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Journal articles on the topic 'Peirce's classes of signs'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Romanini, Vinicius. "A Periodic Table for Peirce's Sixty-Six Classes of Signs." Pluralist 19, no. 3 (2024): 1–21. http://dx.doi.org/10.5406/19446489.19.3.01.

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2

Liszka, James. "Reductionism in Peirce’s sign classifications and its remedy." Semiotica 2019, no. 228 (2019): 153–72. http://dx.doi.org/10.1515/sem-2018-0089.

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AbstractAttempts to explain Peirce’s various classifications of signs have been a preoccupation of many Peirce scholars. Opinions are mixed about the sense, coherence, and fruitfulness of Peirce’s various versions, particularly the latter ones. I argue here that it is not a fruitful enterprise, even if sense could be made of them. Although Peirce makes his motivations for the classification of the sciences fairly explicit, it’s hard to find Peirce’s reasons for sign classification. More importantly, I try to make the case that such classifications are premised on a reductionist framework of se

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3

Houser, Nathan. "Thinking at the Edges." American Journal of Semiotics 36, no. 1 (2020): 95–116. http://dx.doi.org/10.5840/ajs202082762.

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The field of semiotic studies requires borders to function as a discipline but as a living science it is essential that those borders be unheeded. When Charles Peirce opened the modern field of semiotic studies he understood that he was an intellectual pioneer preparing the way for future semioticians. Peirce’s decision to equate semiotics with logic would likely seem bizarre to most professional logicians today yet his decision followed naturally from his view that all mental operations are sign actions and that semiosis is inferential. Peirce’s life-long study of sign types eventually led to

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4

Kruk, Sergei. "A SEMIOTIC TYPOLOGY OF DOCUMENTARY FILM ACCORDING TO PEIRCE’S SYSTEM OF 10 CLASSES OF SIGNS." Culture Crossroads 27 (June 25, 2025): 109–28. https://doi.org/10.55877/cc.vol27.526.

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Semiotic analysis of films is usually reduced to a trichotomy of signs invented by Charles S. Peirce in 1885: icon, index, and symbol. However, later he proposed two more trichotomies and systematised them into 10 classes of signs. In this article, a typology of documentary films based on this system is developed. The empirical material of the study is the newsreels produced by the Riga film studio in 1946– 1990. As television took over the information function in early 1960s, documentary filmmakers engaged in bold experimenting with the means of cinematic expression. The experiments resulted

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5

Martins, Ivy Francielle Higino, and Marcelina das Graças De Almeida. "Uma proposta de classificação dos hipoícones nas classes I, II e V do conjunto das dez classes de Signos de C. S. Peirce / A proposal for the classification of hypocones into classes I, II and V of C. S. Peirce's set of ten classes of signs." Brazilian Journal of Development 7, no. 4 (2021): 35684–703. http://dx.doi.org/10.34117/bjdv7n4-163.

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6

Harkness, Nicholas. "Qualia, semiotic categories, and sensuous truth: rhematics, pragmatics, symbolics." Estudos Semióticos 18, no. 2 (2022): 56–81. https://doi.org/10.11606/issn.1980-4016.esse.2022.194325.

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It is a social-scientific truism, and also a problem, that the “immediate” sensuous truth for individuals is part of, and therefore must be investigated through, the “dynamic” semiosis of social groups. Qualia, carefully formulated as facts of firstness, disaggregate and clarify some aspects of the problem. Facts of firstness become methodologically viable as a semiotic category by weighting Peirce’s 1903 Triangle of ten sign types toward the interpretant and thereby rearranging the diagram. This diagrammatic rearrangement discloses the domain of rhematics, extend

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7

Franco, Juliana Rocha, and Priscila Monteiro Borges. "Diagrammatic relations of probative strength and inferential progression through semiotics." Semiotica 2019, no. 228 (2019): 77–89. http://dx.doi.org/10.1515/sem-2018-0088.

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AbstractThe purpose of this article is to explore the concept of diagram and diagrammatic reasoning involving semiotics in its three branches and not only in speculative grammar. We will concentrate on the apprehension of the movement of reasoning, which diagrammatically begins with speculative grammar, runs through critical logic, and consolidates at methodeutics. We seek to apply the trichotomic logic of Peirce to list the modes of reasoning with diagrams. Our intention is to move away from the categorization as taxonomy, and try to understand how sign classes can be used in the inferential

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8

Feodorov, Aleksandar. "Peirce’s garden of forking metaphors." Sign Systems Studies 46, no. 2/3 (2018): 188–215. http://dx.doi.org/10.12697/sss.2018.46.2-3.01.

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The philosophic system of the founder of pragmatism Charles Sanders Peirce is rarely grasped from the point of view of its metaphoric usage. However, some of his most original yet often misunderstood and contested ideas such as those of ‘matter as effete mind’ and ‘the play of musement’ are metaphoric representations. In the present paper I am offering a new way to discuss the role of metaphors in Peirce’s philosophy by taking a twofold approach to the problem. On the one hand, metaphor itself becomes an object of inquiry. I touch upon the appearances of metaphoric thinking at the level of his

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9

Marty, Robert. "The trichotomic machine." Semiotica 2019, no. 228 (2019): 173–92. http://dx.doi.org/10.1515/sem-2018-0084.

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AbstractThe formal analysis of the principles leading the classification of the hexadic, decadic, and triadic signs from C. S. Peirce especially, gives rise to a general methodology allowing to systematically classify any n-adic combinatory named “protosign.” Basic concepts of the algebraic theory regarding the categories and functors will be used. That formalization provides an additional benefit by highlighting and systematizing formal immanent relationships between the classes of protosigns (or signs). Well known hierarchical structures (lattices) are then obtained. Thanks to the contributi

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10

Borges, Priscila, and Lethícia Angelim. "Continuidade em e entre cognição, signos e classes." Semióticas cognitivas: nuevos paradigmas, no. 35 (2021): 59–71. http://dx.doi.org/10.35659/designis.i35p59-71.

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A rela..o entre a semi.tica de Peirce e a cogniçao se deve ao aspecto lógico da semiose que se aproxima do conceito de mente em Peirce. Esse aspecto . expresso no conceito de signo que indica uma lógica tri.dica em que a um signo determina outro criando um encadeamento lógico. Tal no..o de signo funciona como um modelo para descrever a mente. No entanto, o aspecto lógico da semi.tica expresso inicialmente na no..o tri.dica de signo se expande nos sistemas de classes de signos (de 10, 28 e 66 classes). Nossa proposta . mostrar que podemos alcan.ar modelos mentais mais detalhados investigando os

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11

Freitas Donadello, Savana Dos Anjos, and Agostinho Serrano De Andrade Neto. "Peirce’s Semiotics: Use of Gestures as a Potential Semiotic Resource for Teaching Bohr’s Atom Model." Acta Scientiae 24, no. 6 (2022): 432–61. http://dx.doi.org/10.17648/acta.scientiae.7314.

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Background: Gestures, seen through Peirce’s semiotics as semiotic resources, have the potential to be revealed as cornerstones for the teaching of physics and, in particular, for the teaching of Bohr’s atomic model. Initially, the semiotic perspective in the teaching process will be addressed and, subsequently, the role of gestures and non-verbal communication as a semiotic resource. Objective: To investigate the contribution of gestures as a potential semiotic resource in teaching Bohr’s atom model. Design: The principles of a qualitative study were observed. Setting and participants: Videos

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Nathania, Metta, and Suzy Azeharie. "Studi Semiotika Kelas Sosial Masyarakat Korea Utara dalam Serial Crash Landing On You." Koneksi 8, no. 1 (2024): 215–24. http://dx.doi.org/10.24912/kn.v8i1.27646.

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This research was motivated by the popularity of Korean dramas in Indonesia. This research aimed to determine: 1) the representation of social class in North Korea in the Crash Landing on You series; 2) the elements of signs, objects, and interpretants about social class in the Crash Landing on You series. This research uses a qualitative approach and discourse analysis methods. The research subject is the Crash Landing on You series, and the research object is the social class representation. This research used Karl Marx's social class theory. The data collection method used primary and secon

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13

Rohr, David. "Tony Jappy. Peirce’s Twenty-Eight Classes of Signs and the Philosophy of Representation: Rhetoric, Interpretation and Hexadic Semiosis. Bloomsbury. vi - xi, 212 pages." Recherches sémiotiques 39, no. 1-2 (2019): 305. http://dx.doi.org/10.7202/1076238ar.

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14

Kissel, Marc, and Agustín Fuentes. "Semiosis in the Pleistocene." Cambridge Archaeological Journal 27, no. 3 (2017): 397–412. http://dx.doi.org/10.1017/s0959774317000014.

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A distinctive aspect of human behaviour is the ability to think symbolically. However, tracking the origin of this capability is controversial. From a Peircean perspective, to know if something truly is a symbol we need to know the cultural context in which it was created. Rather than initially asking if materials are symbols/symbolic, we offer that it is more salient to ask how they functioned as signs. Specifically we argue that using the Peircean distinction between qualisigns, sinsigns and legisigns provides support for this endeavour. The ‘flickering’ of early symbolic behaviour (the spor

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15

E. San Juan Jr., E. "Peirce’s Ethics: Problematizing the Conduct of Life." Mabini Review 7, no. 1 (2018): 1–39. https://doi.org/10.70922/5hxr9b95.

