Relevant bibliographies by topics / Pauli Theater

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Pauli Theater'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Pauli Theater"

1

Wilmer, S. E. "Cultural Encounters in Modern Productions of Greek Tragedy." Nordic Theatre Studies 28, no. 1 (2016): 15. http://dx.doi.org/10.7146/nts.v28i1.23969.

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The exiled character in need of asylum is a recurrent theme in ancient Greek tragedy. In many of these plays, we see uprooted and homeless persons seeking sanctuary, and for the ancient Greeks, hospitality was an important issue. Many of these plays have been updated to comment on the current social and political conditions of refugees and often reflect on the notion of hospitality, something which both Emmanuel Levinas and Jacques Derrida considered to be fundamental to ethics.
 Recently there has been a series of demonstrations and occupations of public spaces by asylum seekers that has
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Lampe, Eelka. "Disruptions in Representation: Anne Bogart's Creative Encounter with East Asian Performance Traditions." Theatre Research International 22, no. 2 (1997): 105–10. http://dx.doi.org/10.1017/s0307883300020514.

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The avant-garde theatre director Anne Bogart has made her name in the U.S. theatre community through her deconstructions of modern classics such as the musical South Pacific (1984), Cinderella/Cendrillon (1988) after Massenet's opera, Büchner's Danton's Death (1986), Gorki's Summerfolk (1989), William Inge's Picnic (1992), as well as through her idiosyncratic and original dance/theatre ‘compositions’ developed collabortively with her company, the Saratoga International Theater Institute (SITI). Prominent among such compositions have been 1951 (1986) on art and politics during the McCarthy era,
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Arnaut, Luis Marcio. "Interview with André Garolli." Dramaturgia em foco 8, no. 2 (2024): 608–24. https://doi.org/10.5281/zenodo.14537463.

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Yakushenkov, Serguey N. "When the Naked Body Speaks: Brazilian Theater in the Search of National Identity." Corpus Mundi 3, no. 1 (2022): 31–51. http://dx.doi.org/10.46539/cmj.v3i1.59.

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The naked body is a complex phenomenon, combining a variety of functions. Nudity can be symbols of threat/insecurity, aggression/victim, freedom/slavery. Teatro Oficina, located in the São Paulo suburbs, offers us a unique example of nudity for the construction of national identity. Based on the Brazilian poet Oswald de Andrade's "Anthropophagic Manifesto," the theatre founders made nudity and anthropophagy their theatrical credo. Formed in 1958 the theater has taken a leading place in the cultural life of São Paulo and Brazil. Despite censorship during the military dictatorship, Teatro Oficin
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Laages, Michael. "Das Anthropophagische Theater." Theater heute 64, no. 10 (2023): 46–48. http://dx.doi.org/10.5771/0040-5507-2023-10-046.

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Dias, Rodrigo Francisco. "A PRESENÇA DE ANTONIO FAGUNDES NA CENA TEATRAL BRASILEIRA." Fênix - Revista de História e Estudos Culturais 16, no. 1 (2019): 1–10. http://dx.doi.org/10.35355/0000019.

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Neves, David Medeiros. "The first productions of Tennessee Williams´ plays in São Paulo." Dramaturgia em foco 8, no. 2 (2024): 442–61. https://doi.org/10.5281/zenodo.14085606.

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This article presents and describes the circumstances surrounding the production of the first premieres of Tennessee Williams’ plays in the theatrical context of São Paulo between 1948 and 1964. Through a comprehensive investigation into various academic and historical sources, describing the technical details, reception, and the importance of the show in the city’s scene, the crucial role played by these productions in the revitalization of São Paulo’s theater stands out. The productions not only contributed to the advancement of modern Brazilian theater but we
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Neves, David Medeiros. "As primeiras produções das peças de Tennessee Williams em São Paulo." Dramaturgia em foco 7, no. 2 (2025): 306–24. https://doi.org/10.5281/zenodo.14873421.

