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Relevant bibliographies by topics / Patchwork and quilting

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Academic literature on the topic 'Patchwork and quilting'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Patchwork and quilting"

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Danet, Brenda. "Pixel Patchwork: “Quilting in Time” Online." TEXTILE 1, no. 2 (2003): 118–43. http://dx.doi.org/10.2752/147597503778053072.

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Williams, Gayle. "Patchwork in Print: A survey of Quilting Periodicals." Serials Review 11, no. 3 (1985): 15–20. http://dx.doi.org/10.1080/00987913.1985.10763628.

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ta, Suja, K. Vasudeva Naik, and Jyoti V. Vastrad. "Consumer Acceptability for the Patchwork Quilt Value Added Products Prepared by Quilting Technique." International Journal of Current Microbiology and Applied Sciences 7, no. 2 (2018): 1085–89. http://dx.doi.org/10.20546/ijcmas.2018.702.135.

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Hartanto, Susi, and Rafael Trihardy. "PENELITIAN POTENSI PRODUK HASIL EKSPLORASI LIMBAH POLIESTER DARI INDUSTRI TAS Studi Kasus PT. Tasindo Tassa Industries." Jurnal Dimensi Seni Rupa dan Desain 13, no. 1 (2016): 39. http://dx.doi.org/10.25105/dim.v13i1.1777.

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<strong>Abstract</strong><br />As main reference for this research, PT. Tasindo Tassa Industries produces around 3 tons of fabric waste from bags production, in which 80% is of polyester kind. Fabric waste are cheaply bought by local waste collector to be remaked as bucket, as one<br />example. Other simple methods of processing fabric waste, such as patchwork, quilting, resin, and webbing are commonly made into craft products, and can be easily found anywhere. Hence, focus of this research is to explore polyester waste with certain<br />technique with innovative value, and to design it into sellable products. Through focus group discussion and a series of experiments, polyester waste are made into bags collection using fabric manipulation technique. Results of this research can be used as reference to help home industry or small scale craftsmen to produce ready-to-sell<br />products.<br /><br /><br /><strong>Abstrak</strong><br />PT. Tasindo Tassa Industries sebagai studi kasus penelitian ini, menghasilkan sekitar 3 ton limbah kain hasil produksi tas, dimana 80% adalah jenis poliester. Sampah kain biasanya dibeli oleh bandar sampah dengan harga yang sangat murah untuk diproduksi lagi menjadi berbagai produk sederhana, seperti<br />ember salah satunya. Sampah kain pada umumnya biasa diolah lagi menjadi produk kerajinan dengan teknik sederhana seperti patchwork, quilting, resin, dan anyam, yang bisa dengan mudah ditemukan dimana-mana. Fokus penelitian ini adalah mengeksplorasi sampah poliester dengan teknik yang<br />memiliki nilai kebaruan dan merancangnya menjadi produk layak jual. Melalui focus group discussion dan eksperimen, sampah poliester dirancang menjadi koleksi tas dengan menggunakan teknik manipulasi kain. Hasil penelitian bisa dipakai sebagai acuan dasar untuk membantu industri skala<br />rumahan atau pengrajin kecil memproduksi barang siap jual.

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Te Ava, Aue, and Angela Page. "How the Tivaevae Model can be Used as an Indigenous Methodology in Cook Islands Education Settings." Australian Journal of Indigenous Education 49, no. 1 (2018): 70–76. http://dx.doi.org/10.1017/jie.2018.9.

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This paper explores an Indigenous research methodology, the tivaevae model, and its application within the Cook Islands education system. The article will argue that the cultural values embedded within its framework allow for the successful implementation of this Indigenous methodology. The model draws from tivaevae, or artistic quilting, and is both an applique process and a product of the Cook Islands. It is unique to the Cook Islands and plays an important part in the lives of Cook Islanders. The tivaevae model will be explained in detail, describing how patchwork creative pieces come together to create a story and can be used as a metaphor of the past, present and future integration of social, historical, spiritual, religious, economic and political representations of Cook Island culture. Further, the paper will then make links with the model to teaching and learning, by exploring secondary schools’ health and physical education policy and practices. Finally, the efficacy of the model in this context and its research implications will then be discussed.

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Kobayashi, Yoshikazu, Kenji Shirai, Yasuhiko Hara, Tomohiro Mizoguchi, and Kiyotaka Kawasaki. "Generation and Assessment of Random Surface Texture over a Wide Area." International Journal of Automation Technology 5, no. 2 (2011): 185–89. http://dx.doi.org/10.20965/ijat.2011.p0185.

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Product surface textures are designed to improve their aesthetic, tactile, and mechanical quality. Surface texture manufactured with microrough patterns over a wide area differs from common geometric product machining. We have proposed generating a surface texture with regular patterns by milling. Here we propose generating a random-pattern surface texture using image processing. Digital surface-texture data consists of “real” three-Dimensional (3D) machining information. Wide-area digital surface-texture data such as scattered point data, Initial Graphics Exchange Specifications (IGES), and Standard Triangulated Language (STL) require humongous memory. The complexity and area of surface texture processed to generate tool paths is limited by computational considerations and generating the tool path for a widearea surface texture is time-consuming, so we propose generating random wide-area-pattern surface texture without the need for wide-area digital texture data. Instead, this uses only wide-area image data and narrowarea digital data. A wide-area tool path is generated by image quilting, which creates a patchwork in which patches represent both image and digital data for narrow-area surface texture, reducing surface distortion for patch boundaries. This paper introduces the generation of random pattern texture and machined samples assessing patch-boundary distortion.

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"Quilting, patchwork & applique: a world guide." Choice Reviews Online 45, no. 09 (2008): 45–4777. http://dx.doi.org/10.5860/choice.45-4777.

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Zarembo, Liene, and Skaidrīte Romančuka. "Creative use of traditional patchwork motif in the Patchwork & Quilt workshop." Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, September 28, 2013, 205. http://dx.doi.org/10.17770/amcd2013.1263.

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Contemporary quilters use a wide range of Patchwork and Quilt designs and styles, from ancient and ethnic to post-modern futuristic patterns. Unusual quilting designs have increasingly become popular as decorative textiles. During the late 20th century, art quilts became popular for their aesthetic and artistic qualities rather than for functionality. Patchwork &amp; Quilt as a form of art is very popular throughout the world. Patchwork &amp; Quilt technology is based on stitching together, tufted fabric pieces with decorative embroidery patterns and variations on the theme of the artist's intentions. The larger design is usually based on repeat patterns built up with different fabric shapes. Patchwork is most often used to make quilts, but it can also be used to make bags, wall-hangings, warm jackets, cushion covers, skirts, waistcoats and other items of clothing. Some textile artists work with patchwork, often combining it with embroidery and other forms of stitchery. Traditional patchwork – blankets and pillows include such familiar themes as Log Cabin, Star, Pineapple, Scrap-Quilts, Bargello etc. Traditional patchwork has identifying names based on the arrangement of colors and shapes. A unique form of patchwork quilt is the Crazy Quilt. Crazy quilting was popular during the Victorian era (mid-late 19th century). The crazy quilt is made up of random shapes of luxurious fabric. The patchwork pieces are stitched together forming "crazy" or non-repeat, asymmetric compositions. Fancy embroidery embellishes the seam lines between the individual, pieced shapes. Traditions of Latvian Quilt continues at Quilt Latvian Society. Inspired by the world, Latvian artists creatively extend the style and technique-specific boundaries. Patchwork &amp; Quilt is a process that continues to evolve and improve the selection of fabrics and innovative technological solutions and means of artistic versatility. The aim of the work – To study traditional 19th century patchwork motif and to explore the usage of Crazy Quilt motif in contemporary patchwork. Material and Methods. This paper analyses the contemporary textile artists’ quilts and traditional 19th century Crazy Quilt motif. Conclusions. The research explores traditional 19th century patchwork motif, summarizes and analyses most common visual and technological features of Crazy Quilt motif. As a result of the research, and on the basis of personal experience, authors offer the Crazy Quilt practical training (workshop) objectives and terms of reference to ensure patchwork technique practical and artistic components. Applying both – traditional and contemporary patchwork sewing techniques and combining them with textile techniques such as embroidery, crochet, textile printing and different painting techniques, there is scope for costume decoration process. The Workshop’s content is suitable for students and participants who are interested in patchwork, quilting and everything in the diverse world textile arts in the 21st century, for beginners and intermediate makers. Participants can use a Crazy Quilt for design idea and learn the easy ways how to draw chosen designs and combine patterns to create a contemporary quilt and costume elements. As a result, students obtain new knowledge, self-experience in traditional textile techniques and motivation to study textile technology.

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De Roché, Georgina. "From the Log Cabin: A Call for the Consolidation of Historical and Contemporary Quilts in Canada." IJournal: Graduate Student Journal of the Faculty of Information 5, no. 2 (2020). http://dx.doi.org/10.33137/ijournal.v5i2.34468.

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This paper explores the historical significance of quilting in Canada and its evolution into a revived, highly individualistic art form in order to argue for the merits and value of a consolidating digitization project. Piecing together the patchwork of our quilt history reveals the traditionally feminized and criminally undervalued artistic processes and works that, in many cases, were the only medium by which women historically could memorialize, commemorate, or share their and their families’ histories. They are undeniably a crucial part of our cultural record.

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Amiany, Amiany, Titiani Widati, and Harin Tiawon. "Industri Seni Patchwork dan Quilting Motif Batik Dayak sebagai Produk Desain Interior yang Inovatif." Abdimas: Jurnal Pengabdian Masyarakat Universitas Merdeka Malang 6, no. 1 (2021). http://dx.doi.org/10.26905/abdimas.v1i1.5041.

