Relevant bibliographies by topics / Patriarcal society

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Academic literature on the topic 'Patriarcal society'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Patriarcal society"

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Rocha, Abdruschin Schaeffer, and Claudete Beise Ulrich. "A dessacralização da violência contra as mulheres no altar do patriarcado: reflexões a partir dos conceitos desejo mimético e bode expiatório em René Girard." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 19 (June 26, 2018): 15. http://dx.doi.org/10.20890/reflexus.v12i19.718.

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O presente texto reflete sobre a dessacralização da violência contra as mulheres no altar do patriarcado a partir dos conceitos desejo mimético e bode expiatório, expressos no pensamento de René Girard, na relação entre religião e violência. Ele não tratou, especificamente, em seus textos sobre a violência de gênero. No entanto, os conceitos por ele refletidos sobre desejo mimético e bode expiatório podem ser referenciais para entender a sacralização da violência contra as mulheres na sociedade patriarcal e machista brasileira. Uma forma de superar a perspectiva de bode expiatório, a partir do cristianismo, pode ser a releitura bíblica a partir das vítimas, das mulheres violentadas, buscando desconstruir o sistema religioso, machista e patriarcal. Neste sentido, a educação teológica, com referenciais analíticos de gênero na interseção com etnia/raça, classe social, geração e perspectiva feminista, torna-se fundamental no processo de desconstrução de leituras, discursos, práticas religiosas patriarcais, machistas violentas que promovem o desejo concorrente e a criação de bodes expiatórios.The present text reflects on the unsacralization of violence against women on the altar of patriarchy, based on the concepts mimetic desire and scapegoat, expressed in the thought of René Girard, in the relationship between religion and violence. He did not specifically address his writings on gender violence. However, the concepts he reflects on mimetic desire and scapegoat may be benchmarks for understanding the sacralization of violence against women in Brazilian patriarchal and macho society. One way to overcome the scapegoat perspective, starting with Christianity, may be to read the Bible from the victims perspective, from women who have been violated, seeking to deconstruct the religious, macho and patriarchal system. In this sense, theological education, with analytical gender references at the intersection with ethnicity/race, social class, generation and feminist perspective, becomes fundamental in the process of deconstruction of readings, discourses, patriarchal religious practices, violent sexists that promote desire competitor and the creation of scapegoats.
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Soares, Lucas Gabriel. "Palimpsesto e as relações de gênero em Elvira Vigna: um recurso como crítica ao patriarcado em 'Como se estivéssemos em palimpsesto de putas'." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (November 10, 2020): 365–88. http://dx.doi.org/10.22456/2596-0911.103795.

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Este trabalho analisa a estrutura do romance Como se estivéssemos em palimpsesto de putas, de Elvira Vigna como também, as relações sexistas às quais as personagens estão submetidas. Retratados por meio de uma narradora não revelada, estratégia estética realçadora da invisibilização da mulher dentro da sociedade, os causos de João, um profissional cujo único prazer é o sexo com garotas de programa, servem de retrato da construção da masculinidade e da dimensão patriarcal. Utilizando-se do artifício do palimpsesto como crítica ao patriarcado, o seguinte trabalho denuncia, a partir das leituras de textos de Monique Wittig e Gerda Lerner, como as diversas expressões do machismo se comportam através das sobreposições de vozes que emergem da narrativa.Palavras-chave: Elvira Vigna. Palimpsesto. Patriarcado. Crítica Feminista. Memória. AbstractThis article analyzes the structure of Elvira Vigna’s novel Como se estivéssemos em palimpsesto de putas as well as the sexist relations to which the characters are submitted. Portrayed through an undisclosed female narrator, an aesthetic strategy that enhances the invisibility of women within society, the stories of João, a professional whose only pleasure is having sex with prostitutes, serve as a portrait of the construction of masculinity and the patriarchal dimension. Using the palimpsest as a criticism for patriarchy, Vigna’s work denounces, from the readings of texts by Monique Wittig and Gerda Lerner, the various expressions of sexism behavior through the overlapping voices that emerge from the narrative.Keywords: Elvira Vigna. Palimpsest. Patriarchy. Feminist Critique. Memory.
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Nehmé, Hoda. "The Women, Religion and Politics in Middle East." Caminhos 15, no. 1 (October 18, 2017): 122. http://dx.doi.org/10.18224/cam.v15i1.5970.

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LA FEMME, LA RELIGION ET LA POLITIQUE AU MOYEN-ORIENT Resumo: atualmente, a religião não está somente em uma crescente onda de expansão fundamentalista, disfarçada de adversária surreal contra a ocidentalização do globo. Entretanto, assistimos ao desenvolvimento do obscurantismo, como se fosse um tumor em matéria de religiosidade. Neste artigo, pretendemos perceber este processo observando o papel das mulheres. Esta mulher que lutou para encontrar espaço em uma sociedade essencialmente patriarcal e profundamente religiosa encontra-se no jogo de um sistema político-religioso que consome seu meios de sobrevivência social. Palavras-chave: Religião. Mulheres. Oriente Médio. Patriarcalismo. Abstract: currently, the religion is not only in a rising tide of fundamentalist expansion, disguised as surreal fight against destroyes the Westernization of the globe. However, we have seen the development of obscurantism, as if were a tumor in terms of religiosity. In this article, we intend to realize this process looking at the role of women. This woman who struggled to find space in an essentially patriarchal society and deeply religious is in game of a politico-religious system that consumes your livelihoods. Keywords: Religion. Women. Middle East. Patriarchy.
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Bueno, Ana Alice. "A casa (entre)aberta." Revista do Centro de Estudos Portugueses 28, no. 39 (June 30, 2008): 25. http://dx.doi.org/10.17851/2359-0076.28.39.25-44.

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<p>Este artigo pretende perceber as representações possíveis que se podem encontrar da obra de Gilberto Freyre, <em>Sobrados e Mucambos</em>, em <em>Crônica da Casa Assassinada</em>, de Lúcio Cardoso, uma vez que ambas abordam o mesmo viés: a decadência do sistema patriarcal e a conseqüente ascensão do urbano, datados do início do século XIX. A narrativa de Gilberto Freyre é um recorte real da sociedade brasileira daquele período, calcada em rememorações particulares dele próprio; em Lúcio Cardoso a narrativa ficcional envolve o ambiente de uma típica família tradicional mineira que resiste às influências externas, concretizadas, especialmente, na personagem Nina; e à inevitável perda da supremacia patriarcal.</p> <p>This article intends to realize the possible representations that can be found in the work of Gilberto Freyre, <em>Sobrados e mucambos</em>, and in <em>Crônica da casa assassinada</em>, of Lúcio Cardoso, once that both board the same slant: the decadence of the patriarchal system and the consequent ascent of the urbane one, when they dated from the beginning of the century XIX. The narrative of Gilberto Freyre is a real cutting out of the Brazilian society of that period, based on particular remembrances of own him; in Lúcio Cardoso to narrative ficcional wraps the environment of a typical traditional mining family that resists the extern, made real influences, specially, in the character Nina; and to the inevitable loss of the patriarchal supremacy.</p>
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Barossi, Luana, and Thais Neves Marcelo. "Travestilidade como denúncia política: performatividade de gênero e panantillanismo em "Sirena Selena Vestida de Pena"." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 16–33. http://dx.doi.org/10.35921/jangada.v0i9.53.

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RESUMO: Este breve ensaio propõe uma leitura do romance Sirena Selena vestida de pena levando em consideração sua matéria política, encontrada no tema da travestilidade. Dessa maneira, serão abordadas duas possibilidades interpretativas sobre o caráter subversivo da narrativa: a diversidade de gênero, que desestabiliza a tradição patriarcal, heterossexista e cis-sexista da sociedade caribenha e a travestilidade como alegoria do Caribe, cujo foco está na denúncia de problemáticas econômicas e sociais. PALAVRAS-CHAVE: Travestilidade, estudos de gênero, literatura caribenha. ________________________ ABSTRACT: This brief essay aims to analyze the novel Sirena Selena vestida de pena taking into consideration its political matter, found in the topic of travestility. We will approach two different interpretative possibilities about the subversive matter of the narrative: firstly, gender diversity, that destabilizes the patriarchal, heterosexist and cissexist Caribbean society tradition, and secondly, travestility as an allegory of the Caribbean, which focus on the denunciation of economic and social matters. KEYWORDS: Travestility, gender studies, caribbean literature.
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Ávila Fagúndez, Paulo Roney, and Gabrielle Tabares Fagundez. "CARNIVORISMO E CIÊNCIA: A DOMINAÇÃO MASCULINA PERPETUADA PELO DIREITO/CARNIVORISM AND SCIENCE: THE MALE DOMINATION PERPETUATED BY LAW." Revista de Biodireito e Direito dos Animais 3, no. 1 (June 1, 2017): 109. http://dx.doi.org/10.26668/indexlawjournals/2525-9695/2017.v3i1.1967.

