Relevant bibliographies by topics / Patmore, Coventry, Patmore, Coventry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Patmore, Coventry, Patmore, Coventry'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Patmore, Coventry, Patmore, Coventry"

1

Ball, Patricia M., and Mary Anthony Weinig. "Coventry Patmore." Modern Language Review 80, no. 4 (October 1985): 916. http://dx.doi.org/10.2307/3728984.

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Carlyle, T. "TC TO COVENTRY PATMORE." Carlyle Letters Online 28, no. 1 (January 1, 2000): 161–62. http://dx.doi.org/10.1215/lt-18530607-tc-cp-01.

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Mouton, Jean. "Coventry Patmore, chantre du bonheur conjugal." Communio N° 274-275, no. 2 (March 29, 2021): 171–73. http://dx.doi.org/10.3917/commun.274.0171.

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Woodworth, Elizabeth. "Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics." Victorian Poetry 44, no. 4 (2006): 543–60. http://dx.doi.org/10.1353/vp.2007.0012.

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Armstrong, Isobel. "A Note on Law and Lawlessness: Coventry Patmore and Two Women Poets—Eliza Keary and Alice Meynell." Victorian Poetry 57, no. 2 (2019): 163–75. http://dx.doi.org/10.1353/vp.2019.0007.

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Jones, Ewan. "Coventry Patmore’s Corpus." ELH 83, no. 3 (2016): 839–72. http://dx.doi.org/10.1353/elh.2016.0032.

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Moore, Natasha. "THE REALISM OF THE ANGEL IN THE HOUSE: COVENTRY PATMORE’S POEM RECONSIDERED." Victorian Literature and Culture 43, no. 1 (February 6, 2015): 41–61. http://dx.doi.org/10.1017/s1060150314000333.

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“The Angel in the House is not a very good poem,” writes Carol Christ, “yet it is culturally significant, not only for its definition of the sexual ideal, but also for the clarity with which it represents the male concerns that motivate fascination with that ideal” (147). Her pronouncement is strongly emblematic of recent approaches to Coventry Patmore's best-known poem. The Angel, it is asserted or implied, almost never receives a full or attentive reading now, and does not reward one; it would long since have sunk into obscurity were it not for the unforeseen appropriation of its title as a repository for the prevailing Victorian conception of womanhood; as a text it belongs more properly to the domain of cultural history or gender studies than literary criticism. A renewed scholarly interest in the technical experimentation of Patmore's later volume The Unknown Eros (1877) has done little to challenge this view, largely defining itself against the dull conventionality of the earlier work.
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Dissertations / Theses on the topic "Patmore, Coventry, Patmore, Coventry"

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Montabrut, Maurice. "Coventry Patmore, poète de l'amour conjugal (1823-1896) célébration et ontologie de la nuptialité /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376081895.

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Montabrut, Maurice. "Coventry Patmore, poète de l'amour conjugal (1823-1896) : célébration et ontologie de la nuptialité." Nancy 2, 1987. http://www.theses.fr/1987NAN21004.

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« Des poems », 1844 « A the unknown eros » (1868-79) en passant par « The angel in the house » (1854-1864), Patmore se révèle poète de l'amour conjugal. Le thème central est l'amour de l'homme et de la femme perçu comme révélation de ce "first first-love of all", créateur et animateur de toutes choses. La célébration de cet amour est découverte, dans la jubilation et l'effroi, des correspondances entre amour humain et amour divin, dès lors que la tentation narcissique et parodique du "premier amour" a été surmontée. Dans cette perspective, l'ange est le signifiant d'une triple réalité et d'une triple fonction : l'ange est la femme prédestinée, la figure beatricienne, signe pour l'homme d'un mystère de transformation et de transfiguration ; l'ange est le couple terrestre, précurseur de l'homme céleste, (l'homo selon Swedenborg), en consentant au mode d'étroitesse de la condition incarnée ; l'ange, en préfigurant l'homme véritable (le duo in unum de la genèse) est l'humanité à l'image du dieu trinitaire. La figure de psyche, figure de métamorphose, complète la figure sacramentelle de l'ange. Dans ces figures se disent des destins humains dans des formes incarnées, datées mais expressives. Car l'amour est à la fois genèse et manifestation par le corps de l'être singulier de chaque conjoint, de l'être mutuel que les époux constituent, et de l'être divin que leur communion symbolise. L'autre aspect de l'expérience de l'amour est la découverte de l'altérité, altérité du conjoint et altérité de l'époux céleste. La relation sponsale qui constitue la communion des alter ego humains et la communion de l'époux céleste à son épouse terrestre ne se réalise que par une mort dans ses phases d'altération et d'aliénation. A son terme, le lyrisme de Patmore rejoint l'itinéraire mystique dans sa triple phase de purification, d'illumination et d'union
From poems, 1844 to the unknown eros (1868-1879) through the angel in the house (1854-1864), patmore reveals himself as a poet of conjugal love. The central theme is the love of man and woman as a revelation of "this first first-love of all", the creator and life-giver of all things. The celebration of this love involves the awesome and jubilant discovery of the correspondences between human and divine love, in so far as the temptation of narcissistic parody inherent in any human first-love has been overcome. In this respect, the angel is the signifier of a threefold reality and function : the angel is the predestinated woman, the beatrician figure, heralding for man a mystery of transformation and transfiguration ; the angel is the earthly couple, the precursor of heavenly man (the swedenborgian homo), so long as it submits to the narrow mode of the incarnate condition ; the angel, in so far as it bodies forth true man (the biblical duo in unum) is mankind after the image of the trinitarian god. Here the figure of psyche, being a figure of metamorphosis, appears as a complementary signifier in addition to the sacramental figure of the angel. Through these figures human destinies find axpression in dated yet "expressional" incarnate forms. For love is at once genesis and manifestation of the singular self of each spouse, of the "either self" which man and wife constitute and of the divine being as symbolised through their communion. The other aspect of the experience of love is the discovery of otherness : the otherness of the human spouse and the otherness of the divine spouse. The spousal relationship that constitutes the communion of the alter egoes and the communion between the "husband of the heaven" and his earthly spouse comes into being only through the experience of death in its phases of alteration and alienation. In its ultimate form, patmore's poetic meditation is the final expression of the mystical journey of the soul through its threefold stages : purification, illumination and union
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Spencer, Sandra L. "The Angel in the House and The Woman in White: The Unfolding and Decoding of a Victorian Stereotype." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500620/.

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Abstract: Modern readers frequently perceive female characters in Victorian novels as insipid and inane, blaming the static portrayals on the angel in the house stereotype attributed to Coventry Patmore's poem of the same name. The stereotype does not accurately reflect the actual Victorian woman's life, however. Examining how the stereotype evolved and how the middle-class Mid-Victorian woman really lived provides insight into literary devices authors employed either to reinforce the angel ideal or to reconcile the ideal with the real. Wilkie Collins's portrayal of Marian Halcombe in The Woman in White features a dynamic female who has both androgynous characteristics and angel-in-the-house qualities, exemplifying one more paradox in a society riddled with contradictions.
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Books on the topic "Patmore, Coventry, Patmore, Coventry"

1

Gosse, Edmund. Coventry Patmore. Gosse Press, 2007.

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Coventry Patmore. Reprint Services Corporation, 1992.

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Burdett, Osbert. The Idea of Coventry Patmore. Palala Press, 2016.

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Burdett, Osbert. The Idea of Coventry Patmore. Palala Press, 2016.

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Patmore, Derek. The Life And Times Of Coventry Patmore. Kessinger Publishing, LLC, 2007.

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Gray, Erik. Marriage. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198752974.003.0006.

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Marital love is rarely represented by poets, at least in their lyric poetry. Lyric, with its brevity, its intensity, its ellipses, seems ideally suited to a particular type of passionate love typified by novelty, absence, uncertainty. Conjugal love, powerful though it may be, lacks these particular qualities. Yet if the pleasure and even purpose of marriage lies in discovering freedom and self-realization within strictly prescribed limits, then lyric could well be seen as the genre most suited to marital love. This chapter examines the tradition of marriage lyric that has developed, for the most part, in recent centuries, as the ideal of loving, companionate marriage has spread. Taking as its starting point the work of the Victorian poet and theorist Coventry Patmore, whose treatise on poetic meter illustrates the same ideals that mark his poems about marriage, the chapter ranges from Anne Bradstreet to Seamus Heaney and other contemporary poets of marital love.
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Coventry Patmore's Angel. Haggerston Press, 1992.

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Henderson, Andrea. Invariant Forms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809982.003.0006.

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In the later nineteenth century formal regularity was regarded as the hallmark of mathematical and scientific inquiry as well as the burgeoning “social sciences” and the arts—all presumed to be governed by formal “laws.” But insofar as formal regularity was seen to characterize natural and civil law, it allowed for an equivocation between them, such that formal laws might be understood to be not an abstraction from but an imposition on content. Thus conceived, form and content could actually be at odds, and this would have important implications for the arts. In the context of linguistic and literary study, the structures of languages and literatures were often allied with formal law while individual words were perceived as rich in meaning but wayward. Max Müller’s philology, Coventry Patmore’s prosody and poetry, and Christina Rossetti’s poetry all present form and content as being in tension, locked in a struggle for domination.
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Book chapters on the topic "Patmore, Coventry, Patmore, Coventry"

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Brosch, Renate. "Patmore, Coventry." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14471-1.

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Martin, Brian. "Coventry Kersey Dighton Patmore." In The Nineteenth Century (1798–1900), 500–502. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_44.

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Brosch, Renate. "Patmore, Coventry: The Angel in the House." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14472-1.

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Newman, John Henry. "To Coventry Patmore." In The Letters and Diaries of John Henry Newman, Vol. 32: Supplement, edited by Francis J. McGrath, 286. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00160382.

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Hopkins, Gerard Manley. "12 August 1883 To Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 590. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151016.

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Hopkins, Gerard Manley. "16 August 1883 To Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 594. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151020.

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Hopkins, Gerard Manley, and Gerard Manley Hopkins. "22 August 1883 to Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 596. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151022.

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Hopkins, Gerard Manley. "14 September 1883 To Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 598–99. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151026.

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Hopkins, Gerard Manley. "23 September 1883 To Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 600–604. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151028.

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Hopkins, Gerard Manley. "24 September 1883 To Coventry Patmore." In The Collected Works of Gerard Manley Hopkins, Vol. 2: Correspondence 1882–1889, edited by R. K. R. Thornton and Catherine Phillips, 605–8. Oxford University Press, 2013. http://dx.doi.org/10.1093/oseo/instance.00151029.

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