Relevant bibliographies by topics / Pavilions

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Pavilions'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Pavilions.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Pavilions"

1

Ivashko, Yulia, Peng Chang, Andrii Dmytrenko, Justyna Kobylarczyk, and Michał Krupa. "Specifics of stylised shapes of Chinoiserie-style pavilions as the basis of their restoration." Muzeológia a kultúrne dedičstvo 12, no. 2 (2024): 27–41. http://dx.doi.org/10.46284/mkd.2024.12.2.2.

Full text
Abstract:
This article analyses the phenomenon of Chinoiserie style in European architecture. The basic principles of Chinese landscape design and the role of pavilions in the natural environment are highlighted. The fundamental difference between European and Chinese pavilions is shown at different levels – from the structure of the park to the composition to individual details – and it is also shown that European Chinoiserie-style pavilions were a much simplified and averaged version of the Chinese ones.The ambiguity of purpose and variety of functions inherent in ancient Chinese pavilions are lost in European ones, as the “Chinese-style” pavilion is intended for only one purpose – aesthetic entertainment. The appearance of the European pavilion, sometimes called a “tea pavilion”, does not follow that of ancient Chinese tea ceremony pavilions. In addition, the European park pavilions cannot be compared to the most famous Chinese “landscape pavilions”, as none of the former are located in such a majestic landscape with the possibility of viewing from a long distance.
APA, Harvard, Vancouver, ISO, and other styles
2

Li, Jing, Yi Wei, and Dai Quan Xiao. "Analysis of Building Technology on WANGYUE Pavilion of Golden Phoenix Temple." Applied Mechanics and Materials 357-360 (August 2013): 233–37. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.233.

Full text
Abstract:
The Pavilion structure, as a perfect blend of beauty, practicability and flexibility, is widely adopted in Chinese classical gardens. Besides, pavilions about which a plenty of poems and tales have been made are so delicate, mysterious and gorgeous that they are usually very ideal places for recreation. Focusing on the renowned WANGYUE Pavilion of Golden Phoenix Temple, this paper aims at studying the construction technologies on double-eaves pavilions of timber structure used in Qing dynasty, by means of site survey and other investigating approaches. According to the investigation, the typical and traditional construction technology in south China on double-eaves pavilions was adopted, and the octagonal pavilion with double eaves and pyramidal roof was completed mainly using three beam-erection approaches such as the method of corner beam in the horizontal direction, the method of girder and the method of lever. This pavilion, as a representative structure with reasonable loading form, is constructed in good agreement with local culture and environment, which can provide certain valuable references for the design and construction of antique pavilions nowadays.
APA, Harvard, Vancouver, ISO, and other styles
3

Tang, Chen Hui, Li Chang, and Hai Tao Guo. "The Exploration on the after Use of the Expo Pavilion." Advanced Materials Research 512-515 (May 2012): 2927–30. http://dx.doi.org/10.4028/www.scientific.net/amr.512-515.2927.

Full text
Abstract:
The expo 2010 in Shanghai from May 1st to October 30th has ended, after six months, 55billion dollars, and 73million visitors. According to the rules of the Bureau International des Expositions, the global governing body of Expos, all the pavilions on the expo site should be taken down. However that will put the Shang Hai Expo into dilemma, as which was characterized by its greenness, expo pavilions destruction will create tons of waste instead of “better city, better life”. Except for the China Pavilion and Expo performance centre, other pavilions have to wait to be chosen either remained or removed to other location. Therefore this thesis is trying to make some case analyses of the Expo pavilion in the history and explore the potential of the temporary building.
APA, Harvard, Vancouver, ISO, and other styles
4

Ivashko, Yulia, Dominika Kusnierz-Krupa, and Chang Peng. "History of origin and development, compositional and morphological features of park pavilions in Ancient China." Landscape architecture and art 15 (March 23, 2020): 75–82. http://dx.doi.org/10.22616/j.landarchart.2019.15.08.