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Dissertations / Theses on the topic "Patchwork and quilting"

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Elsley, Judith Helen 1952. "The semiotics of quilting: discourse of the marginalized." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/565534.

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Towndrow, Lizzie. "The Patchwork-Quilter as the Storyteller : MY DEAD DOG!" Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5558.

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Objects can evoke our most vivid memories and sensory emotions, through the stories that have been engraved into them across their lifetime. Throughout history, patchwork-quilting has been used to tell stories, hide messages and hold histories. They are seen as objects of warmth, comfort and security, inanimate extensions of ourselves that store our most complex sentiments and memories- becoming heirlooms that are kept in the families and communities for generations, preserving our histories and material culture. I intend to explore the inseparable relationship between craft and narrative within quilts, whilst re-imagining the quilts forms and functions in order to communicate stories more vividly. To do so I will use my memories of My Dead Dog, Henry, to illustrate narratives and embed them into quilted objects to stage as a tableau of artifacts. I intend to encourage the viewer to realise the imagined, through a haptic experience of my material world, whilst simultaneously creating my own heirlooms that can be passed down so my stories are not forgotten.<br><p>The full thesis contains copyrighted material</p><p>which has been removed in the published version</p>

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Solomon, Annabelle, University of Western Sydney, Faculty of Social Inquiry, and School of Ecology. "Between the worlds : women empowering ourselves through re-imaging our spirituality and creativity." THESIS_FSI_SEL_Solomon_A.xml, 1998. http://handle.uws.edu.au:8081/1959.7/434.

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The research question for this thesis arose from the author's desire to find ways to integrate into her sense of Self her personal experience as woman and mother and to be empowered by that. She sought a source of empowerment that affirmed the life honouring, spiritual and ecological values that were being highlighted by the mothering experience. The connection is deepened further by the recognition of a time when these values were incorporated into the earliest of human creation stories, from watching the creative cycles of the seasons, and the bodies of women in the gestating creation cycles. The body which forms the presentation of this thesis is in two media, text and the visual arts. It is expressed and interpreted in three parts: through the texts of the book, 'The wheel of the year : seasons of the soul in quilts' and the research document, and through the visual medium of artquilts in exhibition which symbolise the Old European and Celtic seasonal celebration. The process for construction of this research has been to piece together the fabrics of two women's research groups' life experiences, and the author's own personal reflections on her life and theirs, through the creative process of mothering, patchwork quilting and participating in seasonal ritual<br>Master of Social Ecology (Hons)

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Skafvenstedt, Ellen. "Att brodera är ett verb : Betraktelser ur ett nålsöga." Thesis, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5587.

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Under projektet ”Att brodera är ett verb –Betraktelser ur ett nålsöga” har jag använt applikationsbroderi som teknik för att transformera och bearbeta material från min omgivning. Jag har sorterat alla material efter färgcirkeln och skapat rutor som jag satt ihop till ett abstraherat lapptäcke. Arbetet har syftat till att undersöka processbaserat görande och jag har därför tagit hjälp av verben i konstnären Richard Serras ”Verb list”. Jag har satt upp fyra regler för mig själv att förhålla mig till under arbetets gång. Med reglerna har jag velat eliminera alla val och processer som inte handlar om själva görandet i sig. Lapptäcket har tagit sin slutliga form utifrån det ramverk som reglerna utgjort. Under min opponering diskuterade jag och opponenten Karin Lundgren-Tallinger främst hur jag har förhållit mig till mina regler under arbetets gång och hur de hade kunnat vara tydligare. Till Konstfacks Vårutställning hängde jag upp lapptäcket på en ställning av skrot i ett hörn och spred ut vissa rutor och andra obearbetade material så som skräp och garner i flera delar av rummet. Installationen av verket gjorde jag för att skapa en känsla av att arbetet med rutorna när som helst skulle kunna återupptas och görandet forsätta.

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Books on the topic "Patchwork and quilting"

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Patchwork & quilting. Stackpole Books, 1989.

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Patchwork & quilting. Hamlyn, 1988.

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Echols, Margit. Classic Patchwork & Quilting. Sedgewood Press, 1990.

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Seasonal Patchwork & Quilting. Meredith Press, 1991.

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Romantic patchwork & quilting. Sedgewood Press, 1989.

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Country Patchwork & Quilting. Sedgewood Press, 1988.

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Jon, Aron, ed. Nostalgia Patchwork & Quilting. Meredith Press, 1994.

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Dettore, Arlene. Victorian patchwork & quilting. Meredith Press, 1995.

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Small Patchwork & Quilting. Meredith Press, 1993.

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Linsley, Leslie. Small patchwork & quilting. Meredith Press, 1993.

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Conference papers on the topic "Patchwork and quilting"

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Graves, Jordan, Karen Royer, Gillian Smith, and Anne Sullivan. "Procedural Patchwork: Community-Focused Generative Design for Quilting." In C&C '21: Creativity and Cognition. ACM, 2021. http://dx.doi.org/10.1145/3450741.3466635.

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