Academic literature on the topic 'Patriarkal makt'
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Journal articles on the topic "Patriarkal makt"
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Wiyatmi, Wiyatmi, Maman Suryaman, and Esti Swatika Sari. "DEKONSTRUKSI TERHADAP KUASA PATRIARKI ATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUAN DALAM NOVEL-NOVEL KARYA AYU UTAMI." LITERA 15, no. 2 (2016): 281–91. http://dx.doi.org/10.21831/ltr.v15i2.11829.
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DEKONSTRUKSI TERHADAP KUASA PATRIARKIATAS ALAM, LINGKUNGAN HIDUP, DAN PEREMPUANDALAM NOVEL-NOVEL KARYA AYU UTAMIWiyatmi, Maman Suryaman, dan Esti SwatikasariFBS Universitas Negeri Yogyakartaemail: wiyatmi@uny.ac.idAbstrakPenelitian ini bertujuan mendeskripsikan strategi dekonstruksi terhadap kuasapatriarki atas alam, lingkungan hidup, dan perempuan dalam novel-novel Ayu Utami.Penelitian ini menggunakan aliran pemikiran ekofeminisme. Sumber data adalah tiganovel karya Ayu Utami, yaitu Bilangan Fu, Manjali dan Cakrabirawa, dan Maya. Hasilpenelitian sebagai berikut. Pertama, ketiga novel tersebut menggambarkan perjuangantokoh dalam melawan kuasa patriarki atas alam, lingkungan, dan perempuan yang terjadidi kawasan taman bumi Sewugunung dan situs candi Calwanarang di era Orde Baru.Kedua, bentuk perlawanan yang dilakukan tokoh sejalan dengan pemikiran ekofeminismedan merupakan strategi dekonstruksi terhadap kuasa patriarki atas alam, lingkungan,dan perempuan.Kata kunci: ekofeminisme, alam, patriarki, novel, Ayu UtamiTHE DECONSTRUCTION OF PATRIARCHAL POWEROVER NATURE, ENVIRONMENT, AND WOMEN IN AYU UTAMI’S NOVELSAbstractThis study aims to describe deconstruction strategies against patriarchal power overnature, environment, and women in Ayu Utami’s novels. The study used ecofeminism. Thedata sources were Ayu Utami’s three novels, namely Bilangan Fu, Manjali dan Cakrabirawa,and Maya. The findings are as follows. First, the three novels portray characters’ struggleagainst patriarchy power over nature, environment, and women in the Sewugunung parkarea and the Calwanarang temple site in the New Order era. Second, the forms of theresistance that the characters make are in line with ecofeminism and are deconstructionstrategies against patriarchal power over nature,environment, and women.Keywords: ecofeminism, nature, patriarchy, novels, Ayu Utami
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Kurniawati, Diyan. "KONFLIK IDENTITAS PEREMPUAN DALAM TIGA CERPEN KALIMANTAN TIMUR TAHUN 1980-AN." SUAR BETANG 15, no. 2 (2020): 143–52. http://dx.doi.org/10.26499/surbet.v15i2.167.
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Abstrak: Tulisan ini menampilkan posisi tokoh perempuan pada tiga cerpen karya pengarang Kalimantan Timur pada tahun 1980-an. Ketiga cerpen tersebut berjudul ”Perkawinan”, ”Buah Hati”, dan ”Luka Cinta” . Pada cerpen-cerpen tersebut posisi perempuan berada di tengah-tengah budaya patriarki. Kondisi itu menyebabkan perempuan mengadakan perlawanan dengan pola berbeda-beda. Perlawanan perempuan menimbulkan konflik identitas pada perempuan. Dengan teori feminisme, penelitian ini menganalisis sebab dan akibat tokoh perempuan mengalami konflik identitas. Bentuk-bentuk konflik identitas yang dialami tokoh perempuan juga akan dianalisis. Relasi tokoh perempuan dengan tokoh-tokoh lain dengan demikian juga akan dianalisis lebih lanjut. Tokoh-tokoh tersebut meliputi tokoh-tokoh yang menjadi ikon patriarki dan tokoh-tokoh yang mendukung tokoh perempuan untuk melakukan perlawanan. Analisis menunjukkan konflik identitas yang terjadi pada perempuan disebabkan patriarki yang secara terus menerus melakukan upaya agar perempuan merasa melakukan kesalahan apabila perlawanan tersebut berhasil. Analisis juga menunjukkan kondisi tersebut disebabkan pula oleh tidak kuatnya pertahanan perempuan untuk memilih identitasnya. Cerpen-cerpen Kalimantan Timur tahun 1980-an menunjukkan pergulatan perempuan dalam memilih identitasnya. Kata kunci: perempuan, identitas, patriarki Abstract:This paper presents the position of female characters in three East Kalimantan short stories in the 1980s. The three short stories are "Marriage", "Baby", and "Luka Cinta". In these short stories, women are in patriarchal culture. This condition makes women deal with their condition differently. Women’s resistance creates identity conflicts. Using the theory of feminism, this study analyzes the the forms, causes, and effects of the conflicts and also the connection between female character and the others, including patriarchal icons and others who support women to fight back. The analysis shows that identity conflicts are caused by patriarchy that continuously make women feel wrong if their struggle is successful and also caused by women's lack of strength in their struggling to choose their identity. East Kalimantan short stories in 1980s show women’s struggle in choosing their identity. Keywords: women, identity, patriarchy
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Kurniati, Chrisna Putri. ""LANCANG KUNING ATAWA SITI ZUBAIDAH" KARYA DASRI AL-MUBARY: SEBUAH PENDEKATAN SOSIOLOGI SASTRA." Madah: Jurnal Bahasa dan Sastra 6, no. 2 (2017): 151. http://dx.doi.org/10.31503/madah.v6i2.379.
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This study discusses Lancang Kuning atawa Siti Zubaidah by Dasri Al-Mubary. The problem in this research about outlook on life, hierarchical structure, and the condition of cultured patriarchal society in the drama. The purpose of this study is to describe the way of life, a hierarchical structure, and the condition of civilized society patriarchy. The theory used is sociology literature. This is a qualitative study using literature. The primary data is drama Lancang Kuning atawa Siti Zubaidah in a book entitled Obladi Oblada written by Dasri Al-Mubary works published by the Yayasan Sagang, Pekanbaru, 2006, 169 pages thick. The conclusion of this research is that there is harmony human relationship with God and harmony of human relationships with human. Structure hierarchy within the Malay community consists of four layers. The role and position of women in a patriarchal society culture make women can not be separated from domestic work. The existence of stereotypes in society create the assumption that the notion of women are as sex objects.Abstrak Penelitian ini membahas Lancang Kuning atawa Siti Zubaidah Karya Dasri Al-Mubary. Permasalahan dalam penelitian ini tentang pandangan hidup, struktur hierarki, dan kondisi masyarakat berbudaya patriarki dalam drama.Tujuan penelitian ini adalah mendeskripsikan pandangan hidup, struktur hierarki dan kondisi masyarakat berbudaya patriarki. Teori yang digunakan sosiologi sastra. Penelitian ini bersifat kualitatif dengan menggunakan metode studi pustaka. Data primernya bersumberkan drama Lancang Kuning atawa Siti Zubaidah dalam buku yang berjudul Obladi Oblada karya Dasri Al-Mubary yang diterbitkan oleh Yayasan Sagang, Pekanbaru, 2006, setebal 169 halaman. Kesimpulan yang dapat diambil dalam penelitain ini adalah adanya keselarasan hubungan antara manusia dengan Tuhan dan keselarasan hubungan antara manusia dengan manusia. Struktur hierarki dalam masyarakat Melayu terdiri dari empat lapisan. Peran dan kedudukan perempuan di masyarakat yang berbudaya patriarki membuat perempuan belum bisa lepas dari pekerjaan domestik. Adanya stereotip dalam masyarakat melahirkan anggapan perempuan sebagai objek seks.
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Latifi, Yulia Nasrul, and Wening Udasmoro. "The Big Other Gender, PAtriarki, dan Wacana Agama dalam Karya Sastra Nawāl Al-Sa'dāwī." Musãwa Jurnal Studi Gender dan Islam 19, no. 1 (2020): 1. http://dx.doi.org/10.14421/musawa.2020.191.1-20.
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Tulisan ini bertujuan untuk mengungkap struktur yang menstrukturkan wacana agama sehingga menjadi patriarkis dan misoginis dalam tiga karya fiksi “Adab Am Qillah Adab?”, “Qiṣṣah Fatḥiyyah al-Miṣriyyah”, dan Zīnah karya Nawāl Al-Sa'dāwī dengan perspektif the big Other dan metode interpretasi. Penelitian ini dinilai penting disebabkan mayoritas kajian gender dan agama masih terfokus pada problem hermeneutik mikro (asbabunnuzul ayat) dan belum mengungkapkan kenapa bahasa kitab suci itu bias. The big Other adalah struktur atau aturan simbolik yang menyebabkan subjek terkungkung sehingga The Symbolic sebagai jangkar subjek semakin tiranik. Sebagai bagian dari teori subjektivitas yang dikenalkan Žižek, the big Other mengandung lack sehingga tidak dapat melakukan totalisasi dan dapat dikritisi subjek. Hasil analisisnya adalah, the big Other internal (irasionalitas dan kontra-faktualitas) dan eksternal (faktor ekonomi dan politik) yang menjadikan konstruksi patriarkis dalam bahasa kitab suci yang kemudian distrukturkan dalam nalar wacana agama. Lack dalam the big Other menjadikannya struktur terbuka sehingga selalu dikritik dan dilawan oleh subjek narasi untuk memperjuangkan otonomi perempuan dalam wacana agama. [The research talks about revealing with religion point of structuralism discourse on patriarchal and misogynic in three works of "Adab Am Qillah Adab?", "Qiṣṣah Fatḥiyyah al-Miṣriyyah" and Zīnah by Nawāl Al-Sa'dāwī which is seeing the Big Other of gender issue and the method of exegeses texts. The value of research takes on gender and religion with focus micro-hermeneutical problems (asbabunnuzul of verses) and language and holy book on reading texts with a biased view. The big Another issue is a case with a symbolic rule to becomes a patriarchal image on perennial discourse. It is to be a traumatic woman incident on religious tyrannies. As part of Žižek's theory, the Big Other issues contain lack meaning with no perfect talk discuss. The points analyses are the internal factor (irrationality and kontra-factuality) and the external factor (the economic and political factors). Perennial discourses make for reading Al-Qur'an with patriarchal power. "Lack" in the Big Other issues makes the open-minded for challenge and critic for women's rights issues in Religion Studies.]
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Adisa, Toyin Ajibade, Issa Abdulraheem, and Sulu Babaita Isiaka. "Patriarchal hegemony." Gender in Management: An International Journal 34, no. 1 (2019): 19–33. http://dx.doi.org/10.1108/gm-07-2018-0095.
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PurposeResearch on the impact of patriarchy and patriarchal norms on women’s work-life balance is scarce. A typical patriarchal society, such as Nigeria, tends to be organised based on gender, and the construct is embedded in the culture. This paper aims to investigate the impact of patriarchy on women’s work-life balance in a non-Western context: Nigeria.Design/methodology/approachThe authors adopt a qualitative research approach to enhance their insight into the issue of patriarchy and women’s work-life balance. Data for the study were collected over a four-month period, using semi-structured interviews as the primary method of data collection.FindingsThe findings of the thematic analysis reveal the impact of patriarchy on women’s work-life balance in Sub-Saharan Africa, specifically Nigeria. Women’s aspirations to achieve work-life balance in this part of the world are often frustrated by patriarchal norms, which are deeply ingrained in the culture. The findings of this study reveal that male dominance of and excessive subordination of females, domestic and gender-based division of labour and higher patriarchal proclivities among men are the ingredients of a patriarchal society. These issues make the achievement of work-life balance difficult for women.Research limitations/implicationsThe extent to which the findings of this research can be generalised is constrained by the limited sample size and the selected research context.Practical implicationsThe insights gleaned from this research suggest that there are still major challenges for women in the global south, specifically Nigeria, in terms of achieving work-life balance due to the prevalent patriarchy and patriarchal norms in the society. Strong patriarchal norms and proclivity negatively affect women’s work-life balance and in turn may impact employee productivity, organisational effectiveness, employee performance and employee punctuality at work. However, an Australian “Champion of Change” initiative may be adopted to ease the patriarchal proclivity and help women to achieve work-life balance.Originality/valueThis paper provides valuable insights by bringing patriarchy into the discussion of work-life balance. This issue has been hitherto rare in the literature. It therefore enriches the literature on work-life balance from a patriarchal perspective.