Full text
Abstract:
The article analyses the origins of such a small architectural form as the Chinese pavilion, investigates its functional, planning and artistic figurative features. The evolution of functional and artistic figurative solution of pavilions from dynasty to dynasty is determined. On the basis of the dimensions of the preserved pavilions, their proportional and metro-rhythmic features were determined; a list of the most characteristic forms of roofs as the main exponents of the national originality of the Chinese pavilions was compiled. The reasons for the revival of the tradition of “chinoiserie” style in modern landscape design are argued.
APA, Harvard, Vancouver, ISO, and other styles
5

Kim, Mijung, and Jeonghae Park. "A Study on Positions of Pavilion in Han River based on Fengshui Landsce." Barun Academy of History 16 (September 30, 2023): 173–99. http://dx.doi.org/10.55793/jkhc.2023.16.173.

Full text
Abstract:
This study is to analyze the Feng Shui environment focusing on positions of pavilions, which were regarded as a dreaming space for the aristocracy called Sadaebu(士大夫) at that time in Han River by conducting location analysis for them and it is to suggest common characteristics of Feng Shui landscape. During the early Joseon Dynasty, in order to appreciate the landscape around Han River, the royal family and Sadaebu constructed pavilions, and they utilized pavilions as a measure to achieve an ideal space which is the unity of Heaven and Person called Cheonin Hapil from Neo-Confusion. They constructed them not just on a spot with aesthetically beautiful landscape but on a carefully selected location where Taoist Doctrine and Feng Shui theory were harmonious. They designed the pavilions to be filled with refreshing coolness of wind and flowing water beneath the pavilions. It is the pavilion that they showed themselves off and only masculinity existed with vigor. As they wanted to show off their power by building pavilions along Han River, people today wish to live in an apartment with a nice view overlooking Han River. It is verified because the locations where pavilions once stood have been changed into apartment complexes.
APA, Harvard, Vancouver, ISO, and other styles
6

Khaskheli, Rabia, and Weiping Zhang. "Analysis of Historical Built Baradaris (Pavilions) Architecture in Pakistan." International Journal of Scientific & Engineering Research 12, no. 07 (July 25, 2021): 1356–70. http://dx.doi.org/10.14299/ijser.2021.07.12.

Full text
Abstract:
Baradaris (Pavilions) made by Ali Mardan Khan, one of the most important Persian nobles of Shah Jahan’s reign, Sikh era Pavilions, Pathan’s Pavilion, Prince Kamran’s Baradari and other nobles in the dynasty of Mughal was a significant contribution to the field of architecture and landscape design. Their lives Histories are documented, but their contributions in the context of Mughal architecture haven’t received adequate attention from scholars.
APA, Harvard, Vancouver, ISO, and other styles
7

Kadurina, A. O., and Yu S. Nazarchuk. "Symbols of the Dyukovsky Park constructions in Odessa. Heritage of the 1950s agricultural exhibition." Collected Works of Uman National University of Horticulture 1, no. 97 (December 28, 2020): 181–90. http://dx.doi.org/10.31395/2415-8240-2020-97-1-181-190.

Full text
Abstract:
Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agricultural exhibition pavilions of the 1950s years is analyzed. These are: a pavilion of Vegetable growing which is crowned by layers of wheat and a 5-pointed star (the first place in the wheat export); the pavilion of the Textile Industry and other goods decorated with jugs and towels with symbols of fertility and abundance; the pavilion of the Vinery State Farms with plant motifs and the Fish Pavilion with high reliefs of fish, anchors, ship noses and bas-reliefs of nets (active development of sea fishing). In general, the symbolism of all presented pavilions reflects the idea of wealth, prosperity and active development of the main directions of agriculture and industry of the country. For the first time, the architectural heritage of the agricultural exhibition, which is the compositional core of the Odessa Dyukovsky Park, is analyzed from the symbolism point of view. At the same time, the decoding of the semantic loads inherent in the architectural and artistic decor of the pavilions is correlated with the theme of the exhibition, as well as with the historical features of the construction period. Today, all buildings of the former exhibition pavilions are empty or are used as warehouses. Perhaps the analysis of the information code of these buildings will again attract the attention of the city authorities to the issues of reconstruction of the city's historical heritage, reviving it.
APA, Harvard, Vancouver, ISO, and other styles
8

Li, Guanjun, Chenping Han, Jiamin Shen, Xinyu Wang, Tao Gu, Zhongju Yang, and Lin Zhang. "A Demographic Characteristics-Based Study on the Visual Impact Assessment of the External Form of Entrance Pavilions to the Underground Stations of China’s Subway." Applied Sciences 13, no. 6 (March 22, 2023): 4030. http://dx.doi.org/10.3390/app13064030.

Full text
Abstract:
The subway is one of urban residents’ main means of public transportation. The design of entrance pavilions to subway stations has shown a diverse development trend over time. Since most of the subway building space is underground, it is very difficult for subway users or the public to view the structure fully. In this instance, the ground-level entrance pavilion becomes the most eye-catching element in the subway system. From the perspective of the urban spatial environment, the external form of entrance pavilions is one of the components of urban architecture. The design of the external form of entrance pavilions has an important impact on the urban spatial form and affects people’s feelings about the urban space. Therefore, it is essential to study the external form of entrance pavilions. This study investigated 42 subway entrance pavilions in 17 cities in China. The following features were studied: exterior contour, façade permeability, cultural characteristics, decorative materials, and the number of exterior colors. The photostimulation method was adopted to evaluate the influence of the physical features of the external form of the entrance pavilions on respondents’ visual impact assessment. The data analysis showed that respondents with different demographic characteristics provided different visual impact assessments of the external form of the entrance pavilions, and all five physical features influenced their assessment. This study offers a valuable reference for constructing entrance pavilions and urban spaces in Chinese cities in the future.
APA, Harvard, Vancouver, ISO, and other styles
9

Udovički-Selb, Danilo. "Facing Hitler’s Pavilion: The Uses of Modernity in the Soviet Pavilion at the 1937 Paris International Exhibition." Journal of Contemporary History 47, no. 1 (January 2012): 13–47. http://dx.doi.org/10.1177/0022009411422369.

Full text
Abstract:
Overwhelming the Trocadéro’s majestic esplanade, the Soviet and German pavilions faced each other in a commanding gesture across the central axis of the Paris ‘Exposition des arts et des techniques dans la vie moderne’ – the last French World’s Expo in the twentieth century. More often than not, the two pavilions have been dismissed in architectural terms as having merely ‘competed in archeological rhetoric’. In this article I argue, with a primary focus on the Soviet Pavilion, that far from displaying such reductive and unambiguous architectural qualities, each pavilion offered, in two very different ways, a complex response to the challenges of an exhibition dedicated to ‘modern life’. The two instrumentalized for their own political purposes both modernity and historicism. From two radically different ideological starting points, the pavilions exploited some significant aspects of the defunct avant-gardes, while reaching out, in different degrees, for stabilizing references to classicism. Frank Lloyd Wright’s unwavering admiration for the Soviet Pavilion, the main topic of this article, resonates with the astonishing discovery of white Suprematist ‘Arkhitektoni’ by Malevich’s disciple, sculptor Nikolaj Suetin gracing the interior of the Soviet Pavilion. The legacy raises the question of thus far unsuspected survival of the architectural avant-garde deep into the years of Stalin’s totalitarian terror.
APA, Harvard, Vancouver, ISO, and other styles
10

Ghelichi, Pedram, and Jingxiang Zhu. "Sverre Fehn’s Brussels and Venice pavilions: the process of becoming different." Architectural Research Quarterly 24, no. 3 (September 2020): 226–38. http://dx.doi.org/10.1017/s1359135520000378.

Full text
Abstract:
The early career of Sverre Fehn, the influential Norwegian architect, is marked by the designs of pavilions which were constructed shortly after each other for two major competitions: The Norwegian Pavilion for the World Exposition in Brussels (1956–1958) and The Nordic Pavilion at the Giardini site of the Venice Biennale (1958–1962). This paper studies the process which led from design to construction for both pavilions, identifies structural changes during that process, and investigates the causes and effects of such changes. A study of Fehn’s hand-drawn sketches and photos of models, made throughout the design and construction stages, reveals that despite functional and formal similarities the two pavilions’ development process and the changes which they underwent are noticeably different. The pursuit of ‘abstract space’ during the competition stage for the Brussels Pavilion was tested by considerations of construction only later on, creating a critical tension in the project. Not only did the organisation of structural components change significantly during the design process but the logic of construction underwent a complete transformation. Nevertheless, this transition between different iterations of the Brussels Pavilion suggested an alternative approach for the Venice Pavilion in which the initial thought of construction became a projection, rather than an abstract imitation of built reality. The spatial intention and construction-related considerations of the Venice Pavilion were addressed by a ‘synergetic’ structural principle, implicit in the competition scheme. This unprecedented feature significantly enlarged the ‘space of possibility’ of the roof structure, which provided for adaptation to indeterminacies without compromising the initial design intentions. Changes in the design of the Brussels and Venice Pavilions, therefore, differ in the ways in which they evolved from design to completion: sequential and abrupt, vs. gradual and continuous. This sheds light on a critical shift in the work of an influential architect and the way he approached design indeterminacies, rather than forcing them into submission.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Pavilions"

1

Leung, Pui-yi, and 梁佩儀. "Refuge and empty pavilions: encountering Ni Zan (1306-1374)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44523798.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Little, Jeremy Adam. "Pathways and pavilions in a Chesapeake Bay landscape Eastern Shore, Maryland /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3630.

Full text
Abstract:
Thesis (M. Arch.) -- University of Maryland, College Park, 2006.
Thesis research directed by: School of Architecture, Planning and Preservation Architecture . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
APA, Harvard, Vancouver, ISO, and other styles
3

Leung, Wai-yu, and 梁惠如. "A study of Liu Zongyuan's (773-819) "Essays on pavilions and ponds"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42926324.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Roveda, Vittorio. "Narrative reliefs of the SW and NW western corner pavilions of Angkor Wat." Thesis, SOAS, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313427.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

GALVEZ, MARCIA FURRIEL RAMOS. "TWO PAVILIONS AT INTERNATIONAL EXPOSITIONS OF THE 20TH CENTURY: IDEAS OF A BRAZILIAN ARCHITECTURE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21750@1.

Full text
Abstract:
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Dentro de determinado evento histórico, as Exposições Internacionais, foram selecionados para estudo dois projetos de pavilhão brasileiro, para a Exposição da Filadélfia em 1926 e a Exposição de Nova Iorque, em 1939, ambas nos Estados Unidos, de autoria do arquiteto Lucio Costa. Da análise do contexto cultural, da conformação do concurso público e por fim da composição do projeto, pretende-se conectar o tema da representação nacional - específica do programa de pavilhão - ao estudo do desenvolvimento do discurso da arquitetura brasileira em dois momentos distintos de sua história no século XX: o período neocolonial e o moderno. Sendo projetos de um mesmo arquiteto, que consolidou-se como um dos maiores representantes da profissão no Brasil, o estudo é feito de maneira a compreender a formação tanto de sua prática projetual, contemplando a apropriação das formas tradicionais de um passado colonial, como também do seu discurso teórico, discutindo arte e técnica no pensamento contemporâneo.
Within a given historical event, the International Expositions (also called World Fairs), two Brazilian s pavilions projects by architect Lucio Costa were selected for study, to the Philadelphia World Fair in 1926 and the New York World Fair in 1939, both in the United States. The analysis of the cultural context, the conformation of the architectural competition and finally the composition of the projects aims to connect the issue of national representation - program-specific of exposition pavilions - with the Brazilian architecture s discourse development in two different periods of its 20th century s history: the neo-colonial and modern period. As projects of the same architect, who has established himself as one of the greatest representatives of the profession in Brazil, the study is done in order to understand the formation of both his design practice, contemplating the appropriation of traditional forms of a colonial past, as well as his theoretical discourse, understanding art and technique in contemporary thought.
APA, Harvard, Vancouver, ISO, and other styles
6

Almeida, Pedro Miguel Nunes de. "Dimensionamento de estruturas metálicas segundo o Eurocódigo 3: análise comparativa entre diversas concepções estruturais para edifícios industriais." Master's thesis, [s.n.], 2012. http://hdl.handle.net/10284/3520.

Full text
Abstract:
Dissertação apresentada à Universidade Fernando Pessoa para a obtenção do grau de Mestre em Engenharia Civil
O objectivo da presente dissertação consiste, numa primeira fase, em fazer uma síntese à norma Europeia EN 1993 (Eurocódigo 3, adiante designado por EC3) e incluindo a introdução de alguns conceitos sobre a concepção e dimensionamento de estruturas metálicas. Numa segunda fase consiste no dimensionamento de estruturas metálicas segundo o EC3 aplicadas a edifícios industriais com vista à otimização da solução estrutural para determinado vão. Nesta segunda fase, com auxílio de um programa de cálculo automático comercial, fazse a modelação de diversos pavilhões com vários vãos e com a mesma altura. Para cada vão escolhe-se a solução mais económica, sendo o critério escolhido para a selecção da melhor solução estrutural o valor traduzido em peso de aço que a estrutura metálica apresenta por metro quadrado de pavilhão em planta. Nesta segunda fase, faz-se ainda uma validação dos resultados obtidos no cálculo automático através desse programa de cálculo comercial com os resultados obtidos pelo cálculo manual utilizando as expressões preconizadas no EC3. Num futuro próximo a norma Europeia EN 1993 à qual corresponde o EC3 será o regulamento Europeu normativo ao nível da concepção das estruturas metálicas e seu dimensionamento, uniformizando deste modo a regulamentação nos vários países aderentes, unificando deste modo os critérios de cálculo e dimensionamento de estruturas metálicas. The purpose of this dissertation is a first step to summarize the European standard EN 1993 which corresponds to Eurocode 3, EC3, going further by introducing some concepts for the design of steel structures. The second step is the design of steel structures according to EC3 applied to industrial buildings in order to optimize the structural solution. In this second phase, a commercial computer software is used; several different spans with the same height are modeled using different solutions. The criteria for the choice of the best solution is the weight of steel in the structure per square meter. The results obtained from the automatic calculation software are validated by hand calculation. In the near future the European standard EN 1993 ( Eurocode 3-EC3) will be the European normative regulation for the conception and design of steel structures standardizing the regulations in the various member countries, there by unifying the criteria for the design of steel structures.
APA, Harvard, Vancouver, ISO, and other styles
7

Herzberg, Matthew Evan. "Regionalism and universality on the Big Muddy a trail of pavilions along the Mississippi River /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2614.

Full text
Abstract:
Thesis (M. Arch) -- University of Maryland, College Park, 2004.
Thesis research directed by: Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
APA, Harvard, Vancouver, ISO, and other styles
8

Jenkins, Tyler Powell. "Dichotomy of Wall and Dwelling: Four Pavilions and a Tower, A Dwelling in Etlan, Va." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32549.

Full text
Abstract:
This project focuses on the wall as a cross-axis form, one which gives an order to the landscape and a reference for the rest of the building to be set against. The intersections of these walls produce four corners housing four pavilions for dwelling. As the walls extend over the landscape, it culminates with a tower, a dwelling space for a guest, overlooking the surrounding landscape.
Master of Architecture
APA, Harvard, Vancouver, ISO, and other styles
9

Gharipour, Mohammad. "Pavilion structure in Persianate gardens: reflections in the textual and visual media." Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/33831.

Full text
Abstract:
The pavilion structure has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae (sixth century BC). Despite its significance, the scholarly focus on the study of gardens has somewhat sidelined the study of the pavilions and even neglected the cultural context of the development of the pavilions. The pavilion as a theme appears after the maturation of the concept of paradise as a garden in Near Eastern mythological and religious texts. The Quran is the first known text that integrated the two concepts of pavilion and garden in the imaginary paradise. Later, Persian poetry defines specific relationships between human beings, pavilions, and gardens while stressing the psychological and material values of pavilions and gardens. Three types of resources were consulted to reconstruct the image of pavilion: literary documents (including mythology and poetry), different types of art (ranging from painting to carpets), and historical accounts. Referring to these allows us to explore the diversity of the pavilion's image in each medium and its degree of correspondence to reality. This dissertation explores the diversity of the pavilion (tent, kiosk, or building), its spatial, formal, and functional relationship with gardens as a flexible entity, and its cultural use. The historical accounts discussed in this dissertation prove the existence of buildings in gardens, the common use of tents as temporary residences, gender specificity of pavilions, and the multi-functionality of gardens for encampments, administrative affairs, and pilgrimages. The pavilion as building is well documented in both visual and literary media. While poetry draws a clear boundary between the garden and building as separate entities, painting merges or separates the building and garden (as courtyard or planted area) physically, formally, and symbolically. The building in poetry is usually associated with the materialistic world, whereas the garden is often associated with the ideal world. This is, to some extent, visible in paintings in which the geometrical design of the building and the courtyard acts as a reference to the material world. The frequent reference to iwan as a consistent design element in painting and travelers' accounts proves its significance as an intermediate space between inside and outside the pavilion as a building. Tents in gardens appear less frequently in poetry and painting than they do in textual sources. On the other hand, historical documents rarely point to kiosks or semi-open spaces in gardens, whereas kiosks are widely developed in paintings. The examination of paintings also reveals formal and functional similarities between the throne and kiosk. The kiosk appears in close physical and visual contact with natural components of gardens, and even serves as a connector between the garden and building. The pavilion as a kiosk is, however, to a large extent absent in poetry and historical documents probably due to the dominant interest in buildings. This research proves the dominant cultural view on the functional flexibility of Persianate gardens between the 14th and 18th centuries in using pavilion structures varying in form, function, and scale.
APA, Harvard, Vancouver, ISO, and other styles
10

Dantas, André Dias. "Os pavilhões brasileiros nas exposições internacionais." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-15062010-102841/.

Full text
Abstract:
Esta dissertação tem como objetivo revelar a importância da arquitetura dos Pavilhões Brasileiros participantes das exposições internacionais. Esses eventos representaram um valioso campo de provas da arquitetura moderna, servindo de laboratório para novos conceitos e possibilidades. No caso brasileiro, alguns exemplares contribuíram para o desenvolvimento de um processo de afirmação de identidade nacional e de reconhecimento de uma arquitetura brasileira distinta. O surgimento das exposições internacionais promoveu profundas transformações sociais, culturais e tecnológicas, gerando reflexos imediatos na arquitetura mundial. O agrupamento de todos os Pavilhões Brasileiros num único trabalho possibilita uma análise do desenvolvimento da arquitetura nacional, fundamentada no contexto brasileiro e internacional. Os pavilhões mais representativos são destacados e os reflexos que tais obras geraram no âmbito da arquitetura nacional e internacional são analisados.
This research aims to reveal the importance of the architecture of Brazilians Pavilions in the international expositions. These events represented a valuable testing ground of modern architecture, serving as a laboratory for new concepts and possibilities. In the Brazilian case, some buildings contributed to the development process of national identity affirmation and recognition of a distinct Brazilian architecture. The rise of international expositions generated profound social, cultural and technological transformations, leading direct impact on the world architecture. The grouping of all the Brazilians Pavilions in a single study allows an analysis of the development of national architecture, based on the national e international context. The most representative buildings are highlighted and the impact that these works created within the national and international architecture are analyzed.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Pavilions"

1

Al-Awadhi, Petra Martin. The seven pavilions. Firenze: L.S. Olschki, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

M, Kaye M. The far pavilions. London: BCA, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

England, Sport, ed. Pavilions and clubhouses. London: Sport England, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1926-, Aall Sally Sample, and National Trust (Great Britain), eds. Follies and pleasure pavilions. London: Pavilion, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

École cantonale d'art du Valais. Pavilions: Art in architecture. Lormont: Bord de l'eau, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Leo, Cooper, and Synge Allen, eds. Beyond the far pavilions. London: Arrow Books, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Synge, Allen. Tales from far pavilions. London: Arrow, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Rice, Jonathan. The Pavilion Book of Pavilions. Trafalgar Square, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

(Illustrator), Paul Barker, ed. The Pavilion Book of Pavilions. Pavilion Books, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Pavilions. ORO Editions, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Pavilions"

1

Abdul Majid, Noor Hanita, and Shireen Jahn Kassim. "The ‘Punctured’ Pavilions." In Eco-Urbanism and the South East Asian City, 163–78. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-1637-3_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Roberts, Bill. "The Proliferation of Dan Graham’s Pavilions." In Art, Design and Capital since the 1980s, 30–59. London ; New York : Routledge, 2019. | Series: Routledge research in design history: Routledge, 2019. http://dx.doi.org/10.4324/9780429457449-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mazelli, Redina, Arthur Bohn, Edwin Zea Escamilla, Guillame Habert, and Andrea Bocco. "Comparative Life Cycle Assessment of Two “Vegetarian Architecture” Pavilions." In RILEM Bookseries, 982–99. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33465-8_76.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

da Silva Lima, Elton Cristovão, Luís Miguel Cotrim Mateus, and Amilton José Vieira Arruda. "Innovative Trends in Academic Pavilions: Exploring Processes in Architecture." In Biomimetics, Biodesign and Bionics, 201–25. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51311-4_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Schiftner, Alexander, Nicolas Leduc, Philippe Bompas, Niccolo Baldassini, and Michael Eigensatz. "Architectural Geometry from Research to Practice: The Eiffel Tower Pavilions." In Advances in Architectural Geometry 2012, 213–28. Vienna: Springer Vienna, 2013. http://dx.doi.org/10.1007/978-3-7091-1251-9_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Menin, Sarah. "Waving from the Periphery: Sibelius, Aalto, and the Finnish Pavilions." In Jean Sibelius and His World, edited by Daniel M. Grimley, 227–55. Princeton: Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400840205.227.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Seredin, Vladislav, Svetlana Gutman, and Evgenii Seredin. "Opportunities for Development of Smart Stop Pavilions in Saint Petersburg." In Digital Transformation on Manufacturing, Infrastructure & Service, 173–87. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-32719-3_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Martín-Pastor, Andrés. "Augmented Graphic Thinking in Geometry. Developable Architectural Surfaces in Experimental Pavilions." In Graphic Imprints, 1065–75. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_87.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Di Prete, Barbara. "Co-designing the P.A.A.I.: A Pilot Project for Adaptable, Self-managed and Mobile Pavilions." In Universities as Drivers of Social Innovation, 257–74. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31117-9_18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Uslenghi, Alejandra. "Remnants of a Dream World: Latin American Pavilions at the Paris 1889 Universal Exposition." In Latin America at Fin-de-Siècle Universal Exhibitions, 91–138. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137553966_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Pavilions"

1

Pan, Yiqun, Yan Qu, and Yuming Li. "Cooling Loads Prediction of 2010 Shanghai World Expo." In ASME 2009 3rd International Conference on Energy Sustainability collocated with the Heat Transfer and InterPACK09 Conferences. ASMEDC, 2009. http://dx.doi.org/10.1115/es2009-90263.

Full text
Abstract:
The paper predicts and studies on the cooling loads of the pavilions in 2010 Shanghai World Expo based on the general planning of the expo. The simulation models are established using DOE-2, for the various pavilions: 5 permanent pavilions, national pavilions, international organization pavilions, corporate pavilions, and temporary exhibition pavilions. The modularization method is used to simplify the simulation models of the temporary exhibition pavilions. The cooling loads of the various pavilions from May 1st to Oct 31st 2010 are simulated and analyzed, including hourly cooling loads, monthly cooling loads and hourly cooling loads on summer design day. Lastly, three factors — weather, visitor flow rate and outdoor air supplying mode, are selected to conduct the uncertainty analysis on their impact on the cooling loads.
APA, Harvard, Vancouver, ISO, and other styles
2

Frogheri, Daniela, and Alberto T. Estévez. "Bichos (bugs): A family of pavilions in evolution." In INTERNATIONAL CONFERENCE OF NUMERICAL ANALYSIS AND APPLIED MATHEMATICS (ICNAAM 2017). Author(s), 2018. http://dx.doi.org/10.1063/1.5043817.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Jie, Zhang, Zhang Muyuan, and Qi Jizhong. "The Evaluation of Chinese Classical Pavilions Based on SBE Method." In 2017 International Conference on Smart City and Systems Engineering (ICSCSE). IEEE, 2017. http://dx.doi.org/10.1109/icscse.2017.31.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gaessler, Stéphane, Ksenia Malich, Ilya Pechenkin, and Anna Vyazemtseva. "Russian and Soviet Pavilions for International Exhibitions in Europe: New Findings." In 4th International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2022). Amsterdam: Athena International Publishing B.V., 2023. http://dx.doi.org/10.55060/s.atssh.221230.019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rey-Rey, J. "Structural refurbishment of pavilions 15 and 16 of the Madrid slaughterhouse." In STREMAH 2015. Southampton, UK: WIT Press, 2015. http://dx.doi.org/10.2495/str150171.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Filipová, Marta. "Designing national pavilions and nations: Czechoslovakia and Bat'a at interwar exhibitions." In NISE Essay 9. openjournals ugent, 2024. http://dx.doi.org/10.21825/nise.90474.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jiaqing, Guan, and Hu Yiqun. "The Application and Research of Green Design in the Pavilions of Shanghai Expo." In 2010 International Conference on Information Management, Innovation Management and Industrial Engineering (ICIII). IEEE, 2010. http://dx.doi.org/10.1109/iciii.2010.361.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Quintella, Ivvy Pedrosa Cavalcante Pessôa, Eduardo Quintella Florêncio, and Ítalo Cintra Ferreira. "Making pavilions: Os pavilhões temporários no contexto das faculdades de arquitetura e urbanismo." In XX Congreso de la Sociedad Iberoamericana de Gráfica Digital. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-sigradi2016-483.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Cortez, Alyssa, Andrea Estrada, Luis Fregoso, Jawed Nur, and Diego Ruiz. "School Solar Pavilions for Middle School Students: A Youth-Led Community-based PV Project." In 2021 IEEE 48th Photovoltaic Specialists Conference (PVSC). IEEE, 2021. http://dx.doi.org/10.1109/pvsc43889.2021.9519086.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Silva Soares, Wemerson, Ivvy Pedrosa Cavalcante Pessôa Quintella, and Eduardo Quintella Florêncio. "Research pavilions: contributions to the advancement of digital technologies, tectonics and materials in architecture." In XXII CONGRESSO INTERNACIONAL DA SOCIEDADE IBEROAMERICANA DE GRÁFICA DIGITAL. São Paulo: Editora Blucher, 2018. http://dx.doi.org/10.5151/sigradi2018-1761.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Pavilions"

1

Ferrell, Paul, and Maria Lapid. Pavilion. Office of Scientific and Technical Information (OSTI), July 2022. http://dx.doi.org/10.2172/1876763.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ferrell, Paul Steven, Nicholas Cameron Sly, and Maria Francine Therese Ruiz Lapid. Pavilion Basics. Office of Scientific and Technical Information (OSTI), December 2019. http://dx.doi.org/10.2172/1581265.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lapid, Maria, Nicholas Sly, and Paul Ferrell. Pavilion Tutorial. Office of Scientific and Technical Information (OSTI), November 2020. http://dx.doi.org/10.2172/1711363.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ferrell, Paul, and Franklin Keithley. Pavilion 2 Feature Additions. Office of Scientific and Technical Information (OSTI), August 2023. http://dx.doi.org/10.2172/1995109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Keithley, Franklin, and Paul Ferrell. Pavilion 2 Feature Additions. Office of Scientific and Technical Information (OSTI), August 2023. http://dx.doi.org/10.2172/1995108.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mehta, Shivam. UMT Pavilion Configs for Crossroads Acceptance. Office of Scientific and Technical Information (OSTI), August 2022. http://dx.doi.org/10.2172/1880467.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hydrology and water quality near Bromide Pavilion in Chickasaw National Recreation Area, Murray County, Oklahoma, 2000. US Geological Survey, 2002. http://dx.doi.org/10.3133/wri20014250.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

3rd Inter-American Biennial of Video Art. Inter-American Development Bank, December 2006. http://dx.doi.org/10.18235/0006410.

Full text
Abstract:
The call for the Third Biennial included larger cash awards, an electronic registration system in four languages and, for the first time, the inclusion of Puerto Rico as a good will gesture to the United States, and artists from the Commonwealth who are indeed members of the Latin American and Caribbean family. Artist nationals from 20 countries, including Puerto Rico, submitted a total of 211 videos. The international jury with Irma Arestizábal, Cultural Secretary of the Istituto Italo-Latinoamericano in Rome and Curator of the Latin American Pavilion for the Venice Biennial, and José Roca, Chief of Temporary Exhibitions at the Museum of Colombia¿s Central Bank, Luis Angel Arango Library, selected 19 videos from 9 countries for the 2006-07 edition of the Biennial.
APA, Harvard, Vancouver, ISO, and other styles
9

Inter-American Development Bank Cultural Center Annual Report 2005. Inter-American Development Bank, January 2006. http://dx.doi.org/10.18235/0005853.

Full text
Abstract:
This report summarizes the activities of the IDB Cultural Center in 2005. During 2005, the Cultural Center (CCN) exceeded its four primary objectives, all aligned with the Bank's Communications Strategy, and increased the number of partners for outreach of its activities, constituency and press reception. The 2005 Cultural Development Program (CDP), launched its call for proposals in October, 2004; 911 proposals were subsequently received and screened by the 26 Country Offices in cooperation with the CCN. Also in 2005, the CCN was the main sponsor of the Latin American Pavilion at the 51st Venice Biennial, the oldest and most important artistic event in the world, making participation possible for twelve countries of the Region that do not have regular access to the Biennial.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Pavilions' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography