Journal articles on the topic 'Peking opera'
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Stringer, Julian. ": Peking Opera Blues . Tsui Hark." Film Quarterly 48, no. 3 (April 1995): 34–42. http://dx.doi.org/10.1525/fq.1995.48.3.04a00050.
Full textLiu, Moqiao. "The Implication of Traditional Chinese Culture in Peking Opera." BCP Social Sciences & Humanities 14 (December 17, 2021): 179–82. http://dx.doi.org/10.54691/bcpssh.v14i.190.
Full textLi, Huiyao. "Investigation on the Current Situation and Problems of International Dissemination of Chinese Peking Opera in the New Century." Society for International Cultural Institute 15, no. 2 (December 31, 2022): 235–54. http://dx.doi.org/10.34223/jic.2022.15.2.235.
Full textZhao, Hang, Youdong Ding, Bing Yu, Chenfeng Jiang, and Wanying Zhang. "Design and implementation of Peking Opera action scoring system based on human skeleton information." MATEC Web of Conferences 232 (2018): 01026. http://dx.doi.org/10.1051/matecconf/201823201026.
Full textHe, Rong, and Linxin Liang. "The Peking Opera or the Beijing Opera? An International Usage Frequency Analysis Based on the Corpus of Global Web-based English (GLoWbE)." IRA International Journal of Education and Multidisciplinary Studies 17, no. 2 (July 9, 2021): 108. http://dx.doi.org/10.21013/jems.v17.n2.p10.
Full textWang, Kai-Ting, and Jee-Sung Song. "Research on the Application of Peking Opera Mask Design according to Morphological Analysis and AHP: Focused on the Journey to the West." korea soc pub des 6 (September 30, 2022): 66–74. http://dx.doi.org/10.54545/kspd.2022.6.66.
Full text孫완怡. "Characteristics of the Peking Opera Maqianposhui." Journal of Chinese Language and Literature ll, no. 34 (September 2007): 519–31. http://dx.doi.org/10.26586/chls.2007..34.022.
Full textLi, Weimin. "Shakespeare on the Peking Opera Stage." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (December 31, 2013): 29–37. http://dx.doi.org/10.2478/mstap-2013-0003.
Full textMackerras, Colin. "Peking Opera before the Twentieth Century." Comparative Drama 28, no. 1 (1994): 19–42. http://dx.doi.org/10.1353/cdr.1994.0001.
Full textLiu, Yao-Kun. "Brecht's Epic Theatre and Peking Opera." Journal of the Australasian Universities Language and Literature Association 2011, no. 116 (November 2011): 65–81. http://dx.doi.org/10.1179/000127911804775305.
Full textУ, Лиян. "Comparative analysis of the opera “Turandot” by G. Puccini and the Beijing Opera “Princess Turandot”." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 2(277) (October 6, 2021): 209–14. http://dx.doi.org/10.53598/2410-3489-2021-2-277-209-214.
Full textZhang, Zhiyi, and Xiaobing Jin. "Perceiving Humor in Traditional Chinese Peking Opera." Chinese Semiotic Studies 14, no. 3 (August 28, 2018): 371–91. http://dx.doi.org/10.1515/css-2018-0022.
Full textGuy, Nancy A. "Peking Opera as "National Opera" in Taiwan: What's in a Name?" Asian Theatre Journal 12, no. 1 (1995): 85. http://dx.doi.org/10.2307/1124469.
Full textStringer, Julian. "Review: Peking Opera Blues by Tsui Hark." Film Quarterly 48, no. 3 (1995): 34–42. http://dx.doi.org/10.2307/1213293.
Full textPang, Cecilia J. "Peking Opera and Politics in Taiwan (review)." Comparative Drama 41, no. 2 (2007): 252–54. http://dx.doi.org/10.1353/cdr.2007.0022.
Full textSundberg, Johan, Lide Gu, Qiang Huang, and Ping Huang. "Acoustical Study of Classical Peking Opera Singing." Journal of Voice 26, no. 2 (March 2012): 137–43. http://dx.doi.org/10.1016/j.jvoice.2011.01.001.
Full textSundberg, Johan, Lide Gu, Qiang Huang, and Ping Huang. "Acoustical study of classical Peking opera singing." Journal of the Acoustical Society of America 131, no. 4 (April 2012): 3376. http://dx.doi.org/10.1121/1.4708730.
