Relevant bibliographies by topics / Paulus Museum

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Paulus Museum'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Paulus Museum"

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GIRI, VARAD B., R. CHAITANYA, STEPHEN MAHONY, et al. "On the systematic status of the genus Oriocalotes Günther, 1864 (Squamata: Agamidae: Draconinae) with the description of a new species from Mizoram state, Northeast India." Zootaxa 4638, no. 4 (2019): 451–84. http://dx.doi.org/10.11646/zootaxa.4638.4.1.

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The montane agamid lizard genus Oriocalotes is currently considered monotypic, represented by the species, O. paulus. The systematic status of this taxon has remained questionable since its initial descriptions in the mid-1800s. A detailed molecular and morphological study was carried out to assess the validity of this genus, and its systematic position within the Asian agamid subfamily, Draconinae. Freshly collected and historical museum specimens from the type locality of O. paulus were examined morphologically, along with additional samples collected from localities in Mizoram state, Northe
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Nijhoff, Michiel. "The early history of the Stedelijk Museum library: the Kloet years." Art Libraries Journal 33, no. 4 (2008): 14–16. http://dx.doi.org/10.1017/s030747220001556x.

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On 5 May 2007, the Stedelijk Museum library in Amsterdam was exactly 50 years old – although a collection of books known as ‘the library’ began long before that in the building on the Paulus Potterstraat. Louis Kloet was the first librarian. He founded and ran the library from 1953 until 1980, a period in which the collection and the number of visitors grew steadily and it evolved into one of the most important libraries of modern art in Europe.
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Borsboom, A. P., Fredrik Barth, H. J. M. Claessen, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 144, no. 4 (1988): 565–76. http://dx.doi.org/10.1163/22134379-90003288.

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- A.P. Borsboom, Fredrik Barth, Cosmologies in the making; A generative approach to cultural variation in Inner New Guinea, Cambridge studies in social anthropology, Cambridge University Press, 1987, 99 pp., - H.J.M. Claessen, Paul van der Grijp, Sporen in de Antropologie; Liber Amicorum voor Jan Pouwer, Nijmegen: Instituut voor Kulturele en Sociale Antropologie, 1987. Bibl., tab., ill. 330 pp., Ton Lemaire, Albert Trouwborst (eds.) - Simon Kooijman, Adrian Horridge, Outrigger canoes of Bali and Madura, Indonesia, Bishop museum special bulletin 77, Honolulu: Bishop museum press, 1987. xii + 17
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Kasten, Brigitte. "St. Paulus Worms 1002-2002. Kollegiatstift - Museum - Dominikanerkloster, hg. von P. Josef kleine Bornhorst OP." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 90, no. 1 (2004): 591–92. http://dx.doi.org/10.7767/zrgka.2004.90.1.591.

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Bock, Sarah, and Lisa Kern. "»Dass Klee uns nach wie vor sehr inte­ressiert, brauche ich Ihnen wohl nicht gesondert wiederholen.«* Paul Klee im Lenbachhaus seit 1957: Erwerbungen, Provenienzen, Ausstellungen." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 16 (November 14, 2024): 43–58. https://doi.org/10.5281/zenodo.14007647.

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In den ersten Jahrzehnten nach der Gründung des Lenbachhauses im Jahr 1925 spielte Paul Klee – trotz seiner Bedeutung für die Münchner Kunst – in der Sammlung des Museums keine Rolle. Das änderte sich 1957 mit der Schenkung Gabriele Münters. Sie stiftete dem Museum über tausend Werke von Kandinsky, Münter selbst und vielen weiteren Künstler:innen aus dem Umkreis des Blauen Reiter. Darunter auch zwölf Arbeiten auf Papier von Paul Klee. Hans Konrad Röthel (1909–1982), Direktor des Lenbachhauses ab 1956, gelang es, eini
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Paulus, Ave, Aleksei Kelli, and Anti Kreem. "Ajaloolise puupaadikultuuri pärandiväärtusest Lahemaa paadiehituse ja viislaiu näitel / The heritage value of historical wooden boat culture on the example of Lahemaa boat construction and viislaid-type boat." Studia Vernacula 10 (November 5, 2019): 66–101. http://dx.doi.org/10.12697/sv.2019.10.66-101.

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Lahemaa region has been one of the main historical seafaring centres in Estonia. Nearly 50 wooden sailing ships were built there (Õun 2019) and hundreds of captains and steersmen trained, thus advancing marine culture. Every coastal village had its own boatwright. Marine culture traditions were abruptly cut off during the Soviet occupation that destroyed Estonian wooden boat culture. The main heritage of traditional coastal fishing and marine culture – a wooden boat – is no longer seen on the sea.
 The authors unravel the essence of wooden boat culture, exemplify the break of tradition on
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Paulus, Ave, Aleksei Kelli, and Anti Kreem. "Ajaloolise puupaadikultuuri pärandiväärtusest Lahemaa paadiehituse ja viislaiu näitel / The heritage value of historical wooden boat culture on the example of Lahemaa boat construction and viislaid-type boat." Studia Vernacula 10 (November 5, 2019): 66–101. http://dx.doi.org/10.12697/sv.2019.10.66-101.

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Lahemaa region has been one of the main historical seafaring centres in Estonia. Nearly 50 wooden sailing ships were built there (Õun 2019) and hundreds of captains and steersmen trained, thus advancing marine culture. Every coastal village had its own boatwright. Marine culture traditions were abruptly cut off during the Soviet occupation that destroyed Estonian wooden boat culture. The main heritage of traditional coastal fishing and marine culture – a wooden boat – is no longer seen on the sea.
 The authors unravel the essence of wooden boat culture, exemplify the break of tradition on
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Salaks, Juris, and Kaspars Vanags. "From a private collection to a state museum: Pauls Stradiņš Museum of the History of Medicine." Papers on Anthropology 30, no. 1 (2021): 62–79. http://dx.doi.org/10.12697/poa.2021.30.1.05.

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In 2021, Pauls Stradiņš Museum of the History of Medicine in Rīga (Latvia) will celebrate 60 years since it acquired the status of a state museum. This article describes the history of its creation, the work of the museum from 1961 to 2019, its basic functions and structures, the consequences of ideological deviations, and outlines the vision for the future development of the museum.
 On the one hand, the museum is based on the idea and collection of Doctor Pauls Stradiņš, an avid enthusiast, and his skill in keeping, supplementing, and improving his collection and legalising it as a stat
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Salaks, Juris, and Marika Garnizone. "The International Society for the History of Medicine Begins the Celebration of Its 100th Anniversary in Latvia." Acta medico-historica Rigensia 13 (2020): 93–103. http://dx.doi.org/10.25143/amhr.2020.xiii.06.

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In August 2020, Riga became the world’s capital of the history of medi- cine, hosting the 47th Congress of the International Society for the History of Medicine (ISHM). The Congress was organised by the Latvian Society for the History of Medicine in cooperation with Rīga Stradiņš University and Pauls Stradiņš Museum of the History of Medicine.
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Salaks, Juris. "International Cooperation of the Pauls Stradiņš Museum of the History of Medicine." Acta Baltica Historiae et Philosophiae Scientiarum 3, no. 2 (2015): 115–19. http://dx.doi.org/10.11590/abhps.2015.2.07.

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Dissertations / Theses on the topic "Paulus Museum"

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Canas, Adriano Tomitão. "MASP: Museu laboratório. Projeto de museu para a cidade: 1947-1957." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-17062010-092757/.

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Este trabalho tem como objeto o Museu de Arte de São Paulo Assis Chateaubriand MASP e sua inserção na cidade de São Paulo, nos primeiros 10 anos de atividade em sua primeira sede na rua Sete de Abril. O objetivo é compreender o Museu de Arte e sua inserção na cidade do ponto de vista da sua operatividade, como laboratório do moderno, através das diversas frentes de sua ação cultural propostas por Pietro Maria Bardi e Lina Bo Bardi na construção da identidade moderna do museu, contando com a colaboração de arquitetos e artistas estrangeiros. Pretende também identificar as relações existentes e
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Servitja, Tormo Lada. "Els visitants infantils dels museus gironins en el marc d'una visita familiar i no organitzada." Doctoral thesis, Universitat de Girona, 2012. http://hdl.handle.net/10803/101526.

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The present research try to analyze the objectively patterns of visitor behavior focused on 5 and 12 years old kids, which visited the museums of the city of Girona in a non organized tour. We combined different methodologies for the data collection: survey, non participant direct observation and symbolic language from offered and self-administered written response. As a result, we know how children interact with museum materials, how they make relations with the different group members, how they use supplementary materials to do the visit, what itinerary they do, how they visit the rooms, wha
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Castro, Diana Costa de. "Um desejo de eu[não] viver sem me notar: o museu como instituição pedagógica emancipatória." reponame:Repositório Institucional do FGV, 2012. http://hdl.handle.net/10438/9911.

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Submitted by Diana Castro (diana.costa.de.castro@gmail.com) on 2012-07-23T17:39:29Z No. of bitstreams: 1 Dissertação_biblioteca_final.pdf: 610580 bytes, checksum: cc0f38433751d89832a52709c622c2cd (MD5)<br>Approved for entry into archive by ÁUREA CORRÊA DA FONSECA CORRÊA DA FONSECA (aurea.fonseca@fgv.br) on 2012-07-24T21:11:16Z (GMT) No. of bitstreams: 1 Dissertação_biblioteca_final.pdf: 610580 bytes, checksum: cc0f38433751d89832a52709c622c2cd (MD5)<br>Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2012-07-30T14:12:56Z (GMT) No. of bitstreams: 1 Dissertação_bibliot
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Leonel, Priscila de Medeiros Pereira. "Um encontro com a mediação cultural : 40 Museus em 40 semanas /." São Paulo, 2017. http://hdl.handle.net/11449/150744.

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Orientador: Rejane Galvão Coutinho<br>Banca: Mario de Souza Chagas<br>Banca: Mirian Celeste Martins<br>Resumo: Desenvolvo um estudo sobre meu encontro com a mediação cultural através de um projeto chamado "40 museus em 40 semanas", no qual visitei 40 museus da cidade de São paulo, de diferentes tipologias, entre os anos de 2013 e 2014 . Neste projeto fui propositora, idealizadora, participante e pude me perceber no papel de mediadora destes espaços, mediadora do público, mediadora de uma ideia que se revelou como um intervenção artística na cidade. Esta proposta de adentrar os espaços museológ
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Arruda, Beatriz Cavalcanti de. "O Museu da Cidade de São Paulo e seu acervo arquitetônico." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-30012015-144147/.

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O Museu da Cidade de São Paulo está localizado em imóveis de interesse histórico e arquitetônico, distribuídos pela malha urbana do município. Esse patrimônio arquitetônico - ao mesmo tempo a estrutura física e uma das plataformas para ações e programas do Museu - é atualmente constituído pelo Solar da Marquesa de Santos; Casa nº 1 ou Casa da Imagem; Capela do Morumbi; Casa do Bandeirante; Casa do Sertanista; Casa do Tatuapé; Casa do Grito; Sítio da Ressaca; Sítio Morrinhos; Casa Modernista da Rua Santa Cruz; Monumento à Independência e Capela Imperial; Beco do Pinto e Chácara Lane. Esta disse
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Kiefer, Flavio. "MAM Museu de Arte Moderna do Rio de Janeiro MASP Museu de Arte de São Paulo : paradigmas brasileiros na arquitetura de museus." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 1998. http://hdl.handle.net/10183/1313.

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Este trabalho analisa a arquitetura do MAM - Museu de Arte Moderna do Rio de Janeiro - e MASP - Museu de Arte de São Paulo - a partir do estudo da história da arquitetura dos museus desde a sua fundação no século XVIII e da análise dos condicionantes que distinguem e particularizam esses edifícios. A moderna arquitetura brasileira, geradora dos princípios de projeto que geraram esses dois museus, mereceu um capítulo próprio. Para um melhor entendimento da arquitetura desses dois museus brasileiros, são abordados os aspectos históricos de suas construções, suas inserções urbanas, funcionalidade
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Santos, Andréa Maria Zabrieszach Afonso dos. "A Casa do Bandeirante como espaço museológico (1954-1964)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-25102016-105146/.

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Esta dissertação tem por objetivo abordar historicamente a construção física e simbólica da Casa do Bandeirante, um museu evocativo da época das bandeiras. Ela foi inaugurada em 1955, no encerramento das comemorações do IV Centenário da Cidade de São Paulo, tendo sido sua restauração realizada sob responsabilidade da comissão organizadora desses festejos. Primeira das \"casas históricas\" pertencente à Prefeitura Municipal, compõe o atual acervo arquitetônico do Museu da Cidade. Este projeto analisa o período que se estende de 1954 a 1964, durante a primeira fase do museu, sob a direção de Pau
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Plagens, Emily S. Hafertepe Kenneth. "Collecting Greek and Roman antiquities remarkable individuals and acquisitions in the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the J. Paul Getty Museum /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5259.

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Barbosa, Marina Martin 1985. "MASP e MAM : percursos e movimentos culturais de uma época (1947-1969)." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281319.

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Orientador: Silvana Barbosa Rubino<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas e Università Ca' Foscari Venezia<br>Made available in DSpace on 2018-08-27T12:33:07Z (GMT). No. of bitstreams: 1 Barbosa_MarinaMartin_D.pdf: 17365131 bytes, checksum: 35322d0e40fecd647cf4ab0085445ac2 (MD5) Previous issue date: 2015<br>Resumo: Esta pesquisa trata de que forma se estabeleceram as redes culturais na cidade de São Paulo a partir do pós-Segunda Guerra Mundial, mediante análise dos percursos do Museu de Arte de São Paulo (MASP) e do Museu de Arte Mo
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Teixeira, Regina Pinheiro Penteado. "O MAM visto pelos professores: marcas de distinção." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/10799.

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Made available in DSpace on 2016-04-27T16:34:06Z (GMT). No. of bitstreams: 1 Regina Pinheiro Penteado Teixeira.pdf: 1453190 bytes, checksum: 21880831211b56632a2792699f8bc572 (MD5) Previous issue date: 2010-05-20<br>The theme of this work, the relationship between the museum and the school, emerges from the fact that the museum offers education and the school absorbs such an offer. The problem of the proposed research branches from the sociologist Pierre Bourdieu s investigations on the relationships among the cultural capital, the geographical location and the access to cultural objects. The
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Books on the topic "Paulus Museum"

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kleine, Bornhorst Josef, ed. St. Paulus Worms 1002-2002: Kollegiatstift, Museum, Dominikanerkloster. Selbstverlag der Gesellschaft für Mittelrheinische Kirchengeschichte, 2002.

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John, Azzopardi, ed. St. Paul's Grotto, Church, and Museum at Rabat, Malta. Progress Press, 1990.

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Soeiro, Chaimovich Felipe, Costa Magnólia, Rivitti Thais, Soares Carolina, and Museu de Arte Moderna de São Paulo, eds. Grupo de Estudos de Curadoria: Exposições organizadas em 1998 e 1999. Museu de Arte Moderna de São Paulo, 2008.

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Bardi, Lina Bo. Museu de Arte de São Paulo =: São Paulo Art Museum : São Paulo, Brasil, 1957-1968. Instituto Lina Bo e P.M. Bardi, 1997.

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True, Marion. The Getty Villa. J. Paul Getty Museum, 2005.

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Cárdenas, Alexandra Silva. MASP: Estrutura, proporção, forma. Hedra, 2015.

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Avansi, Abreu Adilson, ed. Quantos anos faz o Brasil? Imprensa Oficial SP, 2000.

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Miyoshi, Alexander Gaiotto. Arquitetura em suspensão: O edifício do Museu de Arte de São Paulo. Armazém do Ipê, 2011.

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Maria, Simões, and Kirst Marcos, eds. MASP 60 anos: A história em 3 tempos. MASP, 2008.

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Lisa, Dennison, Kagan Andrew, Solomon R. Guggenheim Museum, and Guggenheim Museum Soho, eds. Paul Klee at the Guggenheim Museum. Guggenheim Museum, 1993.

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Book chapters on the topic "Paulus Museum"

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Herruzo, Ana, and Nikita Pashenkov. "Collection to Creation: Playfully Interpreting the Classics with Contemporary Tools." In Proceedings of the 2020 DigitalFUTURES. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4400-6_19.

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AbstractThis paper details an experimental project developed in an academic and pedagogical environment, aiming to bring together visual arts and computer science coursework in the creation of an interactive installation for a live event at The J. Paul Getty Museum. The result incorporates interactive visuals based on the user’s movements and facial expressions, accompanied by synthetic texts generated using machine learning algorithms trained on the museum’s art collection. Special focus is paid to how advances in computing such as Deep Learning and Natural Language Processing can contribute
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Tavares, Marianna, and Natália Martins de Oliveira Gonçalves. "Collaborative Approaches in Museums Considering the Social Actors." In Advances in Linguistics and Communication Studies. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-2129-4.ch010.

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In this chapter, we explore the roles of teachers, children, and museum educators in educational spaces through the lens of teacher training. This study examines the intersections of education, public history, and museums, inspired by Paulo Freire and bell hooks. The focus is on fostering collaboration, engagement, and participation by applying public history concepts during teacher training, considering various social actors involved in museum visits. We argue that dialogical education emphasizes mutual learning and co-construction of knowledge. Collaboration is crucial in linking public hist
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"Heritage and Memory." In Cultural China 2020: The Contemporary China Centre Review. University of Westminster Press, 2021. http://dx.doi.org/10.16997/book58.f.

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This chapter explores the complex and contested relationship between memory and heritage. It covers topics such as notions of authenticity, intangible heritage, and commemoration and museums. Chapter contents: 5.0 Introduction (by Giulio Verdini) 5.1 Grassroots Values and Local Cultural Heritage in China (by Harriet Evans) 5.2 ‘When It Comes to Intangible Cultural Heritage, Everyone Is Always Happy’: Some Thoughts on the Chinese Life of a UNESCO Convention (by Philipp Demgenski) 5.3 Ruins on Ruins: Forgetting, Commemorating, and Re-Forgetting the Third Front (by Paul Kendall) 5.4 Complex Colle
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Hutchings, Arthur. "Introduction. Mozart and the concerto." In A Companion to Mozart’s Piano Concertos. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198167082.003.0001.

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Abstract Having discovered the spellings ‘Mozerth’ and ‘Mozer’ in parish registers around Salzburg, anti-Semitic authorities order the destruction of all Mozart’s work except a few representative scores to be deposited in the Museum of Degenerate Art. What shall we spare? Of course the operas, and then-the symphonies or the concertos ? If Worcester or St. Faul’s must be destroyed, for which shall we plead? We may like gothic and dislike Wren, whose dome is a funnel, whose ornament domestic; St. Paul’s may be an amazing hybrid, bu.t we shall spare the only St. Paul’s and we shall retain the Moz
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Fant, Clyde E., and Mitchell G. Reddish. "Southern Cyprus." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0052.

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In Southern Cyprus the principal site of interest is Paphos, where the Apostle Paul encountered the Roman governor of Cyprus, Sergius Paulus. But other fine sites of interest range from Paphos to Larnaca, a distance of approximately 80 miles. Since there are airports in both locations and ferries arrive at Limassol, a visit might begin at any one of these places. In any case, with an early start it is possible to make a round trip between Paphos and Larnaca in one day and see the principal sites. A much easier itinerary, however, involves seeing the sites in the Paphos area on one day and the
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Budrovich, Nicole. "Ancient Glass in the Getty Museum:." In Ancient Glass in the J. Paul Getty Museum. J. Paul Getty Trust, The, 2025. https://doi.org/10.2307/jj.26844245.9.

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de Moya, Alvaro. "The First International: I Exposicao Internacional de Historias em Quadrinhos." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0009.

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This chapter contains the 2017 recollection by curator and professor Alvaro de Moya about the birth and growth of comics fandom in Brazil, and the organization of I Exposicao Internacional de Historias Quadrinhos, the first known international exhibition and comics studies conference held in San Paulo at the Centro Cultura e Progresso with the participation of Will Eisner. de Moya discusses his advocacy for the comics medium during the rest of his career.
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"Reinventing the Void: Sao Paul's Museum of Art and Public Life along Avenida Paulista." In Ordinary Places/Extraordinary Events. Routledge, 2008. http://dx.doi.org/10.4324/9780203001219-9.

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Façanha, Astrid, and Lisbeth Rebollo. "DO FIGURATIVISMO AO ABSTRACIONISMO: a exposição que inaugurou o Museu de Arte Moderna de São Paulo." In Institucionalização da arte moderna brasileira. Life Editora, 2024. http://dx.doi.org/10.29327/5395814.1-12.

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Artigo sobre a inauguração do Museu de Arte Moderna de São Paulo (MAM-SP), no ano de 1949. Uma série de manifestações inconformistas, em torno da arte moderna, na primeira metade do século 20, convergiram para que a cidade de São Paulo ganhasse um espaço destinado a esta nova arte, nos moldes do MOMA, em Nova York. O término da segunda guerra mundial influencia a oferta de obras no velho continente. No Brasil, o otimismo em relação à chamada quarta república trouxe um respiro de democracia, ao mesmo tempo em que o país alinhava suas políticas externas com os interesses norte-americanos. A expo
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Dolgoy, Rebecca Clare. "‘An act of wilful defiance’: Objection, Protest and Rebellion in the Imperial War Museum’s First World War Galleries." In Mediating War and Identity. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474446266.003.0003.

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In spite of its purveyance of British stalwart tropes such as “the Tommies and the Officers”, the Imperial War Museum’s (IWM) new First World War Galleries feature stories of conscientious objectors and Irish Republicans, whose resistance to the war transgressed prevailing norms. They also highlight poet/soldier Siegfried Sassoon’s Soldier’s Declaration, a widely-circulated critical letter he intended as “an act of wilful defiance”. However, though these stories are displayed, this chapter argues that both the curatorial apparatus surrounding them (e.g. texts, objects), and the IWM’s historici
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Conference papers on the topic "Paulus Museum"

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Villanueva, David. "The Pedro E. Paulet Mostajo Peruvian Aerospace Museum Through Instagram." In 35th IAA Symposium on Space and Society, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078382-0057.

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Charnov, Bruce. "History and Hysteria: The 'True Story' of the 2003 Hofstra University From Autogiro to Gyroplane Conference." In Vertical Flight Society 74th Annual Forum & Technology Display. The Vertical Flight Society, 2018. http://dx.doi.org/10.4050/f-0074-2018-12793.

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The April, 2003 Hofstra University From Autogiro to Gyroplane: The Past, Present and Future of an Aviation Industry Conference was a unique, truly historic gathering. This first university-level conference brought together an international group of pioneers and, as England's Ron Bartlett later observed in his Autogiro 1/4ly publication, this "[u]nique conference brings a long awaited legitimacy to the world's autogyro movement", a sentiment also voiced by Stephanie Gremminger in an October 2003 issue of Kitplanes and long-time PRA member (and former Popular Rotorcraft Flying editor) Paul Berge
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Grizante de Andrade, Daniel. "Immaterial Collections, Ephemeral Exhibitions: animations in exhibition design." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.233.

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The research is about the use of animations in the design of exhibitions in intangible-themed museums, which are seen as spectacular and are becoming increasingly popular nowadays. Animation, a language that has always been close to the universe of children, media manifestations, entertainment and fantasy, comes up against the museum, an institution with social authority, centred on its concern with reality and the historical document. The collision between these two worlds gave rise to this research. It starts by investigating the museum universe, with a view to technological use and the rela
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de Souza Martínez, Elisa. "Rememorar o lugar da mão do povo: entre São Paulo e Caribe colombiano." In Colóquio do Comitê Brasileiro de História da Arte. Comitê Brasileiro de História da Arte, 2021. http://dx.doi.org/10.54575/cbha.40.16.

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O termo “exposições rememorativas” (remembering exhibitions) engloba uma tipologia de eventos que, segundo Reesa Greenberg, reeditam exposições. Entre os modos de rememorar destaca-se a reencenação, seja com o deliberado propósito de render homenagem ou para interpretar livremente princípios, teóricos ou práticos, do evento original. Este texto aborda um conjunto de eventos que remetem à exposição A mão do povo brasileiro, organizada por Lina Bo Bardi no Museu de Arte de São Paulo (Masp) quando este teve sua sede transferida para a Avenida Paulista, em 1969. Associam-se a esse evento sua reenc
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de Araújo, Calíope Corrêa, Jonathan Trancozo da Silva, and João Marcelo X. N. Teixeira. "Interface e Interatividade em Tours Virtuais: um estudo no Museu do Ipiranga." In Congresso Latino-Americano de Software Livre e Tecnologias Abertas. Sociedade Brasileira de Computação - SBC, 2024. https://doi.org/10.5753/latinoware.2024.245714.

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Este artigo apresenta o desenvolvimento e a implementação de uma ferramenta digital para a criação de tours virtuais, aplicada ao Museu do Ipiranga, em São Paulo. A solução proposta utiliza tecnologias opensource como JavaScript, Node.js e A-frame.js para oferecer uma experiência imersiva e interativa através de uma interface intuitiva. A ferramenta permite a inserção de imagens 360º, configuração de hotspots, e integração de faixas de áudio, proporcionando uma navegação dinâmica pelos ambientes do museu. Além disso, incorpora funcionalidades de comunicação em tempo real através do Networked A
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Canto, Aylana, and Ana Helena da Silva Delfino. "The MASP online: the educational strategies from the museum in the pandemic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.69.

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This article has the target sharing the current research of master degree circumscribed into the Program of Post-graduation in Museology from Federal University of Bahia (PPGMuseum/UFBA) oriented by Ph.d Ana Helena da S. Duarte. In our research we make inquiries into the action of cultural mediation proposed and done by the Museu de Arte de Sao Paolo – MASP during the COVID-19 pandemic. In such a way specially, though, on the Instagram Social Media this Museum interchanged and instigated your audience to learn, to interact and to produce with art objects from your collection. Therefore, throug
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Politano, Stela. "Transparência no MASP: exposições didáticas." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3999.

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Este pequeno devaneio visa pensar a idéia de transparência como objeto apropriado pela arte contemporânea servindo primeiramente de suporte (vidro) e, posteriormente como a própria obra de arte. Para tanto, escolheuse como pano de fundo a expografia do Museu de Arte de São Paulo – MASP - da rua 7 de Abril, de 1947 a 19511 - mas especificamente as exposições didáticas - momento especial de profusão e inclusão de novas idéias e propostas no campo artístico. Define-se qual a importância da transparência nas artes e nos museus, percorrendo a idéia de expografia proposta pelo MASP, inserido este em
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Politano, Stela. "MASP em revisão: museu transparente." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4027.

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A “Exposição Didática”, realizada no Museu de Arte de São Paulo, em 1947, constituiu um dos marcos iniciais da instituição museográfica dirigida por P.M.Bardi. Perante a formação do acervo, dos novos cursos, palestras e exposições de artistas nacionais e internacionais, a linha de raciocínio historiográfico e artístico da exposição amarrava todas as ações do italiano: a didática, do passado ao presente cultural e artístico, dominava o primeiro andar do edifício dos Diários Associados. Com ajuda do Studio d’Arte Palma (Roma) e de pesquisadores e historiadores importantes do contexto italiano e
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Alvarado Pérez, Cristabel Evelia, Eulàlia García Franquesa, and Joan Antoni Pastor Collado. "Oportunidad y Necesidad de la Planificación Estratégica de la Transformación Digital en los Museos de Historia Natural." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15584.

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La transformación digital debe abordarse estratégicamente en toda organización, pues genera retos complejos de mejora e innovación en las personas, los procesos, los sistemas y las tecnologías. No se trata únicamente de inversión tecnológica, se trata de plantear formas mejoradas de implementar la misión de la organización, repensando sus funciones principales para beneficiarse de lo digital. Por eso, conviene abordar dicha transformación desde el planteamiento estratégico, evitando las actuaciones aisladas y maximizando el apoyo de la institución con proyectos digitales bien fundamentados. La
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Lemos, Eric Danzi. "A fotografia no museu histórico e no museu de arte: a assimilação das imagens de Theodor Preising em coleções do Museu Paulista e do MASP." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4127.

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Pretendemos analisar o colecionismo de imagens produzidas pelo fotógrafo Theodor Preising (1883-1962) em dois contextos institucionais distintos: em um museu histórico e em um museu de arte. No Museu Paulista da USP, o conjunto de fotografias de Theodor Preising que tomaremos como objeto de estudo, foi incorporado em 1991, procedente da coleção de uma família de imigrantes alemães, os Wanschel. Trata-se de cinquenta e duas fotografias contendo registros da paisagem natural, rural e urbana do estado de São Paulo durante a década de 1920. No Museu de Arte de São Paulo Assis Chateaubriand (MASP)
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Reports on the topic "Paulus Museum"

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Mystery and Mysticism in Dominican Art. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0006418.

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Seventy objects, including pre-Columbian Taino pieces, colonial silver, popular religious art, and contemporary paintings and photographs by Paul Giudicelli, Eligio Pichardo, Raúl Recio and Maritza Alvarez, among others; from the Museum of the Dominican Man, the Garcia Arevalo Foundation, and the José S. Muñoz collection, and other private collections.
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2da Bienal Interamericana de Video Arte del Centro Cultural del BID. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0006115.

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Después de su presentación en Washington, D.C., la bienal comenzó el circuito itinerante en junio de 2005, en el Istituto Italo-Latino Americano (IILA) en Roma. Luego viajará a varios países que forman parte de un circuito de más de 13 países incluyendo Rusia, terminando en el XXII Festival de Cine de Santafé de Bogotá, Colombia www.bogocine.com/xxii/. Las instituciones del circuito incluyen: Espacio Fundación Telefónica, Buenos Aires, Argentina; Fundação Cultural de Curitiba, Curitiba, Brasil; 15 Videobrasil Internacional Electronic Art Festival, São Paulo, Brasil; Cine a la Calle, Cinemateca
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