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Journal articles on the topic 'Pennsylvania Museum of Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Jacknis, Ira. "Anthropology, Art, and Folklore." Museum Worlds 7, no. 1 (July 1, 2019): 109–33. http://dx.doi.org/10.3167/armw.2019.070108.

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In the great age of museum institutionalization between 1875 and 1925, museums competed to form collections in newly defined object categories. Yet museums were uncertain about what to collect, as the boundaries between art and anthropology and between art and craft were fluid and contested. As a case study, this article traces the tortured fate of a large collection of folk pottery assembled by New York art patron Emily de Forest (1851–1942). After assembling her private collection, Mrs. de Forest encountered difficulties in donating it to the American Museum of Natural History and the Metropolitan Museum of Art. After becoming part of the Philadelphia Museum of Art, it finally found a home at the Pennsylvania State Museum of Anthropology. Emily de Forest represents an initial movement in the estheticization of ethnic and folk crafts, an appropriation that has since led to the establishment of specifically defined museums of folk art and craft.

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2

Cymbala, Amy. "Editorial Notes: Exhibition Complex: Displaying People, Identity, and Culture." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 96–97. http://dx.doi.org/10.5195/contemp.2014.116.

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Editorial Notes on section relating to submissions from the symposium Exhibition Complex: Displaying People, Identity, and Culture held October 18-20, 2012 at the Carnegie Museum of Art, Pittsburgh, Pennsylvania.

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3

Gyllenhaal, Ed. "Glencairn museum, bryn athyn, pennsylvania." Material Religion 2, no. 1 (March 2006): 132–36. http://dx.doi.org/10.2752/174322006778053942.

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4

Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.

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The year 1998 marked the centennial of the birth of artist Ben Shahn (1898–1969). Coupled with the approach of the millennium, which many museums celebrated by surveying the cultural production of the 20th century, the centennial offered the perfect opportunity to mount a major exhibition of Shahn's work (the last comprehensive exhibition had taken place at the Jewish Museum in New York City in 1976). The moment was also propitious because a renewed interest in narrative, figurative art, and political art encouraged scholarly and popular appreciation of Ben Shahn, whose reputation within the history of American art had been eclipsed for many decades by the attention given to the abstract expressionists. The Jewish Museum responded in 1998 with Common Man, Mythic Vision: The Paintings of Ben Shahn, organized by the Museum's curator Susan Chevlowe, with abstract expressionism scholar Stephen Polcari (Figure 1). The exhibition traveled to the Allentown Art Museum in Pennsylvania and closed at the Detroit Institute of Arts in 1999.Smaller Shahn exhibitions then in the planning stages (although not scheduled to open during the centennial year) were to focus on selected aspects of Shahn's oeuvre: the Fogg Museum was to present his little-known New York City photographs of the 1930s in relationship to his paintings, and the Jersey City Museum intended to exhibit his career-launching series, The Passion of Sacco and Vanzetti (1931–32). Knowing this, Chevlowe smartly chose to focus on the later years of Shahn's career and on his lesser-known easel paintings of the post-World War II era. In so doing, Chevlowe challenged viewers to expand their understanding both of the artist and his place in 20th-century American art.

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5

Cort, John E. "Eastern Religions Come to Western Pennsylvania: University Museum and Kipp Gallery, Indiana Museum of Pennsylvania." Material Religion: The Journal of Objects, Art and Belief 2, no. 3 (November 1, 2006): 394–96. http://dx.doi.org/10.2752/174322006778815207.

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Cort, John E. "Eastern religions come to western pennsylvania university museum and kipp gallery, indiana museum of pennsylvania." Material Religion 2, no. 3 (November 2006): 394–96. http://dx.doi.org/10.1080/17432200.2006.11423071.

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7

Kletchka, Dana Carlisle. "Instructional Resources: The Art of Red Grooms: Selections from the Palmer Museum of Art the Pennsylvania State University." Art Education 55, no. 4 (July 2002): 25. http://dx.doi.org/10.2307/3193965.

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8

Tostões, Ana. "David B. Brownlee interviewed by Ana Tostões." Louis I. Kahn – The Permanence, no. 58 (2018): 60–62. http://dx.doi.org/10.52200/58.a.2rykcqpi.

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In February 2018, Ana Tostões interviewed David Brownlee, pioneer researcher on Louis I. Kahn and an historian of modern architecture and professor of the history of art at the University of Pennsylvania, in order to debate Kahn’s realm of ideas and their contemporary significance. David Brownlee was guest curator of the exhibition Louis I. Kahn: In the Realm of Architecture (Museum of Modern Art, New York, 1992), and is co-author of the homonymous book (with David G. De Long, New York, 1991, translated into four other languages) that stands as the first worldwide comprehensive publication on Louis I. Kahn.

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9

Anderson, Martha, and Allen Wardwell. "African Sculpture from the University Museum, University of Pennsylvania." African Arts 22, no. 1 (November 1988): 22. http://dx.doi.org/10.2307/3336685.

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10

Dyson, Robert H. "The Achaemenid painted pottery of Hasanlu IIIA." Anatolian Studies 49 (December 1999): 101–10. http://dx.doi.org/10.2307/3643065.

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This paper presents data on the painted pottery of Hasanlu II/IIIA from an analysis of field records. The excavation programme at Tepe Hasanlu was carried out between 1956 and 1977 for the University of Pennsylvania Museum, the Metropolitan Museum of Art, and the Archaeological Service of Iran. Period II/IIIA, the final pre-Islamic occupation of the site, dates to the Late Achaemenid-Early Hellenistic period. The painted pottery includes Western Triangle Ware, Cream-slipped Bichrome Ware, Brown-line Ware, and Classic Triangle Ware.Site and sequenceHasanlu is one of several large Iron Age mounds in the Qadar River valley at the southern end of Lake Urmia in western Azerbaijan, Iran. It consists of a central Citadel Mound (25m above the plain and about 200m in diameter) surrounded by an Outer Town. It was occupied from about 5500 BC to about 280 BC and again in Islamic times.

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11

Weifang, Li. "Soft Law in Promoting the Return of Zhaoling Two Steeds in Tang Dynasty." Santander Art and Culture Law Review, no. 2 (6) (2020): 293–312. http://dx.doi.org/10.4467/2450050xsnr.20.021.13024.

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It is generally accepted that stolen cultural objects shall be returned, but it is still a more complex and comparatively ambiguous matter when it comes to solving cases left over by history. The Six Stone Horse Reliefs are one of the most influential works of art in Chinese history, but unfortunately the beginning of 20th century witnessed the political and social upheaval of China, which resulted not only in people’s suffering but also in the loss of the cultural relics. The Six Stone Horse Reliefs were stolen and broken in China. Two of the six stone horses, called Sa Luzi and Quan Maogua, were illegally shipped to the United States and today are exhibited at the University Museum of Pennsylvania. While referring to the example of the Six Stone Horse Reliefs, this article puts forward the argument for using soft-law instruments to break through the shortcomings of existing international treaties and the limitations of domestic law.

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12

Topsfield, Andrew. "Stella Kramrisch: Painted delight: Indian paintings from Philadelphia collections, xxii, 195 pp. Philadelphia: Philadelphia Museum of Art and University of Pennsylvania Press, 1986. (Distributed by the University of Pennsylvania Press. £45.)." Bulletin of the School of Oriental and African Studies 51, no. 2 (June 1988): 358. http://dx.doi.org/10.1017/s0041977x00114995.

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13

Nietfeld, Patricia L. "Magnificent Objects from the University of Pennsylvania Museum of Archaeology and Anthropology. Jennifer Quick." Journal of Anthropological Research 61, no. 2 (July 2005): 260–61. http://dx.doi.org/10.1086/jar.61.2.3630879.

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14

Yu, Leqi. "A Problem of Attribution: A Rediscovered Chinese Landscape Painting in the University of Pennsylvania Museum." Arts asiatiques 72, no. 1 (2017): 153–60. http://dx.doi.org/10.3406/arasi.2017.1984.

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15

Vadelorge, Loïc. "European Museums in the Twentieth Century." Contemporary European History 10, no. 2 (July 2001): 307–16. http://dx.doi.org/10.1017/s0960777301002077.

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James D. Herbert, Paris 1937: Worlds on Exhibition (Ithaca: Cornell University Press, 1998), 207 pp., £31.50, ISBN 0-801-43494-7. Andrea Kupfer Schneider, Creating the Musée d'Orsay. The Politics of Culture in France (University Park, PA: Pennsylvania State University Press, 1998), 150 pp., $25.00, ISBN 0-271-01752-X. Juan Pedro Lorente, Cathedral of Urban Modernity. The First Museums of Contemporary Art, 1800–1930 (Aldershot: Ashgate, 1998), £47.50, ISBN 1-859-28383-7. Ministère de la Culture et de la Communication, Direction des Musées de France, Centre national de la Recherche Scientifique, Centre de Sociologie des Organisations, Musée National du Moyen Age, Publics et projets culturels. Un enjeu des musées en Europe. Actes des Journées d'étude 26 et 27 octobre 1998, Paris, Musée national du Moyen Age (Paris: L'Harmattan, 2000), price not given, ISBN 2-738-48645-2. Paul Rasse, Les Musées à la lumière de l'espace public. Histoire, évolution, enjeux (Paris: L'Harmattan, Logiques Sociales, 1999), 238 pp., price not given, ISBN 2-738-47769-0. Selma Reuben Holo, Beyond the Prado. Museums and Identity in Democratic Spain (Liverpool University Press, 1999), 222 pp., price not given, ISBN 0-853-23535-X. Brandon Taylor, Art for the Nation. Exhibitions and the London Public 1747–2001 (Manchester University Press, 1990), 314 pp., price not given, ISBN 0-719-05452-4.

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16

Langin-Hooper, Stephanie M. "SELEUCID-PARTHIAN FIGURINES FROM BABYLON IN THE NIPPUR COLLECTION: IMPLICATIONS OF MISATTRIBUTION AND RE-EVALUATING THE CORPUS." Iraq 78 (October 17, 2016): 49–77. http://dx.doi.org/10.1017/irq.2016.3.

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This article formally documents an important correction to the provenance attribution of three reclining female figurines from Babylon that reside in the Nippur collection at the University of Pennsylvania Museum and were published with that corpus. Few scholars have noticed the misattribution of these figurines, and the problem has not been formally documented for scholarship. Through historiographical analysis of the late nineteenth century Nippur Expeditions and early twentieth century cataloguing and publication of the Nippur corpus, this article reconstructs how and why these three reclining figurines have been continually misassociated with Nippur, and traces the continued impact of this confusion on scholarship's understanding of the Nippur figurine tradition. Most critically, the publication of these three figurines as Nippur objects lent credence to the testimony of an antiquities dealer who sold an additional eight reclining figurines “from Nippur” to the Harvard Semitic Museum; these figurines continue to be regarded as Nippur objects. This article casts doubt upon that provenance. The figurine tradition of Seleucid-Parthian Nippur is reevaluated in light of the absence of securely-provenanced reclining female figurines at that site. An art historical evaluation of these figurines is undertaken, which links these figurines to the general use of hybrid Greek-Babylonian imagery in Seleucid-Parthian figurines, and connects the specific motif of the reclining figure to Greek banqueting imagery. It is proposed that the Nippur community's lack of interest in reclining female figurines can be correlated with a disinterest in pan-Hellenistic ceramic tablewares; together, these lacunae indicate Nippur's non-participation in negotiated Greek-Babylonian banqueting practices. These differences in cross-cultural interaction between Nippur and the neighboring Babylonian communities have not been fully recognized nor explored, due to scholarship's misunderstanding of the use of reclining female figurines at that site. It is this confusion that this article attempts to resolve.

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17

Augustyn, Frederick J. "Things American: Art Museums and Civic Culture in the Progressive Era JeffreyTrask. Philadelphia: University of Pennsylvania Press, 2012." Journal of American Culture 36, no. 4 (December 2013): 405–6. http://dx.doi.org/10.1111/jacc.12097.

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18

Schupbach, William. "Diane R. Karp, Ars medica. Art, medicine, and the human condition (Catalogue of an exhibition in the Philadelphia Museum of Art), Philadelphia, University of Pennsylvania Press, 1985, 4to, pp. xiv, 231, illus., [no price stated]." Medical History 31, no. 3 (July 1987): 381–82. http://dx.doi.org/10.1017/s0025727300047153.

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19

Greenthal, Kathryn. "American Sculpture in the Museum of American Art of the Pennsylvania Academy of the Fine Arts. Susan James-Gadzinski , Mary Mullen CunninghamAmerican Sculpture in the Metropolitan Museum of Art: Volume 1. A Catalogue of Works by Artists Born before 1865. Thayer Tolles , Lauretta Dimmick , Donna J. Hassler." Archives of American Art Journal 39, no. 1/2 (January 1999): 43–45. http://dx.doi.org/10.1086/aaa.39.1_2.1557869.