Full textMackerras, Colin. "A History of Peking Opera, Volume 2." Australian Journal of Chinese Affairs 26 (July 1991): 224–26. http://dx.doi.org/10.2307/2949894.
Full textYu-Hsing Chen, Jasmine. "Performing Chineseness Overseas." Journal of Chinese Overseas 18, no. 1 (March 18, 2022): 90–117. http://dx.doi.org/10.1163/17932548-12341457.
Full textDiamond, Catherine. "Cracks in the Arch of Illusion: Contemporary Experiments in Taiwan's Peking Opera." Theatre Research International 20, no. 3 (1995): 237–54. http://dx.doi.org/10.1017/s0307883300008683.
Full textPerng, Ching-Hsi. "At the Crossroads: Peking Opera in Taiwan Today." Asian Theatre Journal 6, no. 2 (1989): 124. http://dx.doi.org/10.2307/1124455.
Full textDeng, Yu. "The Timbre Relationship between Piano Performance Skills and Piano Combined with Opera Music Elements in the Context of the Internet of Things." Security and Communication Networks 2022 (April 20, 2022): 1–14. http://dx.doi.org/10.1155/2022/4259995.
Full textZheng, Da. "A Peking Opera, English Play and Hong Kong Film." Film International 17, no. 3 (September 1, 2019): 37–48. http://dx.doi.org/10.1386/fiin.17.3.37_1.
Full textZhang, Fachao, Xiaoman Liang, Yaqi Sun, Mugang Lin, Jin Xiang, and Huihuang Zhao. "POFMakeup: A style transfer method for Peking Opera makeup." Computers and Electrical Engineering 104 (December 2022): 108459. http://dx.doi.org/10.1016/j.compeleceng.2022.108459.
Full textDeukchang, Cho. "Historical Evolution of Reformation Movement of Peking Opera and Other Local Opera of Modern China." Science Innovation 4, no. 2 (2016): 35. http://dx.doi.org/10.11648/j.si.20160402.12.
Full textManHoe Cho and 정유선. "CHINA COSTUME ART OF PEKING OPERA: Analytical&its translation." Cross-Cultural Studies 22, no. ll (March 2011): 223–77. http://dx.doi.org/10.21049/ccs.2011.22..223.
Full textSooKyung Oh. "Peking Opera, becoming National Theatre: Representation of Chinese National Art." Journal of East Aisan Cultures ll, no. 62 (August 2015): 111–34. http://dx.doi.org/10.16959/jeachy..62.201508.111.
Full textCHEN, Siyi. "Gender Representations in Peking Opera and Popular Music in China." Creativity and Innovation 4, no. 3 (2020): 163–74. http://dx.doi.org/10.47297/wspciwsp2516-252725.20200403.
Full textHan, Qichao, and Ruifeng Zhang. "Acoustic Analyses of the Singing Vibrato in Traditional Peking Opera." Journal of Voice 31, no. 4 (July 2017): 511.e1–511.e9. http://dx.doi.org/10.1016/j.jvoice.2016.11.016.
Full textGoldstein, J. "Mei Lanfang and the Nationalization of Peking Opera, 1912-1930." positions: east asia cultures critique 7, no. 2 (September 1, 1999): 377–420. http://dx.doi.org/10.1215/10679847-7-2-377.
Full textChan, Pui-Lun. "Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong." TDR/The Drama Review 62, no. 2 (June 2018): 115–29. http://dx.doi.org/10.1162/dram_a_00751.
Full textYaqin, Zhu, and Niu Lili. "A brief analysis of the role of music in Peking Opera." Music Report 1, no. 1 (2019): 28–32. http://dx.doi.org/10.35534/mur.0101005c.
Full textPeng, XU. "Liu Zengfu as One of the Last Connoisseurs ofJingju(Peking Opera)." CHINOPERL 34, no. 1 (July 2015): 78–80. http://dx.doi.org/10.1179/0193777415z.00000000032.
Full textWichmann-Walczak, Elizabeth. "“Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory." TDR/The Drama Review 44, no. 4 (December 2000): 96–119. http://dx.doi.org/10.1162/10542040051058500.
Full textRolston, David L. "Performance Review: Two Decades of Selling Peking Opera White Snakes to Foreigners: From Tourist Peking Opera in Beijing (1996) to Zhang Huoding at Lincoln Center (2015)." CHINOPERL 37, no. 1 (January 2, 2018): 57–74. http://dx.doi.org/10.1080/01937774.2018.1524424.
Full textShzr Ee Tan. "Chinese Street Opera in Singapore, and: Peking Opera and Politics in Taiwan (review)." Asian Music 41, no. 2 (2010): 206–11. http://dx.doi.org/10.1353/amu.0.0064.
Full textYeh, Catherine Vance. "A Public Love Affair or a Nasty Game? The Chinese Tabloid Newspaper and the Rise of the Opera Singer as Star." European Journal of East Asian Studies 2, no. 1 (March 24, 2003): 13–51. http://dx.doi.org/10.1163/15700615-00201003.
Full textWu, Jiede, Yikang Sun, and Rung-Tai Lin. "Less Is More: Audience Cognition of Comic Simplification in the Characters of Peking Opera." Sci 4, no. 1 (January 7, 2022): 2. http://dx.doi.org/10.3390/sci4010002.
Full textLean, Eugenia. "Joshua Goldstein.Drama Kings: Players and Publics in the Recreation of Peking Opera, 1870–1937.:Drama Kings: Players and Publics in the Recreation of Peking Opera, 1870–1937." American Historical Review 113, no. 2 (April 2008): 472. http://dx.doi.org/10.1086/ahr.113.2.472.
Full textChiang, Wei‐Hwa, Wei Lin, and Ya‐Jhen Yu. "Subjective Assessments of Acoustical Environments for Un‐assisted Traditional Peking Opera Performances." Journal of the Acoustical Society of America 123, no. 5 (May 2008): 3097. http://dx.doi.org/10.1121/1.2932952.
Full textRaben, Estelle M. "Peking Opera: The Persistence of Tradition in the People's Republic of China." Journal of Popular Culture 25, no. 4 (March 1992): 53–62. http://dx.doi.org/10.1111/j.0022-3840.1992.00053.x.
Full textGAO, YANG. "‘Purification’ and ‘Hybridization’: (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930." Theatre Research International 47, no. 3 (October 2022): 238–51. http://dx.doi.org/10.1017/s0307883322000220.
Full textGuy, Nancy. "Huju: Traditional Opera in Modern Shanghai. By Jonathan P. J. Stock. [Oxford and New York: Oxford University Press, 2003. 279 pp. £45.00. ISBN 0-19-726273-2.]." China Quarterly 177 (March 2004): 239–41. http://dx.doi.org/10.1017/s0305741004360121.
Full textQing, J. "On the Revolution in Peking Opera (Tan Jingju geming): A Speech from the Plenary Discussion with Performers after the Modern Peking Opera Trial Performance Convention in Beijing, July 1964." Opera Quarterly 26, no. 2-3 (March 1, 2010): 455–59. http://dx.doi.org/10.1093/oq/kbq025.
Full textWen, Mengjun, Hui Ma, Jiaojiao Yang, and Lu Yang. "Main acoustic attributes and optimal values of acoustic parameters in Peking opera theaters." Building and Environment 217 (June 2022): 109041. http://dx.doi.org/10.1016/j.buildenv.2022.109041.
Full textYao, Hai-Hsing. "The Relationship between Percussive Music and the Movement of Actors in Peking Opera." Asian Music 21, no. 2 (1990): 39. http://dx.doi.org/10.2307/834111.
Full textSussman, Sally, and Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance." Theatre Research International 22, no. 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.
Full textGuy, Nancy. "Governing the Arts, Governing the State: Peking Opera and Political Authority in Taiwan." Ethnomusicology 43, no. 3 (1999): 508. http://dx.doi.org/10.2307/852559.
Full textSong, Wen Fei, Wen Ya Tian, and Cai Liang Shen. "A Semantic Metadata Describing Video Information Based on Ontology." Advanced Materials Research 186 (January 2011): 418–22. http://dx.doi.org/10.4028/www.scientific.net/amr.186.418.
Full textZhang, Fengquan, Pingzhe Li, Yahui Gao, Liuqing Xu, and Duo Cao. "A real-time personalized face modeling method for peking opera with depth vision device." Computers & Electrical Engineering 93 (July 2021): 107236. http://dx.doi.org/10.1016/j.compeleceng.2021.107236.
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