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Relevant bibliographies by topics / Patroclus (Greek mythology) in art

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Academic literature on the topic 'Patroclus (Greek mythology) in art'

Author: Grafiati

Published: 29 July 2024

Last updated: 19 July 2025

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Journal articles on the topic "Patroclus (Greek mythology) in art"

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Md., Amir Hossain. "Rethinking Greek Mythology and Indian Mythology." Literary Druid 4, Special Issue 1 (2022): 9–14. https://doi.org/10.5281/zenodo.6945380.

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<em>This paper aims to look at Greek mythology, the “Iliad” and Indian mythology, “Ramayana” as a comparative study to foster common similarities based on plot construction and art of characterization. For this purpose, it would like to examine male and female characters in Greek mythology; myth in gender studies, gender in myth studies; truth, falsehood, and human knowledge; Ramayana as a reflection of social life; its impact on human life, culture and literature. The paper aims to motivate emerging scholars and novice researchers by making a comparative study between

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Türe, Hatice, Uğur Türe, F. Ylmaz Göğüş, Anton Valavanis, and M. Gazi Yaşargil. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 56, no. 1 (2005): 178–86. http://dx.doi.org/10.1227/01.neu.0000146209.19341.3b.

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Türe, Hatice, and Uğur Türe. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207973.21811.20.

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Machinis, Theofilos G., and Kostas N. Fountas. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207974.15973.ef.

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Ntaidou, T. K., and I. I. Siempos. "The Art of Providing Anaesthesia in Greek Mythology." Anaesthesia and Intensive Care 40, no. 1_suppl (2012): 22–27. http://dx.doi.org/10.1177/0310057x120400s105.

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Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Survey of Anesthesiology 59, no. 3 (2015): 161. http://dx.doi.org/10.1097/01.sa.0000464146.74928.9c.

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Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Anesthesia & Analgesia 119, no. 6 (2014): 1336–41. http://dx.doi.org/10.1213/ane.0000000000000416.

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Katzive, Bonnie. "Looking, Writing, Creating." Voices from the Middle 4, no. 3 (1997): 1–5. http://dx.doi.org/10.58680/vm19973754.

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Describes how a middle school language arts teacher makes analyzing and creating visual art a partner to reading and writing in her classroom. Describes a project on art and Vietnam which shows how background information can add to and influence interpretation. Describes a unit on Greek mythology and Greek vases which leads to a related visual assignment.

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Türe, H., U. Türe, F. Y. Gögüs, A. Valavanis, and M. G. Yasargil. "987 THE ART OF ALLEVIATING PAIN IN GREEK MYTHOLOGY." European Journal of Pain 10, S1 (2006): S255b—S255. http://dx.doi.org/10.1016/s1090-3801(06)60990-7.

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Yang, Yixuan. "The Embodiment and Interpretation of Greek Mythology in The Renaissance: Analyzing Perseus with The Head of Medusa." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 603–7. http://dx.doi.org/10.54097/tjamp162.

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Greek mythology had a significant influence on the arts and literature in the Renaissance. From the epic poems of Iliad and Odyssey and the ancient Theogony, to the well-known plays of Greek tragedy and modern adaptations of the gods and heroes in both literature and screens, Greek mythology is foreign to no one. This dissertation aims to discuss the embodiment and the inventive interpretation of Greek mythology in a piece of Renaissance artwork Perseus with the head of Medusa. It looks into the original story from Hesiod’s Theogony and Ovid’s Metamorphoses and analyzes the symbolic influence

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Dissertations / Theses on the topic "Patroclus (Greek mythology) in art"

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Vollkommer, Rainer. "Herakles in the art of classical Greece." Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.

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Dipla, Anthi. "Images of revolt : women of myth in the art of classical Athens." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297329.

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Servadei, Cristina. "La figura di Theseus nella ceramica attica : iconografia e iconologia del mito nell'Atene arcaica e classica /." Bologna : Ante Quem, 2005. http://catalogue.bnf.fr/ark:/12148/cb40201611c.

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Texte remanié de: Tesi di dottorato--Archeologia--Padova--Università degli studi, 1997.<br>La p. de titre porte en plus : "Alma mater studiorum, Università di Bologna, Dipartimento di archeologia" Bibliogr. p. 217-234.

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Pierce, Karen. "Images of Argive Helen from birth to death." Thesis, University of Wales Trinity Saint David, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683213.

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Rosenzweig, Rachel. "Aphrodite in Athens : a study of art and cult in the classical and late classical periods /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.

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Thesis (Ph. D.)--University of Oregon, 1999.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 225-237). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.

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Roos, Bonnie. "Reviving Pygmalion : art, life and the figure of the statue in the modernist period /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045092.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 277-283). Also available for download via the World Wide Web; free to University of Oregon users.

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Von, Solms Charlayn Imogen. "Ingenuity's engine : an overview of the history and development of the concept of the muse." Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/16468.

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Thesis (MPhil)--University of Stellenbosch, 2003.<br>ENGLISH ABSTRACT: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Many metaphors relating to creativity are too misleading, confusing, and restricted in scope for a meaningful exploration of the phenomenon and its fluctuating social and cultural contexts. Given the Muse's long-term association with literature, philosophy, education, and more recently, the fine arts and other "creative" fields, an

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Mance-Coniglio, Melissa. "Falling mythologies /." Online version of thesis, 2008. http://hdl.handle.net/1850/7750.

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Posthumus, Liane. "Hybrid monsters in the Classical World : the nature and function of hybrid monsters in Greek mythology, literature and art." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6865.

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Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: The aim of this thesis is to explore the purpose of monster figures by investigating the relationship between these creatures and the cultures in which they are generated. It focuses specifically on the human-animal hybrid monsters in the mythology, literature and art of ancient Greece. It attempts to answer the question of the purpose of these monsters by looking specifically at the nature of manhorse monsters and the ways in which their dichotomous internal and external composition challenged the cu

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Totskas, George. "Penthesilea : woman as hero /." Online version of thesis, 1990. http://hdl.handle.net/1850/11327.

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Books on the topic "Patroclus (Greek mythology) in art"

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Barber, Antonia. Apollo & Daphne: Masterpieces of Greek mythology. J. Paul Getty Museum, 1998.

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Frontisi-Ducroux, Françoise. L' homme-cerf et la femme-araignée: Figures grecques de la métamorphose. Gallimard, 2003.

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Frontisi-Ducroux, Françoise. L' homme-cerf et la femme-araignée: Figures grecques de la métamorphose. Gallimard, 2003.

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Nyenhuis, Jacob E. Myth and the creative process: Michael Ayrton and the myth of Daedalus, the maze maker. Wayne State University Press, 2002.

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Carpenter, Thomas H. Art and myth in ancient Greece: A handbook. Thames and Hudson, 1990.

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Carpenter, Thomas H. Art and myth in ancient Greece: A handbook. Thames and Hudson, 1991.

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Vollkommer, Rainer. Herakles in the art of classical Greece. Oxford University Committee for Archaeology, 1988.

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Francesco, De Angelis, Muth Susanne, Hölscher Tonio, and Deutsches Archäologisches Institut. Römische Abteilung., eds. Im Spiegel des Mythos: Bilderwelt und Lebenswelt : Symposium, Rom 19.-20. Februar 1998 : immaginario e realtà. L. Reichert, 1999.

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Kauffmann-Samaras, Aliki. Hē thalassa: Theōn, hērōōn kai anthrōpōn stēn archaia hellēnikē technē = La mer : des dieux, des héros et des hommes dans l'art grec antique. Ekdoseis Kapon, 2008.

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Moret, Jean-Marc. Œdipe, la Sphinx et les thébains: Essai de mythologie iconographique. Institut suisse de Rome, 1985.

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Book chapters on the topic "Patroclus (Greek mythology) in art"

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Huang, Juan. "Influence of greek mythology on modern art." In Engineering Technology, Engineering Education and Engineering Management. CRC Press, 2015. http://dx.doi.org/10.1201/b18566-17.

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Neils, Jenifer. "Myth and Greek Art: Creating a Visual Language." In The Cambridge Companion to Greek Mythology. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol9780521845205.011.

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"Poetic Imagination and Cultural Memory in Greek History and Mythology." In Imagination and Art: Explorations in Contemporary Theory. Brill | Rodopi, 2020. http://dx.doi.org/10.1163/9789004436350_004.

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Moland, Lydia L. "Classical Art." In Hegel's Aesthetics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847326.003.0004.

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Hegel claims that the human body is the only physical form that can fully embody the divine. Classical Greek artists perfectly depicted this embodiment in their mythology and statues. Hegel traces the emergence of the human out of earlier evocations of nature as the divine and argues that the perfect repose of Phidian sculpture represents the complete interpenetration of spirit and nature. But once human subjectivity begins to develop, it ruptures this unity and precipitates classical art’s decline. Aristophanes, Hegel claims, achieved a late example of classical perfection in his comedies. But soon afterward, classical art dissolves into incomplete forms such as satire, domestic comedy, and merely pleasant sculpture. After this decline, art will never again achieve the highest level of beauty or regain its prominence in human culture.

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Wicenciak, Urszula, and Paweł Gołyźniak. "HERAKLES’S GEM IMPRESSION UNVEILED: A PLAIN WARE JUG’S TALE FROM NEA PAPHOS, CYPRUS." In Essays in Ancient Art and Archaeology in Honour of Ewdoksia Papuci-Władyka. Ksiegarnia Akademicka Publishing, 2024. https://doi.org/10.12797/9788383681924.17.

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This article presents a fragment of a Hellenistic jug decorated with an impression on the handle. It was excavated in the Maloutena area in Nea Paphos, featuring Heracles dragging Cerberus out of the Underworld. It is unique because the impression was made on a plain ware vessel, probably of local production, using an engraved gem. While the motif of Heracles fighting Cerberus is a popular one in Greek iconography, its presence on plain ware is unexpected and demonstrates the considerable importance of mythology in the everyday lives of those living in Nea Paphos. This important discovery highlights the ubiquity of mythology in various spheres of life in Nea Paphos, one stretching beyond the mosaics and paintings discovered in the residences of the elite.

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Stamos, Nikolaos Ath. "Portraits Historiques in Education: Seeing Greek Mythology Through Renaissance Flemish Paintings." In Ways of Seeing: The Book of Selected Readings 2024. International Visual Literacy Association, 2024. http://dx.doi.org/10.52917/ivlatbsr.2024.020.

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In this research, we deal with the connective way in which art can meet history in terms of methodology and multiliteracies. The historical framework of this study is the Renaissance in Flanders, the Dutch Golden Age, humanism (16th & 17th centuries A.D.), and the influence of Greco-Roman antiquity. Our aim was to determine if students can use Flemish paintings as an educational medium in order to selectively expand their visual and historical knowledge as they interpret portraits historiques (portraits of noble persons in mythological disguise). We examined the students’ observation-interpretation of these paintings and the way they could exhibit the development of visual-historical literacy. Within this study, we followed basic assumptions of Perkins (visual part) and Moniot (historical part). The case study method used here included 12-year-old students of a Greek primary school. Qualitative content analysis was performed on data from student interviews and student text production. Regarding the findings, students’ reading and interpretation of the image seemed to strengthen their visual literacy development, which in turn helped their historical literacy acquisition through a method of observing and comparing information.

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Winkler, Martin M. "Tragic Features in John Ford’s The Searchers." In Classical Myth & Culture in the Cinema. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195130034.003.0007.

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Abstract One of the chief reasons for the lasting appeal of Greek tragedy lies in its mythical nature. With their archetypal qualities, myths are the foundation of tragedy. In modern societies, too, myths have preserved much of their appeal, although today they often appear in a diluted or not readily apparent form. In American culture, the mythology of the West has given twentieth-century literature and art one of its enduring new archetypes: that of the westerner. In ways comparable to the Greek tragedians’ use of received mythology for social, political, and moral reflection on their day and age, the myths of the West have frequently been used for similar purposes. In the words of director Sam Peckinpah: “The Western is a universal frame within which it is possible to comment on today.”1

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Grasskamp, Anna. "Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture." In Art and Ocean Objects of Early Modern Eurasia. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158_ch03.

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Asian shells were collected in early modern Europe, while Mediterranean coral was sought after in Asia. In both locations, artists and artisans created EurAsian objectscapes placing maritime material appropriated from abroad alongside local matter. Such painted and crafted shellscapes and coralscapes materialised ideas on the generation and transformation of matter. This chapter compares the cosmological ideas and material constituents that underlie artistic maritime microcosms and shows how their components echoed the material mapping of foreign spaces in the frameworks of European colonialism and Chinese tributary systems. Despite associations with culturally specific tropes in Greek mythology, Christianity, Daoism and Buddhism, the chapter argues that across Eurasia shells were believed to form gateways to underwater treasuries and give access to supernatural females.

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Cameron, Alan. "Myth and Society." In Greek Mythography in the Roman World. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195171211.003.0009.

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Abstract What is the relevance or importance of Greek mythology in the vast world of the Roman empire? Moderns are understandably drawn to the way Roman poets and artists make use of particular myths: the vogue (for example) for the myth of the Golden Age in Catullus, Vergil, and Horace; the political exploitation of the gigantomachy myth for the victories of the princeps; more generally, the use of myth as source of imagery and exemplarity; or myth as allegory (whether physical, spiritual, or moral) in the essayists and philosophers; the development of certain mythical figures through different ages and literatures (the Ulysses theme, the Heracles theme, and so on); the sometimes puzzling myths chosen to decorate Roman sarcophagi. I myself have long been fascinated by the extraordinary vogue for the childhood rather than manhood of Achilles in the literature and (above all) art of the empire. No less intriguing in a different way is the negative attraction the old myths held for early Christians, who insisted on taking them literally, so that they could attack pagans for having unworthy gods (adulterers, parricides, crybabies). Obviously this can be seen as a sort of perverse tribute to their continuing power.

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Newman, William R. "Religion, Ancient Wisdom, and Newton’s Alchemy." In Newton the Alchemist. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691174877.003.0003.

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This chapter analyzes several related themes, considering, for example, the relationship between Newton's exegesis of biblical prophecy and his method of interpreting the textual riddles presented by writers on the philosophers' stone. It also examines Newton's views on ancient wisdom and mythology in their relation to the aurific art, since many alchemists believed that the entertaining tales of the Greek and Roman pantheon contained veiled instructions for preparing the great arcanum. Previous scholarship has tended to assume that Newton too upheld the belief that ancient mythology was largely encoded alchemy. However, this would have presented a sharp conflict with his views on ancient chronology and religious history. Further evidence shows that Newton may well have considered the mythological themes transmitted and analyzed by early modern alchemists as conventional puzzles reworked from antique sources rather than as true expressions of ancient wisdom.

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Conference papers on the topic "Patroclus (Greek mythology) in art"

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Wang, Ruishu, and Wanbing Shi. "Teaching Objectives and Strategies of Greek and Roman Mythology for College Students*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.141.

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Liu, Tianyi. "Reflections on Man and Nature in Greek Mythology: From the Name of Natural Creatures." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.019.

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Bondarenko, Igor. "The Ensemble of the Acropolis of Athens in the Light of Ancient Greek Mythology." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.6.

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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S: THE BOOK OF THEL. THE AESTHETIC VERSUS THE USEFUL?" In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.23.

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In The Book of Thel (The Book of ????, that is The Book of the Female), Blake�s main preoccupation, in my opinion focuses on the juxtaposition between the aesthetic and the useful, their antithesis and their synthesis to produce and explain the female identity. Knowing that Blake�s thought always moves in oppositional and synthetical structures, the useful versus the aesthetic is nothing more than the restless and perpetual fight of the dualisms of innocence and experience, energy and Urizen, imagination and reason. Taking into consideration that Blake�s dualisms are constructive rather than d

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