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Este artigo apresenta e descreve as circunstâncias das montagens das primeiras estreias das peças de Tennessee Williams no contexto teatral de São Paulo entre 1948 e 1964. Por meio de uma investigação abrangente em diversas fontes acadêmicas e históricas, ao descrever a ficha técnica, a recepção e a importância do espetáculo no cenário da cidade, destaca-se o papel crucial desempenhado por essas produções na revitalização do teatro paulistano. As montagens não apenas contr
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Abdulmunem Azeez, Rasha. "Paula Vogel And The Modern American Female Playwrights." Journal of the College of languages, no. 44 (June 1, 2021): 46–71. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0046.

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Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there we
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Leiva Filiho, João Oswaldo. "The place ow women in the theatres of São Paulo." Debats. Revista de cultura, poder i societat 136, no. 1 (2022): 49–68. http://dx.doi.org/10.28939/iam.debats-136-1.3.

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The aim of this article was to provide quantitative information about the gender gap in theatre production in the city of São Paulo (Brazil), thereby helping to raise awareness of the inequalities faced by women in the field. The text compares the opportunities available to men and women working in seven different theatre-related occupations and is underpinned by a mapping of 1,466 plays performed in the city throughout 2018. The data were collected from three weekly guides published by the local media and two monthly publications: a theatre guide and a magazine from a cultural institution tha
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Dissertations / Theses on the topic "Pauli Theater"

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Lima, Eduardo Luis Campos. "Procedimentos formais do jornal Injunction Granted (1936), do Federal Theatre Project, e de Teatro Jornal: Primeira Edição (1970), do Teatro de Arena de São Paulo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06052013-102207/.

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O presente estudo analisa os procedimentos formais do jornal vivo, forma teatral fundamentada na encenação de notícias, conforme o gênero configurou-se nos Estados Unidos e no Brasil. Para tanto, define como objeto, do lado estadunidense, o jornal vivo Injuction Granted (Liminar é Concedida), produzido no âmbito do Federal Theatre Project (Projeto Federal de Teatro), iniciativa do Governo de Franklin Roosevelt para lidar com o desemprego provocado pela Grande Depressão, na década de 1930. Do lado brasileiro, faz-se uma leitura de Teatro Jornal: Primeira Edição, exposição didática de nove técni
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Gossett, Neeley. "Puppets, politics, and postmodernity : Paula Vogel speaks through theater history /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/gossettn/neeleygossett.html.

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Shaw, Jene Rebbin. "The Paradox Within Us: The Archetypal Struggle in How I Learned to Drive." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1155230874.

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Medina, Carmen Liliana. "Theatre of the oppressed and theatre in education : a reflection on Paulo Freire's theories." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1240234778.

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Gomes, Fausto. "São Paulo: An Ecological View Of A Theatre For Modernity." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2850.

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Future challenges for human civilization, especially in the developing world, will increasingly be characterized by both an urban and global condition. What will be the response by design in the face of the implications of this unprecedented scale of development? The thesis is a speculative analysis of the essential nature of the phenomenon of the global mega-city, and is a necessary first step in creating a framework to answer this question. The Brazilian city of São Paulo is chosen as this thesis case study because it is a 'matured' version of this Modern urban phenomenon. Underlying
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Júnior, Umberto Cerasoli. "O LUME no contexto do Teatro de Pesquisa do Século XX." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-09092011-193410/.

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Esta pesquisa tem por objetivo contextualizar a experiencia do grupo LUME (Nucleo Interdisciplinar de Pesquisas Teatrais da UNICAMP) dentro da tradicao do Teatro de Pesquisa do seculo XX. Na primeira parte do trabalho, identificamos o movimento historico que possibilitou a consolidacao de um teatro com base no ator no seculo XX e mapeamos os principais pontos das propostas de formacao do ator de Constantin Stanislavski, Etienne Decroux, Jerzy Grotowski e Eugenio Barba. Na segunda parte, apresentamos a proposta e os objetivos do grupo LUME, descrevemos suas linhas de pesquisa e evidenciamos com
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Medina, Junior Clodoaldo. "Bem-vindos a nossa historia! : Teatro Experimental de Comedia de Araraquara (1955-1962)." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284659.