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TOISUTA, FIONA ANGGRAINI. "MENILISIK POTENSI FEMINIS PARA LELAKI." KENOSIS: Jurnal Kajian Teologi 1, no. 2 (2019): 164–86. http://dx.doi.org/10.37196/kenosis.v1i2.27.
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Penganiayaan masih terjadi dan dialami oleh perempuan. Di jalanan atau di rumah masih saja ada perempuan-perempuan muda yang dicaci maki, ditampar, ditendangi, dijambak, dan dipukuli hingga babak belur oleh suami atau bahkan oleh pacar lelaki mereka. Bukan saja kekerasan fisik yang dialami oleh perempuan, namun kekerasan secara verbal juga telah dialami perempuan.Rata-rata perempuan telah menikah dan memiliki anak khususnya para perempuan yang bekerja pada ranah publik memiliki beban kerja yang melebihi laki-laki dan umumnya hampir tidak punya waktu untuk diri mereka. Perempuan telah turut menjadi tulang punggung keluarga dan sekaligus menjadi ibu rumah tangga seutuhnya bagi suami dan anak-anak mereka, mereka telah hidup dengan beban kerja yang menguasai diri mereka. Dengan kata lain, perempuan telah menjadi seperti budak dalam kontruksi budaya patriarkhi. Meskipun mereka sadar bahwa mereka adalah pribadi yang otonom, namun patriarki telah begitu kuat mengikat mereka dalam suatu kewajiban sebagai perempuan dan ibu atas keluarga mereka.Terlepas dari laki-laki dan kontruksi budaya patriarkhi yang telah menghadirkan dan menjadi pelaku utama kekerasan dan penganiayaan kepada perempuan, bagi penulis laki-laki adalah juga manusia biasa yang memiliki perasaan dan moralitas kemanusiaannya atau bahkan memiliki potensi feminis dalam dirinya.Dan kemanusiaan laki-laki yang mestinya dirangsang untuk membuat mereka lebih peka dan tersadarkan bahwa perjuangan untuk membebaskan perempuan dari tindakan kekerasan bukan hanya menjadi persoalan perempuan.Atas dasar pikir inilah artikel ini disodorkan sebagai sebuah rangsangan feminisme dalam diri laki-laki, diharapkan artikel ini dapat menjadi sumbangan bagi upaya feminisme di Indonesia.
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Rohmaniyah, Inayah. "KONSTRUKSI SEKSUALITAS DAN RELASI KUASA DALAM PRAKTIK DISKURSIF PERNIKAHAN DINI." Musãwa Jurnal Studi Gender dan Islam 16, no. 1 (2018): 33. http://dx.doi.org/10.14421/musawa.2017.161.33-52.
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The article explores theological, normative and sexual construction as well as the power relation and its contesta- tion that contribute to the perpetuation of the hegemony of patriarchal discourse on early marriage. It also discloses the mechanism of knowledge power that operates in the discourse of the issue. The phenomenon of early marriage illustrates how knowledge is constructed, controlled and perpetuated through several mechanisms to be eventually systematic discursive practice. The discourse and practice of early marriage relate with a set of patriarchal knowl- edge constructed based on understanding of religious texts and legitimated theologically and culturally by related agencies. Knowledge on the sinful of free sex and the danger of woman’s body in the one side and in the other side marriage as part of worship is standardized as norm and social order (a norm that woman has to cover their body, get marriage early to be able to be protected) which operate in the system of power as the ruler and controller of the practice and the continuation of the power of the knowledge. A set of norms and orders including the banning, com- pulsory, stigmatization, and stereotype become strategic mechanism in strengthening the knowledge power on the normality of early marriage. Several religious and cultural practices become the locus to instill the norms and the knowledge on the early marriage as being a religiously legitimized sexual channel and prevention for unwanted preg- nancy outside marital institution. The series of the construction of knowledge and of sexuality on the body of woman, as well as on theologically unwanted pregnancy and woman’s age limit, is standardized in the form of norms and orders that function to strengthen the knowledge. Hence, the power of patriarchal and discriminative knowledge systematically contributes to the perpetuation of discourse and practice of early marriage. The reconstruction of non-patriarchal and non-discriminative knowledge is urgent in order to create what Foucault calls “the rupture from the past,” by involving authoritative agencies and re-inculcating egalitarian norms and orders as a control over the continuation of non-discriminative knowledge and practices in relation to early marriage. [Tulisan ini mengeskplorasi konstruksi teologis normatif, seksualitas, dan relasi power serta kontestasinya yang memberikan kontribusi terhadap pelanggengan serta hegemoni wacana patriarkhi sekitar pernikahan dini dan me- kanisme kekuasaan pengetahuan yang beroperasi dalam wacana pernikahan dini tersebut. Fenomena pernikahan dini menggambarkan bagaimana pengetahuan dibentuk, dikendalikan serta dilanggengkan melalui berbagai me- kanisme sehingga menjadi praktek diskursif yang sistematik. Wacana dan praktek pernikahan dini berkaitan den- gan berbagai pengetahuan patriarkhi yang dibangun berdasarkan pemahaman terhadap teks agama dan dilegiti- masi oleh agen-agen (tokoh dan lembaga agama) dan legitimasi kultural. Pengetahuan tentang dosa seks bebas dan bahaya tubuh perempuan di satu sisi, dan di sisi lain perkawinan sebagai ibadah dibakukan menjadi norma dan peraturan (norma bahwa perempuan harus menutup tubuhnya, harus segera menikah agar terjaga) yang dalam sistem kekuasaan berfungsi sebagai pengatur dan pengontrol praktek dan keberlanjutan kuasa pengetahuan terse- but. Berbagai bentuk aturan dan norma, seperti larangan, keharusan, stigmatisasi dan stereotipi, menjadi mekanis- me strategis dalam mengokohkan kekuasaan pengetahuan tentang “kenormalan” pernikahan dini. Norma disosial- isasikan dalam berbagai kegiatan keagamaan dan praktek-praktek kultural dan pada saat yang sama dibangun pengetahuan tentang pernikahan dini sebagai lembaga penyaluran hasrat seksual dan menjadi solusi antisipatif kehamilan diluar lembaga perkawinan. Rangkaian konstruksi pengetahuan dan seksualitas tentang tubuh perem- puan sebagai sumber godaan, pacaran identik dengan hubungan suami Isteri, kehamilan tidak dikehendaki, dan keterbatasan usia, kemudian dibekukan dalam bentuk norma (misalnya keharusan menjaga virginitas, keharusan menjaga nama baik keluarga dan larangan melanggar norma) dan berbagai aturan yang menguatkan pengetahuan tersebut, dan memberikan kontribusi dalam melanggengkan wacana dan praktek pernikahan dini. Analisis relasi kuasa tentang pernikahan dini memperlihatkan bahwa kuasa pengetahuan yang patriarkhi dan dikriminatif secara sistemik memberikan kontribusi signifikan terhadap pelanggengan praktek pernikahan dini. Dengan demikian, agar dapat mewujudkan apa yang disebut Foucalt sebagai “the rupture from the past,” diperlukan konstruksi pengetahuan yang non patriarkhi dan non diskriminatif, dengan melibatkan agen-agen dan lembaga yang dipandang otoritatif dan legitimatif, serta pembakuan norma dan etika yang egaliter sebagai alat kontrol terhadap pengetahuan terse- but. Dengan pembakuan norma, aturan dan etika maka subyektifitas dan praktek masyarakat juga akan dapat berubah menjadi egaliter dan non dikriminatif.]
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Barlas, Asma. "Un-reading Patriarchal Interpretations of the Qur’an." American Journal of Islam and Society 24, no. 2 (2007): 129–35. http://dx.doi.org/10.35632/ajis.v24i2.1557.
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I would like to thank AMSS, and specially Jamin Zine, for inviting me toaddress your conference on “Islam: Tradition and Modernity” today. Since Iam in the midst of enjoying your splendid hospitality, I feel I should beginwith an apology for what I am about to say. A polite guest would havepraised the food and your conference and gone home without being criticalof anything. But unfortunately for you, I was born with an impolitic geneand so I am going to take this opportunity to critique the way in which yourconference is framed.The basic point I will make is a simple one: It is not very productive tostudy Islam through the lenses of tradition and modernity. This is not becauseone cannot say anything meaningful about Islam in those two contexts;rather, it is because binary modes of thinking are themselves problematic. Iwill make this point in two ways: first by critiquing the tradition vs. modernitybinary and binaries in general and, second, by sharing my own work onQur’anic hermeneutics as an example of how we might get beyond binaries.Whether my comments will serve to muddy the waters or to clarify themremains to be seen ...
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D'ALVARENGA, JOÃO PEDRO. "‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S." Eighteenth Century Music 8, no. 2 (2011): 179–214. http://dx.doi.org/10.1017/s1478570611000042.
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ABSTRACTThe elevation of the Portuguese Royal Chapel to the rank of Patriarchal Church in 1716 was part of a larger process of ‘Romanization’ – that is, of assimilation and adaptation of Roman models within Portuguese music and culture. This involved the training of numerous chaplain-singers and young Portuguese composers in Rome, as well as the importation of chant books, ministers, singers and even the maestro di cappella of the Cappella Giulia, Domenico Scarlatti. According to the anonymous ‘Breve rezume de tudo o que se canta en cantochaõ, e canto de orgaõ pellos cantores na santa igreja patriarchal’ (Brief summary of all that is sung in plainchant and polyphony by the singers at the holy Patriarchal Church) – a document written at some point between 1722 and 1724 – the repertory of the Patriarchal Church was a varied mixture of works by thirty-two identified composers, mostly Italian and Portuguese, from a period ranging from the sixteenth century to the early eighteenth century. Some of the repertory for Holy Week is also extant in three large choirbooks prepared by a copyist from the Patriarchal Church in 1735 and 1736 for use in the Ducal Chapel in Vila Viçosa. These include ‘modern’ additions to late sixteenth-century and seventeenth-century pieces and also some curious reworkings, made with the purpose of adjusting older works to newly ‘Romanized’ performance conditions and aesthetic ideals. The sources examined in this article thus show that Portuguese ‘Romanization’, far from being a simple transplantation of ideas and practices from the centre to the periphery, was a dynamic process of acculturation and adaptation rooted in emerging forms of historical consciousness.
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Castellanos Torres, Esther, and Isabel Soriano Villarroel. "Sobre la mirada de género en la salud reproductiva y la construcción social de la maternidad." Cuestiones de género: de la igualdad y la diferencia, no. 5 (December 15, 2010): 89. http://dx.doi.org/10.18002/cg.v0i5.3782.
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<p>El presente artículo contempla tres objetivos: 1) explicitar que la sexualidad engloba la reproducción humana; 2) reflexionar sobre la maternidad como construcción social y 3) entender la reproducción social como sustentadora del orden económico y social patriarcal. A partir de la lectura de fuentes secundarias de diferentes autoras que han abordado estas cuestiones desde un planteamiento constructivista de la maternidad y las relaciones de género, se ha reflexionado y estructurado el artículo en tres apartados que dan respuesta a los objetivos. Por último, se plantean conclusiones encaminadas a posibilitar el ejercicio pleno de los derechos sexuales y reproductivos.</p><p><br />This article seeks three objectives: 1) to clarify that sexuality includes also human reproduction, 2) to reflect on motherhood as a social construction and 3) to understand the social reproduction as a supporter of the patriarchal, social and economic order. The article answers the objectives in three sections from a point of view of a constructivist approach to the motherhood and the gender relations through the reading of secondary sources of several authoresses. Finally, the article sets some conclusions out in order to make possible the full exercise of sexual and reproductive rights.<br /><br /></p>
Dissertations / Theses on the topic "Patriarkal makt"
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Wiklund, Alexis. "The Male Gaze som retorisktverktyg : En utredande litteraturstudie över hur the Male Gaze kan användas inom retorikvetenskapen." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-22981.
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The thought behind this bachelor essay regarding gender and rhetorical feminist criticism developed years ago out of the fact that I read just a little too many dirty chick lit-pockets as a teen. Those chick lit-pockets were my first introduction to sex, to gender roles, to how men and women react and are supposed to react to each other and, in some sense, even to feminism. Those chick lit-pockets, later turning into hardcore Harlequin-books, became my benchmark when I started to contemplate the fact that this is a man’s world, produced and reproduced by a male gaze which influences everything from sex, porn, advertising, gender roles, jobs and payment to dirty pockets for teenage girls. The essays aims to show how the male gaze-phenomenon could be to use for the rhetoric discipline: first combined with other rhetorical theories as a way to analyze and understand gender and objectification. The main question asked; How to put the male gaze on a rhetorical leash? This bachelor essay consists of a qualitative literature study focusing on four articles and one book in which five different male gaze-perspective appears. Every article presented will be followed by an explicative chapter in which the articles, specific male gaze- perspective will be combined with relevant rhetorical theories and applied to pop cultural example cases in order to demonstrate its academic potential. The conclusion of this essay establishes that the rhetorical discipline indeed could have great use of the male gaze-perspective while analyzing different kinds of artifacts, if combined with different kinds of methods. It confirms that it is possible to put the male gaze on a rhetorical leash and explains five specific ways to do so.
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Oliver, Anna, and Özlem Zengin. "Mödrar och patriarkat : – En kvalitativ studie med fokus på mammor i familjer med starkt patriarkala traditioner." Thesis, Stockholm University, Department of Social Work, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8269.
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<p>The aim of this study was to investigate how mothers in families with strong patriarchal traditions</p><p>see their role as a mother and as a woman. The study is built upon two main questions: What are</p><p>the expectations of your family and your immediate environment on you as a mother and as a</p><p>woman? And what does “honour” mean for you as a mother and as a woman? In our paper we</p><p>had as a starting point a gender perspective that was further on applied in defining our research</p><p>question. We are also giving an account of the phenomenological perspective that we also had as</p><p>a basis of our work. We interviewed six mothers living in families with strong patriarchal</p><p>traditions. There were half-structured interviews according to an interview guide, with half open</p><p>questions. We followed the qualitative method. The results show that “honour” is a basic norm</p><p>for the mothers, that they have difficulties to even imagine living a life without honour. For all of</p><p>our informants, honour means not to have sexual relationships with several men, and to keep a</p><p>woman’s virginity until she gets married. Avoiding bad rumours that may lead to shame is an</p><p>important part of the mothers’ lives. As women, the mothers are forced to take into consideration</p><p>their husbands’ and older family members’ opinions. It is the mothers’ duty to educate their</p><p>children to behave in “the right” way. According to our informants, a mother should be caring</p><p>and in charge of the household work.</p>
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Lahti, Davidsson Elisabeth. "Batikhäxan – ett kvinnligt supermonster : En kritisk diskursanalys av tre politiska pamfletter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86034.
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This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars " by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, islamophobic, xenophobic, nationalist and apocalyptic discourses.
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Jakobsson, Knut. "”Allt jag gör är återskapande av makt” : Konfliktytor mellan sexualitet och feminism hos feministiska män." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31301.
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This essay is about conflicts between feminist theory and lived male sexuality. By interviewing four male feminist identified young activists this studie examines how these men solve potential conflicts between sexual desires and feminist ideals and how their identitiesare created with regards to feminist theory. A qualitative poststructuralist approach is used where feminst discourses set outs different ways for the men to interpret themselves as feminist subjects. The study concludes that these men distance themselves from what they find as different kinds of hegemonic masculinities, such as: activity, dominance and heterosexual masculinities. The possibilities of identification for the men in the study are: ”afemale position”, ”a non male position”, ”a refllexive or searching position” or ”a nonheterosexual position”.<br>Denna uppsats handlar om konflikter mellan feministiska ställningstaganden och levd manlig sexualitet hos fyra feministidentifierade män samt vilka betydelser dessa konflikter har för hur männen i studien kan identifiera sin manliga sexualitet. Genom kvalitativ postrukturalistiskt influerad metod används feministiska diskurser som fondvägg för min empiri. Studien visar hur respondenterna tar avstånd från hegemoniska maskulinitetsuttryck, exempelvis aktivitet, dominans och heterosexualitet och de vill förändra sig själva i en feministisk riktning. Deras feministiska sexuella identitet har fyra olika uttryck: ”Att beskriva sig själv som kvinnlig och uppvärdera traditionellt kvinnliga sexuella egenskaper”, ”att vara ickemanlig i sängen”, ”att reflektera över sin sexualitet” och ”att vara öppen för samkönat sexuellt umgänge”.
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Palacios, Persson Cecilia. "Femicide - ett brott mot de mänskliga rättigheterna." Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384642.
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Violence against women is a widespread global problem and a violation of human rights. An estimated 35% of all women in the world have been subjected to physical and/or sexual violence, and the perpetrator in the majority of cases has been a current or former partner. This thesis addresses the topic of violence against women with a fatal outcome – femicide, which is a more extreme form of violence against women. The purpose of this work is to defend the thesis that femicide ought to be seen as a violation of human rights. A central assumption is that femicide is based on patriarchal structures and that it should, therefore, be regarded as a hate crime against women. In order to understand and interpret the pehnomenom of femicide, this work relies on an idea-analysis based on Michel Foucault and Raewyn Connell's relational power perspective. Conventions and declarations relating to femicide are analyzed to bring clarity to the violations that femicide constitutes. The results indicate that femicide is charactarized by misogynist- and structural violence and consitutes violations of the human rights. Protection from femicide is deficient, and femicide is often classified as murder. Several conventions and declarations exist that are designed for the purpose of protecting women from violence, but only one mentions violence against women with a fatal outcome. Power relations and patriarchal structures need to be highlighted and questioned in order to strengthen women's rights and freedom from violence and femicide. Key words: Femicide, Violence against women, Human rights, Women’s rights, Patriarchal structures, Relational power.
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Arby, Gunhild. "Makt och motstånd för alla åldrar : Naturen som subversiv kraft i Elsa Beskows Sagan om den lilla hinden." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27421.
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Bilderboken Sagan om den lilla hinden kom ut 1924, bara några år efter att kvinnlig rösträtt införts i Sverige. Denna studie pekar på forskning som uppmärksammat att Beskow tidigt förde in samhällskritik i sina barnbokstexter och att kvinnors yttrandefrihet låg henne varmt om hjärtat. Studien bekräftar och fördjupar den bilden och visar bland annat att Beskow i Sagan om den lilla hinden använder sig av sofistikerade litterära strategier för att uppmana till motstånd mot snäva och inskränkta samhällsnormer samt plädera för en friare samhällsdebatt. Med hjälp av en ramberättelse skapar Beskow i bild och text ett dualt/jämlikt tilltal som når både vuxna och barn. Hon lyfter fram en aktiv flicka och visar redan i den inledande ramberättelsen på skapandet och läsandet som en jämlik sysselsättning, där generationer och kön kan mötas på jämbördig nivå. Studien visar därtill att Elsa Beskow använder sig av naturen för att peka på patriarkala och andra samtida maktrelationer och att hon uppmanar till motstånd och visar andra möjliga, friare könsroller och föreställningar. Uppsatsen visar också att Beskows "nya sköna gröna värld" tangerar modern debatt. Ett underliggande budskap är att vad som är ”normalt” bestäms genom maktutövning, och att snäva normer krymper oss som människor och gör avvikelsen till ett samhällsproblem. Bilderboken kan delvis ses som ett inlägg mot alltför normerande kroppsuppfattningar och på så vis kopplas till dagens ätstörningsproblematik.
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Elander, Angelina. "De tysta åren : Ekofeminism i svensk tryckt press 1995-2016." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-24208.
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Ekofeminism figurerar i både politiska och filosofiska sammanhang och är en ideologi som kombinerar feminism med miljöpolitik. Den bygger sin ideologi på att motarbeta ett patriarkalt förtryck mot både kvinnor och natur och säger att detta förtryck härrör från en historisk föreställning om kvinnan som stående närmare naturen. Den vita mannens självupphöjande till Gud under industrialismen använde denna historiska föreställning i ett rättfärdigande av ett maktutövande gentemot både kvinnor och natur som sägs leva kvar i allra största grad än idag. Genom att betrakta hur svensk tryckt press framställt ekofeminism mellan åren 1995-2016 har denna uppsats ämnat utröna om detta maktförhållande lever kvar och hur det tar sig uttryck. Uppsatsen undersöker även om det medieras en diskurs om ekofeminism i svensk tryckt press. Centrala frågeställningar: Hur framställs ekofeminism i svensk tryckt press mellan åren 1995-2016 ? Vilka maktstrukturer framträder runt ekofeminism och vilka personer kommer till tals? Varför skrevs inget alls om ekofeminism under 5 av de 11 undersökta åren ? Metoder: För att ta reda på detta har denna uppsats använt sig av triangulering som övergripande metod innehållande en kvantitativ analys, innehållsanalys och analys av visuell kommunikation. Slutsatser: Denna uppsats kommer fram till att förtrycket lever kvar och visar sig tydligt i relationen mellan svensk tryckt press och ekofeminism. Ekofeminismen framställs som svårbegriplig för allmänheten och blandas ofta ihop med särartsfeminism i vad som tycks vara ett strategiskt syfte att genom desinformation utöva förtryck.<br>The silent years: ecofeminism in Swedish printed press 1995-2016 Ecofeminism figures in both political and philosophical contexts and is an ideology that combines feminism with environmental policy. It builds its ideology to counteract a patriarchal oppression against both women and nature, saying that this oppression stems from a historical perception of the woman standing closer to nature. The self-elevation of the white man to God during the industrialism era used this historical image in the justification to exercise power towards both women and nature, which is said to be ongoing to the greatest extent today. By considering how Swedish printed press depict ecofeminism between the years 1995-2016, this paper has been designed to determine if this relationship of power remains and define how it is expressed. The essay also investigates whether a discourse on ecofeminism is mediated in Swedish press. Central Issues: How is ecofeminism produced in Swedish printed press between 1995 and 2016? What power structures appear around ecofeminism and who get their voices heard? Why was nothing written about ecofeminism for 5 of the 11 investigated years? Methods: To find this out, this essay has used triangulation as an overarching method containing quantitative analysis, content analysis and analysis of visual communication. Conclusions: This essay indicate that the repression remains and becomes evident in the relationship between Swedish press and ecofeminism. Ecofeminism is expressed as difficult for the public and is often confused with specificity feminism in what appears to be a strategic goal of repression by means of disinformation.<br><p>Betygssättande lärare: Per Vesterlund. Formell examinator för kursen: Eva Åsén Ekstrand.</p>
Books on the topic "Patriarkal makt"
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The sexual politics of meat: A feminist-vegetarian critical theory. 2nd ed. Continuum, 2010.
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Kindervater, Lisa, and Sheila Meintjes. Gender and Governance in Post-Conflict and Democratizing Settings. Edited by Fionnuala Ní Aoláin, Naomi Cahn, Dina Francesca Haynes, and Nahla Valji. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199300983.013.37.
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Women have the opportunity to make significant economic, political, and sociocultural gains during transitions to peace and democracy; however, these gains are frequently lost when competitive electoral politics resumes. This chapter identifies the key mechanisms responsible for this loss, providing examples from several countries in sub-Saharan Africa. These mechanisms include institutional constraints, historical political conditions, donor-driven agendas, prevailing cultural norms, and the nature of the women’s movement. The chapter suggests that while the enactment of laws and policies related to women’s rights are an important first step, a feminist and transformational agenda in post-conflict societies requires focus on patriarchal cultures and practices. The chapter argues that such transformation is aided by the fostering of strong relationships between grassroots women activists and politically elite women.
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Radcliffe, Ann. A Sicilian Romance. Edited by Alison Milbank. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537396.001.0001.
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In A Sicilian Romance (1790) Radcliffe began to forge the unique mixture of the psychology of terror and poetic description that would make her the great exemplar of the Gothic nove, and the idol of the Romantics. This early novel explores the cavernous landscapes and labyrinthine passages of Sicily's castles and covents to reveal the shameful secrets of its all-powerful aristocracy. Julia and Emilia Mazzini live secluded in an ancient mansion near the Straits of Messina. After their father's return to the island a neglected part of the house is haunted by a series of mysterious sights and sounds. The origin of these hauntings is only discovered after a series of breathless pursuits through dreamlike pastoral landscapes. When revelation finally comes, it forces the heroines to challenge the united forces of religious and patriarchal authority.
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Neill, Michael. ‘Romaine Tragedie’. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.21.
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In Titus Andronicus Shakespeare and his collaborator Peele contributed to the early modern reinvention of tragedy—a genre that had effectively ceased to exist for more than a thousand years. The play’s designation as a ‘Romaine Tragedy’ announces its self-conscious engagement with classical models—an effect rendered theatrically immediate by the identification of the audience with the citizenry of Rome; but this engagement is of a conflicted kind: the presentation of Rome as a familiar model of civilization is undercut by what the play shows about the ferociously patriarchal values epitomized in the demands of ‘piety’ (pietas). The play sets up oppositions between civilization and barbarism, Roman and Goth, city and wilderness, eloquence and violence, monumental tomb and blood-drinking pit, which it then progressively collapses. Flattering its audience with the idea of England as a new Rome, Shakespeare also reminds them of the need to make Rome new—and therefore, perhaps, to take tragedy itself in new directions.
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Wong, Wai Ching Angela, and Patricia P. K. Chiu, eds. Christian Women in Chinese Society. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455928.001.0001.
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This volume expands on the long-standing debates about whether Christianity is a collaborator in, or a liberating force against the oppressive patriarchal culture for women in Asia through the accounts of the Anglican church in China. Women have played an important role in the history of Chinese Christianity, but their contributions have yet to receive due recognition, partly because of the complexities arising out of the historical tension between Western imperialism and Chinese patriarchy. Single women missionaries and missionary spouses in the nineteenth century set the early examples of what women could do to spread the Gospel. The education provided to Chinese women by missionaries, which was expected to turn them into good wives and mothers, empowered the students and allowed them to become full participants not only in the Church but also in the wider society. Together, the Western female missionaries and the Chinese women whom they trained explored their newfound freedom and tried out their roles with the help of each other. These developments culminated in the ordination of Florence Li Tim Oi to priesthood in 1944, a singular event that fundamentally changed the history of the Anglican Communion. At the heart of this collection lies the rich experience of those women in the Anglican church, both Chinese and Western, who devoted their lives to their evangelizing and civilizing mission across mainland China and Hong Kong. Contributors make the most of the sources to reconstruct their voices and present sympathetic accounts of these remarkable women’s achievements.
Book chapters on the topic "Patriarkal makt"
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"Contextualizing the Fabric of Patriarchal Violence: Violence Against Women in Oceania." In Reweaving the Relational Mat. Routledge, 2016. http://dx.doi.org/10.4324/9781315478654-10.
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Murray, Terri. "Censorship and Patriarchal Ideology." In Studying Feminist Film Theory. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.003.0003.
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This chapter begins by examining theoretical models for the study of narrative provided by anthropologist Claude Lévi-Strauss and Tzvetan Todorov. For a period from the early 1930s until the mid-1950s, Hollywood films were subject to regulation by censors who had the power to alter the cause–effect logic of the narrative in order to make it comply with their patriarchal moral ideology. This included the rule of ‘compensating moral values’, which assured that a character who committed an immoral action had to be either punished or redeemed within the narrative. Melodramas position the central female character as a victim, and are narrated from her perspective. The melodrama narrates a female predicament and offers female viewers a lesson in how (or how not) to behave. Meanwhile, films noir are typically narrated from the male perspective and position the male detective/hero as a victim of female manipulation or betrayal. The ‘femme fatale’ is a male construct; she represents male anxieties about women's changing roles in society, especially her sexual and economic independence. Neo-noir films deliberately subvert the rule of ‘compensating moral values’ and offer female viewers a rare opportunity to derive pleasure from narcissistic identification with the femme fatale.
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Essig, Laurie. "Learning to Love." In Love, Inc. University of California Press, 2019. http://dx.doi.org/10.1525/california/9780520295018.003.0002.
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This chapter considers how we learn to love at an early age from a variety of cultural productions, such as Disney films and teen romance novels. It digs deep into the culture of Twilight and its more grown-up—if illegitimate—progeny, Fifty Shades of Grey, to argue that romance is primarily an economic fantasy, although one that relies on both white supremacy and patriarchal gender roles to make sense.
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Gupta, Gopal K. "The Bhāgavata Speaks of Woman". У Māyā in the Bhāgavata Purāṇa. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856993.003.0006.
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Indic texts have played a crucial role in constructing, and greatly influencing, gender roles and social norms in Indian society. Scholarship on these texts has identified problems of identity and hegemony that are thoroughly discussed in such fields as subaltern studies, gender studies, cultural studies, and the like. Because of cultural practices such as satῑ and religious laws for widows, Hinduism and some of its associated texts tend to have a reputation for patriarchal misogyny. In her Encyclopedia of Feminism, Lisa Tuttle advises scholars to ask “new questions of old texts;” following her lead, this chapter intends to examine the gender discourse contained in the Bhāgavata Purāṇa, focusing on the text’s characterization of women as māyā, which we have here defined as God’s deluding or covering potency. The analysis should make it plain that while the Bhāgavata does support patriarchal institutions and practices, on a deeper level it portrays women in a far more positive light, holding them in a more esteemed position than one may assume.
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Çoban, Barış, and Bora Ataman. "Conclusion." In Handbook of Research on Discrimination, Gender Disparity, and Safety Risks in Journalism. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6686-2.ch020.
