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Books on the topic 'Peirce's classes of signs'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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1

Colapietro, Vincent M., and Thomas M. Olshewsky, eds. Peirce's Doctrine of Signs. DE GRUYTER MOUTON, 1996. http://dx.doi.org/10.1515/9783110873450.

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2

1950-, Colapietro Vincent Michael, Olshewsky Thomas M. 1934-, and Charles S. Peirce Sesquicentennial International Congress (1989 : Harvard University), eds. Peirce's doctrine of signs: Theory, applications, and connections. Mouton de Gruyter, 1996.

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3

Deledalle, Gérard. Charles S. Peirce's philosophy of signs: Essays in comparative semiotics. Indiana University Press, 2000.

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4

Hawkesworth, Mary. Signs: Journal of women in culture and society. University of Chicago Press, 2013.

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5

Jappy, Tony. Peirce's Twenty-Eight Classes of Signs and the Philosophy of Representation. Bloomsbury Academic, 2018.

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6

Peirce's Twenty-Eight Classes of Signs and the Philosophy of Representation: Rhetoric, Interpretation and Hexadic Semiosis. Bloomsbury Publishing Plc, 2016.

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7

Peirce's Twenty-eight Classes of Signs and the Philosophy of Representation: Rhetoric, Interpretation and Hexadic Semiosis. Bloomsbury Academic, 2017.

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8

Jappy, Tony. Developing a Neo-Peircean Approach to Signs. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350288843.

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This book takes up the most important of Charles Sanders Peirce’s undeveloped semiotic concepts and highlights their theoretical interest for a general semiotics. Peirce’s career as a logician spanned almost half a century, during which time he produced several increasingly complex sign systems. The best-known, from 1903, included a signifying process involving sign, object and interpretant, the universally known icon-index-symbol division and, finally, a system of 10 distinct classes of signs. Peirce subsequently expanded this signifying process to include 2 objects, the sign and 3 interpreta
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9

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2009.

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10

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2007.

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11

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2009.

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12

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2007.

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13

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2007.

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14

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2007.

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15

Short, T. L. Peirce's Theory of Signs. Cambridge University Press, 2007.

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16

C.S. Peirce's theory of signs. Cambridge University Press, 2007.

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17

Greenlee, Douglas. Peirce's Concept of Sign. De Gruyter, Inc., 2018.

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18

Peirce's Doctrine of Signs: Theory, Applications, and Connections. De Gruyter, Inc., 2011.

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19

Deledalle, Gerard. Charles S. Peirce's Philosophy of Signs: Essays in Comparative Semiotics. Indiana University Press, 2001.

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20

Wilson, Aaron Bruce. Peirce's Empiricism. Published by Lexington Books, 2016. https://doi.org/10.5040/9781978726048.

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Widely praised as a founder of modern semiotics and of the pragmatist tradition in philosophy, Charles S. Peirce (1839-1914) spent over forty years developing a philosophical system that addresses the fundamental problems of Western metaphysics, epistemology, and value theory. Although never formally completed, what emerges from Peirce’s writings is a distinctive system that, through an innovative semiotic or theory of signs and cognition, combines a thoroughgoing form of empiricism with a robustly realist metaphysics that emphasizes the mind-independence of laws and other universals. Peirce’s
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21

Charles S. Peirce Sesquicentennial International Congress (Corporate Author, Editor), Vincent Michael Colapietro (Editor), and Thomas M. Olshewsky (Editor), eds. Peirce's Doctrine of Signs: Theory, Applications, and Connections (Approaches to Semiotics, 123). Mouton de Gruyter, 1996.

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22

Peirce's Philosophy of Communication: The Rhetorical Underpinnings of the Theory of Signs. Bloomsbury Publishing Plc, 2011.

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23

Peirce's Philosophy of Communication: The Rhetorical Underpinnings of the Theory of Signs. Bloomsbury Publishing Plc, 2009.

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24

Bergman, Mats. Peirce's Philosophy of Communication: The Rhetorical Underpinnings of the Theory of Signs. Bloomsbury Publishing Plc, 2011.

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25

Peirce's Philosophy of Communication: The Rhetorical Underpinnings of the Theory of Signs. Bloomsbury Publishing Plc, 2009.

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26

Deledalle, Gerard. Charles S. Peirce's Philosophy of Signs: Essays in Comparative Semiotics (Advances in Semiotics). Indiana University Press, 2001.

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27

Atkins, Richard Kenneth. Charles S. Peirce's Phenomenology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190887179.001.0001.

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No reasonable person would deny that the sound of a falling pin is less intense than the feeling of a hot poker pressed against the skin, or that the recollection of something seen decades earlier is less vivid than beholding it in the present. Yet John Locke is quick to dismiss a blind man’s report that the color scarlet is like the sound of a trumpet, and Thomas Nagel similarly avers that such loose intermodal analogies are of little use in developing an objective phenomenology. Charles Sanders Peirce (1839–1914), by striking contrast, maintains that the blind man is correct. Peirce’s reason
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28

Buchhart, Dieter, and Edvard Munch. Edvard Munch: Signs of Modern Art. Hatje Cantz Verlag GmbH & Co KG, 2007.

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29

Buchhart, Dieter, and Edvard Munch. Edvard Munch: Signs of Modern Art. Hatje Cantz Verlag GmbH & Co KG, 2007.

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30

O’Neill, Michael. ‘Pictures’ and ‘Signs’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0005.

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The chapter’s starting point is Shelley’s conviction that poetry ‘marks the before unapprehended relations of things’ and his consequent way of using ‘words’ in his prose as ‘pictures of integral thoughts’, even as he worries that they may turn out to be merely ‘signs for portions and classes of thoughts’ (A Defence of Poetry). The chapter shows how Shelley’s prose thinks through its style in multiple ways: section 2 examines the ironies at work in ‘An Address to the People on the Death of the Princess Charlotte’; section 3 turns its attention to A Philosophical View of Reform and that work’s
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31

Millikan, Ruth Garrett. An Anatomy of Signs. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198717195.003.0010.

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Informational signs (infosigns) are signs of complete states of affairs and are, as such, members of infosign systems or families. They are always articulate, containing variant and invariant aspects, and their families are often productive, containing variables drawn from nondenumerable classes. Every sign in an infosign family can be derived from any other by a substitution of arguments for its variable or variables. Without yet offering a definition of “infosign,” many kinds of examples are given. Variable elements of infosigns correspond to their signified elements by a variety of kinds of
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32

Newcomb, John Timberman. Subway Fare. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036798.003.0009.

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This chapter examines the poetics of rapid transit that emerged in the early twentieth century, including the verses of William Carlos Williams. Wishful civic boosters of the early twentieth century discerned signs of financial utopia in the “symbiotic relation” between skyscrapers and urban railways. These interdependent social forms were viewed as hallmarks of twentieth-century urban modernity. Rapid-transit poems of the period feature close-up encounters mingling people of different classes, races, and genders with unprecedented frequency, unfathomable swiftness, and sometimes uncontrollabl
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