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Relevant bibliographies by topics / Patriotism in poetry

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Academic literature on the topic 'Patriotism in poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Patriotism in poetry"

1

Greene, Maxine. "Poetry and Patriotism." Phi Delta Kappan 87, no. 8 (April 2006): 596. http://dx.doi.org/10.1177/003172170608700814.

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Klein, Joachim. "Russia Triumphant: War Poetry in the Eighteenth Century." Slovene 7, no. 1 (2018): 174–210. http://dx.doi.org/10.31168/2305-6754.2018.7.1.9.

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This paper deals with a variety of lyric poetry that was widely cultivated under Catherine II — the poetry of war. This poetry was written almost always as oc- casional court poetry; it flourished in the general context of festivities organized in celebration of the Russian successes in the numerous wars of the period. The analysis takes into account not only the main poets, but also the minor poets in order to receive a fuller picture of the period’s mentality. Presenting themselves as loyal subjects, the poets dedicated their texts mostly to Catherine II, congratulating her on her victories and praising her multifarious virtues. This panegyric element sheds a light on the cult of the empress and the specifics of her contemporary image. But the poets addressed their works not only to Catherine, but also to her victorious generals and in some cases also to the armed forces. In practicing this kind of poetry, the authors not only showed their patriotism, but also their poetic virtuosity and their erudition: their poetic task was to translate the well-known military facts into the solemn “language” of the “high style”. Writing a victory ode was a celebratory act sui generis: according to a venerable tradition of classical antiquity, the poetic word was able to transcend time, ensuring eternal glory. Remaining close to official doctrine, the poets were nevertheless able to express their own patriotic view on the ongoing wars. This patriotism came in two kinds; each one represented a certain attitude to war. The first was a radical patriotism that advocated the pursuit of national glory by the ruthless use of military power in foreign politics. The second kind was a moderate patriotism that saw war as a necessary evil; it obsessively strove to reconcile Catherine’s bellicose politics with the traditional ideal of а “just war”. The article closes with a discussion of war poetry in its relation to the peace-loving ideals of European Enlightenment.

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Chouhan, Sandhya. "Patrioitic Note in Sarojini Naidu’s Poetry." Journal of Advanced Research in English and Education 05, no. 02 (February 19, 2021): 8–10. http://dx.doi.org/10.24321/2456.4370.202006.

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Sarojini lived and created in those stirring times when India was passing though the stages of her struggle for freedom. It was the age of such great patriots and freedom-fighters as Gandhi, Nehru, Gokhale, Tilak and many others and she had close contacts with all these heroic personalities. Patriotism was in the air so to say, and Sarojini could not remain unaffected by the spirit of the times. After her meeting with Gandhi in 1914, she herself plunged into the thick of the bottle, and her letters and speeches are full of her deeply felt love for her motherland. This love is also reflected at every step in her poetry. India was is her blood; it was as part and parcel of herself, and the note of patriotism is struck in numerous poems written at different periods. It is expressed in her poems, ‘To India’, ‘The Gift of India’, ‘An Anthem of Love’, ‘Lokman Tilak’, etc.

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Fairer, D. "Patriotism and Poetry in Eighteenth-Century Britain." Essays in Criticism 53, no. 1 (January 1, 2003): 74–81. http://dx.doi.org/10.1093/eic/53.1.74.

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Dix, R. "Patriotism and Poetry in Eighteenth-Century Britain." Notes and Queries 50, no. 1 (March 1, 2003): 128–29. http://dx.doi.org/10.1093/nq/50.1.128.

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Moore, A. "Robert Lowell and Marvell: Poetry and Patriotism." English 53, no. 206 (June 1, 2004): 117–34. http://dx.doi.org/10.1093/english/53.206.117.

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Dix, Robin. "Patriotism and Poetry in Eighteenth‐Century Britain." Notes and Queries 50, no. 1 (March 1, 2003): 128–29. http://dx.doi.org/10.1093/nq/500128.

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Bell, Hazel K. "Subject Indexes to Poetry: Historical : (See Patriotism. )." Journal of Scholarly Publishing 38, no. 3 (2007): 162–68. http://dx.doi.org/10.1353/scp.2007.0012.

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Żytek, Joanna. "„Myż to, Polacy, owych mężów plemię…” — miejsce liryki patriotycznej w twórczości Franciszka Dionizego Kniaźnina." Prace Literackie 58 (April 28, 2020): 31–39. http://dx.doi.org/10.19195/0079-4767.58.4.