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Orientador: Neyde de Castro Veneziano Monteiro<br>Acompanha anexo em DVD: Santo Antonio e a Vaca<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-13T18:32:10Z (GMT). No. of bitstreams: 1 MedinaJunior_Clodoaldo_D.pdf: 92731350 bytes, checksum: 746a6ae8f3cba779851655e40ac7ae6b (MD5) Previous issue date: 2009<br>Resumo: O teatro, como processo criativo, é uma arte para ser exercida em conjunto, por vários, e não isoladamente. A montagem de um espetáculo, ainda que um monólogo, exige trabalho intelectual e também braçal, exige um
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Burghi, Danielle. "Cristiane Paoli Quito, formadora de palhaços." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/152532.

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Submitted by Danielle Burghi null (danielleburghi@gmail.com) on 2017-11-08T18:07:52Z No. of bitstreams: 1 Dissertacao final alt2 - Danielle Burghi.pdf: 1378042 bytes, checksum: a40276211d60c5be2b02716ddbd29a91 (MD5)<br>Rejected by Luiz Galeffi (luizgaleffi@gmail.com), reason: Solicitamos que realize uma nova submissão seguindo as orientações abaixo: Inserir o número do processo de financiamento FAPESP nos agradecimentos da tese/dissertação. Corrija estas informações e realize uma nova submissão contendo o arquivo correto. Agradecemos a compreensão. on 2017-11-21T13:50:56Z (GMT)<br>S
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Melo, Cássio Santos [UNESP]. "Caipira no palco: teatro na São Paulo da Primeira República." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/93436.

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Made available in DSpace on 2014-06-11T19:26:39Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-12-05Bitstream added on 2014-06-13T19:13:45Z : No. of bitstreams: 1 melo_cs_me_assis.pdf: 772808 bytes, checksum: 15be4de8b0251cbc544b635c498cb712 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>O caipira desde os idos do século XIX foi amplamente representado sob formas diversas nas artes. Neste trabalho apresentaremos as representações da personagem caipira presentes num variado número de textos teatrais encenados na cidade de São Paulo, no período compreendido g
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BYUN, KWANG BA. "La violence dans le theatre et les romans de jean-paul sartre." Montpellier 3, 1995. http://www.theses.fr/1995MON30058.

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Un des reves de l'homme est de reconstruire l'utopie ou il est, avec les autres, libre, egal et humain et ou il communique parfaitement avec eux. Mais le monde actuel est infernal. La violence est, autres, un element qui rend impossible la construction de l'utopie. La violence est le mal a detruire. Pour l'exterminer, on recourt a une autre violence. Comme le mot grec pharmakon, la fonction de la violence est double : maligne et curative. L'idee de la violence liberatrice est sous-jacente dans la revolution. Le groupe en fusion de sartre est un exemple. Mais le risque d'une escalade infinie a
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Books on the topic "Pauli Theater"

1

Budelmann, Claus G., and Thomas Collien. Broadway auf dem Kiez: 175 Jahre St. Pauli Theater. Ellert & Richter Verlag, 2016.

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Andrist, Marilen. Das St. Pauli-Theater: 150 Jahre Volkstheater am Spielbudenplatz. Galgenberg, 1991.

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Autran, Paulo. Paulo Autran. Ministério da Cultura, Instituto Nacional de Artes Cênicas, Biblioteca Edmundo Moniz, do CENACEN, 1987.

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Veiga, Edison. O Theatro Municipal de São Paulo: Histórias surpreendentes e casos insólitos. Editora Senac São Paulo, 2013.

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Brandão, Ignácio de Loyola. Teatro Municipal de São Paulo: Grandes momentos. Dórea Books and Art, 1993.

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Autran, Paulo. Paulo Autran: Sem comentários. CosacNaify, 2005.

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Edson, Elito, and Correa José Celso Martinez, eds. Teatro Oficina: Oficina Theater : São Paulo, Brasil, 1980-1984. Editorial Blau, 1999.

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J, Guinsburg, Patriota Rosangela, Camargo, Ana Maria de Almeida, and Academia Paulista de História, eds. Revista dramática: São Paulo, 1860. Edusp (Editora da Universidade de São Paulo), 2007.

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Pereira, Taís Assunção Curi. Theatro Guarany: O renascer de um palco centenário. Editora Comunicar, 2008.

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Moura, George. Paulo Francis, o soldado fanfarrão: A odisséia intelectual do ator, diretor e crítico de teatro Paulo Francis pelos palcos brasileiros. Objetiva, 1996.

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Book chapters on the topic "Pauli Theater"

1

Warner, Sara. "Paula Vogel." In Fifty Key Figures in Queer US Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9781003203896-48.

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Knapp, Bettina L. "Paul Claudel (1868–1955)." In French Theatre 1918–1939. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17985-5_11.

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Morgan, Margot. "Jean-Paul Sartre: The Theatre of Situations." In Politics and Theatre in Twentieth-Century Europe. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370389_4.

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Vittoria, Paolo. "Paulo Freire and Augusto Boal." In The Routledge Companion to Theatre of the Oppressed. Routledge, 2019. http://dx.doi.org/10.4324/9781315265704-7.

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Brodie, Meghan. "Paula Vogel (b.1951)." In The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism. Routledge, 2023. http://dx.doi.org/10.4324/9781003006923-84.

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Hillman, Rebecca. "Preface." In After the Miners’ Strike. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.01.

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The Preface reflects on Paul Farmer’s book as a bold and timely intervention on political working-class theatre. It places A39’s practice in the context of historical events and theatrical practice, but also in relation to a rich seam of academic enquiry on agitprop theatre, often assumed redundant beyond the end of the 1970s. It invites readers to consider the book as a provocative political analysis, and corrective to that understanding of history. It proposes the significance of returning to this territory at a time of increased class-conscious and materialist critiques from contemporary ar
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Niiamar, Felder. "Interview with Paul Tazewell." In The Routledge Companion to African American Theatre and Performance. Routledge, 2018. http://dx.doi.org/10.4324/9781315191225-15.

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Hinchliffe, Arnold P. "Paul Scofield: Peter Hall’s National Theatre Production, 1977." In Volpone. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06536-3_12.

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van den Hoven, Adrian. "144The Trojan Women and the Theater of Commitment." In An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet. Routledge, 2024. http://dx.doi.org/10.4324/9781003498971-13.

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Toni, Claudia. "Auditório Ibirapuera ‘Oscar Niemeyer’, 2005 São Paulo, Brazil." In Modern Theatres 1950–2020. Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-50.

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Conference papers on the topic "Pauli Theater"

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de Brito, Walderes Lima, Newton Camelo de Castro, and Carlos Roberto Bortolon. "Young Readers Transpetro Program: The Sustainable Development of Community Close to a Pipeline in Goia´s, Brazil." In 2008 7th International Pipeline Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ipc2008-64584.

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A person reading an average of sixteen books per year is considered high even in so-called First World countries. This achievement is even more remarkable if it is performed by children of low-income families. An example is the participants of PETI, Child Labor Eradication Program of Jardim Canedo, a neighborhood located over part of the Sa˜o Paulo - Brasi´lia Pipeline, situated in Senador Canedo, Goia´s, Brazil. In 2007 this community experienced the Striving Readers Transpetro Program, which aims to develop a taste for reading among children. Transpetro expects to be helping to overcome the
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