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Relevant bibliographies by topics / Patience (Middle English poem)

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Academic literature on the topic 'Patience (Middle English poem)'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 February 2023

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Journal articles on the topic "Patience (Middle English poem)"

1

Pittman, Josh. "The Most Important Virtue?" Renascence 71, no. 1 (2019): 57–75. http://dx.doi.org/10.5840/renascence20197114.

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The narrator of the Middle English Cleanness states that God punishes sexual sin more harshly than any other sin. This essay argues that the rest of the BL Cotton Nero A.x manuscript continues to develop the virtue of temperance, which governs sexual behavior, as a central theme. Pearl uses temperance to bring home the dreamer’s sin and God’s justice, while Patience and SGGK employ the interrelation between temperance and fortitude in ways that make temperance foundational. Interrogating the interdependence of the virtues allows the poet to challenge the traditional hierarchy of virtues, in wh

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2

Stanley, E. G. "The Middle English Lyric and Short Poem." Notes and Queries 49, no. 1 (March 1, 2002): 113–14. http://dx.doi.org/10.1093/nq/49.1.113.

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Stanley, E. G. "The Middle English Lyric and Short Poem." Notes and Queries 49, no. 1 (March 1, 2002): 113–14. http://dx.doi.org/10.1093/nq/490113.

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Palti, K. "The Bound Earth in Patience and Other Middle English Poetry." Interdisciplinary Studies in Literature and Environment 20, no. 1 (February 6, 2013): 31–51. http://dx.doi.org/10.1093/isle/ist001.

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BURROW, J. A. "TWO NOTES ON THE MIDDLE ENGLISH PATIENCE , lines 56 and 329." Notes and Queries 36, no. 3 (September 1, 1989): 300–303. http://dx.doi.org/10.1093/nq/36-3-300.

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Smith, Ross. "J. R. R. Tolkien and the art of translating English into English." English Today 25, no. 3 (July 30, 2009): 3–11. http://dx.doi.org/10.1017/s0266078409990216.

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ABSTRACTTranslation techniques favoured by Tolkien in rendering Beowulf and other medieval poetry into modern English. J. R. R. Tolkien was a prolific translator, although most of his translation work was not actually published during his lifetime, as occurred with the greater part of his fiction. He never did any serious translation from modern foreign languages into English, but rather devoted himself to the task of turning Old English and Middle English poetry into something that could be readily understood by speakers of the modern idiom. His largest and best-known published translation is

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Coleman, Janet. "The Owl and the Nightingale and Papal Theories of Marriage." Journal of Ecclesiastical History 38, no. 4 (October 1987): 517–68. http://dx.doi.org/10.1017/s0022046900023630.

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In English and American Studies in German, summaries of theses and monographs, a supplement to Anglia, 1983, there is a notice of Hans Sauer's edition of the Middle English poem the Owl and the Nightingale with a German translation. Sauer stresses ‘that no completely satisfactory interpretation of this fascinating poem has been suggested so far. At best, only some of the aspects of O & N are covered by the various allegorical explanations or by reading it as a burlesque-satirical poem - these interpretations by no means explain its significance as a whole.’ The present paper suggests that

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Morrison, Susan Signe. "Slow Practice as Ethical Aesthetics: The Ecocritical Strategy of Patience." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 2 (September 17, 2020): 118–27. http://dx.doi.org/10.37536/ecozona.2020.11.2.3453.

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How can cultural works from the distant past –such as the Middle Ages—teach us ethical modes of behavior for today? One form of ecopoetics emerges through slow practice, making the reader collaborate in the measured process of co-creating the emotional impact of an imaginative text. Drawing on rich debates about slow cinema, this essay suggests how Chaucer’s The Clerk’s Tale—from his grand fourteenth-century poem, The Canterbury Tales—evokes a slow eco-aesthetics with ethical impact. The relative slowness of walking shapes how individuals respond to their environment. In turn, a deceleration o

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TARVERS, JOSEPHINE KOSTER. "A HITHERTO UNNOTICED MIDDLE ENGLISH POEM IN UNIVERSITY OF PENNSYLVANIA MS ENGLISH 6 1." Notes and Queries 32, no. 4 (December 1, 1985): 447–49. http://dx.doi.org/10.1093/nq/32-4-447.