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Franciszek Dionizy Kniaźnin, although known primarily as the author of love and religious poetry, devoted many of his texts to patriotism. His view on the issues of the fatherland evolved — from works which praised great ancestors and stigmatized national flaws, through lyric poems filled with hope inspired by the events of 1791–1794, through catastrophic visions related to the partitions of Poland, to the complete cessation of poetic activity after the fall of his homeland. Kniaźnin’s patriotic work also clearly announces the advent of Romanticism, evident in its presentation of the key role that poets should play in the nation, the artist’s discussions with God, the positive reception of Ossianism and the special mission that women have of shaping bringing up citizens devoted to their homeland.

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Mera, Arnaldo. "La poesía de Palma ante el monumento del general San Martín el 28 de julio de 1890:." Aula Palma, no. 18 (December 30, 2019): 97–110. http://dx.doi.org/10.31381/ap.v0i18.2597.

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ResumenEl presente artículo busca ahondar en un aspecto poco conocido del patriotismo de nuestro insigne tradicionista, en circunstancias de profunda congoja y dolor, como acaeció en nuestra capital días despuésde las exequias solemnes a los héroes de la Guerra del Pacífico y de las que Palma también fue víctima al perder en el incendio del pueblo de Miraflores su valiosa biblioteca. Dedicarle unas líneas en su poema alvencedor de la reciente guerra fue un acto de noble patriotismo cuando aún nuestro país sufría por los compatriotas inmolados en dicha gesta.Palabras clave: poesía, Palma, General San Martín, Guerra del PacíficoAbstract:This article seeks to delve into a little-known aspect of the patriotism of our illustrious traditionalist, during circumstances of deep sorrow and pain, as happened in Lima days after the solemn funeral of the heroes of the War of the Pacific, Palma being also, a victim when he lost his valuable library in the fire of Miraflores. To dedicate a few lines in his poem to the victor of the recent war was an act of noble patriotism when our country still suffered for the fellow countrymen immolated in that feat.Keywords: Poetry, Palma, General San Martín, War of the Pacific

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Dissertations / Theses on the topic "Patriotism in poetry"

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Burnell, Joel Logan. "Poetry, providence and patriotism : a study in Polish Messianism in dialogue with Dietrich Bonhoeffer." Thesis, Open University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429810.

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Curley, Patrick Gerard. "William Drennan and the young Samuel Ferguson : liberty, patriotism, and the Union in Ulster poetry between 1778 and 1848." Thesis, Queen's University Belfast, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317109.

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Noorani, Yaseen. "Estrangement and Selfhood in the Classical Concept of Waṭan." BRILL ACADEMIC PUBLISHERS, 2016. http://hdl.handle.net/10150/621297.

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The modern Arabic term for national homeland, waṭan, derives its sense from the related yet semantically different usage of this term in classical Arabic, particularly in classical Arabic poetry. In modern usage, waṭan refers to a politically defined, visually memorialized territory whose expanse is cognized abstractly rather than through personal experience. The modern waṭan is the geopolitical locus of national identity. The classical notion of waṭan, however, is rarely given much geographical content, although it usually designates a relatively localized area on the scale of a neighborhood, town, or village. More important than geographical content is the subjective meaning of the waṭan, in the sense of its essential place in the psyche of an individual. The waṭan (also mawṭin, awṭān), both in poetry and other types of classical writing, is strongly associated with the childhood/youth and primary love attachments of the speaker. This sense of waṭan is thus temporally defined as much as spatially, and as such can be seen as an archetypal instance of the Bakhtinian chronotope, one intrinsically associated with nostalgia and estrangement. The waṭan, as the site of the classical self’s former plenitude, is by definition lost or transfigured and unrecoverable, becoming an attachment that must be relinquished for the sake of virtue and glory. This paper argues that the bivalency of the classical waṭan chronotope, recoverable through analysis of poetic and literary texts, allows us to understand the space and time of the self in classical Arabic literature and how this self differs from that presupposed by modern ideals of patriotism.

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Miller, Alisa. "Poetry, politics and propaganda : Rupert Brooke and the role of 'patriotic poetry' in Great Britain, 1914-1918." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496590.

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Lychman, Illia. "Odraz války a pojem povinnosti a důstojnosti v básni A.L.Tennysona Útok lehké kavalerie v porovnání s vybranými básněmi První světové války." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435305.

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The main theme of this thesis is English war poetry. The thesis refers to two particular wars, the Crimean (1853-1856) and World War One (1914-1918), and analyzes their reflection in English poetry. By doing so, it compares the war poems from these periods and inspects the writers' messages behind them. The thesis aims to scrutinize how the depiction of war had changed through time, alongside with the reasons affected it. In terms of structure, the theoretical part describes the different contexts (historical, cultural, and literary) of the chosen poems, while the practical part features scrutiny of these works. KEY WORDS Poetry, soldier, duty, death, attitude, criticism, propaganda

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Lychman, Illia. "Odraz války a pojem povinnosti a důstojnosti v básni A.L.Tennysona Útok lehké kavalerie v porovnání s vybranými básněmi První světové války." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-445991.

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The main theme of this thesis is English war poetry. The thesis refers to two particular wars, the Crimean (1853-1856) and World War One (1914-1918), and analyzes their reflection in English poetry. By doing so, it compares the war poems from these periods and inspects the writers' messages behind them. The thesis aims to scrutinize how the depiction of war had changed through time, alongside with the reasons affected it. In terms of structure, the theoretical part describes the different contexts (historical, cultural, and literary) of the chosen poems, while the practical part features scrutiny of these works. KEY WORDS Poetry, soldier, duty, death, attitude, criticism, propaganda

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Trokan, Jakub. "Patriotismus v poezii Ṣalāḥa Ǧāhīna." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-448728.

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This thesis examines selected poems of Egyptian writer Ṣalāḥ Ǧāhīn. The study includes the author's approach to portraying the ideological, political, cultural, and socio-economic aspects of patriotism and translations of his poems. A part of this study is devoted to the problem of colloquial poetry within modern Arabic literature. Key words: Ṣalāḥ Ǧāhīn, colloquial language, poetry, zaǧal

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Havlátová, Bára. "Pozdější a zahraniční tvorba Josefa Macha." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-267896.

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The monographic thesis mainly solves poetry and prose of Josef Mach, the Czech writer, journalist and clerk. It watches literary progress of his poetics according to the era context, influenc of places, historical and social events and inspirations of other artists who surrounded him. The work look into the texts and lyrics by a diachronic and synchronic way. The section about his original works is followed by a chapter about translations of several novels, because he acted even on this literary field. Then the general outline of the reception of Mach's personality and works since the time of his life until today. The whole thesis is introduced by Mach's biography to which it returns in many topics because his works have an empiric character and it is closely connected to the life. The object of the thesis is to sum information about all these topics and give it as a base for future expert research.

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Books on the topic "Patriotism in poetry"

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Ghamkhor, ʻAbd Allāh. Da Kābul oṣhke. Peṣhawar: Da mūndalo darak, Yūnīwarsiṭī Buk Ejansī, 1994.

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Patriotism and poetry in eighteenth-century Britain. Cambridge: Cambridge University Press, 2002.

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Freedman, David E. Light the way: Love, philosophy, patriotism. Tampa, Fl. (2442 Mississippi Ave., Tampa 33629): Hillsboro Pub. Co., 1994.

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Mādhavarāvu, Koruprōlu. Priyadharitri: Dēśabhakti gītālu. Haidarābād: Sādhana Pracuraṇalu, 1995.

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Laskara nā thamai. Jayapura: Āyusha Pablikeśansa, 2005.

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Fī ṣiḥḥat al-waṭan: Shiʻr. 2nd ed. Bayrūt: al-Dār al-ʻArabiyah lil-ʻUlūm, 2004.

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The poetry of Henry Newbolt: Patriotism is not enough. Greensboro, NC: ELT Press, 1994.

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Chuluuny, Oi︠u︡ungėrėl. Aminaas ch u̇nėtėĭ gazar shoroo minu: Ėkh nutgiĭn sėdėvt shu̇lgu̇u̇d. Ulaanbaatar: MMGSh, 2009.

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Poetry, providence, and patriotism: Polish messianism in dialogue with Dietrich Bonhoeffer. Eugene, Or: Pickwick Publications, 2009.

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Burnell, Joel. Poetry, providence, and patriotism: Polish messianism in dialogue with Dietrich Bonhoeffer. Eugene, Or: Pickwick Publications, 2009.

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Book chapters on the topic "Patriotism in poetry"

1

Goldthree, Reena N. "Writing War and Empire: Poetry, Patriotism, and Public Claims-Making in the British Caribbean." In Caribbean Military Encounters, 49–69. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-58014-6_4.

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O’Donnell, William H. "Preface to Lionel Johnson, ‘Poetry and Patriotism’, in Poetry and Ireland: Essays by W. B. Yeats and Lionel Johnson (1908)." In Prefaces and Introductions, 136. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06236-2_16.

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Žanna, Nekraševič-Karotkaja. "Artistic Expression of the Translatio imperii Concept in the Latin Epic Poetry of the Polish-Lithuanian Commonwealth in the 16th Century and the European Literary Context." In Biblioteca di Studi Slavistici, 75–96. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.05.

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In this article the author analyzes how the Renaissance epic poetry of the Polish-Lithuanian Commonwealth approaches the theme of translatio imperii, which is a concept and a political stereotype of transfer of metaphysical world domination from country to country. After the fall of Constantinople (1453), the concept of translatio imperii gradually lost its universal character and was interpreted within the confines of a nation. Among the analyzed poems are: Bellum Prutenum (1516) by Ioannes Visliciensis and Radivilias (1592) by Ioannes Radvanus. The artistic expression of both the “Jagiellonian” and Lithuanian (i.e., Grand Duchy of Lithuania) patriotism, which incorporated the concept of translatio imperii, had an enormous impact on the formation of the national identity of the Belarusian, Lithuanian, and Polish peoples.

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Coletes-Blanco, Agustín. "Byron and the ‘Spanish Patriots’." In Byron: The Poetry of Politics and the Politics of Poetry, 187–99. Burlington, VT : Ashgate, [2016] | Series: Publications of the: Routledge, 2016. http://dx.doi.org/10.4324/9781315570686-16.

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Curletto, Mario Alessandro. "Regret for the Time of Heroes and Existential Toska in Vladimir Vysockij." In Biblioteca di Studi Slavistici, 75–106. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.05.

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In the poetic legacy of Vladimir Vysockij, feelings of nostalgia are expressed in diverse ways, conveying various shades of boredom, longing, and melancholy. A special role is played in Vysockij's oeuvre by the so-called “longing for a heroic era”, which is sometimes expressed explicitly, but more often found in the implicit representation of “longing for a heroic deed”. Vysockij's conception of the heroic deed or feat (podvig) casts this as a moral and spiritual state that contrasts sharply with the surrounding world and with everyday life. While Vysockian "longing for a heroic deed" can be associated with specific geographic contexts (including mountains, the taiga, glaciers in the North), this articles argues that it was the peculiar chronotope of the Great Patriotic War that served as the quintessential context for the heroic feat in Vysockij's universe.

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Stockhorst, Stefanie. "Kriegerischer Patriotismus – akustische Nachahmung – göttliche Inspiration Funktionsbestimmungen der Dichtkunst in Johann Klajs Lobrede der Teutschen Poeterey." In Johann Klaj (1616?–1656), edited by Dirk Niefanger and Werner Wilhelm Schnabel, 329–52. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110669480-009.

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"The poetry of patriotism." In Stone Lake, 90–96. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511663611.008.

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Lootens, Tricia. "Victorian poetry and patriotism." In The Cambridge Companion to Victorian Poetry, 255–79. Cambridge University Press, 2000. http://dx.doi.org/10.1017/ccol0521641152.012.

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Zanou, Konstantina. "Dionysios Solomos." In Transnational Patriotism in the Mediterranean, 1800-1850, 54–61. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788706.003.0004.

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Chapter 3 is a thematic biography of Dionysios Solomos (1798–1857), Greece’s official ‘national poet’. It starts by narrating Solomos’s Italian education and his early attempts at composing Italian poetry. In following the poet’s return to his native Ionians Islands, it then focuses on his conscious but difficult decision to transform himself from an Italian into a Greek poet and an advocate of the principles of the Greek revolution and Byronic philhellenism. By bringing into attention the Italian matrix of Solomos’s Greek verses, as well as his return to Italian poetry-writing during the last years of his life, the chapter challenges idealized and teleological perceptions of the poet’s nationality and argues that Solomos was and remained a bicultural intellectual.

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Ramírez, Dixa. "Untangling Dominican Patriotism." In Colonial Phantoms, 36–74. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850457.003.0002.

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This chapter focuses on the ambivalent nationalism evident in the celebration of the first national Dominican poet, Salomé Ureña (1850-1897). Studying poems, letters, speeches, and essays by Ureña and some of her contemporaries, the chapter contends that the strong desire for Ureña’s poetry coexisted with the elite’s generalized assumption that the ideal citizen subject was a white man. It argues that Ureña’s embodiment of Dominican nonwhiteness combined with her status as a respectable woman allowed Dominicans of the intellectual and ruling elite to satisfy two intertwined impulses: to construct a national identity that could explain Dominican difference from Haiti, and, as such, justify a seat at the global table; and a tacit acceptance that a nonwhite woman such as Ureña could only be considered “the muse of the nation” because Dominican territory had a history of black freedom and leadership.

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