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1

Steinkamp, Peter. Generalfeldmarschall Friedrich Paulus: Ein unpolitischer Soldat? Erfurt: Sutton, 2001.

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2

Reschin, Leonid. Feldmarschall im Kreuzverhör: Friedrich Paulus in sowjetischer Gefangenschaft, 1943-1953. Berlin: edition q, 1996.

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3

Reschin, Leonid. Feldmarschall im Kreuzverhör: Friedrich Paulus in sowjetischer Gefangenschaft, 1943-1953. Berlin: edition q, 1996.

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4

Er ist mein Gegner von jeher: Friedrich Wilhelm Joseph Schelling und Heinrich Eberhard Gottlob Paulus. Warmbronn: Keicher, 2001.

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5

Jean Pauls Weg zur Metapher: Sein "Buch" Leben des Quintus Fixlein. Frankfurt am Main: P. Lang, 2003.

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6

Die Metapher und ihre Krise: Zur Dynamik der "Bilderschrift" Jean Pauls. New York: P. Lang, 1987.

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7

Hegel's undiscovered thesis-antithesis-synthesis dialectics: What only Marx and Tillich understood. Amherst, N.Y: Prometheus Books, 2012.

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8

Realizing freedom: Hegel, Sartre, and the alienation of human being. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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9

Situation und Botschaft: Die soteriologische Vermittlung von Anthropologie und Christologie in den offenen Denkformen von Paul Tillich und Walter Kasper. Berlin: De Gruyter, 2012.

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10

Burkard, Thorsten, ed. Plautus – des Lateinischen Richtmaß und Großmeister. Wachholtz Verlag, 2020. http://dx.doi.org/10.5771/9783529095009.

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Noch als Student verfasste der deutsche Dichter Paul Fleming (1609-1640) ein literaturtheoretisches Gedicht namens Satyra, in dem er sich über den zu engen Klassizismus der Leipziger Universität beklagte und seine stilistische Plautus-Nachfolge rechtfertigte. Dieses wichtige, stellenweise schwer verständliche Gedicht wird hier zusammen mit einer Übersetzung und einem begleitenden Kommentar präsentiert. In mehreren Spezialkapiteln wird die Satyra in den Kontext der damaligen Zeit, vor allem in die Tradition der Plautusapologie eingeordnet. In einem Anhang wird das bisher von der Forschung nicht erkannte Vorbild, eine Satire des Plautusverehrers Friedrich Taubmann (1565-1613), kritisch ediert, übersetzt und erläutert.
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11

Mangrum, Benjamin. Land of Tomorrow. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190909376.001.0001.

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This book analyzes changes in American intellectual life after the Second World War. It argues that sweeping cultural and intellectual trends undermined the legacy of social-democratic reform instituted by the New Deal. Land of Tomorrow offers a genealogy of these changes within American liberalism by looking to writers and intellectuals such as Vladimir Nabokov, Ralph Ellison, Hannah Arendt, Lionel Trilling, Richard Wright, Saul Bellow, Patricia Highsmith, Alfred Hitchcock, J. D. Salinger, Ken Kesey, Walker Percy, Flannery O’Connor, and many others. It also considers the reception of many prominent European thinkers, including Sigmund Freud, Jean-Paul Sartre, Friedrich Nietzsche, and Franz Kafka. The major ideas and developments considered include American existentialism, theories of corporate management, aestheticism, the reception history of modernism, postwar anxieties about totalitarianism, and the history of cultural support for the welfare state in the United States
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12

Stewart, Jon. Hinduism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829492.003.0006.

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Hegel treats Hinduism under the title “The Religion of Imagination” or, with another translation, “The Religion of Fantasy.” Hegel’s study of Hinduism came during the period when there was a rapidly growing interest in India, indeed, an Indomania, in the German-speaking world, which included figures such as Friedrich von Schlegel, August Wilhelm von Schlegel, Novalis, Jean Paul, Goethe, Bettina von Arnim, Heinrich Heine, Christian Gottlob Heyne, and E.T.A. Hoffmann. An account is given of the rise of Indology in Great Britain, France, and the German States with a special eye towards the sources of Hegel’s information. The main analysis explores Hegel’s critical treatment of the Hindu gods, Brahmā, Vishnu, and Shiva, and the religious practices associated with them. Despite the fact that the Hindus have with these three gods a kind of trinity, Hegel argues that this is fundamentally different from the true speculative Trinity of Christian dogma.
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13

Gloe, Markus, and Tonio Oeftering, eds. Politische Bildung meets Kulturelle Bildung. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845296708.

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This book focuses on the relation between citizenship education and cultural education. It provides answers to the question of where the line between citizenship and cultural education is to be drawn—and if there is any at all. The issue of which approaches to cultural education can be productive for citizenship education is also raised. The articles the book contains introduce the chances offered by and limits to citizenship and cultural education as well as concrete approaches to identifying a link between them. This includes citizenship education through literature, theatre, music, fashion, computer games, etc. With contributions byFrederik Achatz, Michele Barricelli, Santina Battaglia, Helle Becker, Anja Besand, Sabine Dengel, Werner Friedrichs, Markus Gloe, Annegret Jansen, Ingo Juchler, Paul Mecheril,Tonio Oeftering, Sebastian Puhl, Sven Rößler, David Salomon.
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14

Marmysz, John. Monstrous Masses: The Human Body as Raw Material. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424561.003.0005.

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This chapter examines The Human Centipede, Nymphomaniac, and Videodrome; films that push the boundaries of human objectification. The chapter draws on the works of Georg Wilhelm Friedrich Hegel and Jean-Paul Sartre, highlighting an ontological distinction between being “in-itself” and being “for-itself.” It is argued that though the objectification of key characters in these films, on the one hand, promotes a sort of nihilistic reduction of humans to meaningless bodies in motion, on the other hand, this same reduction potentially provokes a sense of sympathy in viewers who are also embodied, and thus can see their own condition reflected in the experiences of the characters who suffer on screen. Depictions of others as meaningless matter remind audiences of their own corporeal nature (being in-itself), disgusting, titillating, and amusing them, but also potentially moving them to empathize with the consciousnesses presumed by analogy with themselves to exist within the bodies depicted on screen (being for-itself).
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15

Schreg, Rainer, Michaela Konrad, Stephan Albrecht, Stefan Breitling, Paul Bellendorf, Gerhard Vinken, and Wolfgang Brassat. Komplexität und Diversität des kulturellen Erbes : Forschungsbeiträge aus dem Institut für Archäologische Wissenschaften, Denkmalwissenschaften und Kunstgeschichte. Edited by Wolfgang Brassat. University of Bamberg Press, 2020. http://dx.doi.org/10.20378/irb-48742.

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In dem vorliegenden Sammelband präsentieren Vertreter*innen verschiedener Disziplinen des Instituts für Archäologische Wissenschaften, Denkmalwissenschaften und Kunstgeschichte der Otto-Friedrich-Universität Bamberg Erträge ihrer Forschungen. Dabei zeichnet sich in mehreren Beiträgen ein Alleinstellungsmerkmal des Instituts ab, das gemeinsam mit dem ihm verbundenen, 2016 gegründeten Kompetenzzentrum für Denkmalwissenschaften und Denkmaltechnologien (KDWT) über eine umfangreiche Geräteausstattung auf neuestem technischem Stand verfügt. Mehrere der hier versammelten Aufsätze rekurrieren auf Ergebnisse entsprechender naturwissenschaftlicher Untersuchungen, während andere sich in den Bahnen klassischer geistes- und kulturwissenschaftlicher Forschungen bewegen. Die archäologischen Beiträge befassen sich mit Ergebnissen und Perspektiven der „Feld-, Wald- und Wiesenachäologie“ (Rainer Schreg) und dem nordsyrischen Pilgerzentrum Resafa mit seiner ehemaligen „transkulturellen Urbanität“ (Michaela Konrad). Die Beiträge der Denkmalwissenschaften reflektieren Wertmaßstäbe und Zielvorstellungen des städtischen Denkmalschutzes (Gerhard Vinken) und behandeln die Herausforderungen, die sich dem Fach mit den von der Generalversammlung der Vereinten Nationen 2015 verabschiedeten Sustainable Development Goals stellen (Paul Bellendorf). Die kunstgeschichtlichen Beiträge präsentieren die Ergebnisse einer gemeinsam mit der Bauforschung vorgenommenen eingehenden Untersuchung der Querhausportale der Pariser Kathedrale (Stephan Albrecht, Stefan Breitling) und befassen sich mit Hans Baldung Griens Die Sintflut, einem Hauptwerk der Staatsgalerie in der Neuen Residenz in Bamberg (Wolfgang Brassat).
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16

The Existentialists: Critical Essays on Kierkegaard, Nietzsche, Heidegger, and Sartre (Critical Essays on the Classics). Rowman & Littlefield Publishers, Inc., 2003.

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17

Nietzsche Versus Paul. Columbia University Press, 2015.

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18

The Existentialists: Critical Essays on Kierkegaard, Nietzsche, Heidegger, and Sartre. Rowman & Littlefield Publishers, Inc., 2003.

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19

Azzam, Abed. Nietzsche Versus Paul. Columbia University Press, 2015.

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20

Azzam, Abed. Nietzsche Versus Paul. Columbia University Press, 2015.

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21

Hunnekuhl, Philipp. Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.001.0001.

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Henry Crabb Robinson (1775–1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, Henry Crabb Robinson: Romantic Comparatist, 1790–1811 discusses his formal and informal engagement with a wide variety of English and European Romantic literature prior to this point. Robinson thus emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, he educated himself thoroughly during his teenage years, and began to publish in radical journals. Godwin’s philosophy subsequently inspired Robinson’s first theory of literature. When in Germany from 1800–05, Robinson became the leading British scholar of Kant’s critical philosophy, which informed his discussions of Goethe, Schiller, Lessing, August Wilhelm Schlegel, and other German literature. After his return to London, Robinson aided Hazlitt’s understanding of Kant and early career as a writer; this also laid the foundation for Robinson’s lifelong critical admiration of Hazlitt’s works. Robinson’s distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern ‘moral excellence’ in Christian Leberecht Heyne’s Amathonte. This excellence also prompted Robinson’s transmission of Friedrich Schlegel and Jean Paul to England in 1811, as well as a profound exchange of ideas with Coleridge. Robinson’s ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature’s moral relevance, Philipp Hunnekuhl finds, anticipated the current ‘ethical turn’ in literary studies.
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22

Dyson, Kenneth. Conservative Liberalism, Ordo-liberalism, and the State. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854289.001.0001.

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This book uses extensive original archival and elite interview research to examine the attempt to rejuvenate liberalism as a means of disciplining democracy and the market through a new rule-based economic and political order. This rebirth took the form of conservative liberalism and, in its most developed form, Ordo-liberalism. It occurred against the historical background of the great transformational crisis of liberalism in the first part of the twentieth century. Conservative liberalism evolved as a cross-national phenomenon. It included such eminent and cultured liberal economists as James Buchanan, Frank Knight, Henry Simons, Ralph Hawtrey, Jacques Rueff, Luigi Einaudi, Walter Eucken, Friedrich Hayek, Alfred Müller-Armack, Wilhelm Röpke, Alexander Rüstow, and Paul van Zeeland, as well as leading lawyers like Louis Brandeis, Franz Böhm, and Maurice Hauriou. It also played a formative role in establishing new international networks, notably the Mont Pèlerin Society. The book investigates the rich intellectual inheritance of this variant of new liberalism from aristocratic liberalism, ethical philosophy, and religious thought. It also locates the social basis of conservative liberalism and Ordo-liberalism in the cultivated bourgeois intelligentsia. The book goes on to examine the attempts to embed this new disciplinary form of liberalism in Britain, France, Germany, Italy, and the United States, and to consider the determinants of its varying significance across space and over time. It concludes by assessing the historical significance and contemporary relevance of conservative liberalism and Ordo-liberalism as liberalism confronts a new transformational crisis at the beginning of the new millennium. Is their promise of disciplining democracy and the market a hollow one?
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23

Leon, McBride William, ed. Existentialist background: Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger. New York: Garland, 1997.

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24

Existentialist Background : Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger (Sartre and Existentialism: Philosophy, Politics, Ethics, the Psyche, Literature, and Aesthetics). Routledge, 1996.

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25

Bergengruen, Maximilian, Alexander Honold, Ursula Renner, and Günter Schnitzler, eds. Hofmannsthal – Jahrbuch zur Europäischen Moderne. Rombach Wissenschaft, 2020. http://dx.doi.org/10.5771/9783968216768.

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The Yearbook on Hofmannsthal and European modernity has been published since 1993 and is regarded as the most important instrument of research into Hofmannsthal. It places the works of Hugo von Hofmannsthal (1874–1929) in the aesthetic and socio-historical context of modern European culture and, in addition to previously unpublished correspondence, presents contributions by renowned academics on literature, the fine arts, philosophy, psychology, politics, and dance and theatre at the turn of the century. This year’s edition contains: Teodor de Wyzewa: Le Symbolisme de M. Mallarmé <i>Herausgegeben und übersetzt von Rudolf Brandmeyer und Friedrich Schlegel</i> Emil Saudek, Otokar Březina und Hugo von Hofmannsthal – Textgeflechte <i>Mitgeteilt von Lucie Merhautová</i> Arthur Schnitzlers ungarische Interviews <i>Herausgegeben von Martin Anton Müller, übersetzt von Sándor Tatár</i> <i>Klaus E. Bohnenkamp:</i> Rudolf Kassner und Martin Buber. Eine fast vergessene Beziehung <i>Wolfram Malte Fues:</i> Passagen zum »Passagen-Werk«. Hofmannsthals Zeichendeuter und Priesterzögling <i>Joachim Seng:</i> »das ahnungsvolle Geschäft der Poesie«. Paul Celans Hofmannsthal-Rezeption und das Gedicht »À LA POINTE ACÉRÉE« <i>Jutta Müller-Tamm:</i> Eugen Bleuler besucht Gottfried Keller oder Das Hechtgrau der Maultrommel: Synästhesie im »Landvogt von Greifensee« <i>Matthias Schöning:</i> Der Bäckermeister. Theorie und Praxis der Ehre in Schnitzlers »Lieutenant Gustl« <i>Konstanze Fliedl:</i> Hysterie und Katharsis. Hermann Bahrs Schauspiel »Die Andere« <i>David Brehm / Lotta Ruppenthal:</i> Was nie gedruckt wurde, lesen. Lektüren des »weißen Flecks« in der Wiener und Prager Zeitungskultur des Ersten Weltkriegs <i>Marcel Krings:</i> »Aber nichts von Verantwortung«. Schuld, Gesetz und Literatur in Kafkas »Eine kleine Frau« <i>Volker Mergenthaler:</i> Erich Kästners »Spuk in Genf«. Zeitungslektüren vor der neunten Völkerbundkonferenz
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