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Journal articles on the topic 'PayAce'

Author: Grafiati

Published: 5 June 2025

Last updated: 6 July 2025

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1

Campion, Benjamin. "YouTube et les séries originales, un mariage de fiction qui a rapidement tourné court." Télévision N° 13, no. 1 (2023): 109–21. http://dx.doi.org/10.3917/telev.013.0109.

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Entre 2016 et 2020, la plateforme américaine YouTube a élargi son offre délinéarisée en produisant des films, des séries, des documentaires, des programmes pour enfants et des émissions de télé-réalité à destination d’un service payant, YouTube Red, rebaptisé YouTube Premium en juin 2018. Au cœur de cet éventail de « YouTube Originals » figuraient des séries originales de fiction en anglais ou, parfois, dans une autre langue. Le présent article vise à déterminer les raisons pour lesquelles ces séries n’ont pas eu la possibilité de s’installer durablement dans le catalogue payant de YouTube. Entre en jeu une lutte intermédiale entre internet et la télévision (que se passe-t-il quand un géant du numérique s’essaie à ramener son usager vers des modèles venus de la télévision ?), mais aussi entre formule gratuite et offre payante réservée aux abonnés.

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2

Миразова, Шохиста Даврон қизи. "ЭЛЕКТРОН ПУЛЛАР ХАЛҚАРО ХУСУСИЙ ҲУҚУҚНИНГ ОБЪЕКТИ". EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 1, № 3 (2021): 87–90. https://doi.org/10.5281/zenodo.5752444.

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Маколада хориж элементи  билан мураккаблашган муносабатларда алоқага киришаётган субъектларнинг узаро савдо муносабатлари, фан-техника ҳамкорлиги, дипломатик, маданий, туристик ва бошқа алоқалар юзасидан курсатилган хизматлар, бажарилган ишлар ва х.к. учун ўзаро хисоб-китоблар амалга оширилишининг халкаро хусусий хукукдаги электрон пуллар оркали амалга оширилиши тахлил килинган. Халкаро тажриба ва илмий манбаларни урганиш асосида тегишли хулосалар шакллантирилган

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3

Ansseau, C., and M. M. Grandtner. "Symphytosociologie du paysage végétal." Phytocoenologia 19, no. 1 (1990): 109–22. http://dx.doi.org/10.1127/phyto/19/1990/109.

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4

Boudon, Philippe. "Paysage urbain : "paysage" ou oxymore ?" Ligeia N°19-20, no. 1 (1996): 96. http://dx.doi.org/10.3917/lige.019.0096.

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5

Luginbühl, Yves. "Pour un paysage du paysage." Économie rurale, no. 297-298 (May 6, 2007): 23–37. http://dx.doi.org/10.4000/economierurale.1931.

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6

Valentinelli, Pascale. "Paysage." Essaim 14, no. 1 (2005): 38. http://dx.doi.org/10.3917/ess.014.0005.

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7

Balibar, Justine. "Du paysage représenté au paysage réel." Nouvelle revue d’esthétique 22, no. 2 (2018): 9. http://dx.doi.org/10.3917/nre.022.0009.

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8

Lima Caminha, Melissa. "Hacia una risa posthumana y decolonial: Construyendo una risistencia feminista monstruosa en la payasaria." Arte y Políticas de Identidad 22 (June 24, 2020): 143–69. http://dx.doi.org/10.6018/reapi.433971.

