secrets’ lurk behind seemingly ‘trivial or irrelevant’ passages, and can lead to new perspectives on familiar works.
APA, Harvard, Vancouver, ISO, and other styles
7

Shaughnessy, Edward L. "Of Trees, a Son, and Kingship: Recovering an Ancient Chinese Dream." Journal of Asian Studies 77, no. 3 (2018): 593–609. http://dx.doi.org/10.1017/s0021911818000517.

Full text
Abstract:
The first volume of the Tsinghua University Warring States bamboo-strip manuscripts contains a text with passages that match medieval quotations of a text referred to asCheng Wu 程寤orAwakening at Cheng, which in turn is said to be a lost chapter of theYi Zhou Shu 逸周書orLeftover Zhou Documents. The passages concern one of Chinese literature's earliest interpretations of a dream, and were quoted in medieval encyclopedias in their sections on dreams. This article discusses the significance of this discovery both for Chinese textual history and for the interpretation of this particular dream. In particular, it shows that trees seen in the dream predict the Zhou conquest of Shang, and the subsequent Shang acquiescence to Zhou rule. It also notes that this discovery simultaneously confirms the antiquity of this text, but also calls into question the dominant traditional interpretation of the dream.
APA, Harvard, Vancouver, ISO, and other styles
8

Mansfeld, Jaap. "'Illuminating What is Thought'. A Middle Platonist Placitum On 'voice' in Context." Mnemosyne 58, no. 3 (2005): 358–407. http://dx.doi.org/10.1163/1568525054796818.

Full text
Abstract:
AbstractThe Plato κɛπαλαιον in Aëtius' chapter On Voice is the result of the interpretation, modernization, and systematization of brief passages dealing with hearing, voice and speech to be found in several dialogues. This construction of Plato's doctrine of 'voice' was mainly inspired by the systematic and innovative Stoic τóπος On Voice. The 'physical' definition is based on passages in Theaetetus and other works, the 'physiological' on a passage in Timaeus. The distinction and relation between voiceless internal λóγος (or thought) and spoken λóγος in Theaetetus and Sophist was interpreted as being equivalent to that between internal and uttered ϕωνη-cum-λóγος which played an important part in the Stoic view of the relation between thinking and speaking. Because as a rule Plato uses ϕωνη of the human voice, the rigorous distinction between this voice and that of animals and lifeless things postulated by Diogenes of Seleucia and other Stoics could be attributed to him, and his unsystematic usage justified by claiming that he used ϕωνη both in the proper and in a loose (or improper) sense. Approaches such as these are characteristic of Middle Platonism. In the present case the neutralization of Theophrastus' criticism of Plato in the De sensibus played a significant part. Plato's statement that thought is mirrored in what is spoken was updated by replacing it with a (fanciful) etymology of ϕωνη which must be dated to at least the Hellenistic period (it was known to e.g. Philo of Alexandria and used by the grammarian Philoxenus). Surprisingly full parallels for virtually the entire contents of the Aëtian κεϕαλαıον are found in the Commentaria in Dionysium Thracem. The etymology of ϕωνη, and others like it, were quoted and used by grammarians and lexicographers from the later first century BCE up to late Byzantine times. The attempt to understand the doxographer's lemma on Plato on voice thus becomes a case-study demonstrating both the openness and the tenacity of philosophical interpretation in antiquity. But note that the present inquiry is not concerned with the Aristotelian or (partly) Aristotelianizing tradition according to which language is conventional.One of the side-effects of the present inquiry was the unsurprising realization (again) that 'parallel passages', once quoted and interpreted out of context, may sort of drift from one book or paper to the next, while their interpretation hardens into received truth. In the present case the so-called parallels in Plato for the later distinction between the internal and the spoken voice proved to be not so parallel after all.
APA, Harvard, Vancouver, ISO, and other styles
9

WENZEL, SIEGFRIED. "THE WORK CALLED CONGESTA AND FIFTEENTH-CENTURY ENGLISH THEOLOGY." Traditio 73 (2018): 291–319. http://dx.doi.org/10.1017/tdo.2018.5.

Full text
Abstract:
Congesta, written about the middle of the fifteenth century in England and only partially preserved, is a massive sermon commentary, originally in five volumes, covering the Sundays of the church year, some feast days and common sermons for saints, and two special occasions (“In Time of Persecution” and “For Religious”). Of the entire cycle only forty-six sermons are extant in two manuscripts (Oxford, Magdalen College MSS 96 and 212). The commentary deals at great length with the Epistle or Gospel lection of the respective Mass. Its anonymous author, probably an English Carthusian, excerpted long passages from over 130 named authors and anonymous works, including Petrus Berchorius, Saint Brigid of Sweden, and the Imitatio Christi. The sermons, which are basically moral postillation of the lections and show much concern with the qualities of a good pastor, can be seen as part of the reforming tendencies in the English church marked especially by Thomas Gascoigne. The article describes and discusses the sermon cycle, analyzes the sermon for 23 Trinity, and discusses the structure of the sermons and some of the authors of the later Middle Ages that are quoted or excerpted. An appendix lists the authors and anonymous works quoted in alphabetical order.
APA, Harvard, Vancouver, ISO, and other styles
10

Spencer, Luke. "A poetics of engagement in E.L. Doctorow's Ragtime." Language and Literature: International Journal of Stylistics 5, no. 1 (1996): 19–30. http://dx.doi.org/10.1177/096394709600500103.