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Charles Sanders Peirce's ethics is based on his pragmaticist theory of meaning elucidated by his phenomenology and its transcoding into practice. An example of how meaning acquires practical effect is cited from Peirce's lecture on signs and their interpretation. His anti-imperialist stance against U.S. colonization of the Philippines has never been discussed before. This is the first time Peirce's politics is manifested in conjunction with his anti-nominalist explanation of signs and their ethical implications.

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San Juan, Epifanio. "Peirce’s Ethics: Problematizing the Conduct of Life." Mabini Review 7, no. 1 (2018): 1–39. https://doi.org/10.70922/er8bgj11.

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Charles Sanders Peirce's ethics is based on his pragmaticist theory of meaning elucidated by his phenomenology and its transcoding into practice. An example of how meaning acquires practical effect is cited from Peirce's lecture on signs and their interpretation. His anti-imperialist stance against U.S. colonization of the Philippines has never been discussed before. This is the first time Peirce's politics is manifested in conjunction with his anti-nominalist explanation of signs and their ethical implications.

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17

Drigo, Maria Ogécia. "A PUBLICIDADE NO CONTEXTO DA SOCIEDADE DA SENSAÇÃO: um formato comunicacional e a relação percepção/cognição em foco." Revista Observatório 3, no. 3 (2017): 415. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n3p415.

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O objetivo deste artigo é refletir sobre a cognição em meio a um contexto permeado por choques audiovisuais e no qual as representações visuais estão incessantemente em cena. Para tanto, consideram-se as transformações da relação percepção/sensação no contexto da sociedade da sensação, na perspectiva de Christoph Türcke, bem como conceitos da arquitetura filosófica de Charles Sanders Peirce, principalmente a classificação dos signos em hipoícones e suas diversas modalidades e o movimento percepção/cognição nos diversos níveis de consciência Da confluência dessas ideias conjeturamos sobre a imp

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18

Santaella, Lucia. ""Matter as effete mind": Peirce's synechistic ideas on the semiotic threshold." Sign Systems Studies 29, no. 1 (2001): 49–62. http://dx.doi.org/10.12697/sss.2001.29.1.04.

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Following Peirce's broad concept of semiosis as a foundation of a field ofsrudy, the semiotics ofphysical nanrre, it is argued that we have to explore the interconnections of Peirce's semiotics with metaphysics. These interconnections will be analyzed in five steps: (1) Peirce's radical antidualism and evolutionism, implied in his synechistic ideas, (2) Peirce's semiotic statement that "all this universe is perfused with signs if it is not composed exclusively of signs" (CP 5.448, n.1), (3) Peirce's bold statement that "matter is effete mind, inveterate habits becoming physical laws" (CP 6.24)

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19

Mustafin, Alhas. "LOGICAL FOUNDATIONS OF CHARLES PEIRCE'S THEORY OF SIGNS." Bulletin of the Angarsk State Technical University 1, no. 18 (2024): 394–97. https://doi.org/10.36629/2686-777x-2024-1-18-394-397.

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This article is an attempt at theoretical analysis of a little-studied part of the vast scientific and creative legacy of Charles Sanders Peirce, an American mathematician, logician, philosopher, founder of semiotics and pragmatism. We are talking about Peirce's logical views, the need for systematic study and active development of which arose among researchers only in the middle of the 20th century, after the scientist's death. The article lists a number of key aspects of Peirce's logic, representing the essence of his semiotics - the doctrine of signs and sign systems. Peirce's logical syste

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20

Sjoraida, Diah Fatma, Mohamad Sudi, Robbikal Muntaha Meliala, Silvina Mayasari, and Rety Palupi. "Analisis Semiotika Pierce terhadap Pasangan Prabowo-Gibran dalam Pilpres 2024." Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) 8, no. 4 (2024): 1264–73. http://dx.doi.org/10.35870/jtik.v8i4.3105.

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In the 2024 presidential election, campaign signs play a crucial role in political communication, shaping public perceptions of candidate pairs. However, there has been limited research examining the influence of these signs through Peirce's semiotic framework. This study aims to analyze the effect of the Prabowo-Gibran campaign signs during the 2024 presidential election using Peirce's semiotic approach. Additionally, it seeks to explore the broader implications of these findings for political communication strategies in elections. Peirce's semiotic theory is applied as an analytical tool to

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21

Widodo, Taufiq, and Primi Artiningrum. "The semiotics study of Al-Ahdhar Mosque architecture using the trichotomy of Charles Sanders Peirce." ARTEKS : Jurnal Teknik Arsitektur 7, no. 2 (2022): 259–68. http://dx.doi.org/10.30822/arteks.v7i2.1827.

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Semiotics is a science of signs, which is found daily in public spaces, print media, literary works, and buildings. A building can convey value, story, philosophy, and meaning through signs expressed on its architectural elements. These signs are in form of shape, spatial arrangement, building ornaments, colors, patterns, textures, or other elements. Therefore, this study aims to determine the meaning and message expressed by the architectural form of the Al-Ahdhar Mosque based on Charles Sanders Peirce's Semiotics, which consists of three aspects, namely Representant, Object, and Interpretant

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22

Baron, Joanne P. "Peirce and Archaeology: Recent Approaches." Annual Review of Anthropology 50, no. 1 (2021): 187–202. http://dx.doi.org/10.1146/annurev-anthro-101819-110112.

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The philosophy of Charles S. Peirce, and in particular his theory of signs (semiotic), has seen increasing interest within archaeological theory over the past 20 years. This article reviews Peirce's most influential ideas within archaeology, directs readers to where in Peirce's voluminous works they can find these ideas, and discusses how each of them has been applied by archaeologists to a variety of different research topics. In addition to the semiotic, these ideas include Peirce's metaphysical doctrine of synechism; his methodological pragmatism; abductive logic; and the phenomenological c

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23

Tomaselli, Keyan. "Semiotics, semiology and film." Communicare: Journal for Communication Studies in Africa 2, no. 1 (2022): 42–61. http://dx.doi.org/10.36615/jcsa.v2i1.2190.

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Semiotics and semiology are quite different paradigms stemming from different origins. This paper demonstrates the differences and developes C.S. Peirce's notions of Phaneroscopy, Firstness, Secondness and Thirdness, explores his notion of Interpretants and applies these to the study of film. Peirce's theory is shown to be much more adaptable than the semiology developed by Metz from de Saussure's linguistic con- cepts. Whereas Metz's theory of signs can only take account of narrative cinema, the extention of Peirce's theory proposed here is able to account for all types of cinema from narrati

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Andika, Andika, Ansor Putra, and Arman Arman. "Sign Description on “Sausage Party” Movie Directed by Greg Tiernan and Conrad Vernon." ELITE: Journal of English Language and Literature 8, no. 1 (2023): 1–15. http://dx.doi.org/10.33772/elite.v8i1.2265.

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This study analyzes the signs that exist within the scope of cultural representation in the Sausage Party movie using Charles Sanders Peirce's semiotic theoretical approach. The purpose of this study is to analyze how culture is represented in the form of signs in the Sausage Party movie using Charles Sanders Peirce's Semiotic theory approach. The data source is taken from the film Sosis Party. This research uses a descriptive qualitative method. Data collection is done by searching and downloading, watching movies, classifying, and coding data. based on the analysis the researcher managed to

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Farias, Priscila Lena, and João Queiroz. "Os diagramas de C. S. Peirce para as dez classes de signos." Trans/Form/Ação 36, no. 3 (2013): 155–72. http://dx.doi.org/10.1590/s0101-31732013000300009.

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Uma seção da Gramática Especulativa de C.S.Peirce - Dez classes de signos - recebeu, a partir de 1903, um importante tratamento diagramático. Neste artigo, são apresentados e discutidos dois diagramas desenvolvidos por Peirce para as dez classes, incluindo esboços desses modelos.

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Lefebvre, Martin. "Peirce's Esthetics: A Taste for Signs in Art." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 43, no. 2 (2007): 319–44. http://dx.doi.org/10.2979/tra.2007.43.2.319.

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27

Atkin, A. "Peirce's Theory of Signs, by Thomas L. Short." Mind 119, no. 475 (2010): 852–55. http://dx.doi.org/10.1093/mind/fzq066.

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Borges, Priscila Monteiro. "Os sinsignos icônicos nas 66 classes de signos: uma análise semiótica da fonte tipográfica Univers Revolved." Galáxia (São Paulo) 13, no. 26 (2013): 174–86. http://dx.doi.org/10.1590/s1982-25532013000300014.

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O potencial analítico dos modelos de três e dez classes de signos de C. S. Peirce é reconhecido pelos pesquisadores da área. O mesmo não se pode dizer do sistema de 66 classes. Pouco conhecido, pois foi deixado em aberto por Peirce, e ainda é alvo de muitas discussões a respeito de sua aplicabilidade. Com o propósito de mostrar o seu potencial analítico, este artigo apresentará uma análise dos sinsignos icônicos extraída de uma análise completa de uma fonte tipográfica fundamentada no sistema de 66 classes de signos. Além de corresponder à parte empírica de uma pesquisa teórica, que propõe de

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Putriayunda, Putriayunda, and Mac Aditiawarman. "Semiotic Analysis of Memes Insulting Others on Facebook." Jurnal Ilmiah Pendidikan Scholastic 7, no. 3 (2023): 133–45. http://dx.doi.org/10.36057/jips.v7i3.646.

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This research is entitled semiotic analysis of memes insulting others on Facebook. The semiotic study aims to explain the signs as well as to know the meanings of dark joke memes on Facebook social media. The theory used in this study is Peirce's theory, namely by using the triadic model. The method used in this study is by using a qualitative descriptive method. The data analysis method uses the second data, namely the uploaded image and the researcher selects it by taking a screenshot and then interpreting. Data collection techniques used are observation, documentation and note-taking techni

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Cahyani, Putri, and Muhammad Hasbi. "The Semiotics of Luck: Interpreting Visual Metaphors in the Animated Film." Innovations in Language Education and Literature 1, no. 1 (2024): 9–19. http://dx.doi.org/10.31605/ilere.v1i1.3894.

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This study examines the symbolic meanings conveyed through visual metaphors in the 2022 animated film Luck. Utilizing Charles Sanders Peirce's semiotic theory, the research aims to identify and interpret the signs present within the movie. The study employs a qualitative research paradigm and a descriptive approach, collecting data through repeated viewings of the film and cataloging the identified signs as icons, indexes, or symbols per Peirce's triadic model. The analysis reveals a total of 16 signs, comprising 3 icons, 4 indexes, and 9 symbols, which are then subjected to semiotic analysis.

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Astari, Arini Widi, and Alamsyah Alamsyah. "Semiotic Analysis in Barbie Film by Charles Sanders Peirce's Theory." Jurnal Riseta Soshum 1, no. 2 (2024): 42–50. https://doi.org/10.70392/jrs.v1i2.4250.

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This research discussed the meaning of the signs in the Barbie (2023) film. This research aimed to find the signs contained in the film based on the types of signs in Charles Sanders Peirce's semiotic and to interpret the meaning of these signs based on the semiosis process which involved the relationship between representamen, object, and interpretant. In this research, researchers used qualitative methods and data was collected by marking and sorting with a semiotic approach. The researcher found 4 types of signs: icon show that every woman has the same opportunities and rights as other wome

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Liana Hutapea, Siti Auliza Fatma Nasution, Muhammad Fikri Alif Ghani, et al. "Analisis Semiotika Logo UIN Sumatera Utara: Pendekatan Tanda dan Makna Menurut Teori Charles Sanders Peirce." Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya 2, no. 2 (2025): 60–70. https://doi.org/10.62383/filosofi.v2i2.602.

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This study aims to analyze the logo of the State Islamic University of North Sumatra (UINSU) using Charles Sanders Peirce's semiotic approach. Peirce's theory divides signs into icons, indexes, and symbols, and views meaning through a triadic process: representamen, object, and interpretant. With a qualitative approach, this study identifies visual elements in the UINSU logo and interprets their meaning based on the context of Islam, science, and nationalism. The results of the analysis show that each visual component, whether shape, color, or typography, contains deep philosophical and ideolo

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Abd. Shovy and Lulu Ulul Azmy. "Ferdinand De Saussure's Syntagmatic And Paradigmatic Concepts of Charles Sander Peirce in The Quran On Qauliyah And Kauniyah Verses: Semiotics Approach." Journal of Arabic Language Studies and Teaching 4, no. 1 (2024): 37–59. http://dx.doi.org/10.15642/jalsat.2024.4.1.37-59.

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This article aims to discuss semiotics with Ferdinand De Saussure's syntagmatic and paradigmatic concepts and Charles Sander Peirce's Grand Theory concept, with the object of study being qauliyah verses and kauniyah verses in the Koran and methodological reconstruction. This research method is qualitative with a library research method, namely looking for literature sources related to the discussion in the form of theses, dissertations, or other articles. The syntagmatic and paradigmatic concepts of Ferdinand De Saussure and Charles Sander Peirce's Grand Theory, namely Semiotic analysis, seek

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Mladenov, Ivan. "Unlimited semiosis and heteroglossia (C.S. Peirce And M. M. Bakhtin)." Sign Systems Studies 29, no. 2 (2001): 441–61. http://dx.doi.org/10.12697/sss.2001.29.2.03.

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The article draws parallels between Bakhtin's literary theory and some of Peirce's philosophical concepts. The comparisons with Bakhtin go beyond the theory of heteroglossia and reveal that related notions were implicitly originated by Dostoevsky. The elaboration of the concepts of dialogue, "self" and "other" continue into the ideas of consciousness, iconic effects in literature, and the semiotic aspect of thought. Especially important in this chapter is the aspect of Peirce's theory concerned with with the endless growth of interpretation and sign building, or unlimited semiosis. Peirce's di

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Sa, Hwangyu, and Hyejung Chun. "A Study on the Analysis of Banksy’s Artworks through the Peirce’s Semiotic Methodology: Focused on the Graffiti Works." Korean Society of Culture and Convergence 45, no. 9 (2023): 461–73. http://dx.doi.org/10.33645/cnc.2023.09.45.09.461.

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Focusing on the triadic structural model of Peirce’s semiotics, this paper analyzes the characteristics of visual signs in Banksy's graffiti works and how the signs are signified and accepted by viewers to reveal that Peirce’s semiotics is one of the suitable methodologies for analyzing contemporary art. Banksy's four works were selected as research subjects, and an analysis model that applied the triadic structure of Peirce’s semiotics - Representamen, Object, and Interpretant - was applied as a research method. As a result of analyzing Banksy's works, <Flower Thrower>, <Napam>, &

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Magefira, Andi Nurul, Jumiati Lanta, Yusmah, and Rustam Efendy Rasyid. "Analisis Semiotika Charles Sanders Peirce pada Film "Budi Pekerti" Karya Wregas Bhanuteja." Edukasi Lingua Sastra 23, no. 1 (2025): 49–63. https://doi.org/10.47637/elsa.v23i1.1689.

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This study aims to describe the forms of icons, indexes, and symbols based on Peirce's semiotics in the film "Andragogy” by Wregas Bhanuteja. The formulation of the research problem is how the forms of icons, indexes, and symbols of Peirce's semiotics are in the film "Andragogy". The approach to this research is a descriptive qualitative type. Data in the form of iconic signs, indexes, and symbols in scenes from the film "Andragogy" by Wregas Bhanuteja. The data source for this research comes from a film that premiered on the Netflix application on March 21, 2024, entitled "Andragogy". The dat

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Patriansah, Mukhsin, Adevia Nurhawa, and M. Septian Adi Kuncoro. "Peirce's Semiotic Analysis Of The New Halal Indonesia Logo." Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni 26, no. 2 (2024): 257. https://doi.org/10.26887/ekspresi.v26i1.4104.

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Since it was inaugurated on March 1 2022, Indonesia's new halal logo has attracted a lot of controversy. This is inseparable from the visual appearance of the logo which is very strong in Javanese culture by taking the shape of a mountain and a lurik surjan motif as the big idea. However, the signs and meanings in them are still conventional in accordance with Islamic values such as the value of divinity, faith and devotion, as well as the value of tolerance. On the other hand, the new Indonesian halal logo design is able to represent the halal and haram rules and laws themselves based on Isla

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Silveira, Lauro Frederico Barbosa da. "Na origem está o signo." Trans/Form/Ação 14 (December 1991): 45–52. http://dx.doi.org/10.1590/s0101-31731991000100002.

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A lógica como semiótica implica, do ponto de vista de Peirce, uma estrutura triádica onde a bipolaridade constituída pelo par sujeito-objeto é superada. Tanto o nominalismo quanto o individualismo são ultrapassados. O signo é mais amplo do que o símbolo e supõe a potencialidade e a atualidade. Duas classes de objetos e duas séries de interpretantes, cada uma destas últimas admitindo três espécies, dão lugar a uma lógica da conduta científica que faz apelo a uma comunidade futura cuja crença corresponde à Verdade, e a uma dimensão cosmológica do pensamento que fundamenta a derradeira objetivida

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Borges, Priscila, and Juliana Rocha Franco. "Signos coletivos e generalidade na tricotomia do objeto dinâmico na semiótica de Charles S. Peirce." Cognitio: Revista de Filosofia 26, no. 1 (2025): e70048. https://doi.org/10.23925/2316-5278.2025v26i1:e70048.

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Para Peirce, a generalidade tem um caráter distributivo, isto é, o caráter de uma lei que pode ser aplicada a qualquer coisa que possa existir numa classe, sem afirmar se há alguma coisa ou qual é essa coisa, mas fornecendo uma descrição de como os individuais dessa classe devem ser selecionados (EP 2:284, 1903). Rodrigues (2017) afirma que Peirce não considera que a generalidade expressa nos quantificadores universais tenha o caráter coletivo, no sentido de significar um determinado grupo singular, uma coleção dada. Em 1905, Peirce (EP 2:352-353) afirma que “um termo coletivo é singular, pois

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Supriadi, Irna Rusani, Zakiyah Anwar, Rahmatullah Bin Arshad, Marlinda Indah Eka Budiarti, and Yulainti Sira’a. "Analysis of Students' Mathematical Problem-Solving Ability and Semiotics in Terms of Adersity Quotient (AQ)." Bulletin of Science Education 4, no. 3 (2024): 279–90. https://doi.org/10.51278/bse.v4i3.1609.

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This study aims to analyze students' problem-solving abilities and mathematical semiotics based on Adversity Quotient (AQ). This qualitative research uses a descriptive approach. The research subjects were selected using an AQ questionnaire and conducted in Class IX F of SMP Negeri 14 Raja Ampat, involving three students divided into three groups. The first group consisted of one climber-type student, the second group included one camper-type student, and the third group included one quitter-type student. Data collection techniques included an AQ questionnaire, tests, and unstructured intervie

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Gorlée, Dina L. "Text semiotics: Textology as survival-machine." Sign Systems Studies 28 (December 31, 2000): 134–57. http://dx.doi.org/10.12697/sss.2000.28.08.

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Signifying practices by which living creatures communicate, are, according to Sebeok, the survival-machines. Accordingly, as represented by the semiotic text analysis or Bakhtin's textology, one can speak about a human survival-machine. This has been studied by different semiotic schools (including the Moscow-Tartu school) referring to language, culture, genre and, importantly, text ideology. In this article, the aspects of textology in Peirce's generalized theory of signs become analysed. After a discussion of the concept of text in Peirce's (published and unpublished) writings, its relations

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Amri, Ulil, and Anne Pratiwi. "A Semiotic Analysis of Diary of a Wimpy Kid Movie Posters." Vivid: Journal of Language and Literature 12, no. 1 (2023): 20. http://dx.doi.org/10.25077/vj.12.1.20-29.2023.

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This research is a descriptive qualitative research on semiotic field. The subiect of this research is a poster series of Diary of a Wimpy Kid, a movie adaptation of the same title semi-animated children book by Jeff Kinney. The data consists of a teaser poster and a theatrical poster of the movie film derived from Cinemags Movie Magazine and 20th Century Fox. This research aims to analyze semiotic signs from both posters by identifying icon, index, symbol, code, language, and myth following Saussure's, Peirce's, Danesi's, and Barthe's theories on Semotics. The result of the analysis presented

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Forster, Fabienne, and Michael Hampe. "Classes as Clusters." Nóema 1, no. 15 (2024): 11–24. http://dx.doi.org/10.54103/2239-5474/27146.

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This essay examines Charles S. Pierce’s critique of nominalism against the background of the debate about natural kinds at the time of the first reception of Darwin's Origin of Species. In the history of the so-called dispute over universals in Western philosophy, the phenomenon of species constancy has always been of central importance (since Plato). Darwin's historicization of species was seen by some of Peirce's contemporaries, including Chauncey Wright, as support for Mill's nominalism. Peirce believed the opposite, that Darwin's history of the origin of species supports realism about univ

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Zain, Nada Amalia, Dini Valdiani, and Tiara Puspanidra. "REPRESENTASI SISI KEMISKINAN DALAM FILM PARASITE (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE)." Jurnal Penelitian Sosial Ilmu Komunikasi 5, no. 2 (2021): 83–90. http://dx.doi.org/10.33751/jpsik.v5i2.4436.

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Parasite (Korean: Gisaengchung) is a South Korean movie directed by Bong Joon-Ho. This movie, which is presented in 2019, is a dark humor film genre filled with tense scenes and dramas. Themes of social problems or problems that occur in South Korean society, namely poverty, are also presented in this movie. This research aims to analyze the poverty of a thriller drama movie. The meaning of poverty can be observed from several scenes through the relationship between signs and semiotic meanings using Charles Sanders Peirce's model with the concept of a triangle of meaning, namely sign, object a

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Gede Bayu Segara Putra and I Kadek Jayendra Dwi Putra. "VISUAL SIGNS ON THE BILLBOARD OF BALI ARTS FESTIVAL XLV YEAR 2023 : PEIRCE SEMIOTICS ANALYSIS." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 7, no. 1 (2024): 1–9. http://dx.doi.org/10.31091/lekesan.v7i1.2812.

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This study is aimed at examining the visual signs found on the billboard of the Bali Arts Festival XLV Year 2023 using Charles Sander Peirce's semiotics approach. In an effort to understand how messages are communicated to the audience, an analysis is conducted on the icons, indexes, and symbols that appear in the design of the billboard. Through qualitative descriptive methods, the visual elements in the billboard are separated and observed, then analyzed using Peirce's semiotics framework. The results of the analysis indicate that the theme "Segara Kerthi" (Ocean of Harmony) is successfully

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Apriliana, Lailatul Dwi Nur, and Danang Tandyonomanu. "REPRESENTASI DEPRESI DALAM FILM AFTERSUN." Commercium 7, no. 3 (2023): 111–19. http://dx.doi.org/10.26740/tc.v7i3.57057.

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Film is a mass communication medium that describes the social reality that occurs in society. Representation is the use of signs displayed through audio-visual or other means to describe something that can be accepted by the five human senses. Representation of film is a process of giving meaning to the symbols or signs in it in order to understand more deeply the message to be conveyed in the film. This research aims to focus on discussing the representation of depression in the film Aftersun because depression is still a taboo topic to discuss even though depression is a major contributor to

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Audina, Diva Nadiastiti. "Studi Semiotika Charles Sanders Peirce pada Kompas TV dalam Pemberitaan Efisiensi Dana Kabinet Prabowo." Jurnal Audiens 6, no. 2 (2025): 332–42. https://doi.org/10.18196/jas.v6i2.596.

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This study analyzes the representation of the budget efficiency policy in the Prabowo-Gibran cabinet within Kompas TV news reports using Charles Sanders Peirce's semiotic approach. The research aims to uncover hidden meanings behind visual, linguistic, and symbolic signs employed by the media in framing the budget policy issue. Peirce's triadic concept—icon, index, and symbol—is applied to examine the relationship between signs and the construction of meaning conveyed by the media. The research method used is content analysis based on literature study of three news articles published by Kompas

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Krisna Ramadhan and Slamet Supriyadi. "Analisis Semiotika Charles Sanders Peirce pada Lukisan Seri Ilham Karim." Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora 3, no. 1 (2024): 118–30. https://doi.org/10.59024/atmosfer.v3i1.1170.

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The purpose of this research is to analyze the meaning of Ilham Karim's series of paintings Butterflies In My Stomach through Charles Sanders Peirce's semiotic approach. This research analyses the semiotic process in Karim's 12-painting series, which depicts the emotional journey of his parents' relationship in three phases: encounter, conflict and separation. This research uses qualitative methods through structured interview and literature review. The results of the analysis using Peirce's semiotics show that visual signs such as the consistent use of sofa objects, bright colors and uniquely

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Yuviandze Bafri Zulliandi. "Makna Pengkhususan pada QS. al-Baqarah Ayat 256: Analisis Semiotika Charles Sanders." Jurnal Semiotika-Q: Kajian Ilmu al-Quran dan Tafsir 4, no. 1 (2024): 347–61. http://dx.doi.org/10.19109/jsq.v4i1.23666.

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This document analyzes the meaning of specialization in QS. al-Baqarah verse 256 on religious freedom using the semiotic framework of Charles Sanders Peirce. The author explains that Peirce's epistemology is built on four pillars: fallicanism, positive social encouragement, idealistic objectivity, and pragmatism. Peirce also developed the concepts of trichotomy and tripartity in analytic logic, which showed the existence of a set of three interrelated meanings in interpretation. In QS. al-Baqarah verse 256, there is a debate about the concept of religious freedom. Some scholars argue that ther

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Inayah, Alifia Rifki, Anin Ditto, and Eva Yanti. "STUDI MAKNA LOGO INDONESIA HALAL INDUSTRY AWARDS (IHYA) TERHADAP PERSEPSI PELAKU INDUSTRI KOTA PADANG PANJANG." Artchive: Indonesia Journal of Visual Art and Design 4, no. 2 (2023): 223. http://dx.doi.org/10.53666/artchive.v4i2.4072.

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Reasearch for analyze meaning of Indonesia Halal Industry Awards (IHYA) logo using the semiotic theory of Charles Sanders Peirce and Roland Barthes, to see how the semiotic elements in the logo represent halal industry, on the views of halal industry players in Padang Panjang city. IHYA logo carries halal value by redefining the meaning. This study uses descriptive qualitative methods, using visual perception theory, Peirce's and Barthes’ semiotics. With visuals that redefine the meaning of halal, it produces the perception of halal industry players in the city of Padang Panjang which causes p

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