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Dissertations / Theses on the topic 'Patrons of art of Sumy'

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Published: 28 May 2022

Last updated: 30 July 2025

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1

Лисенко, М. С. "Л.Є. Кеніг – підприємець і меценат (1874-1903 рр.)". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/44828.

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У пореформений період історії Харківської губернії важливе місце займає становлення нового суспільства і прогресивного типу господарства. Серед землевласників і підприємців регіону вигідно відрізнявся Л. Є. Кеніг.

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2

Mariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.

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The study of Florentine artistic patronage has attracted several approaches over the last three decades, including the exploration of patron-‐client structures and how the use of art in private and public spheres contributed to shape families’s identity. Building on past research, this work focuses on the art patronage of a prominent, yet overlooked, family, the Vespucci, to whom Amerigo, the navigator who reached the coasts of America in the late fifteenth century, belonged. Although the family’s importance was achieved through a synergy of political, religious and intellectual forces, atten

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3

Dimitropoulou, Vassiliki. "Komnenian imperial women as patrons of art and architecture : what and why." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404159.

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4

Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man

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5

Kelly, Simon. "Théodore Rousseau (1812-67), his patrons and his public." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:fa6339c0-2c5d-4d84-b514-ab5ad003f4a1.

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This thesis is a case study of the relationship between a nineteenth-century French landscape painter, Théodore Rousseau, and his patrons and public. My aim is to reconstruct the context in which Rousseau's work was created, thereby inferring what the artist intended for his painting and how his collectors and public approached the style of his work. The thesis examines the nature of the dynamic between Rousseau and his consumers and the extent to which the artist's style may, or may not, be affected by the taste of his audience. In Part I, I examine Rousseau's involvement with the members of

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6

Schilb, Henry. "Byzantine identity and its patrons embroidered aeres and epitaphioi of the Palaiologan and post-Byzantine periods /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3358943.

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Thesis (Ph.D.)--Indiana University, Dept. of History of Art, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1457. Adviser: W. Eugene Kleinbauer.

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7

Breidenbach, Paul. "Art patronage and class identity in a border city : Cincinnati, 1828-1872 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3026377.

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8

Hickson, Sally. "Female patronage and the language of art in the circle of Isabella d'Este in Mantua, c. 1470-1560." Full text available, 2003. http://images.lib.monash.edu.au/ts/theses/hickson.pdf.

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9

Norman, Diana. "The patronage of Cardinal Oliviero Carafa 1430-1511." Thesis, n.p, 1989. http://ethos.bl.uk/.

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10

Bruntjen, Sven H. A. "John Boydell, 1719-1804 a study of art patronage and publishing in Georgian London /." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12049935.html.

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11

Melville, Jennifer. "John Forbes White and George Reid : artists and patrons in north-east Scotland 1860-1920." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/8162.

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John Forbes White's contribution to the history of Art in Scotland was, for the first seventy years after his death, mentioned only in passing by the main writers on Scottish art of the day. However, two of his daughters, Ina Mary Harrower and Dorothea Fyfe, both wrote articles on aspects of their father's collecting: Ina publishing "Private Picture Galleries, The Collection of John Forbes White" in Goodwords in 1896 (pp 813-819), John Forbes White (Edinburgh) in 1918 and in 1927, "Jozef lsraels and his Aberdeen Friend" for the Aberdeen University Review (pp 108-122). A noted art historian, In

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12

Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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<p>This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash<br>painters and sculptors &ndash<br>and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash<br>1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo<br>life histories,&nbsp<br>especially how their talent wa

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13

Cornet, Catherine. "In Search of an Arab Renaissance : artists, Patrons and Power in Egypt and the Middle East (2001-2013)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0091.

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Le paradigme de la Nahda, ou Renaissance arabe est un puissant zeitgeist qui revient cycliquement dans la pensée et le monde culturel du Moyen-Orient depuis la fin du 19eme siècle. Cette thèse questionne les raisons du retour du paradigme dans les années 2000 (et en particulier entre 2001 et 2005) en Egypte et dans les Emirats (Doha et Sharjah) en observant les rapports de force entre différentes sphères artistiques et les structures de mécénat. Elle interroge la raison d'être de cette quête pour une Renaissance culturelle, les enjeux liées au mécénat, l'exploitation politique du culturel et e

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14

Springer, Mary Ruth. "American Collegiate Gothic architecture: the birth of a style and its architects, patrons, and educational associations, 1806-1906." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5640.

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Collegiate Gothic architecture can be found on many American campuses, yet its beginnings in nineteenth-century United States are something of a mystery. As the nation’s colleges and universities grew more innovative in their modernized curricula and research, strangely, their architecture became more anachronistic with Collegiate Gothic being the most popular. Around the greens of their campuses, Americans built quadrangles of crenellated buildings and monumental gate towers with stained-glass windows, gargoyles, pointed arches, turrets, and spires, thus transforming their collegiate grounds

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15

Gaughan, Evan M. "NATURALISTS, CONNOISSUERS AND CLASSICISTS: COLLECTING AND PATRONAGE AS FEMALE PRACTICE IN BRITAIN, 1715-1825." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2228.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 28, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jason M. Kelly, Melissa Bingmann, Eric L. Lindseth. Includes vitae. Includes bibliographical references (leaves 79-91).

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16

Simons, Patricia. "Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their chapel in S. Maria Novella /." Connect to thesis, 1985. http://eprints.unimelb.edu.au/archive/00000836.

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17

Landis, Tamra R. "How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.

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18

Russo, Teresa Maria Letizia. "Giovanni Battista Quagliata (1603 ca.-1673). Un artista del barocco siciliano fra tardo caravaggismo e classicismo." Doctoral thesis, Università di Catania, 2017. http://hdl.handle.net/10761/4033.

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Il lavoro di ricerca ricostruisce l'itinerario biografico ed artistico di un pittore siciliano del Seicento, Giovanni Battista Quagliata, e parallellamente il contesto in cui egli ha operato attraverso svariati tipi di fonti.

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19

Sandes, Luis Fernando Silva. "Geração concretista em São Paulo: uma biografia coletiva." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21384.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-29T11:32:45Z No. of bitstreams: 1 Luis Fernando Silva Sandes.pdf: 772251 bytes, checksum: 71d252e917d56a0f10a9060879893d48 (MD5)<br>Made available in DSpace on 2018-08-29T11:32:45Z (GMT). No. of bitstreams: 1 Luis Fernando Silva Sandes.pdf: 772251 bytes, checksum: 71d252e917d56a0f10a9060879893d48 (MD5) Previous issue date: 2018-08-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This master’s dissertation examines the action of a group of fifteen artists and poets linked to the concrete art movement

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20

Levy, Tania. "« Mystères » et « joyeusetés » : les peintres de Lyon autour de 1500." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040128.

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Esquisser le portrait de la commaunauté des peintres lyonnais, entre le début du règne de Louis XI (1461) et la crise de la fin des années 1520, a constitué le présupposé de cette recherche. Le recours aux sources (comptables, fiscales et ecclésiastiques) s’est révélé indispensable à l’étude prosopographique et à une démarche d’histoire sociale de l’art, permettant la localisation des peintres, de leurs ateliers, les quelques filiations, leur place enfin (fortune et position sociale) dans la cité. Mais au-delà de cette première approche, l’étude des commanditaires, personnages capitals de la p

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21

Laclau, Adeline. "Les manuscrits enluminés dans le sultanat mamlūk au XIVe siècle." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0200.

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Cette thèse porte sur les manuscrits enluminés réalisés dans le sultanat mamlūk au XIVe siècle. Ces ouvrages, produits en nombre, représentent aujourd'hui une masse critique non négligeable afin d’étudier les divers mécanismes de la production manuscrite en Egypte et Syrie à la fin du Moyen Age. Grâce aux sources historiques et à une analyse du livre en tant qu’objet et œuvre d’art, cette étude propose de retracer le processus de fabrication et le contexte de production de ces manuscrits. La méthode de travail adoptée s’articule autour de trois axes principaux : d’abord, l’observation attentiv

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22

Phipps, Linda S. "The Art Institute of Chicago 1890-97 patrons and architects /." 1986. http://catalog.hathitrust.org/api/volumes/oclc/15313197.html.

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Thesis (M.A.)--University of Wisconsin--Madison, 1986.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 170-182).

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23

Niehoff, Pamela Mary. "The Pinschofs: patrons of art and music in Melbourne 1883-1920." 1991. http://repository.unimelb.edu.au/10187/386.

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This thesis deals principally with the period following Pinschof’s arrival from Vienna in 1879, to just after the First World War. It considers the Pinschofs’; generous and timely support of the arts within the context of the amount of private and institutional patronage and the British, German and other cultural influences on Melbourne society at the time.

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24

Taylor, Joyce Geneva. "Art exhibition catalogs an exploratory study of their accessibility to patrons in selected academic, museum, and art school libraries /." 1993. http://books.google.com/books?id=kv7gAAAAMAAJ.

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25

Kim, Hongnam Zhou Lianggong. "Chou Liang-kung and his Tu-hua-lu (Lives of painters) patron critic and painters in seventeenth century China /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/17527547.html.

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26

Побожій, Сергій Іванович, Сергей Иванович Побожий та Serhii Ivanovych Pobozhii. "Деякі аспекти діяльності художнього і краєзнавчих музеїв Сумщини". Thesis, 1996. http://essuir.sumdu.edu.ua/handle/123456789/53790.

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This is the art collection of regional museums Sumy region. Their peculiarities are marked. The formation of art collections in museums. The art project "Modern artists – to Malevich" in Konotop Museum.<br>Йдеться про мистецькі зібрання краєзнавчих музеїв Сумщини. Відзначаються їхні особливості. Питання формування мистецьких колекцій у музеях. Мистецький проект «Сучасні художники – Малевичу» у Конотопському музеї.

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27

Побожій, Сергій Іванович, Сергей Иванович Побожий та Serhii Ivanovych Pobozhii. "Переміщення творів між музеями Слобожанщини у 1920-30-ті роки: формування чи руйнування колекцій ?" Thesis, 1995. http://essuir.sumdu.edu.ua/handle/123456789/60337.

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У статті розповідається про переміщення творів між українськими музеями у 20-ті роки ХХ ст. Проблеми реорганізації музейної мережі. Обмін творами між музеями. Неоднозначність цих процесів.<br>This article describes the movement of artworks between the Ukrainian museums in the 1920’s. The problems of reorganization of the museum network. The exchange of artworks between the museums. The ambiguity of these processes.

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28

Cardoso, Paula Filipa Freire. "Art, Reform and Female Agency in the Portuguese Dominican Nunneries: Nuns as Producers and Patrons of Illuminated Manuscripts (c. 1460-1560)." Doctoral thesis, 2019. http://hdl.handle.net/10362/76840.

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This thesis aims to address the nuns‘ agency in the production and patronage of illuminated manuscripts in the Portuguese Dominican nunneries in the period 1460-1560, which was marked by the expansion of the Observant movements. Through this concrete case, it is my goal to contribute to the current knowledge on the role of nuns on the production and patronage of art for their convents, a field that, besides benefiting from a great development in regions such as the German speaking lands, the Italian Peninsula or the Hispanic Kingdoms in the last three decades, is still practically unexplored i

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29

Побожій, Сергій Іванович, Сергей Иванович Побожий та Serhii Ivanovych Pobozhii. "Сумський художньо-історичний музей та деякі проблеми історико- краєзнавчих та мистецтвознавчих досліджень на Сумщині у 20–30-ті роки". Thesis, 1993. http://essuir.sumdu.edu.ua/handle/123456789/59804.

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Розвиток музейної справи в Україні на початку ХХ століття. Перші відомості про музей у Сумах. Приватні зібрання – основа музейної колекції. Дослідження Н. Онацького «Сім років існування Сумського музею» (1927).<br>The development of museums in Ukraine in the early twentieth century. The first information about museums in Sumy. Private collections as a basis for Museum collections. The research of N. Onatskiy "The Seven years of the Sumy Museum" (1927).

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30

Черепова, Тетяна Федорівна, та Tetiana Fedorivna Cherepova. "Розвиток естрадного вокального мистецтва в Сумській області". Master's thesis, 2021. http://repository.sspu.edu.ua/handle/123456789/11779.

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У магістерській роботі висвітлено розвиток естрадного вокального мистецтва на теренах Сумської області, а також визначено самодіяльну художню творчість як одну з провідних умов розвитку естрадного вокального мистецтва в Сумській області. У кваліфікаційній роботі конкретизовано сутність та особливості естрадного мистецтва, виникнення і розвиток естрадного вокального мистецтва, визначено вплив естрадного вокального мистецтва на розвиток сучасного суспільства, а також висвітлено стан розвитку естрадного вокального мистецтва в Сумській області та його особливості.<br>The master's thesis highlights

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31

Hsü, Cheng-chi. "Patronage and the economic life of the artist in eighteenth century Yangchow painting." 1987. http://catalog.hathitrust.org/api/volumes/oclc/19614699.html.

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32

"王世貞(1526-1590)藝術贊助的研究". Thesis, 2006. http://library.cuhk.edu.hk/record=b6074331.

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Chapter 1 reviews the background to the rise of art patronage studies and their development and its influence on studies of Chinese art history. It also provides alternative approaches to studying activities related to patronage and their influence and role in Chinese art history by criticising traditional analysis of Chinese art based on social and economic theories.<br>Chapter 2 examines the life of Wang and explores the intentions and meaning to his patronage activities through studying his political involvement, literary activities and his social background and connections.<br>Chapter 3 di

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33

Yi, Lidu. "The Third-phase of the Yungang Cave Complex—Its Architectural Structure, Subject Matter, Composition and Style." Thesis, 2010. http://hdl.handle.net/1807/32963.

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Abstract The Yungang Cave Complex in Shanxi province is one of the largest Buddhist sculpture repositories produced during the Northern and Southern Dynasties. This thesis argues that the iconographic evolution of the Yungang caves underwent three developing phases which can be summarized as the five Tan Yao Caves phase, the transitional period, and the sinicized third-phase under the reigns of five Northern Wei (386-534) emperors Wencheng 文成 (452-465), Xianwen 獻文 (466-471), Xiaowen 孝文(471-499), Xuanwu 宣武 (500-515) and Xiaoming 孝明 (516-528). This dissertation studies the Yungang third-phase

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