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Journalism is a two-faced mirror that both generates and reflects social inequalities: Both people's experiences within news organizations and the content published by them make the gender inequality visible. We can define journalism, just like all other patriarchal institutions, as an institution that generates gender inequality. In order to get a clear understanding of this problem, we have to address the actors, means, processes and conditions that generate this inequality in journalism first, and then we may suggest solutions based on real-life cases. Indeed, knowledge building is, as always, a priority in order to make working conditions safer for women and LGBT journalists. This chapter aims to support the struggle for gender equality in journalism within this context.
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Lamm, Kimberly. "Writing the drives in Nancy Spero’s Codex Artaud." In Addressing the other woman. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526121264.003.0004.
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Chapter 3 is devoted to Nancy Spero’s Codex Artaud (1971–72), an epic artwork in which she orchestrated typewritten texts and painted images to seize the monstrosity attributed to white women if they do not stay within patriarchal constraints. The chapter analyses Codex Artaud as a feminist claim to women’s aggressive capacities and all they connect to: sexuality, disorder, insanity, and protest, but also the capacity to represent oneself as other. The reading focuses on Spero’s conflicted engagement with Antonin Artaud’s writings and the fact that though he was insane, he was able to command the patriarchal orders of language to create a mobile range of self-representations. Spero’s engagement with Artaud’s texts produced a form of writing that both emulates and critiques the masculine privileges that make such self-representations of otherness possible, thereby revealing the aggression from which women in western culture have been traditionally barred. To evoke the psychic mechanisms that enforce this exclusion, the chapter turns to Sigmund Freud’s definition of sexuality in Three Essays on the Theory of Sexuality (1905) and his articulation of the expectation that women should not indulge in the pleasures of aggression, but should instead create aesthetically pleasing images devoid of shame and disgust..
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Murray, Terri. "Unexpected Heroes of Feminist Cinema." In Studying Feminist Film Theory. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.003.0005.
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This chapter challenges critics' readings of films as ‘sexist’, looking at two illustrative examples: Paul Verhoeven and Spike Lee. Paul Verhoeven's Basic Instinct (1992) was widely regarded as misogynistic and ‘lesbophobic’. Basic Instinct is a neo-noir film that scandalously refuses to conform to the patriarchal rule of ‘compensating moral values’. Moreover, its visual pleasures are deliberately constructed against the grain of male voyeuristic pleasures and offer women (especially lesbian women) a rare opportunity to dissect and ridicule male sexism, homophobia, and voyeuristic power. Verhoeven's Elle (2016) is a much more subtle and complex critique of how women's self-image is ‘mediated’ by patriarchal culture, and the film makes explicit or oblique references to tabloid journalism, the gaming industry, and religion in the construction of a total culture that presents women as ‘others’ not only to men but also to themselves. Meanwhile, Spike Lee has been a frequent target for the ‘sexist’ label. The chapter argues that this is unfair, given Lee's relatively frequent attempts to make films about female sexual empowerment (or the causes of female sexual disempowerment). The three examples of She's Gotta Have It (1986), She Hate Me (2004), and BlacKkKlansman (2018) suggest that Lee has in various ways attempted to represent females as empowered sexual agents, and to address social double standards erected by men to possess women through the possession of their bodies.
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Norwood, Romney S. "Molding Me in Their Image." In Navigating Micro-Aggressions Toward Women in Higher Education. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5942-9.ch011.
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This chapter examines how the paternalistic nature of academia shaped the author's development as a graduate student and as a young professor. Overcoming the oppression of a paternalistic culture is challenging for any woman, but even more so for women of color who are assumed to need even more steering, shaping, and molding. It is ironic that the discipline in which the author chose to pursue advanced studies, sociology, is a discipline that has a core goal of examining and challenging inequality. This, however, does not make it impervious to perpetuating inequality. This chapter examines how long it took to take control of shaping the author's own image and to learn to navigate a culture that is still heavily influenced by patriarchal standards.
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Auyero, Javier, and María Fernanda Berti. "Toward a Political Sociology of Urban Marginality." In In Harm's Way. Princeton University Press, 2016. http://dx.doi.org/10.23943/princeton/9780691173030.003.0006.
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This book has examined how violence dislocates individuals' lives and disrupts the collective life of Arquitecto Tucci. It has also identified economic and political forces at the root of the whirlpool of violence that wreaks havoc in Tucci's daily life. This conclusion summarizes the book's main findings and proposes a political sociology of urban marginality by highlighting parallels and convergences with other territories of urban relegation in the Americas. It argues that, to make better sense of concatenated violence—and the individual and collective actions it generates—it is necessary to pay attention to state actions and inactions, such as police brutality, police participation in crime (such as the drug trade), and the almost total (and patriarchal) institutional disregard for—and occasional complicity with—domestic and sexual violence.
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Sampson, Carrie. "Evoking My Shadow Beast." In Degrees of Difference. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043185.003.0002.
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Life does not stop for anyone pursuing a graduate degree. For women of color, however, cultural and familial pressures sometimes make finishing our graduate degrees more difficult. This chapter explores the experience of a woman of color doctoral student completing her dissertation while also caring for her two young children, watching over two parents who struggled with serious illnesses, and managing a household. Framed by critical race feminism, this counterstory highlights microaggressions that exist in institutions of higher education but also within families. Exploring notions such as Superwoman, the “double-bind,” and the often-competing expectations related to traditional gender roles and aspirations, this chapter urges women of color to consider different ways of caretaking that promote liberation, eliminating the patriarchal and misogynistic expectations that tend to hinder the progress of women of color in graduate school.
Reports on the topic "Patriarkal makt"
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Enfield, Sue. Promoting Gender Equality in the Eastern Neighbourhood Region. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.063.
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This helpdesk report synthesises evidence on the drivers and opportunities for promoting gender equality in the Eastern Neighbourhood region. Although equality between women and men is enshrined in the constitutions and legal systems of all Eastern Neighbourhood countries, and all countries have ratified most of the important international conventions in this area without reservations; women are still subject to social discrimination. Discriminatory laws, social norms, and practices rooted in patriarchal systems inherited from the Soviet era have negative consequences and act as drags upon gender equality. Former Soviet states making the transition from a command economy to a market-driven system need to make changes in governance and accountability systems to allow for women to have agency and to benefit from any nominal status of gender equality. This report considers areas where there are outstanding opportunities to improve women’s situation in Eastern Neighbourhood countries.