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Boffey, Julia, and Paula Simpson. "A Middle English Poem on a Binding Fragment: an Early Valentine?" Review of English Studies 67, no. 282 (July 20, 2016): 844–54. http://dx.doi.org/10.1093/res/hgw074.

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Dissertations / Theses on the topic "Patience (Middle English poem)"

1

Jones, Caroline. "The Gawain-poet's use of the Beatitudes." Thesis, University of Wales Trinity Saint David, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683285.

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Johnson, Eric Jerome. "'In dryz dred and daunger' : the tradition and rhetoric of fear in Cleanness and Patience." Thesis, University of York, 2000. http://etheses.whiterose.ac.uk/14031/.

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This dissertation is a study of medieval theological interpretations of fear and their influence on the rhetorical and didactic discourses of two late-fourteenth century Middle English homiletic poems, Cleanness and Patience. In Chapter 1 I analyze the various medieval conceptualizations of dread (morally valueless timor naturalis, morally culpable timor libidinosus, and morally laudable timor gratuitus) as discussed by scholars such as Peter Lombard, St. Thomas Aquinas and St. Bonaventure and in works such as biblical exegesis and theological encyclopaedias. In the second chapter, I examine w

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Menner, Robert James. "Purity a Middle English poem." Ann Arbor, Mich. : University of Michigan Library, 2006. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=cme;cc=cme;view=toc;idno=ACS0188.0001.001.

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Hopkins, Stephen Chase Evans. "Solving the Old English Exodus: An Active Problem Solving Approach to the Poem." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303488106.

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Lecklider, Jane K. "An analysis of the structure and meaning of the Middle English poem Cleanness based upon a comprehensive examination of source materials." Thesis, King's College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363844.

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Timmermann, Anke. "The circulation and reception of a Middle English alchemical poem : the Verses upon the Elixir and the associated corpus of alchemica." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613055.

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Whitelock, Jill. "'The Seven Sages of Rome' and Orientalism in Middle English literature, with an edition of the poem from Cambridge, University Library, Dd.1.17." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624686.

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Roberts, Aled William. "Quoynt Soffraunce: Patience and Late Medieval English Literature." Thesis, 2020. https://doi.org/10.7916/d8-294n-zt13.

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This dissertation examines three literary treatments of patience in late medieval English literature. I argue that patience appears in the literature of late medieval England in a new and surprising form. Langland’s Patience in the B-text of Piers Plowman is an impoverished minstrel that disrupts and antagonizes his interlocutors through gnomic riddles and comic vignettes. The homiletic poem Patience, through a narrator hyperactively keen to transform suffering into “play” or “jape,” unpicks the deficiencies of a theology that views patience as “ease” or even pleasure and illuminates the Book

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Psonak, Kevin Damien. "The long line of the Middle English alliterative revival : rhythmically coherent, metrically strict, phonologically English." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5044.

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This study contributes to the search for metrical order in the 90,000 extant long lines of the late fourteenth-century Middle English Alliterative Revival. Using the 'Gawain'-poet's 'Patience' and 'Cleanness', it refutes nineteenth- and twentieth-century scholars who mistook rhythmic liveliness for metrical disorganization and additionally corrects troubling missteps that scholars have taken over the last five years. 'Chapter One: Tame the "Gabble of Weaker Syllables"' rehearses the traditional, but mistaken view that long lines are barely patterned at all. It explains the widely-accepted meth

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Schoen, Jenna. "Romantic Theology: Contemplating Genre in Late Medieval England." Thesis, 2021. https://doi.org/10.7916/d8-jc43-jk69.

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This dissertation explores the use of romance across religious poetry in late medieval England. Medieval devotional poems frequently borrow motifs and devices from romance; they might, for example, figure Jesus as a knight jousting with the devil or adopt the romance technique of interlace to narrate the Passion. Critics most frequently read these borrowings as a popularizing method, arguing that the poets of these religious texts turn to romance in order to appeal to their secular audience. I argue instead that late 14th century Middle English poets use romance to explore difficult theologica

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Books on the topic "Patience (Middle English poem)"

1

Gilligan, Janet Agnes. Neoplatonic cosmology and the Middle English "Patience". Ann Arbor, MI: University Microfilms International, 1986.

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2

Huval, Barbara Jane. Anglo-Saxon lexical and literary implications in the works of the Gawain-poet. Ann Arbor, MI: University Microfilms International, 1985.

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3

Newman, Barbara Florence. Sin, judgment, and grace in the works of the Gawain-poet. Ann Arbor, MI: University Microfilms International, 1986.

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4

The numerical universe of the Gawain-Pearl poet: Beyond phi. Gainesvillle: University Press of Florida, 2002.

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5

Putter, Ad. An introduction to the Gawain-poet. New York: Longman, 1996.

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6

The fayre formez of the Pearl poet. East Lansing: Michigan State University Press, 1996.

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7

Lawman's Brut, an early Arthurian poem: A study of Middle English formulaic composition. Lewiston [N.Y.]: E. Mellen Press, 1991.

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8

Malcolm, Andrew, ed. The Gawain poems: A reference guide, 1978-1993. Albany, N.Y: Whitston Pub. Co., 2000.

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9

Anderson, J. J. Language and imagination in the Gawain-poems. Manchester, UK: Manchester University Press, 2005.

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10

The art of the Gawain-Poet. London: Athlone Press, 1991.

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Book chapters on the topic "Patience (Middle English poem)"

1

"Patience:." In Middle English Biblical Poetry and Romance, 119–46. Boydell UK, 2021. http://dx.doi.org/10.2307/j.ctv1grbbgj.11.

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2

"Query: How Real Are the Geats? And Why Does this English Poem Never Mention the English?" In Studies in the Early Middle Ages, 65–71. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.sem-eb.4.00060.

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3

Davies, Joshua. "Ruins and wonders: The poetics of cultural memory in and of early medieval England." In Visions and ruins. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526125934.003.0002.

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The Old English poem known as The Ruin meditates on the material remains of a long-passed civilisation and has often been read as typical of the nostalgic poetry of the Anglo-Saxons, but its reception history reveals how cultural memories of the Anglo-Saxons have been rewritten in the modern world and the importance of the idea of ruination to modern conceptions of the Middle Ages. This chapter constitutes the first extended study of the disciplinary and translation histories of The Ruin, traces the history of the poem from 1826 to the twenty-first century and explores the meanings of ruins in the Middle Ages and modernity.

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4

Knox, Philip. "Courtly Encounters." In The Romance of the Rose and the Making of Fourteenth-Century English Literature, 33–90. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192847171.003.0002.

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The aim of this chapter is to examine a number of different medieval English readings of the Rose that took place within what can be loosely described as a ‘courtly’ environment. Courtly reading practices are examined, including the difficult example of the Middle English poem Pearl. The main body of this chapter focuses on two pairs of texts that constitute, in different ways, examples of readers ‘answering back’ to an earlier reading of the Rose, asserting or disputing a collective attitude towards the text. They reveal one way in which the Rose carried out its work on late medieval culture, mobilizing different ideas about the place of literature in communal identity. Both pairs also cross national borders: Geoffrey Chaucer and Oton de Granson; Christine de Pizan and Thomas Hoccleve.

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Dresvina, Juliana. "Thirteenth-century anonymous Margaret poems and their later redactions." In A Maid with a Dragon. British Academy, 2016. http://dx.doi.org/10.5871/bacad/9780197265963.003.0002.

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Chapter 2 examines thirteenth-century verse lives of St Margaret that continued to be copied, rewritten, and adapted well into the sixteenth century. These include multiple versions of two Middle English poems, a free-standing Meidan Maregrete, and the saint’s life from the South English Legendary corpus, their variations, deviations, manuscript context, raising the question of their genre – a hagiography–romance hybrid. Then it looks into Anglo-Norman and French versified lives of St Margaret, paying special attention to the so-called G version, immensely popular in Europe and preserved in over one hundred manuscripts. This popularity appears to result from the text’s claim that a copy of the poem can itself act as the saint’s relic.

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Davies, Joshua. "The language of gesture: Untimely bodies and contemporary performance." In Visions and ruins. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526125934.003.0005.

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This chapter explores the medieval interests of two twenty-first century pieces of art: Elizabeth Price’s immersive video installation, The Woolworths Choir of 1979 (2012), and Michael Landy’s Saints Alive (2013). Both of these works turn to medieval culture in order to examine the untimeliness of the body and this chapter traces their sources and explores how their work speaks with, and to, medieval representations of the body. It contextualises Price and Landy’s work with explorations of medieval effigies and the Middle English poem St Erkenwald. The methodology of this chapter is informed by Aby Warburg’s work on gesture in early modern art and interrogates moments of contact and communication across time.

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Jahner, Jennifer. "Coda." In Literature and Law in the Era of Magna Carta, 217–28. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.003.0006.

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The conclusion to the book expands the terrain of “jurisdictional poetics” to include both contemporary and medieval poetry. It begins with the work of Carter Revard, Osage poet and medievalist, whose discovery of the scribe of Harley 2253 has fundamentally shaped contemporary scholarship on legal and literary copying in later medieval England. His poem “Starring America” provides an entry point into the tensions between epic and local histories that resonate as well in a set of cross-Channel satires that date to the time of the Second Barons’ War. The coda examines the earliest surviving Middle English sirventes, “Richard of Almaigne,” alongside two French satires on the English revolt, the Pais aus Englois and La chartre de la pais aus Englois. In both cases, language difference serves as a synecdoche for territorial dominion, parsing the boundaries between political desire and legal authority.

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Attridge, Derek. "Lyric, Romance, and Alliterative Verse in Fourteenth-Century England." In The Experience of Poetry, 206–27. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833154.003.0010.

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Fourteenth-century Europe saw the spread of literacy and increasing numbers of educated laity, creating a large audience for poetry on the page. Dante in the Commedia, Petrarch, Machaut, and others testify to great sophistication in written poetry—though oral performance remained important. This chapter and those that follow concentrate on poetry in English, which eventually displaced French and Latin as the language of the court. Attention is given to the question whether Middle English romance was an oral or written form, and evidence for the widespread enjoyment of lyric poetry is assessed. The chapter considers the increasing importance of the large household as a venue for both performances of poetry and for private reading, and the alliterative poems that may have been produced in this context are discussed. Also in alliterative verse, but from a London base, was Langland’s poem Piers Plowman, which circulated widely in manuscript.

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Snyder, Michael. "A Day after the Fair." In James Purdy, 23—C2.F4. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197609729.003.0003.

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Abstract William moved his family to Findlay, Ohio. He did accounting work and became a bank inspector, which required travel away from home. Findlay was a small city that had been enriched in the late nineteenth century by an oil and gas boom, but by 1919 it was a boomtown after the boom. Amid a conservative environment, James as a child began writing strange stories and printing his own little magazine. His older brother Richard was a gay youth who aspired to be an actor. James did not much like public school but he found a high school English teacher who encouraged him and said he could be a writer, and he won a club contest with a poem. In the middle of his high school years, his parents divorced. To make ends meet, Vera turned the family home into a boarding house.

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Jahner, Jennifer. "Classroom Historicisms." In Literature and Law in the Era of Magna Carta, 60–98. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.003.0002.

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This chapter situates the most popular compositional treatise of the later Middle Ages—Geoffrey of Vinsauf’s Poetria nova—against the backdrop of the English Interdict of 1208–14. The Poetria nova belongs to the cohort of new artes poetriae of the late twelfth and thirteenth centuries. Manuals designed to help grammar instructors teach verse and prose composition, they formulated lessons through examples drawn from the classical canon and the “real world” of contemporary affairs. Though rarely discussed as an occasional poem in its own right, Poetria nova shows itself very much concerned with the geopolitical tensions animating England and Rome during the time of its composition. Beginning with its lavish dedication to Pope Innocent III and ending with its plea on behalf of King John, the Poetria nova uses the occasion of the Interdict to explore the questions of mercy, judgment, and persuasion central to both rhetorical pedagogy and political diplomacy.

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