Full text
Abstract:
Ragtime (1985 [1975]) is contextualised among Doctorow's other 1970s novels as an attempt to challenge received ideas about his country's past. The novel's formal strategy for expressing Doctorow's radical critique of modem American experience- what he calls 'a poetics of engagement' - is examined through close attention to the formal and linguistic handling of speech. Three key passages of dialogue are quoted at length and analysed for what they reveal of the social - and, hence, ideological- embeddedness of utterances and those who speak them. The interdependence of private and public discourse is related to issues of reproduction, repetition and inescapability which the novel also addresses. Finally, it is argued that Doctorow's unflinching engagement with negative socio-linguistic forces culminates in a courageous admission of political paralysis.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Passages quoted"

1

Grace: Quotes & passages for heart, mind, and soul. Random House Reference, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dickens, Charles. The wicked wit of Charles Dickens: 161 quotes , excerpts, and passages. Gramercy Books, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

As you can see in the text--: Which passages do literary scholars quote and interpret in "Gulliver's travels"? : "quotation analysis" as an aid to understanding comprehension processes of longer and difficult texts. P. Lang, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sainsbury, Mark. Flashbacks. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803348.003.0008.

Full text
Abstract:
‘Flashbacks’ connects themes of the book to discussions by some famous historical figures. Some of the passages quoted puzzled the author greatly when he first encountered them, but viewing them in the light of display theory he finds it easier to detect the seemingly conflicting pressures driving their authors.
APA, Harvard, Vancouver, ISO, and other styles
5

W, Hanson J. Bible Threatenings Explained: Or Passages of Scripture Sometimes Quoted to Prove Endless Punishment Shown to Teach Consequences of Limited Duration. Kessinger Publishing, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cheshire, Paul. William Gilbert and Esoteric Romanticism. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941206.001.0001.

Full text
Abstract:
William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem’s ‘passages of exquisite Beauty’; and William Wordsworth praised and quoted a long passage from Gilbert’s poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s—Blake’s 'Continental Prophecies', Coleridge's 'Religious Musings', Southey's Joan of Arc—all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert’s progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem.
APA, Harvard, Vancouver, ISO, and other styles
7

Thomas, Paine. Examination of the Passages in the New Testament Quoted from the Old and Called Prophecies Concerning Jesus Christ. to Which Is Prefixed, an Essay on Dreams. Also an Appendix. HardPress, 2020.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Dugan, John. Netting the Wolf-Fish. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788201.003.0009.

Full text
Abstract:
This chapter offers a close reading of a single oratorical fragment, a passage ascribed to the second-century BC orator C. Titius quoted by Macrobius (Sat. 3.16.15‒16). The chapter explores the range of contexts we can use as readers to try to make sense of the passage, suggesting that quotation practices can illuminate aspects of the quoted text we miss if we concentrate simply on the testimonia to Titius’ activity as an orator as traditionally understood. In this particular case, attention to Macrobius’ concern with luxury and consumption, and the emblematic wolf-fish, also points towards a more general understanding of the use of fragments in antiquity as material for the quoting author to digest and transform.
APA, Harvard, Vancouver, ISO, and other styles
9

Passages: The Greatest Quotes from Sporting Literature. Skyhorse, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Aronson, B. C. LOVE: Quotes and Passages from the Heart. Random House Reference, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Passages quoted"

1

"Passages Of Scripture Quoted." In The Monks of Kûblâi Khân Emperor of China, edited by E. A. Wallis Budge. Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463228248-027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"INDEX OF PASSAGES QUOTED." In The Physical World of Late Antiquity. Princeton University Press, 1987. http://dx.doi.org/10.1515/9781400858989.181.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"INDEX TO PASSAGES QUOTED." In Physics of the Stoics. Princeton University Press, 1987. http://dx.doi.org/10.1515/9781400859009.148.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Index of Passages Quoted." In A Poetics of Transformation. Cornell University Press, 2019. http://dx.doi.org/10.7591/9780801466892-012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Passages of Scripture Quoted." In The Monks of Kublai Khan: Emperor of China. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755623938.010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"LIST OF BIBLE PASSAGES QUOTED." In The Book of Governors: The Historia Monastica of Thomas of Marga AD 840. Gorgias Press, 2003. http://dx.doi.org/10.31826/9781463208882-009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"List of Bible Passages quoted." In Book Of Governors. Routledge, 2018. http://dx.doi.org/10.4324/9781315862750-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"INDEX OF SYRIAC PASSAGES QUOTED IN TRANSLATION." In The Holy Spirit in the Syrian Baptismal Tradition. Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463214425-015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"Index of Passages Quoted in the Lessons." In Intermediate Ancient Greek Language. ANU Press, 2021. http://dx.doi.org/10.2307/j.ctv1m9x32q.50.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Comparative Table of passages quoted from the Maṣ̣navī." In Selected Poems from the Divani Shamsi Tabriz. Routledge, 2013. http://dx.doi.org/10.4324/9780203036570-14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography