Academic literature on the topic 'Pay Subscription Television'

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Journal articles on the topic "Pay Subscription Television"

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Adams, Edward Momoh Igyuve A. I. &. Anthony Ogande. "Knowledge and Adoption of Local Content Development in Nigeria's Pay Subscription TV Industry." International Journal of Sub-Saharan African Research 3, no. 1 (2025): 429–42. https://doi.org/10.5281/zenodo.15101260.

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<strong>Background: </strong>The proliferation of global television has led to a significant disruption of local content viewing patterns, especially on Pay subscription television, posing several challenges to the objectives of the local media industry. This led to the Nigerian Broadcasting Code being reviewed in 2020 to emphasize local content.&nbsp;In spite of the code, the role of TV producers is indisputable in the development and adoption of local content. Their knowledge and attitudes towards local content determines its adoption. <strong>Objective: </strong>This study investigates the
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Adebule, Samuel Olufemi. "Price Discount and Retention of Customers of Pay Television Sector in Ekiti State, Nigeria." International Journal of Marketing Research Innovation 4, no. 1 (2020): 13–19. http://dx.doi.org/10.46281/ijmri.v4i1.555.

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Aim: To determine the correlation between price discount and customer retention in the Nigerian pay television sector particularly in Ekiti State, Nigeria. &#x0D; Study Design: Descriptive survey research design was used for the study.&#x0D; Place and Duration of Study: Ekiti State, Nigeria between February and November, 2019.&#x0D; Methods: Multi-stage sampling technique was adopted to select the 390 subscribers of pay television in Ekiti State namely Startimes, Dstv and Gotv who are respondents of the study. Primary data used for the study were collected through a well-structured questionnai
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Udoakpan, Nokuphiwa, and Robertson Khan Tengeh. "The Impact of Over-the-Top Television Services on Pay-Television Subscription Services in South Africa." Journal of Open Innovation: Technology, Market, and Complexity 6, no. 4 (2020): 139. http://dx.doi.org/10.3390/joitmc6040139.

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Globally, developments and innovations in television technology, including the launch and growth of over-the-top television services (OTT TV), have affected traditional pay-TV operators’ ability to grow a subscriber base and retain existing customers. Despite attempts made by the Independent Communications Authority of South Africa (ICASA) to ascertain the impact of the OTT TV on pay-TV services, the results have remained inconclusive. In the absence of a comprehensive assessment and credible evidence, this paper sought to ascertain the impact that OTT TV services have on traditional pay-TV se
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Abdillah, Willy, Berto Usman, and Fidela Hasworini. "Turnaround Strategy of the Subscription Television Industry." International Research Journal of Business Studies 5, no. 3 (2023): 293–315. http://dx.doi.org/10.21632/irjbs.15.3.293-315.

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This study aims to identify the PESTEL and Porter’s 5-Forces analysis while identifying the turnaround process of TV provider subscription after a decline in firm performance. The case of this study is MSKY Vision Enterprise, which employs a qualitative descriptive approach using the conceptual framework of PESTEL analysis, Porter’s Five forces, and turnaround strategy developed by Hoffman in 1989 in analyzing the condition of a decline in firm performance and an appropriate turnaround strategy. The study is initiated by firstly investigating financial distress using a Multiple Discriminant An
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Arcimowicz, Krzysztof. "Determinants of the Content and Creation of Modern Television Series. Selected Issues." Creativity. Theories – Research - Applications 3, no. 1 (2016): 104–17. http://dx.doi.org/10.1515/ctra-2016-0008.

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AbstractThe aim of this article is to present the most important factors affecting the creation and content of two different genres of television series–Polish television sagas and American post-soap operas. The analysis which I have carried out in the field allows the formulation of several conclusions. The creation of the two genres is similar. In both cases the most important people are the producers and scriptwriters and the most important criteria used for the assessment of a production are audience ratings and economic factors. Polish television sagas and American post-soaps are often ve
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Goldson, Annie. "Journalism Plus? The resurgence of creative documentary." Pacific Journalism Review 21, no. 2 (2015): 86. http://dx.doi.org/10.24135/pjr.v21i2.120.

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Over the past two decades, opportunities for ‘creative documentary’ on television may have diminished, but other distribution options for innovative and engaged films have opened up. A resurgence of cinematic documentary is attracting substantial numbers of viewers who, bored or disillusioned by television’s shift to reality programming, are prepared to pay for theatre tickets, while online subscription services such as Netflix and Amazon now stream and fund high-quality documentary. Increasing numbers of filmmakers are self-distributing their works online. A significant percentage of these fi
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Fianti, Krisna Dewi, and Fajarindra Belgiawan Prawira. "The Impact of Brand Awareness, and Product Attributes to Increase Purchase Intention (Study Case: Transvision)." International Journal of Current Science Research and Review 07, no. 02 (2024): 1116–22. https://doi.org/10.5281/zenodo.10642831.

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Abstract : In the dynamic landscape of the Indonesian television industry, the rise of over-the-top (OTT) services poses a major challenge to traditional pay-TV providers such as Transvision. Intense competition from emerging OTT providers in Indonesia requires innovative strategies to secure customer acquisition. Indonesia is one of the fastest growing pay-TV markets, with a predicted CAGR of 5% and revenue projections of $633 million by 2025. The demographic differences between OTT and pay TV users, highlight the need for a customized marketing approach. In detail, Transvision, which offers
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Kinal, Jarosław. "Media Market as an Example of a Deregulated Market: Historical and Social Analysis of the Local Media." European Journal of Sustainable Development 8, no. 5 (2019): 146. http://dx.doi.org/10.14207/ejsd.2019.v8n5p146.

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The media market consists of: media (media, ie television, radio and printed press, as well as new media in the domain), their recipcom and filter, and so-called. regulators, that is organizations and institutions that control media activities (note: Internet content is not a regulation format). The National Council of Radio Broadcasting and Television controls the content of television broadcasting and analyzing programs as well as receiving and receiving concessions. The Office of Electronic Communications assigns and controls the subject of technical possibilities of broadcasting radio and
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Harker, Michael. "The transformation of broadcasting: public service broadcasting, the BBC and the distortion of new media markets." Northern Ireland Legal Quarterly 62, no. 4 (2020): 553–68. http://dx.doi.org/10.53386/nilq.v62i4.437.

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Broadcasting markets in Europe have traditionally been highly regulated, with large public subsidies seen as necessary to ensure that cultural and citizenship goals can be realised. While being outside of Polanyi’s purview when he wrote his seminal work The Great Transformation, these 'markets' exist alongside other public interest norms; in his words, they are embedded in society.1 In the last 20 years, broadcasting markets in Europe have undergone something of a 'transformation', in the sense that technological advances have facilitated a shift away from public provision towards a market-bas
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Kennedy, David. "Australian Video Viewing Survey." Journal of Telecommunications and the Digital Economy 9, no. 1 (2021): 73–83. http://dx.doi.org/10.18080/jtde.v9n1.394.

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In late 2020, Venture Insights conducted a video consumer survey of 1,003 Australian households. This paper provides an overview of the results. A television set remains the most common device for watching video, but a substantial majority of households also watch video on PCs, tablets and smartphones. Internet-connected TVs are now common. Only 24% of households currently have a 4K or better TV, but 44% of households anticipate buying a 4K TV set over the next three years. More than half of households do not subscribe to a pay-TV service. Of those which do, two-thirds have Foxtel. Netflix rem
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Dissertations / Theses on the topic "Pay Subscription Television"

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McCutcheon, Marion. "Is pay TV meeting its promise?" Thesis, McCutcheon, Marion (2006) Is pay TV meeting its promise? PhD thesis, Murdoch University, 2006. https://researchrepository.murdoch.edu.au/id/eprint/194/.

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The broadcasting sector is a subject of continual debate in modern society. One of the oldest segments of the rapidly-evolving information technology and communications industry, it is still the most content rich and the most popular. Australians who watch television spend more time doing so than doing any other leisure activity - except those who fish (ABS 1998). Broadcasting is highly pervasive. Some kind of service is available and used in every Australian household. Everyone is an expert, everyone has an opinion. Since the Federal Government decided to allow the introduction of domestic su
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McCutcheon, Marion. "Is pay TV meeting its promise?" McCutcheon, Marion (2006) Is pay TV meeting its promise? PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/194/.

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The broadcasting sector is a subject of continual debate in modern society. One of the oldest segments of the rapidly-evolving information technology and communications industry, it is still the most content rich and the most popular. Australians who watch television spend more time doing so than doing any other leisure activity - except those who fish (ABS 1998). Broadcasting is highly pervasive. Some kind of service is available and used in every Australian household. Everyone is an expert, everyone has an opinion. Since the Federal Government decided to allow the introduction of domestic su
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Rakpathum, Raewadee. "A comparative study of pay television in Thailand and Australia." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/36290/1/36290_Rakpathum_1997.pdf.

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This thesis sets out to examine the increasingly international orientation of new media technology - particularly Pay TV in Thailand and Australia and the implications for theories of globalisation and cultural imperialism, media industries, and cultural development. Central to this research are the areas of cultural policy environment and Pay TV operations. This investigation uses Thailand and Australia as case studies to illustrate the issues faced by policy planners in the region. The case of the International Broadcasting Corporation (IBC) - the first subscription television operator
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com, marmcc@bigpond, and Marion McCutcheon. "Is pay TV meeting its promise?" Murdoch University, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070514.112807.

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The broadcasting sector is a subject of continual debate in modern society. One of the oldest segments of the rapidly-evolving information technology and communications industry, it is still the most content rich and the most popular. Australians who watch television spend more time doing so than doing any other leisure activity – except those who fish (ABS 1998). Broadcasting is highly pervasive. Some kind of service is available and used in every Australian household. Everyone is an expert, everyone has an opinion. Since the Federal Government decided to allow the introduction of domestic su
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Henderson, Jane. "Decade of denial : the CRTC, the public interest, and pay television, 1972-1982." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59394.

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The ten year debate over the introduction of pay television in Canada is addressed using the concept of external signals to examine the interactions between the Canadian Radio-television and Telecommunications Commission (CRTC) and the players in the regulatory environment.<br>A critique of the notions of "public interest" and of regulatory "capture" precedes the analysis. An historical overview establishes the key issues shaping the nature of the CRTC as a signal-sending and signal-receiving institution.<br>The evidence demonstrates that the CRTC was not a passive receptor of external signals
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Books on the topic "Pay Subscription Television"

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Veljanovski, C. G. Pay TV in Australia: Markets and mergers. Institute of Public Affairs, 1999.

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Australia, Parliament House of Representatives Standing Committee on Transport Communications and Infrastructure. To pay or not to pay?: Pay television and other new broadcasting-related services : report from the House of Representatives, Standing Committee on Transport, Communications and Infrastructure. Australian Govt. Pub. Service, 1989.

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Australia. Parliament. Senate. Select Committee on Community Standards Relevant to the Supply of Services Utilising Electronic Technologies. Report on R-rated material on pay TV. Parliament of the Commonwealth of Australia, 1995.

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Kahan, Hazel. Pay television: An examination of the market : strategic test models, findings, and conclusions. CTAM Resource Center, 1986.

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Trading, Great Britain Office of Fair. Review of BSkyB's position in the wholesale pay TV market. (Office of Fair Trading), 1996.

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Ballard, Phillipa. Community attitudes to adult material on pay television. Broadcasting Standards Authority, 1997.

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Friedmann, Annette. Das erste digitale Fernsehen in Deutschland: Voraussetzungen und Programmpotentiale des digitalen Pay-TVs anhand der Markterfahrungen von DF 1. Verlag für Wirtschaftskommunikation, 2000.

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Hoffmann-Riem, Wolfgang. Pay TV im öffentlich-rechtlichen Rundfunk: Eine verfassungsrechtliche Analyse auf der Grundlage der Rechtsprechung des Bundesverfassungsgerichts : Rechtsgutachten, vorgelegt im Auftrag der Landesregierungen der Bundesländer Hessen, Nordrhein-Westfalen, Schleswig-Holstein und Rheinland-Pfalz. Nomos Verlagsgesellschaft, 1996.

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Westfield, Mark. The Gatekeepers: The Global Media Battle to Control Australia's Pay TV. Pluto Pr Australia, 2001.

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The gatekeepers: The global media battle to control Australia's pay TV. Pluto Press Australia, 2000.

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Book chapters on the topic "Pay Subscription Television"

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Papathanasopoulos, Athanasios, and Aikaterini Stavrianea. "The Evolution of Subscription Services in Greece: From Satellite TV to Over-The-Top (OTT) Streaming Models." In Strategic Innovative Marketing and Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_80.

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AbstractMedia is a dynamic entity that undergoes constant transformations over time. While many users continue to watch traditional TV, new technologies and modes of transmission have emerged, creating new forms of media that challenge the dominance of television. This study explores the evolution of subscription services in Greece, with a focus on the transition from satellite TV to the current Over-The-Top (OTT) streaming models. The study covers the period from 2001 to 2023 and examines the factors that have contributed to the popularity and growth of these services in Greece. The research
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Okorie, Nelson. "Global Media, Television, and the Americanization of Young Africans." In Emerging Trends in Indigenous Language Media, Communication, Gender, and Health. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2091-8.ch011.

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This chapter examined the perception of young Africans on American values as portrayed in popular entertainment programs. This chapter examined use DSTV as a study example because it is the most popular digital-pay TV with the highest subscription in Africa. Furthermore, the objectives are: (1) To ascertain the major type of western programmes preferred on DSTV among young Africans, (2) To examine the perception of young Africans on whether these TV channels influence the adoption of western values. This research adopted the use of the survey method to achieve the objectives of the study. A va
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Harding, Gregory L., and Anne V. D. M. Kayem. "Design of an IPTV Conditional Access System Supporting Multiple-Services." In Information Security in Diverse Computing Environments. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6158-5.ch005.

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Conditional Access (CA) is typically used by pay-television operators to restrict access to content to authorized subscribers. While several commercial CA solutions exist for structured broadcasting, Internet-based television, and video-on-demand services, these solutions are mostly proprietary. Use of proprietary solutions incurs royalty payments and increased cost of components for Set-Top-Box manufacturers. In many developing countries Set-Top-Boxes for the migration to Digital Television will be subsidized by government. An efficient, flexible, and open conditional system that does not inc
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Reports on the topic "Pay Subscription Television"

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Winseck, D. Growth and Upheaval in the Network Media Economy in Canada, 1984-2019. Canadian Media Concentration Research Project (CMCRP), Carleton University, 2020. http://dx.doi.org/10.22215/cmcrp/2020.1.

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This report examines the development of the media economy over the past thirty-five years. Since beginning this project a decade ago, we have focused on analyzing a comprehensive as possible selection of the biggest telecoms, Internet and media industries (based on revenue) in Canada, including: mobile wireless and wireline telecoms; Internet access; cable, satellite &amp; IPTV; broadcast television, specialty and pay television services as well as Internet-based video subscription and download services; radio; newspapers; magazines; music; Internet advertising; social media; operating systems
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