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En las dos últimas décadas, diversas payasas vienen desarrollando un movimiento de visibilización de este tipo cómico, tanto en el circo como en el teatro. Festivales, talleres e investigaciones vienen contribuyendo para escribir la historia doblemente excéntrica de las payasas. Este honorable movimiento, sin embargo, aun parece seguir la misma lógica arquetípica del payaso moderno, heredero de la Ilustración. Este trabajo pone en valor la payasa en tanto cuerpa política fundamental, con el potencial de crear risistencias plurales que puedan deconstruir la figura del payaso moderno y la risa humanista encarnada en su arquetipo. Reconoce la importancia histórica de la payasa, e invita a seguir avanzando en sus políticas artísticas del cuerpo, ahora a partir de una perspectiva feminista posthumanista y decolonial, proponiendo políticas de coaliciones artística y teórica en pro de una democracia de la risa. A través de la creación de figuraciones feministas móviles monstruosas, el proyecto tiene como objetivo animar un movimiento de risistencia a la risa moderna, ilustrada, colonial, humanista y patriarcal. In the last two decades, various female clowns have been developing a movement of visibility of this comic type, both in the circus and in the theater. Festivals, workshops and research have been contributing to write the doubly eccentric herstories of women in clowning. This honorable movement, however, still seems to follow the same archetypal logic of the modern clown, heir to the Enlightenment. This work values the female clown as a fundamental political body, with the potential to create plural laughters that can deconstruct the figure of the modern clown and the humanistic laugh embodied in its archetype. It recognizes the historical importance of female clowns, and invites a step forward in its artistic body politics, now from a feminist post-humanist and decolonial perspective, proposing artistic and theoretical coalitions in favor of a democracy of laughter. Through the creation of monstrous mobile feminist figurations, the project aims to encourage a movement of laughteresistance at modern, enlightened, colonial, humanistic, and patriarchal laughter.

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9

Veyret, Yvette, and Anne Le Maître. "Réflexions sur le paysage : paysage et patrimoine historique. Quelques fonctions du paysage." L'information géographique 60, no. 5 (1996): 177–83. http://dx.doi.org/10.3406/ingeo.1996.7009.

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10

Quaini, Massimo. "Le paysage est mort, vive le paysage !" Le Globe. Revue genevoise de géographie 156, no. 1 (2016): 7–18. http://dx.doi.org/10.3406/globe.2016.7393.

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11

Becker, Martine. "Paysage perçu, paysage vécu, paysage planifié. Le cas de Belle-lle-en-Mer." Norois 170, no. 1 (1996): 407–18. http://dx.doi.org/10.3406/noroi.1996.6719.

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12

Johnston, Jo-Ann. "Unexpected Payback." Business Ethics: The Magazine of Corporate Responsibility 10, no. 2 (1996): 33. http://dx.doi.org/10.5840/bemag199610238.

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13

Mira, Virginie. "Un paysage." Repères, cahier de danse 28, no. 2 (2011): 16. http://dx.doi.org/10.3917/reper.028.0016.

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14

Sicard, Monique. "Paysage Dagognet." Médium 48, no. 3 (2016): 51. http://dx.doi.org/10.3917/mediu.048.0051.

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15

Ashbery, John, and Richard Rand. "Paysage / Landscape." Po&sie 121, no. 3 (2007): 3. http://dx.doi.org/10.3917/poesi.121.0003.

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16

Bertolucci, Attilio, and Martin Rueff. "Paysage / Paesaggio." Po&sie 121, no. 3 (2007): 6. http://dx.doi.org/10.3917/poesi.121.0006.

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17

Kramer-Mallordy, Antje. "Paysage d’archives." Critique d’art, no. 58 (June 1, 2022): 17–18. http://dx.doi.org/10.4000/critiquedart.91790.

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18

Guinhut, Thierry. "Polyptyque-paysage." Ligeia N°11-12, no. 4 (1992): 125. http://dx.doi.org/10.3917/lige.011.0125.

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19

Kubova, Alena. "Paysage habitable." Ligeia N°19-20, no. 1 (1996): 141. http://dx.doi.org/10.3917/lige.019.0141.

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20

Barbéris, Dominique. "Paysage sensible." Littérature 164, no. 4 (2011): 11. http://dx.doi.org/10.3917/litt.164.0011.

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21

Evenson, Brian, and François Bon. "Paysage fer." World Literature Today 74, no. 3 (2000): 631. http://dx.doi.org/10.2307/40155952.

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22

Neil, Erin, and Pat Hendrix. "Deadly Payback." International Journal of Intelligence and CounterIntelligence 33, no. 4 (2020): 826–29. http://dx.doi.org/10.1080/08850607.2020.1773139.

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23

Jackson, Edward M. "The Payback." Journal of Toxicology: Cutaneous and Ocular Toxicology 15, no. 1 (1996): 19–20. http://dx.doi.org/10.3109/15569529609044441.

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24

Williams, Patricia J. "Payback time." Index on Censorship 30, no. 3 (2001): 124–34. http://dx.doi.org/10.1080/03064228908536949.

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25

Brumfiel, Geoff. "Payback time." Nature 453, no. 7199 (2008): 1150–51. http://dx.doi.org/10.1038/4531150a.

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26

Woodard, Colin. "Payback Time." Bulletin of the Atomic Scientists 56, no. 2 (2000): 11–13. http://dx.doi.org/10.1080/00963402.2000.11456934.

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27

Kızgut, İsa. "Payava Lahti." Cedrus, no. 6 (June 30, 2018): 65–104. http://dx.doi.org/10.13113/cedrus/201802.

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28

Edmondson, James. "Solar payback." New Scientist 206, no. 2759 (2010): 27. http://dx.doi.org/10.1016/s0262-4079(10)61132-3.

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29

Donadieu, Pierre. "Le paysage." Économie rurale, no. 297-298 (May 6, 2007): 5–9. http://dx.doi.org/10.4000/economierurale.1916.

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30

Holland, Tom. "Payback Time." Foreign Policy, no. 132 (September 2002): 70. http://dx.doi.org/10.2307/3183459.

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31

Coats, Karen. "Payback (review)." Bulletin of the Center for Children's Books 60, no. 11 (2007): 469–70. http://dx.doi.org/10.1353/bcc.2007.0452.

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32

J.B. "Payback time." Child & Youth Care Forum 23, no. 6 (1994): 363. http://dx.doi.org/10.1007/bf02128519.

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33

Hooper, Rowan. "Payback time." New Scientist 265, no. 3530 (2025): 22. https://doi.org/10.1016/s0262-4079(25)00265-9.

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34

Kalaora, Bernard. "De la composition du paysage au paysage composite." Ligeia N°19-20, no. 1 (1996): 128. http://dx.doi.org/10.3917/lige.019.0128.

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35

Lelli, Laurent, and Sylvie Paradis-Maindive. "Quand le «paysage ordinaire» devient un «paysage remarqué»." Sud-Ouest européen 7, no. 1 (2000): 27–34. http://dx.doi.org/10.3406/rgpso.2000.2726.

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Ordinary and distinguished landscapes « on the scene »... Rural spaces, those of South Western France particularly, have been profoundly transformed these last five decades. In that short lapse of time, a new way of considering these rural territories has gained support from local populations, city dwellers or local actors. Yet, a large majority of rural landscapes appear today as worth considering. The French State is still following an old tradition of site and monument protection, and a real landscape policy hasn 't been brought into the open, especially for non-remarkable « day-to-day » landscapes. Nevertheless, they are present in a growing demand for better quality of life and can be a motivation for territorial change. Different South West rural examples issued from recent researches will help approach this question : the Massif of Mouthoumet (Aude) and the Northern Comminges (Haute-Garonne). A definition of « ordinary » and « distinguished » landscape is proposed to apprehend all rural territories.

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36

Magnin, Léo. "Un bon paysage est-il un paysage numérisé ?" Pour N° 247, no. 3 (2024): 63–69. http://dx.doi.org/10.3917/pour.247.0063.

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37

Buxton, M. "The payback of 'Payback': challenges in assessing research impact." Research Evaluation 20, no. 3 (2011): 259–60. http://dx.doi.org/10.3152/095820211x13118583635837.

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38

Halen, Pierre. "De quelques enjeux du paysage (ou du non-paysage)." Études littéraires africaines, no. 39 (2015): 119. http://dx.doi.org/10.7202/1033136ar.

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39

Haris, Dendi, Sri Mulyani, Kusnandar Kusnandar, Agung Ferdinand Wera, Dian Sutono Hs, and Suratna Suratna. "Financial Analysis of The Anchovies Purse Seiner Vesel Bisuness Based in Larangan Coastal Fishing Port Tegal Regency." Barakuda'45: Jurnal Ilmu Perikanan dan Kelautan 6, no. 1 (2024): 64–72. http://dx.doi.org/10.47685/barakuda45.v6i1.497.

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The Larangan Coastal Fishing Port (Larangan CFP) is the only fishing port in the administrative area of Tegal Regency, as a quite productive fish landing center and is the catch of fishermen operating in the coastal watiers of Tegal with anchovy main commodity. Because it is one of the fishing tools of the fishing community which is classified as productive and is based in the Larangan CFP. is the type of anchovies surrounding net (purse seine) In this study, 8 units of purse seiners were selected using light capture device (lamp) as samples, using case study and observation/interview metods and financial analysis which include; Profit and Loss, Payback Period, B/C Ratio, BEP, NPV, IRR and Swiching Value. From the calculation results of the economic (financial) analysis of fishing activities with purse seine anchovies based at the Larangan CFP, Tegal Regency is general can be categorized as feasible, because all business feasibility indicators are still above the required criteria as a feasible business activity to run. The avarage value of each of these indicators is; Paybac Period (4.4 years or 4 years 3 months), Break Even Point (Rp.202,168,749), B/C Ratio (1.24), NPV (Rp.325,474,008), and IRR (22%). Then the replacement value (Switching Value) also still sows a business that is feasible continuimg with an average B/C Ratio of 1.20 and a Payback Period of 5.2 years with the analysis of two scenarios of each situation; 3% for a decrease in production value, and 3.5% for an increase in input prices.

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40

Rédaction, La. "Archéologie et paysage." Les Nouvelles de l'archéologie, no. 153 (September 25, 2018): 3–4. http://dx.doi.org/10.4000/nda.4597.

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41

Fumagalli, Mario. "Le paysage valdotain." Géographie et cultures, no. 64 (December 1, 2007): 93–105. http://dx.doi.org/10.4000/gc.1479.

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42

Des Pres, Terrence. "Soi/Paysage/Échiquier." Les Cahiers du GRIF 41, no. 1 (1989): 23–32. http://dx.doi.org/10.3406/grif.1989.1797.

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43

Leturcq, Samuel. "Le paysage : introduction." Hypothèses 2, no. 1 (1999): 71. http://dx.doi.org/10.3917/hyp.981.0071.

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44

Beck, Patrice. "Le paysage : conclusion." Hypothèses 2, no. 1 (1999): 115. http://dx.doi.org/10.3917/hyp.981.0115.

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45

D’Angelo, Paolo, and Rémi Chaix. "Écologie et paysage." Nouvelle revue d’esthétique 22, no. 2 (2018): 25. http://dx.doi.org/10.3917/nre.022.0025.

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46

Zhong Mengual, Estelle, and Baptiste Morizot. "L’illisibilité du paysage." Nouvelle revue d’esthétique 22, no. 2 (2018): 87. http://dx.doi.org/10.3917/nre.022.0087.

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47

Milani, Raffaele. "L’art du paysage." La Pensée écologique N° 2, no. 1 (2018): c. http://dx.doi.org/10.3917/lpe.002.0019.

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48

Fortin, Geneviève. "Simplifier, c’est payant !" Gestion 43, no. 3 (2018): 104. http://dx.doi.org/10.3917/riges.433.0104.

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49

Jameux, Dominique. "Paysage de rentrée." Commentaire Numéro111, no. 3 (2005): 728. http://dx.doi.org/10.3917/comm.111.0728.

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50

Béchini, Thibault, Grégoire Binois, Noëmie Lucas, and Clara Stevanato. "Retrouver le paysage." Hypothèses 22, no. 1 (2021): 165–72. http://dx.doi.org/10.3917/hyp.181.0165.

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