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RESUMO Na sociedade patriarcal moderna é patente a dominação perpetuada sobre animais e seres humanos do sexo feminino. Frente a esse contexto, o artigo busca analisar criticamente a subjugação reproduzida pelos hábitos alimentares, ciência e regulamentações jurídicas sobre os animais na sociedade ocidental. Ademais, pretende-se discorrer a respeito das reverberações que a exploração de outras espécies para alimentação apresenta quanto ao domínio realizado sobre as mulheres, bem como explorar a sua dominação pelo paradigma científico contemporâneo. Para atingir tais objetivos, utiliza-se o método de abordagem dedutivo, o método de procedimento monográfico e as técnicas de pesquisa bibliográfica e documental. ABSTRACT It´s evident in the modern patriarchal society the domination perpetuated over animal and female humans. Given this context, the article intends to critically analyse the subjugation reproduced by eating habits, science and legal regulations over animals in western society. In addition, it´s intended to refer to the reverberations that the exploitation of other species for food production presents regarding the dominion over women, as well to explore the domination over them propagated by the contemporary scientific paradigm. In order to achieve these goals, the deductive approach method, the monographic procedure method, and bibliographic and documentary research techniques are used.
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Redondo, Dennis. "Recursos de legitimación en torno a prácticas encubiertas de dominación masculina en la sociedad costarricense. Subterfugios de una hegemonía en declive/Legitimation Resources Around Male Domination Practices in Costa Rican Society. Subterfuges of a Declining Hegemony." Revista Costarricense de Psicología 38, no. 2 (December 30, 2019): 125. http://dx.doi.org/10.22544/rcps.v38i02.02.

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<p><strong>Español</strong></p><p>A través de las siguientes líneas, se pretende, con un recorrido por algunos términos y autores característicos de los estudios de hombres y masculinidades, explorar elementos con respecto a manifestaciones y dinámicas de dominación masculina actual. Primero, es importante revisar algunos conceptos, en especial, desde la teoría del sexismo ambivalente de Glick y Fiske, seguido de algunas derivaciones de este planteamiento para el correspondiente análisis. De forma posterior, se esboza cómo el machismo se conserva institucionalmente desde componentes básicos estables en la historia: androcentrismo, misoginia, homofobia y falocentrismo. Al final, se plantean algunas reflexiones básicas acerca de desarticular encargos de masculinidad hegemónica en la sociedad. Más que una desaparición de patrones machistas, el patriarcado, como estructura colectiva, se adecua a diferentes escenarios relacionados con el contexto social. Esto se asocia siempre, en cada época histórica, a la dificultad por cuestionarle en los grupos sociales donde se sustenta. Incentivar en los hombres una consciencia crítica del fenómeno, fomentar una acción transformadora y ser protagonistas en un proceso de deconstrucción de las normas masculinas tradicionales es vital en un proceso de desarticulación del sistema patriarcal como primera entrada y, por ende, la construcción de un sistema social igualitario consciente de diversidades en género.</p><p><strong>English</strong></p><p>In the following lines, we intend to tour some terms and authors characteristic of the studies of men and masculinities, to explore elements regarding manifestations and dynamics of current male domination. First, it is important to review some concepts especially from the theory of ambivalent sexism of Glick and Fiske, followed by some derivations of this approach for the corresponding analysis. Subsequently, we outline how machismo is conserved institutionally from stable core components in history: androcentrism, misogyny, homophobia and phallocentrism. In the end, we raise some basic reflections about disarticulating orders of hegemonic masculinity in society. Rather than a disappearance of macho patterns, patriarchy as a collective structure adapts to different scenarios related to the social context. This is always associated, in each historical era, with the difficulty of questioning it in the social groups that sustain it. Thus, it is of primordial importance to encourage in men a critical awareness of the phenomenon, to promote a transformative action and be protagonists in a process of deconstruction of traditional male norms; these are vital, in a process of disarticulation of the patriarchal system and, thus, allowing the construction of an egalitarian social system aware of gender diversity.</p>
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De la Fuente Díaz, Daniel. "Figures de l’homosexualité dans l’œuvre de Maryse Condé." Anales de Filología Francesa 28, no. 1 (October 20, 2020): 91–112. http://dx.doi.org/10.6018/analesff.425251.

