Journal articles: 'Patrick Modiano'

1

Gratton, Johnnie. "Patrick Modiano." Irish Journal of French Studies 7, no. 1 (December 1, 2007): 132–34. http://dx.doi.org/10.7173/164913307818418583.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Davis, Colin, and Alan Morris. "Patrick Modiano." Modern Language Review 93, no. 1 (January 1998): 231. http://dx.doi.org/10.2307/3733701.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lecarme, Jacques. "Patrick Modiano." Médium 42, no. 1 (2015): 47. http://dx.doi.org/10.3917/mediu.042.0047.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Devine, J. "Patrick Modiano." French Studies 63, no. 1 (January 1, 2009): 112–13. http://dx.doi.org/10.1093/fs/knn169.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Moñino, Yves. "Discurso del Nobel 2014 Patrick Modiano." Poligramas, no. 41 (January 10, 2017): 175. http://dx.doi.org/10.25100/poligramas.v0i41.4415.

Full text

Abstract:

Traducción de Ives Moñino del Discurso del novelista francés Patrick Modiano, leído al recibir el Premio Nobel de literatura el 7 de diciembre de 2014. «Patrick Modiano - Conférence Nobel». Nobelprize.org. Nobel Media AB 2014. Web. 8 Dec 2014. <http://www.nobelprize.org/nobel_prizes/literature/laureates/2014/ modiano-lecture_fr.html>

APA, Harvard, Vancouver, ISO, and other styles

6

Anderson, Vanessa Doriott. "Lire Patrick Modiano, and: Lectures de Modiano." SubStance 41, no. 1 (2012): 137–41. http://dx.doi.org/10.1353/sub.2012.0000.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sarhan Jassim, Hassan. "Les Labyrinthes du Roman Français Contemporain à travers l’Œuvre de Patrick Modiano The Labyrinths of the Contemporary French Novel Through the Texts of Patrick Modiano." Journal of the College of languages, no. 42 (June 1, 2020): 51–79. http://dx.doi.org/10.36586/jcl.2.2020.0.42.0051.

Full text

Abstract:

Cette recherche a un objectif précis : étudier les diverses modalités selon lesquelles le motif du labyrinthe se pose comme principe privilégié de l'esthétique du récit chez Patrick Modiano. Cela se fera, dans la généralité, à la lumière de la méthodologie de la poétique textuelle sans pour autant omettre le rôle que pourrait jouer le contexte sur les choix thématiques de l'écrivain. Dans les romans de Modiano, le labyrinthe à plusieurs modes d'existence. Nous en avons discernés trois : le labyrinthe ontologique, dont l’évocation est liée à l’identité du personnage. Le deuxième devrait s’appeler le labyrinthe mémorial dont la présence est en rapport avec le caractère spécifique doté à la mémoire des personnages. Le troisième mode du labyrinthe concerne l’espace labyrinthique dans lequel errent les êtres romanesques de Modiano. Analyser les liens forts divers et multiples que le roman de Modiano établit avec le motif du labyrinthe est un domaine qui n’a pas pris l’intérêt qu’il méritait dans les travaux critiques consacrés à l’écrivain français. Comme nous le verrons au cours de cette recherche, Modiano trouve dans le labyrinthe, en tant que forme comme en tant que sujet, une source d’inspiration extrêmement vitale, dynamique et sans cesse renouvelable. Abstract The current paper aims to study the different forms by which the theme of labyrinth imposes itself as a preferred narrative structure in the novels of the French writer Patrick Modiano. Theoretically speaking, the current research paper will limit itself to the theoretical framework of the textual poetics which relies on the study of literary texts without paying much attention, neither to the context, nor to the life of its author. The analysis of the strong and varied links that Modiano's novels establish with labyrinth represents a field which has not received adequate attention by the critical studies dedicated to this French writer. As it will be shown throughout the current paper, Modiano views labyrinth both as a form and a subject to be a very vital, dynamic, and infinitely renewable inspiration.

APA, Harvard, Vancouver, ISO, and other styles

8

CHERIF, Sékou. "La perception, centrum de l’imaginaire modianesque dans Vestiaire de l’enfance." ALTRALANG Journal 4, no. 01 (June 30, 2022): 138–50. http://dx.doi.org/10.52919/altralang.v4i01.185.

Full text

Abstract:

Perception, the centre of the Modian imagination in Vestiaire de l’enfance ABSTRACT: Like the Proustian narrator in À la recherche du temps perdu, the Modian narrator seems to be tossed back and forth between mnemonic experience and reality under the influence of perception. This induction is due to the postulate that Jimmy Sarano's addiction, the pivotal character of the narrative in Vestiaire de l'enfance, metamorphoses from a perceptionist state elicited by Rose-Marie that seems familiar to him. Thus, begins several imaginations in the narrative process. The analysis proposes, by means of the phenomenology of perception, to decipher the latent imaginary of Patrick Modiano's work. RÉSUMÉ : Tout comme le narrateur proustien dans À la recherche du temps perdu, le narrateur modianesque semble balloté entre expérience mnémonique et réalité sous l’effet de la perception. Cette induction est due au postulat selon lequel l’accoutumance de Jimmy Sarano, personnage pivot du récit dans Vestiaire de l’enfance, se métamorphose à partir d’un état perceptionniste suscité par Rose-Marie qui lui paraît familier. Ainsi, commence une kyrielle d’imaginations dans le processus narratif. L’analyse propose, au moyen de la phénoménologie de la perception, de décrypter l’imaginaire latent de l’oeuvre de Patrick Modiano.

APA, Harvard, Vancouver, ISO, and other styles

9

Labre, Chantal. "Patrick Modiano, la sentinelle." Esprit Novmbr, no. 11 (2014): 119. http://dx.doi.org/10.3917/espri.1411.0119.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bridges, Victoria. "Patrick Modiano: Quartier perdu." Yale French Studies, no. 75 (1988): 259. http://dx.doi.org/10.2307/2929377.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

ZAPARART, María Julia. "Patrick Modiano en español: el caso de Dora Bruder." Belas Infiéis 8, no. 2 (April 30, 2019): 129–38. http://dx.doi.org/10.26512/belasinfieis.v8.n2.2019.24383.

Full text

Abstract:

La obra de Patrick Modiano se caracteriza por una exploración de la topografía parisina como estrategia de reelaboración de una memoria que precede al nacimiento del autor. Modiano reconstruye el pasado francés ligado al período de la Ocupación alemana a través de la topografía parisina actual: la evocación de los barrios y lugares de París y su frecuentación permite a los narradores de Modiano entrar en contacto con el pasado y con los personajes que alguna vez los habitaron. La presente contribución propone un análisis crítico de la traducción al español que María Pino realizó para la editorial Seix Barral de Dora Bruder ([1997] 2014) de Patrick Modiano para indagar los problemas, dislocaciones y desplazamientos que se presentan a la hora de traducir esta topografía de la posmemoria (HIRSCH, 1997).

APA, Harvard, Vancouver, ISO, and other styles

12

Prince, Gerald. "Paris Nocturne by Patrick Modiano." World Literature Today 90, no. 3 (2016): 96–97. http://dx.doi.org/10.1353/wlt.2016.0180.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Avni, Ora. "Patrick Modiano: A French Jew?" Yale French Studies, no. 85 (1994): 227. http://dx.doi.org/10.2307/2930079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

GASCOIGNE, D. J. "Review. Patrick Modiano. Morris, Alan." French Studies 52, no. 2 (April 1, 1998): 237. http://dx.doi.org/10.1093/fs/52.2.237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Cooke, Dervila. "Patrick Modiano. By Akane Kawakami." French Studies 71, no. 2 (March 3, 2017): 288–89. http://dx.doi.org/10.1093/fs/knx038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Sourieau, Marie-Agnès. "Encre sympathique by Patrick Modiano." French Review 94, no. 1 (2020): 261–62. http://dx.doi.org/10.1353/tfr.2020.0019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Zaparart, María Julia. "Dossier La traducción editorial: Patrick Modiano en español: el caso de Rue des boutiques obscures." El Taco en la Brea, no. 5 (June 27, 2017): 359–70. http://dx.doi.org/10.14409/tb.v1i5.6634.

Full text

Abstract:

En el mercado editorial hispanófono, los editores españoles ocupan una posición dominante que les permite adquirir con mayor facilidad que los editores latinoamericanos los derechos de traducción de una obra para todo el ámbito del español. En el caso de Patrick Modiano, las traducciones de las novelas del escritor francés que llegan a Argentina han sido publicadas principalmente por Anagrama, se trata por lo tanto de traducciones peninsulares que circulan a nivel mundial. Sin embargo, para unas pocas novelas de Patrick Modiano contamos con dos traducciones, es el caso de Rue des boutiques obscures (Gallimard, 1978). La primera traducción, realizada por el escritor uruguayo Jorge Musto para el sello venezolano Monte Ávila Editores (1980), se encuentra actualmente descatalogada; y la segunda, realizada por la traductora María Teresa Gallego Urrutia para el sello español Anagrama (2009) circula tanto en Latinoamérica como en España. A partir del comentario y análisis crítico de estos ejemplos concretos, las dos traducciones al español existentes de la novela Rue des boutiques obscures de Patrick Modiano, este artículo se propone plantear la necesidad de una crítica de la traducción que permita indagar los problemas, dislocaciones y desplazamientos que las variedades del español presentan a la hora de traducir a Modiano y su topografía de la posmemoria y su injerencia en la recepción de la obra del escritor francés.

APA, Harvard, Vancouver, ISO, and other styles

18

Tomé, Mario. "La actual narrativa francesa (y II)." Estudios Humanísticos. Filología, no. 10 (December 1, 1988): 205. http://dx.doi.org/10.18002/ehf.v0i10.4352.

Full text

Abstract:

Presentación y breve comentario de la obra más significativa de los actuales novelistas franceses. Grandes figuras actuales: Michel Tournier, J.M.G. Le Clézio, Patrick Modiano. Premios literarios y éxitos editoriales: Romain Gary, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tris-tan, Héctor Bianciotti, Marguerite Duras, Yann Queffelec.A short introduction of the most outstanding works of some recent French novelists. Top novelists: Michel Tournier, J.M.G. Le Clézio and Patrick Modiano. Literary Prizes and best-sellers: Emile Ajar, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tristan, Héctor Bianciotti, Marguerite Duras, Yann Queffélec.

APA, Harvard, Vancouver, ISO, and other styles

19

Lee, Mark D. "L’herbe des nuits by Patrick Modiano." French Review 87, no. 1 (2013): 275. http://dx.doi.org/10.1353/tfr.2013.0082.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Garvey, Brenda. "Patrick Modiano by John E. Flower." Modern Language Review 105, no. 2 (2010): 571–72. http://dx.doi.org/10.1353/mlr.2010.0251.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Talbot, Emile J., Colin W. Nettlebeck, and Penelope A. Hueston. "Patrick Modiano, pièces d'identité: Ecrire l'entretemps." World Literature Today 61, no. 2 (1987): 247. http://dx.doi.org/10.2307/40143036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Goloborodko, Iaroslav, and Anastasiia Lepetiukha. "Virages des visions de Patrick Modiano." Neophilologus 104, no. 2 (December 23, 2019): 165–76. http://dx.doi.org/10.1007/s11061-019-09630-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Davronova, Zulfiya. "ARTISTIC AND STYLISTIC FEATURES OF THE WORKS OF PATRICK MODIANO." Frontline Social Sciences and History Journal 02, no. 04 (April 1, 2022): 161–69. http://dx.doi.org/10.37547/social-fsshj-02-04-19.

Full text

Abstract:

Almost all the works of the contemporary French writer Patrick Modiano, starting with his first novel "The Square of the Star", are built around two main themes: the search for identity and the period of the German occupation of France. Two problems are closely connected with them, namely: memory as a synonym for the past and renunciation of oblivion.

APA, Harvard, Vancouver, ISO, and other styles

24

Bonadei, Enrico. "Patrick Modiano, Edited by John E. Flower." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 703–4. http://dx.doi.org/10.4000/studifrancesi.8735.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Holm, Helge Vidar. "Voyance, chronotopie et intertextualité dans Dora Bruder de Patrick Modiano." Bergen Language and Linguistics Studies 10, no. 1 (November 6, 2019): 8. http://dx.doi.org/10.15845/bells.v10i1.1358.

Full text

Abstract:

In Dora Bruder, Patrick Modiano gives the following comment on his own novelistic writing: “Like many writers before me, I believe in coincidence, and, sometimes, in the novelist’s gift for clairvoyance - the word ‘gift’ not being the right one, for it implies a kind of superiority. Clairvoyance is simply part of the profession: the essential leaps of imagination, the need to fix one’s mind on detail - to the point of obsession, in fact - so as not to lose the thread and give in to one’s natural laziness. All this tension, this cerebral exercise, may well lead in the long run to ‘flashes of intuition concerning events past and future’, as defined by Larousse dictionary under ’clairvoyance’.” (Dora Bruder (Paris 1997), English edition: The Search Warrant, Harvill Secker, London 2014, p. 47-48). By analyzing some selected passages from this novel, I study some relations between M. Bakhtin’s theory of the chronotope and the effects of the novelist Modiano’s “gift for clairvoyance” as presented in the quotation above. I also comment on some representations of intertextuality and intratextuality in Dora Bruder.

APA, Harvard, Vancouver, ISO, and other styles

26

Ivasiutyn, Taras. "Patrick Modiano: a nostalgic look at the past." Current issues of social sciences and history of medicine, no. 4 (November 24, 2016): 41–45. http://dx.doi.org/10.24061/2411-6181.4.2016.194.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Abdel Latif, Laila. "Patrick Modiano, une autobiographie pas comme les autres." مجلة کلیة الآداب . حلوان 45, no. 1 (July 1, 2017): 93–120. http://dx.doi.org/10.21608/kgef.2017.96226.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Çağlakpınar, Bülent. "Memory Space in the Works of Patrick Modiano." LITERA 31, no. 1 (June 10, 2021): 137–58. http://dx.doi.org/10.26650/litera2020-0071.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Morris, A. "PATRICK MODIANO: 'A MARCEL PROUST OF OUR TIME'?" French Studies Bulletin 36, no. 134 (March 1, 2015): 1–3. http://dx.doi.org/10.1093/frebul/ktv001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Carriedo, Lourdes. "Écriture, mémoire et structure d’horizon chez Patrick Modiano." French Cultural Studies 23, no. 4 (November 2012): 341–49. http://dx.doi.org/10.1177/0957155812456149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Zelinsky, Zeno. "Présence urbaine et images maritimes chez Patrick Modiano." French Cultural Studies 23, no. 4 (November 2012): 358–65. http://dx.doi.org/10.1177/0957155812457534.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Gratton, J. "Postmemory, Prememory, Paramemory: The Writing of Patrick Modiano." French Studies 59, no. 1 (January 1, 2005): 39–45. http://dx.doi.org/10.1093/fs/kni067.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Pérez, Claude-Pierre. "Imaginer sur pièces. Imagination et documentation chez Patrick Boucheron et Patrick Modiano." Littérature 190, no. 2 (2018): 102. http://dx.doi.org/10.3917/litt.190.0102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Lévy, Clara. "Patrick Modiano – articulação entre o campo de difusão restrito e o campo da grande produção." Revista do Instituto de Estudos Brasileiros, no. 68 (December 13, 2017): 101. http://dx.doi.org/10.11606/issn.2316-901x.v0i68p101-121.

Full text

Abstract:

Em 9 de outubro de 2014, o Prêmio Nobel de literatura foi concedido ao escritor francês Patrick Modiano pela “arte da memória com a qual ele se referiu aos destinos humanos mais difíceis e revelou o mundo da Ocupação”. Nosso texto analisará a posição de Modiano nos campos literários francês e internacional e como seu sucesso de crítica e comercial questiona e desafia parcialmente a teoria composta por P. Bourdieu acerca dos dois subcampos que compõem o campo cultural. Modiano tem sido hábil em reconciliar sua posição no campo da produção restrita (avaliação por críticos, pares, acadêmicos, sendo publicado em coleções de prestígio, obtendo vários prêmios literários, como o mais prestigioso – Prêmio Nobel etc.) com acesso direto ao campo da produção ampliada (grande visibilidade e altas cifras de vendas de seus trabalhos; visibilidade fora do campo literário, por meio de filmes e músicas). Em seguida, analisaremos o impacto da obtenção do Prêmio Nobel em números em termos de impressões e vendas, não só no mercado de livros francês, mas também nos mercados de literatura francesa no exterior.

APA, Harvard, Vancouver, ISO, and other styles

35

SEZGİNTÜRK-, Pınar. "TRAVMANIN NESİLLER ARASI AKTARIMI: PATRİCK MODİANO VE POST-BELLEK." Turkish Studies - Language and Literature Volume 14 Issue 3, Volume 14 Issue 3 (2019): 1547–59. http://dx.doi.org/10.29228/turkishstudies.29334.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Stupazzoni, Marco. "Donato Sperduto, Les farces nocturnes: Balzac et Patrick Modiano." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 687. http://dx.doi.org/10.4000/studifrancesi.8664.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

McPherson, Karen. "Review Essay: Meeting Nobel Laureate Patrick Modiano in Translation." Translation Review 94, no. 1 (January 2, 2016): 107–13. http://dx.doi.org/10.1080/07374836.2015.1123918.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Carvalho Canarinos, Ana Karla, and Fabio Ávila Arcanjo. "MEMÓRIA E RASTRO EM DORA BRUDER DE PATRICK MODIANO." Revista Araticum 24, no. 1 (February 8, 2023): 121–38. http://dx.doi.org/10.46551/issn2179-6793ra2022v24n1_a07.

Full text

Abstract:

Este trabalho tem por objetivo a análise do romance Dora Bruder (1997), de Patrick Modiano, tendo em vista as questões em torno de rastro e da memória. Considerando que se trata de uma narrativa inserida na tradição literária testemunhal, ao longo deste artigo pretendemos discutir de que maneira o rastro e os vestígios deixados pela protagonista do romance funcionam como uma forma – ainda que lacunar – de resgatar a memória de pessoas anônimas e esquecidas pela História. Sob este aspecto, este artigo apresenta a seguinte hipótese: o rastro em Dora Bruder se configura a partir de três instâncias narrativas principais: 1) na representação de Paris; 2) no hibridismo de gênero e 3) na temática do Holocausto.

APA, Harvard, Vancouver, ISO, and other styles

39

De Lemos, Thiago Tremonte. "MÉMOIRE OUBLIEUSE: POSSÍVEL CONTRIBUIÇÃO “INVOLUNTÁRIA” DE PATRICK MODIANO À NARRATIVA DO PASSADO." História: Questões & Debates 65, no. 1 (July 12, 2017): 307. http://dx.doi.org/10.5380/his.v65i1.46019.

Full text

Abstract:

O presente artigo procura oferecer reflexões a partir da noção de mémoire oublieuse, do escritor francês Patrick Modiano, tomando-a como instrumento possível de métodos historiográficos que tenham como seu principal mote o diálogo interdisciplinar da história com outras áreas do conhecimento, sobretudo no que se refere às potencialidades da memória como fonte para a construção de narrativas do passado.

APA, Harvard, Vancouver, ISO, and other styles

40

De Lemos, Thiago Tremonte. "Modiano historiador: a ambiguidade francesa durante a ocupação alemã compreendida na obra Ronda da noite." Esboços: histórias em contextos globais 25, no. 40 (January 18, 2019): 300–316. http://dx.doi.org/10.5007/2175-7976.2018v25n40p300.

Full text

Abstract:

A partir da obra do escritor francês Patrick Modiano, o presente artigo propõe uma reflexão sobre os limites e os encontros entre a história e a ficção literária nas narrativas da ocupação alemã na França, durante a Segunda Guerra Mundial. Concomitantemente, discute-se a ambígua posição da sociedade francesa, particularmente em Paris, ora tolerando e, às vezes, colaborando com os invasores, ora resistindo à presença estrangeira.

APA, Harvard, Vancouver, ISO, and other styles

41

Mañes, Montserrat Serrano. "Les sentiers de la mémoire ou comment découvrir la silhouette de Proust dans l’œuvre de Modiano." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 47, no. 2 (November 30, 2012): 305–19. http://dx.doi.org/10.1075/rro.47.2.04ser.

Full text

Abstract:

The influence of La Recherche du Temps perdu by Proust can be felt in many current French writers. His style, as well as his various elements, have had many followers who have focused on some aspects of the proustian work. One of those writers is Patrick Modiano. The memories of the Occupation period, which Modiano didn’t witness himself, but he feels he belongs to, hover over his work, sometimes clearly, sometimes in a more subtle way. All this creates an atmosphere that we can consider « proustian » and that reaffirms itself when we see how his most important topics are memory, time and oblivion. This is particularly evident in Livret de Famille, where he at times keeps obvious similarities with, and at times far and clear echoes of Proust.

APA, Harvard, Vancouver, ISO, and other styles

42

Cadieu, Morgane. "How the Grass Grows in the Works of Patrick Modiano." Contemporary French and Francophone Studies 25, no. 2 (March 15, 2021): 183–93. http://dx.doi.org/10.1080/17409292.2021.1876453.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

VanderWolk, William, and Ora Avni. "D'un passe l'autre: aux portes de l'histoire avec Patrick Modiano." SubStance 27, no. 3 (1998): 130. http://dx.doi.org/10.2307/3685583.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Morris, Alan. "Shadow Play: Patrick Modiano and the Legacy of the Holocaust." French Forum 44, no. 1 (2019): 13–28. http://dx.doi.org/10.1353/frf.2019.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

SARICA, Nurten, and Mustafa SARICA. "PATRICK MODIANO İLE SÖYLEŞİ ÖRNEĞİ ÜZERİNDEN BİR SÖZLÜ DİL İNCELEMESİ." International Journal of Language Academy 43, no. 43 (2022): 333–51. http://dx.doi.org/10.29228/ijla.66277.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Hanif, Fauzan. "L’influence du genre à la transmission de la mémoire : Cas de Dora Bruder de Patrick Modiano." Digital Press Social Sciences and Humanities 3 (2019): 00022. http://dx.doi.org/10.29037/digitalpress.43295.

Full text

Abstract:

Such cultural experiences have a possibility to be embedded in a memory of one generation. But there are mostly in form of traumatic experiences. And then, we learn that these memories could be transferred onto their children, or we could say it as “post generation”. In the novel Dora Bruder, such things happen when the author, Patrick Modiano, plays his attribute in composing genres to arrange and transfer his message. The story mainly concerns as the narrator try to find a missing girl named Dora Bruder. She was gone in 1941, or in the moment when Nazi was occupying France. This research aims to discover the relationship between the role of genre on emerging the message, particularly the traumatic ones by using the concept of genre and postmemory. From the analysis we conclude that Modiano use genres to transfer his message traumatic. It exists in form of the impression of absence. From the sensation of absence, he continues to transmit consecutively another impression of hollow, doubt, and also hope. For transferring his message and memory, Modiano mixes real documents and his fiction. He manifest them by constructing a story of another person and narrating it from the first-person point of view. He uses this technique to identify himself, because the “shared idea” of one’s could be related with another’s.

APA, Harvard, Vancouver, ISO, and other styles

47

Ravvin, Norman. "“Were I not here to record it, there would be no trace”: Chava Rosenfarb's “In the Boxcar” and Patrick Modiano's Dora Bruder." Canadian Jewish Studies / Études juives canadiennes 32 (October 25, 2021): 26–36. http://dx.doi.org/10.25071/1916-0925.40239.

Full text

Abstract:

Patrick Modiano’s Dora Bruder and Chava Rosenfarb’s “In the Boxcar” – an excerpt from the as-yet not fully translated novel Letters to Abrasha – rely on original and creative methods in their responses to events and memory associated with the Holocaust. In contrast with these works, this article also considers the approach taken in Michal Glowinski’s memoir The Black Seasons, as well as in Barbara Engelking and Jacek Leociak’s The Warsaw Ghetto: A Guide to the Perished City. These texts convey, in a new light, pre-war and wartime sites: Paris, Auschwitz, Lodz, Warsaw, and the ghettos installed by the Germans in the latter two cities. Dora Bruder de Patrick Modiano et «In the Boxcar» de Chava Rosenfarb - un extrait du roman Letters to Abrasha, qui n’a pas encore été entièrement traduit - s’appuient sur des méthodes originales et créatives dans leurs réponses aux événements et à la mémoire associés à l’Holocauste. En contraste avec ces oeuvres, cet article examine également l’approche adoptée dans les mémoires de Michal Glowinski, The Black Seasons, ainsi que dans The Warsaw Ghetto : A Guide to the Perished City de Barbara Engelking et Jacek Leociak. Ces textes présentent, sous un jour nouveau, des sites d’avant-guerre et de guerre: Paris, Auschwitz, Lodz, Varsovie, et les ghettos installés par les Allemands dans ces deux dernières villes.

APA, Harvard, Vancouver, ISO, and other styles

48

Bochkareva, Nina S., Inga V. Suslova, and Alexander D. Bazhanov. "‘SO YOU DON’T GET LOST IN THE NEIGHBORHOOD’ BY PATRICK MODIANO: POETICS OF THE ‘NOVEL ABOUT A NOVEL’." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 81–89. http://dx.doi.org/10.17072/2073-6681-2020-2-81-89.

Full text

Abstract:

The article analyzes the novel by the modern French writer Patrick Modiano So You Don’t Get Lost in the Neighborhood (‘Pour que tu ne te perdes pas dans le quartier’, 2014) in terms of the genre poetics of the ‘novel about a novel’. The paper explains the use of the terms ‘novel about a novel’, ‘metanovel’, etc. in modern literary criticism. As part of research, there was studied the writer’s Nobel Lecture, read by him in the year of the novel’s publication, and the works of Modiano’s researchers from different countries. The conclusion is drawn about the game structure of the ‘novel about a novel’, which is architecturally connected with the French modernist tradition (M. Proust, A. Gide, and others). Throughout the novel, the herowriter Jean Daragane dreams of his own life, combining memories and imagination (the process of creative work, according to Modiano). Plunging into the past, Jean Daragane discovers in childhood a source of his loneliness (loneliness is a condition of the writer’s work and the theme of the ‘novel about a novel’). Recorded in a multitude of overlapping texts belonging to different genres (fake passport, business card, note book, phone book, article, letter, police report, dossier, brochure, novel, poems, etc.), the palimpsest novel creates a communicative space of dialogue, which is the only possible way out of loneliness for the writer. Inside the ‘self-begetting novel’ is the story of the creation of the hero’s first novel The Black Color of Summer (‘Le Noir de l'été’) as one of the intersecting storylines. Among the different intertextual references, Natural History by the French naturalist of the 18th century Buffon and the collection of poems by the eight-year-old girl Minou Drouet Tree, My Friend (‘Arbre, mon ami’) (1957) constitute the immediate context of the novel created in the process of reading and testify to its lyrical and philosophical character. Thus, Modiano’s work draws closer to the lyrical type of Proust’s ‘novel about a novel’, although the detective component and third-person narrative reveal the influence of A. Gide. The reference to the tradition of the modernist ‘novel about a novel’ emphasizes the author’s belonging to the ‘intermediate generation’ of writers who represent the difference between monumental novels of the past and fragmentary works of the present as self-reflection of the genre.

APA, Harvard, Vancouver, ISO, and other styles

49

Young-Rae JI. "Peut-on lire Patrick Modiano comme le Bazac de notre temps?" Etudes de la Culture Francaise et de Arts en France 55, no. ll (February 2016): 367–96. http://dx.doi.org/10.21651/cfaf.2016.55..367.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

MAMEDKHANOVA, Naida Jamal. "COMPARISON OF THE PAST AND PRESENT IN WORKS OF PATRICK MODIANO." HOMEROS 1, no. 1 (January 14, 2019): 1–8. http://dx.doi.org/10.33390/homeros.2019148825.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Patrick Modiano'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles