Relevant bibliographies by topics / Paul Wittgenstein

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Paul Wittgenstein'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Paul Wittgenstein"

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Rono, Joseph. "Revolutionary Traits in Wittgenstein and St. Paul." Philosophy and Theology 30, no. 2 (2018): 333–59. http://dx.doi.org/10.5840/philtheol201944106.

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Philosophy experienced a turning point at the time of Ludwig Wittgenstein. Likewise, religion (Judaism) encountered transformation during the time of the apostle Paul. Wittgenstein’s metaphor of the ‘River-bed’ that was later subsumed in the language-game theory is a concept that challenged the then status quo of philosophy known as rationalistic foundationalism. This philosophical predisposi­tion is analogous to the religious situation when Paul began his Christian ministry. Paul’s passionate emphasis on ‘justification by faith’ rather than legalistic or ritualistic observance of the law, was
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Howe, Blake. "Paul Wittgenstein and the Performance Of Disability." Journal of Musicology 27, no. 2 (2010): 135–80. http://dx.doi.org/10.1525/jm.2010.27.2.135.

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Paul Wittgenstein's one-handedness has typically been framed as a physical limitation at odds with an able-bodied ideology driving musical performance. Contemporary reviews, for instance, frame the pianist's disability as a tragedy heroically transcended during the course of virtuosic performance; others suggest that Wittgenstein successfully "passed" as two-handed. A study of Wittgenstein's numerous one-hand arrangements reveals similar narratives: the pianist often attempted to imitate the sound of two-handed piano music, and many of his own keyboard exercises train his one hand to assume th
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König, Christoph. "The Unutterable as a Mode of Utterance: Wittgenstein’s Two Remarks on “Count Eberhard’s Hawthorn” by Ludwig Uhland." Wittgenstein-Studien 12, no. 1 (2021): 91–110. http://dx.doi.org/10.1515/witt-2021-0005.

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Abstract Uhland’s poem has found fame as a litmus test in philosophical debates about Wittgenstein’s Tractatus. Like many works of art, the poem is dynamically produced in its effort to resolve a fundamental conflict. The poem’s conflict arises from the difficulty to connect the count’s life and his daydream. In the end, the poem as a whole serves to embody a critique of the capacity of a daydream to recover memories faithfully. Wittgenstein makes two remarks in a 1917 letter to Paul Engelmann that pertain to the poem. They are to be read in keeping with a resolute reading (James Conant, Cora
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Stevanović, Vladimir, and Andrea Raičević. "Aesthetics of unspoken: Architectural form and visible boundary of language." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 121–32. http://dx.doi.org/10.5937/saj1702121s.

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Stonborough House is a house in the heart of the city of Vienna that was, apart from architect Paul Engelmann - a disciple of Adolf Loos, designed and constructed by philosopher Ludwig Wittgenstein, at the suggestion of his sister Margaret Stonborough-Wittgenstein. In an attempt to connect Wittgenstein's philosophy with his work as an architect, the Stonborough House has often been named 'a visible form of his teaching'. Therefore, this paper intends to point out that translation into a substitute language of architecture became a meaningful way of addressing philosophical issues, and that the
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Anscombe, G. E. M. "Cambridge Philosophers II: Ludwig Wittgenstein." Philosophy 70, no. 273 (1995): 395–407. http://dx.doi.org/10.1017/s003181910006558x.

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Ludwig Wittgenstein was born in 1889, son of parents of Jewish extraction but not Jewish religion. Asked how his family came by the name ‘Wittgenstein’ Ludwig said they had been court Jews to the princely family and so had taken the name when Jews were required by law to have European-style names. The father, Karl, was a Protestant, the mother a Catholic. The Jewish blood was sufficient to bring the family later on into danger under Hitler's Nuremberg Laws. They did not think of themselves as Jews or belong to the Jewish community in Vienna. The children were brought up sort-of Catholic though
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Gurgel, Diogo de França. "Wittgenstein on Metaphor." Scripta 20, no. 40 (2016): 156. http://dx.doi.org/10.5752/p.2358-3428.2016v20n40p156.

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<p>In this work, I examine Wittgenstein’s possible contributions to an elucidation of the grammatical status of certain metaphors – often found in theoretical and speculative texts – which resist an approach based on the assumption of a clear split between the fields of pragmatics and semantics. I take as examples of works that depart from this assumption Elizabeth Camp’s Contextualism, Metaphor and What is said (which explores the lines suggested by Paul Grice), and John Searle’s Expression and Meaning. Both rely on a distinction between speaker’s meaning (utterance meaning) and sentenc
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Schmidt-Radefeldt, Jürgen. "Affinitäten zwischen Valéry, Cassirer und Wittgenstein." Zeitschrift für Kulturphilosophie 2012/1: Valéry 2012, no. 1 (2012): 65–78. http://dx.doi.org/10.28937/1000106605.

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Der erklärte Anti-Philosoph Paul Valéry teilt so manche Eigenschaft mit seinen Zeitgenossen, den Kulturphilosophen Ernst Cassirer und Ludwig Wittgenstein. Wie Cassirer war Valéry von den kulturphilosophisch interessanten Positionen der Ideengeschichte lebenslang fasziniert, und wie Wittgenstein verstand er Philosophie wesentlich als Sprachkritik. Mit diesen und anderen Affinitäten – vor allem mit seiner »poïétique« – greift Valéry genuin kulturphilosophische Themen auf.
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Rickards, Guy. "Berlin: Hindemith's ‘Klaviermusik mit orchester’." Tempo 59, no. 233 (2005): 55–56. http://dx.doi.org/10.1017/s0040298205260230.

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Paul Wittgenstein's commissioning of concertos for piano left-hand is as enviable a legacy as any performer could wish to have, centred as it is on concertos by Korngold, Franz Schmidt (who also penned for Wittgenstein a set of Concertante Variations on a theme of Beethoven with orchestra and three piano quintets), Richard Strauss, Prokofiev, Britten (his op. 21 Diversions) and Ravel. Yet the maimed pianist's quixotic attitude to the works he received is almost as remarkable. Ravel he offended by the liberties he took with the solo part, while Prokofiev's Concerto No. 4 languished unplayed for
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Ricoeur, Paul. "The Later Wittgenstein and the Later Husserl on Language." Études Ricoeuriennes / Ricoeur Studies 5, no. 1 (2014): 28–48. http://dx.doi.org/10.5195/errs.2014.245.

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This article presents an edited version of lectures given by Paul Ricœur at Johns Hopkins University in April 1966. Ricœur offers a comparative analysis of Wittgenstein’s and Husserl’s late works, taking the problem of language as the common ground of investigation for these two central figures of phenomenology and analytic philosophy. Ricœur develops his study in two parts. The first part considers Husserl’s approach to language after the Logical Investigations and concentrates on Formal and Transcendental Logic; leaving a transcendental reflection on language behind it re-examines a phenomen
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Чернышов, В. И. "Piano Concertos for the Left Hand by Ravel and Prokofiev: Two Answers to One Order." OPERA MUSICOLOGICA, no. 4 (November 15, 2020): 67–91. http://dx.doi.org/10.26156/om.2020.12.4.004.

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Пианист Пауль Витгенштейн, желая расширить и обновить свой концертный репертуар, внес в XX веке существенный вклад в фортепианную литературу для левой руки. В 1929–1930 годах он заказывает фортепианный концерт сначала Морису Равелю, а затем Сергею Прокофьеву. Это оказалось возможным благодаря наследству, полученному пианистом после смерти отца — сталелитейного магната Карла Витгенштейна. Если Равелю удалось, хоть и не полностью, удовлетворить потребности заказчика, то Прокофьеву было вовсе отказано в исполнении его музыки. Одной из главных причин неудачи Прокофьева можно считать творческий кри
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Dissertations / Theses on the topic "Paul Wittgenstein"

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Wong, Wendy H. W. "Paul Wittgenstein in Great Britain." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33743/.

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Most of the existing research on Paul Wittgenstein (1887–1961) focuses on his performing career in central Europe as a left-hand pianist and his commissions from the most prominent composers of the 20th century such as Richard Strauss and Maurice Ravel, and his favourite composer, Franz Schmidt. His British performing career and the compositions Ernest Walker, Norman Demuth and Benjamin Britten composed for and dedicated to him, however, remain relatively unexplored. By examining a variety of primary sources that are disclosed here for the first time, this thesis offers the first scholarly res
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Kong, Won-Young. "Paul Wittgenstein's Transcriptions for Left Hand: Pianistic Techniques and Performance Problems : A Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, S. Prokofiev, F. Liszt, M. Ravel, and F. Chopin." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935633/.

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Paul Wittgenstein (1887-1961) made significant contributions to the piano literature for the left hand through numerous commissioned works as well as his own transcriptions. In the transcriptions, Wittgenstein preserved the texture of two-hand music, aiming for the simulation of the original works. This requires special techniques in the performance by the left hand alone. This dissertation investigations technical means and performance problems associated with the transcriptions as well as Wittgenstein's own recordings of selections from his works. Chapter 1 serves as an introduction, provid
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Jesus, Wilson Pereira de. "Educação matematica e filosofias sociais da matematica : um exame das perspectivas de Ludwig Wittgenstein, Imre Lakatos e Paul Ernest." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253408.

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Orientador : Antonio Miguel<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-01T11:52:27Z (GMT). No. of bitstreams: 1 Jesus_WilsonPereirade_D.pdf: 1668667 bytes, checksum: 1236005663c18044409a6c53c2adc5dc (MD5) Previous issue date: 2002<br>Doutorado
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Uçan, Timur. "La question du solipsisme dans les premiers travaux de Sartre et Wittgenstein." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30065.

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Le solipsisme a été thématisé comme un préalable pour fonder la connaissance au dix-septième siècle. Cette doctrine suggérait, qu’en vue de la certitude, il fallait admettre transitoirement la concevabilité d'un doute portant sur l'existence du monde extérieur en totalité et des autres esprits. L'existence du monde extérieur a pu ainsi être tenue pour établie à l'occasion de preuves de l'existence d'un créateur unique ou tenue pour assurée à l’aide d'une déduction transcendantale. En comparaison, rien ne semble pouvoir prouver l'existence des autres. D'une part, rien ne semble compter comme un
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Littlejohn, Murray Edward. "Contemporary Confessions: Philosophical Engagements With Saint Augustine’s Confessions." Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108584.

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Thesis advisor: Richard Kearney<br>By the 20th century the Confessions had become a “classic” of western civilization, yet it seems to elude any easy explanation and categorization. While scholars of Late Antiquity puzzled over the nature, structure, and meaning of the work, a parallel reception was occurring by some of the most original thinkers across both traditions of Contemporary philosophy, including Ludwig Wittgenstein, Martin Heidegger, Hannah Arendt, Hans Jonas, Karl Jaspers, Hans-Georg Gadamer, Paul Ricoeur, Jean-Francois Lyotard, Jacques Derrida, Jean-Luc Marion, Jean Louis Chrétien
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Törnqvist, Alexander. "Språkanvändning och förståelsekonstituering vid lärande : Ett studium om alternativ till den sociokulturella teorin inom pedagogik." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-132283.

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I denna uppsats avhandlas alternativ till det sociokulturella perspektivet inom lärande och språkutveckling om hur förståelse konstitueras. Denna syn på språket grundar sig i Ludwig Wittgensteins teorier om till exempel språkspel som utvecklat en språktradition som kallas fenomenografi. Det fenomenografiska perspektivet ta i beaktande den föregående lärandeprocessen i medvetandet om hur konceptualisering av förståelse konstitueras. Detta är vad som inom filosofin kallas intentionalitet. Språket kan inte förstås utifrån en förutbestämd vokabuläranvändning eller logiska ideal. Inlärning borde is
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Cincunegui, Juan Manuel. "Charles Taylor y la identidad moderna." Doctoral thesis, Universitat Ramon Llull, 2010. http://hdl.handle.net/10803/9226.

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El propòsit principal d'aquesta tesi és analitzar críticament l'antropologia filosòfica de Charles Taylor.<br/><br/>A la primera part abordem qüestions preliminars: les fonts, els fonaments teòrics i els elements metodològics del seu pensament.<br/><br/>A la segona part elaborem la seva teoria de la identitat. Això implica: (1) donar compte de la relació inextricable entre el jo de la persona i la seva orientació moral, i (2) per mitjà d'arguments transcendentals, articular una ontologia que determini els trets perennes de la naturalesa humana.<br/><br/>Una ontologia de la identitat exigeix l'
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Books on the topic "Paul Wittgenstein"

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Wittgensteins Grössenwahn: Begegnungen mit Paul Wittgenstein. Jugend und Volk, 1986.

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Der Einfluss von Johann Wolfgang Goethe und Paul Ernst auf Ludwig Wittgenstein. P. Lang, 1985.

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Kim-Park, So Young. Paul Wittgenstein und die für ihn komponierten Klavierkonzerte für die linke Hand. Shaker Verlag, 1999.

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Carmen, Ottner, ed. Das Klavierkonzert in Österreich und Deutschland von 1900-1945 (Schwerpunkt: Werke für Paul Wittgenstein): Symposion 2007. Doblinger, 2009.

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Sass, Louis Arnorsson. The paradoxes of delusion: Wittgenstein, Schreber, and the schizophrenic mind. Cornell University Press, 1994.

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Sass, Louis Arnorsson. The paradoxes of delusion: Wittgenstein, Schreber and the schizophrenic mind. Cornell University Press, 1994.

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Irene, Suchy, Janik Allan, and Predota Georg A, eds. Empty Sleeve: Der Musiker und Mäzen Paul Wittgenstein. Studienverlag, 2006.

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Sass, Louis Arnorsson. The Paradoxes of Delusion: Wittgenstein, Schreber, and the Schizophrenic Mind. Cornell University Press, 1993.

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Sass, Louis Arnorsson. The Paradoxes of Delusion: Wittgenstein, Schreber, and the Schizophrenic Mind. Cornell University Press, 1995.

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Foley, Richard. Related Topics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865122.003.0004.

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This chapter examines Wittgenstein’s critique of philosophy’s premium on simplicity and generality. Although philosophy overlaps with the sciences, it also leans toward the humanities in the open-ended character of its core issues. Additionally, the author discusses Alasdair MacIntyre’s and Jean-Paul Sartre’s different views on the appeal of stories, and discusses as well how the insights of stories have the same features as those of the humanities in being indexical, prescriptive, and perspectival. The social sciences occupy a midpoint between the natural sciences and humanities, aiming to be
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Book chapters on the topic "Paul Wittgenstein"

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Standish, Paul. "This Is Simply What I Do Too: A Response to Paul Smeyers." In A Companion to Wittgenstein on Education. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3136-6_17.

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Koch, Gertrud. "Humans Becoming Animals." In The Moving Eye. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.003.0010.

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This chapter attempts to explain the fascination that animals have long exerted upon the motion picture medium. It explores some of the differences among the human gaze, the animal gaze, and the cinematic gaze. Utilizing examples ranging from the philosophies of Ludwig Wittgenstein and Jean-Paul Sartre to films by Edward Dmytryk, Jacques Tourneur, and Paul Schrader, the author explicates affect, identification, and the status of the face in cinematic representations of nonhuman species.
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Shaw, Dan. "Cavell and Wittgenstein on Skepticism: Redeeming the Law." In Stanley Cavell and the Magic of Hollywood Films. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474455701.003.0007.

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A discussion of the influence of Ludwig Wittgenstein on Cavell is followed by an attempt to expand the latter’s account of the Hollywood response to skepticism to other film genres. In particular, this chapter examines what I call the redemptive lawyer drama, where a barrister at the end of his rope saves himself by winning an honourable legal case in a David vs. Goliath situation. The examples here are Paul Newman in The Verdict, and Billy Bob Thornton in the Amazon Prime miniseries Goliath.
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Oliveira, Paulo. "Übersetzung als Aufbau des Vergleichbaren (Auf Ricoeurs Pfad mit Wittgenstein und Toury)." In Cognition and Comprehension in Translational Hermeneutics. Zeta Books, 2021. http://dx.doi.org/10.5840/zeta-cognition20219.

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Many of the apparent impasses and/or paradoxes in Translation Studies result from the lack of greater coherence between our basic assumptions about the relation language/world and the theories we derive from them. One of these apparent dilemmas is the concept of hypothetical untranslatability, which is logically dependent on the premise that translation is a phenomenon of language as a system, as opposed to the primacy of the practice from which language itself emerges. Paul Ricoeur, in three conferences published posthumously, coined a formula capable of dissolving this impasse: translation as the Construction of the Comparable. My aim here is to show the profound implications of this insight of Ricoeur, assuming a conception of language informed by the philosophical therapy of the later Wittgenstein and considering authors who start out from this therapy to formulate philosophical theses on how language and perception are articulated. This is another step towards an Epistemology of Translating, tributary of the later Wittgenstein and in line with Arley Moreno’s Epistemology of the Usage.
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Boller, François, and Julien Bogousslavsky. "Paul Wittgenstein's right arm and his phantom." In Music, Neurology, and Neuroscience: Historical Connections and Perspectives. Elsevier, 2015. http://dx.doi.org/10.1016/bs.pbr.2014.11.011.

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