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La obra militante de Maryse Condé aborda la sexualidad humana en su pluralidad, presentándonos personajes de diversas identidades sexuales que deben encontrar su camino en una sociedad patriarcal y hetero-normada. La elección del tema de la homosexualidad, que está particularmente presente en algunas de sus novelas, forma parte de la voluntad de liberar la literatura francófona del Caribe de todos sus tabúes. Este estudio propone analizar las diferentes actitudes de los personajes LGBT en el universo condeano en relación con su orientación sexual. Al dar voz a estas minorías, la autora aborda el tema de la igualdad de derechos. Maryse Condé’s activist work addresses human sexuality in its plurality, presenting us with characters of diverse sexual identities who must find their way in a patriarchal and heterogeneous society. The choice of the subject of homosexuality, which is particularly present in some of her novels, stems from this desire to free French-language Caribbean literature from all its taboos. This study aims to analyze the different attitudes of LGBT characters in the Condean universe in relation to their sexual orientation, which is considered so deviant in the West Indies that it becomes unspeakable. By giving a voice to these minorities who have been ignored, the author touches on the issue of equal rights. L’œuvre militante de Maryse Condé aborde la sexualité humaine dans sa pluralité, nous présentant des personnages aux identités sexuelles diverses, qui doivent se frayer un chemin dans une société patriarcale et hétéronormée. Le choix du sujet de l’homosexualité, particulièrement présent dans certains de ses romans, relève de cette volonté d’affranchir la littérature francophone caribéenne de tous ses tabous. Cette étude se propose d’analyser les différentes attitudes des personnages LGBT de l’univers condéen en rapport à leur orientation sexuelle considérée si déviante dans les Antilles qu’elle en devient indicible. En donnant la voix à ces minorités passées sous silence, l’auteure touche à la question de l’égalité des droits qui lui tient à cœur.
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DE ARAUJO SILVA, THAINA, and Jhessica Larissa Carvalho Sarath. "A RESPONSABILIDADE CIVIL DO ESTADO FRENTE AOS ABUSOS SEXUAIS OCORRIDOS NO TRANSPORTE PÚBLICO: UMA ANÁLISE TEÓRICA E SOCIAL DA INFLUÊNCIA DA CULTURA PATRIARCAL NO ESPAÇO PÚBLICO." Revista Científica Semana Acadêmica 9, no. 210 (September 20, 2021): 1–24. http://dx.doi.org/10.35265/2236-6717-210-9262.

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The present article deals with the cases of sexual abuse that occur in public transport, resulting from the patriarchal culture rooted in society, as well as the poor performance of the State in offering a public service, without guaranteeing its quality. Based on this situation, it is analyzed how the patriarchal and sexist culture is present in society and how the State is silent on public measures and policies that are in fact effective in guaranteeing the safety of women in the public space. Thus, it is concluded that for such a scenario to be solved or at least improved, there is a greater participation of the State as an essential service provider and policies with the objective of eradicating inequality of gender. This research uses the following methodology classified as: deductive, exploratory, with a monographic research, from a qualitative perspective.
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Fitri, Nurliana, and Erni Suparti. "ANALYZING THE PORTRAYAL OF PATRIARCHAL OPPRESSION TOWARDS THE FEMALE CHARACTERS IN J.K. ROWLING’S THE CASUAL VACANCY: A REFLECTIVE POST-FEMINIST CRITICS." Journal of Culture, Arts, Literature, and Linguistics (CaLLs) 2, no. 1 (February 24, 2017): 43. http://dx.doi.org/10.30872/calls.v2i1.703.

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The oppression and subordination towards woman mostly happened because of the patriarchal system which exists in the society. The purposes of this study are to analyze the portrayal of patriarchal symbols in the society of Pagford Town in J.K. Rowling’s The Casual Vacancy and the patriarchal system abuse or oppression towards the female characters in J.K. Rowling’s The Casual Vacancy. The results of the study show six symbols of patriarchy which is found in the novel. They are female as sex objects in public patriarchy, male as villain in public patriarchy, male as villain in private patriarchy, female as the faulty in private patriarchy, female as mother or angel in the house in private patriarchy and female as damsel in distress in private patriarchy. The study also shows the indication of abuse occurred to several female characters. The patriarchy system generated from the participation of the male and female is the main cause of the sustainability of female oppression and subordination in the society.Keywords: patriarchy, symbol, oppression, abuse, victimization, The Casual Vacancy
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Dissertations / Theses on the topic "Patriarcal society"

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Marques, Helton. "A infância no contexto da família patriarcal brasileira e sua representação em 'Menino de engenho', de José Lins do Rego /." Assis [s.n.], 2012. http://hdl.handle.net/11449/94034.

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Orientador: Gilberto Figueiredo Martins
Banca: Solange Ramos de Andrade
Banca: Luiz Roberto Velloso Cairo
Resumo: Autor de um vasto conjunto de obras literárias, José Lins do Rego apresenta em seus romances um estilo espontâneo, natural, e uma linguagem poética com fortes traços da oralidade. É o caso, por exemplo, de Menino de engenho, livro de estreia, publicado em 1932, em que o narrador autodiegético reúne suas recordações de infância, regida pelo signo da perda, e retrata a situação histórico-social da região nordestina dos tempos do patriarcado em decadência. Tendo isso em vista, este trabalho tem como principal objetivo desenvolver um estudo sobre a representação da infância no contexto da família patriarcal no Brasil e verificar em que medida o elemento social presente como tema desempenha papel fundamental na constituição da estrutura narrativa, ou seja, analisar como forma e conteúdo complementam-se ao longo da trama
Abstract: Author of a wide range of literary texts, José Lins do Rego presents in his novels a spontaneous, natural style, and a poetic language with strong signs of orality. It can be verified, for example, in Menino de engenho, debut book, published in 1932, in which the autodiegetic narrator joins his childhood memories, determined by the sign of loss, and depicts the historical and social situation in the Northeastern region during the period when the patriarchal family was in decline. Therefore, this dissertation objectives to develop a study about the representation of childhood in the context of the patriarchal family in Brazil and to verify how the social element has an important role in the constitution of the narrative structure, in other words, analyzing how literary form and content are different aspects that complement each other along the story
Mestre
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Marques, Helton [UNESP]. "A infância no contexto da família patriarcal brasileira e sua representação em 'Menino de engenho', de José Lins do Rego." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94034.

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Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-12-13Bitstream added on 2014-06-13T18:55:23Z : No. of bitstreams: 1 marques_h_me_assis.pdf: 949117 bytes, checksum: 8d86eb39ddea992a5d287642026d248a (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Autor de um vasto conjunto de obras literárias, José Lins do Rego apresenta em seus romances um estilo espontâneo, natural, e uma linguagem poética com fortes traços da oralidade. É o caso, por exemplo, de Menino de engenho, livro de estreia, publicado em 1932, em que o narrador autodiegético reúne suas recordações de infância, regida pelo signo da perda, e retrata a situação histórico-social da região nordestina dos tempos do patriarcado em decadência. Tendo isso em vista, este trabalho tem como principal objetivo desenvolver um estudo sobre a representação da infância no contexto da família patriarcal no Brasil e verificar em que medida o elemento social presente como tema desempenha papel fundamental na constituição da estrutura narrativa, ou seja, analisar como forma e conteúdo complementam-se ao longo da trama
Author of a wide range of literary texts, José Lins do Rego presents in his novels a spontaneous, natural style, and a poetic language with strong signs of orality. It can be verified, for example, in Menino de engenho, debut book, published in 1932, in which the autodiegetic narrator joins his childhood memories, determined by the sign of loss, and depicts the historical and social situation in the Northeastern region during the period when the patriarchal family was in decline. Therefore, this dissertation objectives to develop a study about the representation of childhood in the context of the patriarchal family in Brazil and to verify how the social element has an important role in the constitution of the narrative structure, in other words, analyzing how literary form and content are different aspects that complement each other along the story
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Djossou, Agboadannon Koumagnon Alfred. "African women's empowerment : a study in Amma Darko's selected novels." Thesis, Le Mans, 2018. http://www.theses.fr/2018LEMA3008/document.

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Cette thèse entreprend une analyse des romancières africaines qui ont un avis différent sur la question de la description des personnages féminins et un point de vue différent du rôle de leurs fictions qui peuvent être utilisées pour promouvoir les femmes. La thèse examine l'influence de la culture et des coutumes africaines dans les romans de l'écrivaine ghanéenne, Amma Darko. Ses écrits, de la 3e génération, partent de l'hypothèse générale de l'existence de groupes minoritaires au sein de la littérature parmi lesquels se trouve celui de l'écrivaine, dont les textes ont un écho de plus en plus fort dans le champs littéraire. La thèse pose un problème de refondation du paradigme, culturel et à cet effet Amma Darko propose des solutions de règlement de la crise homme/femme. Finalement, mis à part le point de vue esthétique, la thèse montre combien Darko est aux avant-postes de la littérature engagée au service de la société et d'une idéologie féministe
This thesis adresses the question of wether African female novelists have a different view in portraying their female characters ans it investigates on wether their fiction can inspire women'e empowerment. It examines the influence of culture and customs in the selected novels by Amma Darko. Focusing on thse novels of the third generation, the thesis explores mods of memories, trauma and history writing and highlights the way she represents, reaffirms ans re-positions women in her creative writings to empower them in society.It analyses the solutions o issues raised through the novelist's choracters. This thesis finally shows how much Amma Darko' is at the forefront of a committed African litterature written by African women with an ideological point of view
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Studholme, Sophie Alkhaled. "Women entrepreneurs in Saudi Arabia : bargaining within a patriarchal society." Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=201720.

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Saudi Arabia is one of the world’s largest exporters of oil and is known as the hub of Islam. It has been argued that the production of oil has a harmful effect on the economic and political status of women. Therefore, these tribal states are left with atypically strong patriarchal institutions where women are assigned to the domestic sphere. However, the international political pressure on Saudi Arabia to improve the position of women post the events of September the 11th 2001 has led the government to mobilise initiatives encouraging women into the public sphere. In addition, the depletion of oil resources has drawn the government’s attention to lessen its dependency on oil production and concentrate on private sector investment. Part of the government’s strategy has specifically focused on women, who hold much of the wealth in the country, to invest in the entrepreneurial sector in order to diversify the Saudi economy and provide employment to the rapidly increasing population. However, the laws continue to maintain women’s secondary position in society, as they are built on tribal customs and ideologies which treat women as ‘legal minors’ under the guardianship of her closest male relative. Furthermore, women are confined to jobs in the labour market which are deemed ‘suitable to their nature’, and thus, their entrepreneurial investment is constrained by gender-­‐discriminating laws and placed within certain industries. Research on Saudi women’s experiences of participating in the labour force are scarce, as is the literature on Saudi female entrepreneurs .This thesis adopts a relational multilevel framework with the lens of ‘patriarchal connectivity’ in investigating the salient micro-­‐ domestic, meso-­‐societal and macro-­‐ state opportunities and boundaries of 13 Saudi female entrepreneurs embedded in the patriarchal context. The research adopts a relational methodological approach, capitalising on qualitative in-­‐depth interviews with the female entrepreneurs to explore their entrepreneurial experiences, motivations, and the boundaries and opportunities they face. Furthermore, the study investigates women’s negotiation strategies in overcoming the patriarchal boundaries. The findings highlight the women’s ‘emancipatory’ motivations behind entrepreneurship. They also illustrate the nature of the ‘permeable boundaries’ within and across the patriarchal domestic, societal and state domains, which meant the women were paradoxically confronted by ‘enabling’ opportunities and ‘constraining’ boundaries in each of the domains. However, whilst the women did exercise agency at some permeable boundaries, this agency remained within the confines of a prevailing patriarchal structure.
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Kim, Gumsun, of Western Sydney Nepean University, and Faculty of Visual and Performing Arts. "A question of equality : women and women's art under patriarchal society." THESIS_FVPA_XXX_Kim_G.xml, 1995. http://handle.uws.edu.au:8081/1959.7/358.

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In the past and present the inter-gender relationship has been based on male domination resulting in the overlooking of the female role and value. Many male-inspired theories helped to establish this hierarchical relationship and to perpetuate the belief that men and women have been created differently and not equally privileged. My research on the status of Korean women verifies these theories by examining how much social and cultural conditions have contributed to the difference between the genders to the disadvantage of women. It also reveals the distortion of patriarchal theories by investigating the principle of Confucianism which led to the depravation of Korean women's opportunities to develop themselves. The present level of achievement for women's equality is the result of these women's struggles. I as a women artist, present my work so that it will help both men and women to raise their awareness and to eliminate the prejudice towards females in society. The early principle of the Yin and Yang, distorted later for political benefits, implied a cooperative relationship of two forces for creation and development. Although these force are different and independent, when used cooperatively, they make a complete picture of stability and harmony. If they remain separate forces there is no resulting completion of creation, but instability and misfortunes. By disclosing this principle of harmony in Shamanism and early Confucianism, I also present the notion that all kinds of misfortunes come out of a broken harmony between creatures, peoples, and genders.
Master of Arts (Hons)
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Kim, Gumsun. "A question of equality : women and women's art under patriarchal society /." View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030801.151817/index.html.

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Ghossain, Anne-marie. "La construction identitaire de l’homme violent." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20081.

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Cette recherche qualitative et exploratoire porte sur la construction identitaire de l’homme marié violent au Liban. Elle s’appuie notamment sur les discours de l’homme violent et de la femme violentée (récits de vie, interrogatoires juridiques, questionnaires) et aussi sur le discours de personnes-ressources non violentes. La construction identitaire de l’homme violent au Liban est liée au système patriarcal fortement ancré dans la culture, les institutions et la vie des Libanais. L’homme évolue en fonction de 3 prototypes :- masculin : dominant, pourvoyeur, protecteur, agressif- féminin : soumise, femme au foyer, disponible, douce- du couple : verrouillage des autres prototypes dans une complémentarité sexisteLa violence masculine traduit la place de l’homme dans le couple (violences symboliques et violences spontanées), elle traduit aussi sa volonté de conserver l’ordre patriarcal dans la famille car toute évolution des prototypes notamment celui de la femme est sentie par l’homme comme une menace contre sa masculinité (violences interactionnelles). La violence est accentuée car le Liban évolue sous l’empire de stress, ce qui met les rôles patriarcaux en question en permanence. La trajectoire identitaire de l’homme violent libanais montre qu’il a un père autoritaire et sévère, parfois faible. Sa mère pourrait être envahissante, absente ou ambivalente. Du point de vue couple l’homme violent cherche le couple fusionnel car il traduit parfaitement la complémentarité patriarcale sexiste. L’ordre social patriarcal libanais est en perpétuelle reproduction engendrant des hommes sexistes prêts à devenir violents. La femme est encerclée par la violence même, sa honte d’être femme battue et/ou femme divorcée, mais aussi à cause du tiers d’idéologie sexiste : parents, amis, société, institutions concernées. La lutte contre la violence conjugale au Liban doit être totale : contre la violence, les inégalités de genre et la culture patriarcale
This qualitative and exploratory research is about the construction of the identity of the violent married man in Lebanon. It is based on different sources, the violent man, the battered woman discourse (biography, court records, and questionnaires) and the discourse of non-violent resource-person. The construction of the identity of the violent man in Lebanon is related to the patriarchal system which is strongly anchored in the culture, institution and life of the Lebanese. In this environment man evolves into three prototypes:- The masculine: dominant, protector, provider, aggressive.- The feminine: submissive, housewife, available, soft.- The couple: the clamping of the two other prototypes in one complementary sexist relationship.The masculine violence can reflect the man’s place in the couple (symbolic violence, spontaneous violence), and can also show the willingness to conserve the patriarchal order in the family because every evolution of prototypes especially the women’s role is felt by man as a threat against his masculinity (interaction violence). Violence is accentuated because Lebanon is a society under stress, which permanently distorts the masculine image. The identity trajectory of the Lebanese violent man shows that he has an authoritarian and severe father figure, or a feeble one. His mother can be overbearing, absent or ambivalent. Concerning the couple, the violent man searches for the fusional couple because it reflects perfectly the sexist patriarchal complementarity. The Lebanese social patriarchal order is in perpetual reproduction generating sexist man ready to become violent. The woman is surrounded by violence, and shame feeling of being a battered woman and/or divorced woman, and because of the others that are sexist: parents, friends, society institutions and concerned responsible. The struggle against violence can only be total: it must be against violence, gender inequality and against patriarchal society
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Thompson, Christopher P. "Discreet Feminism: Neil Gaiman’s Subversion of the Patriarchal Society in American Gods." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2026.

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Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its overall presence, brings attention to the issues within a hyper-masculine society and it is through this unique, feminist approach that Gaiman is able to present his strong argument for change.
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Tasel, Linda. "Patriarchal Society : Three Generations of Oppression in Arundhati Roy’s The God of Small Things." Thesis, Södertörn University College, School of Language and Culture, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-225.

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McKee, Rebecca Routh. "Women as heroes in a patriarchal society the roles of Susanna, Esther and Judith /." Winston-Salem, NC : Wake Forest University, 2009. http://dspace.zsr.wfu.edu/jspui/handle/10339/42537.

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Thesis (M.A.)--Wake Forest University. Dept. of Liberal Studies, 2009.
Title from electronic thesis title page. Thesis advisor: B. Diane Lipsett. Vita. Includes bibliographical references (p. 51-55).
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Books on the topic "Patriarcal society"

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Sharabi, Hisham. Neopatriarchy: A theory of distorted change in Arab society. New York: Oxford University Press, 1988.

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Sarker, Profulla Chandra. Women in patriarchal society. New Delhi, India: Serials Publications, 2010.

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Figes, Eva. Patriarchal attitudes: Women in society. New York: Persea Books, 1987.

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Biblical women: Females in a patriarchal society. Staten Island, N.Y: St. Pauls, 2008.

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Mills, Jane. Womanwords: A vocabulary of culture and patriarchal society. Burnt Mill, Harlow, Essex, England: Longman, 1989.

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Jane, Mills. Womanwords, a vocabulary of culture and patriarchal society. Harlow, England: Longman, 1989.

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Jane, Mills. Woman words: A vocabulary of culture and patriarchal society. Harlow: Longman, 1989.

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Recreating motherhood: Ideology and technology in a patriarchal society. New York: Norton, 1989.

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Female headed households in patriarchal society: A sociological study. Delhi: Indian Publishers' Distributors, 1999.

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Borrazás, Xurxo. Arte e parte: Dos patriarcas á arte suicida. Vigo (España): Editorial Galaxia, 2007.

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Book chapters on the topic "Patriarcal society"

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Cremer, Douglas J. "Patriarchy, Religion, and Society." In Exploring Gender at Work, 25–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64319-5_2.

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Dodsworth, Francis. "Protection Beyond Patriarchy, c. 1900–2000." In The Security Society, 247–98. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-43383-1_6.

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Rei, Wenmay. "Regulating sex selection in a patriarchal society." In The Family, Medical Decision-Making, and Biotechnology, 95–111. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/1-4020-5220-0_8.

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Dodsworth, Francis. "Masterless Men: Patriarchy Challenged, c. 1570–1670." In The Security Society, 39–68. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-43383-1_2.

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Williams, Claire. "Patriarchy and Gender: Theory and Methods." In A Sociology of Australian Society, 106–38. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-15184-4_4.

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David, Matthew. "Science and Patriarchy: Women as Subjects/Objects of Science." In Science in Society, 110–30. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80204-9_7.

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Eklof, Ben. "Worlds in Conflict: Patriarchal Authority, Discipline and the Russian School, 1861–1914." In School and Society in Tsarist and Soviet Russia, 95–120. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22817-1_5.

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Rompay, Lucas Van. "SEVERUS, PATRIARCH OF ANTIOCH (512-538), IN THE GREEK, SYRIAC, AND COPTIC TRADITIONS." In Journal of the Canadian Society for Syriac Studies 8, edited by Amir Harrak, 3–22. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463216115-002.

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Mandal, Somdatta. "Debating, Challenging or Accepting Patriarchy? Assessing Indian Women’s Role in Society and Creative Writing." In The English Paradigm in India, 49–71. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_4.

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Sedra, Paul. "The Patriarch and His Project: Cultivating a Coptic Community in Nineteenth-Century Egypt." In Journal of the Canadian Society for Coptic Studies (Volume 1), edited by Ramez Boutros, 109–20. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463224974-012.

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Conference papers on the topic "Patriarcal society"

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Sultana, Sharifa, François Guimbretière, Phoebe Sengers, and Nicola Dell. "Design Within a Patriarchal Society." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173574.3174110.

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"The Women's Struggle in a Patriarchal Society." In 2018 International Conference on Social Sciences, Education and Management. Francis Academic Press, 2018. http://dx.doi.org/10.25236/socsem.2018.14.

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Li, Jing. "Women in Patriarchal Society ---- Heroine Image Interpretation in Long Day's Journey into Night." In 2016 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/essaeme-16.2016.138.

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Wu, Sixue, and Wenting Wang. "The Influence of Female Images in Grimm's Fairy Tales on Children Against the Background of Patriarchal Society." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.143.

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Hadzantonis, Michael. "Eastern Girls and Boys: Mapping Lesbian and Gay Languages in Kuala Lumpur." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-3.

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Lesbian and gay communities in Kuala Lumpur, Malaysia, evidence unique and highly localized language practices, influenced by the specific organization and appropriation of a variety of social and cultural factors and networks. A hybridity and restylizing of Islamic, Confucianist, neoliberal, and transnational discourses significantly shape these communities, thus providing a lens through which to effect description of these speech communities. This paper discusses language styles in lesbian and gay communities in Kuala Lumpur, and evidences that their language practices, language ideologies, and identities, are fostered and legitimized in culturally complex ways. These complexities become predicated on a specific reapropriation of transnational factors, sociocultural histories, and patriarchal standpoints, mediated by society at large. As such, the study explores and finds a significant bias across these two communities, in that the language practices specific to gay communities far exceed those of lesbian communities. These language practices are mediated by gendered practices and gendered differentials pervasive of larger Malaysian society.
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Margunani, Margunani, Inaya Sari Melati, Anis Widyawati, and Tsabit Azinar Ahmad. "The Factors Triggering Intimate Partnership Violence (IPV) Against Women in Patriarchy Society: A Case Study in Central Java, Indonesia." In International Conference on Economics, Business, Social, and Humanities (ICEBSH 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210805.221.

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Pavlov, Andrei. "The Stewards Of Patriarch Filaret As A Rank Of The Sovereign Court." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.115.

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Liang, Juntong. "A Comparative study of Ba Jin and Mahfouz from the Perspective of Patriarchy." In Proceedings of the 2019 4th International Conference on Humanities Science and Society Development (ICHSSD 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ichssd-19.2019.46.

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Abdullah, Md Abu Shahid. "“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-1.

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One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.
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Reports on the topic "Patriarcal society"

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Gneezy, Uri, Kenneth Leonard, and John List. Gender Differences in Competition: Evidence from a Matrilineal and a Patriarchal Society. Cambridge, MA: National Bureau of Economic Research, January 2008. http://dx.doi.org/10.3386/w13727.

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Carter, Becky. Gender Inequalities in the Eastern Neighbourhood Region. Institute of Development Studies (IDS), March 2021. http://dx.doi.org/10.19088/k4d.2021.062.

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This rapid review examines evidence on the structural causes and drivers of gender inequalities in the Eastern Neighbourhood region and how these gender inequalities contribute to instability in the region. While the Eastern Neighbourhood region performs relatively well on gender equality compared with the rest of the world, women and girls continue to face systemic political and economic marginalisation and are vulnerable to gender-based violence. Research on Armenia, Azerbaijan, Georgia, and Moldova identifies the key underlying cause to be a set of traditional patriarchal gender norms, intersecting with conservative religious identities and harmful customary practices. These norms do not operate in isolation: the literature highlights that gender inequalities are caused by the interplay of multiple factors (with women’s unequal economic resources having a critical effect), while overlapping disadvantages affect lived experiences of inequalities. Other key factors are the region’s protracted conflicts; legal reform gaps and implementation challenges; socio-economic factors (including the impact of COVID-19); and governance trends (systemic corruption, growing conservatism, and negative narratives influenced by regional geopolitics). Together these limit women and girls’ empowerment; men and boys are also affected negatively in different ways, while LGBT+ people have become a particular target for societal discrimination in the region. Global evidence – showing that more gender unequal societies correlate with increased instability – provides a frame of reference for the region’s persistent gender inequalities.
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