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20

Manhag, Andreas, and Hanna Wittrock. "In search of New Sweden: discovering the ‘American curiosities’ of Samuel Hesselius." Journal of the History of Collections 31, no. 2 (September 6, 2018): 239–56. http://dx.doi.org/10.1093/jhc/fhy028.

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Abstract In 1736 Samuel Hesselius, former pastor for the Swedish parishes in Pennsylvania, donated a collection of ‘American curiosities’ to Lund University in Sweden. Within less than twenty years, however, the collection had apparently disappeared. In the course of the past three decades the lost ethnographic artefacts have received increasing attention, but for a variety of reasons the collection has remained undetected – despite its importance having been highlighted by scholars from several academic fields since 1871 and despite the fact that the majority of the ethnographic artefacts ultimately turned out to have been on public display throughout this period (albeit with erroneous provenances) at the Historical Museum. Through examination of the archives and collections of Lund University, we have now been able to trace Hesselius’s ethnographic material – one of the oldest and largest collections of its kind – so that it now provides an invaluable snapshot of early eighteenth-century America.

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21

CLEEVELY, R. J. "MAGEE, J. The art and science of William Bartram. The Pennsylvania State University Press, University Park, Pennsylvania, co-published with the Natural History Museum, London: 2007. Pp xii, 264; illustrated. Price £ 25.00 (hardback). ISBN 978-0-271-02914-6." Archives of Natural History 35, no. 1 (April 2008): 180–81. http://dx.doi.org/10.3366/e026095410800020x.

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22

Steinkeller, Piotr. "The Sumerian Dictionary of the University Museum of the University of Pennsylvania. Vol. 2 B. Åke W. Sjöberg." Journal of Near Eastern Studies 46, no. 1 (January 1987): 55–59. http://dx.doi.org/10.1086/373217.

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23

Lavin, Lucianne. "Prehistoric Cultures of Eastern Pennsylvania. Jay F. Custer 1996. Pennsylvania Historical and Museum Commission, Harrisburg. xii + 383 pp., 103 figures, 28 tables, references cited, general index, site index. $29.95 (cloth)." American Antiquity 62, no. 4 (October 1997): 750–52. http://dx.doi.org/10.2307/281903.

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24

Whalen, Catherine L. "Wallace Nutting and the Invention of Old AmericaWallace Nutting and the Invention of Old America. Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June 6 to October 19, 2003; Allentown Art Museum, Allentown, Pennsylvania, February 22 to May 23, 2004.Thomas Andrew Denenberg. Wallace Nutting and the Invention of Old America. New Haven: Yale University Press for the Wadsworth Atheneum Museum of Art, 2003. xii+228 pp.; 160 illustrations, bibliography, index. $39.95." Winterthur Portfolio 39, no. 2/3 (June 2004): 173–82. http://dx.doi.org/10.1086/433199.

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25

Carruthers, William. "Credibility, civility, and the archaeological dig house in mid-1950’s Egypt." Journal of Social Archaeology 19, no. 2 (January 23, 2019): 255–76. http://dx.doi.org/10.1177/1469605318824689.

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This article argues that forms of civility governing who possessed the credibility to carry out archaeological fieldwork in Egypt changed during the post-Second World War era of decolonization. Incorporating Arabic sources, the article focuses on the preparation of a dig house used during an excavation run by the Egyptian Department of Antiquities and the University Museum of the University of Pennsylvania at the site of Mit Rahina, Egypt, in the mid-1950s. The study demonstrates how the colonial genealogies of such structures converged with political changes heralded by the rise of Egypt's President Nasser. Preparing the dig house, Euro-American archaeologists involved with the excavation had to abide by social norms practiced by the Egyptians who had recently taken charge of the Department of Antiquities. Given that these norms often perpetuated older hierarchies of race, gender, and class, however, the article questions what the end of colonialism actually meant for archaeology in Egypt and elsewhere.

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26

Genz, Hermann. "The Sea Peoples and Their World: A Reassessment. Edited by Eliezer D. Oren. University Museum Monograph 108. University Museum Symposium Series 11. Philadelphia: University Museum, University of Pennsylvania, 2000. Pp. xx + 360 + 146 figs. + 5 tables. $59." Journal of Near Eastern Studies 63, no. 2 (April 2004): 130–33. http://dx.doi.org/10.1086/422282.

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27

Abdi, Kamyar. "Michael D. DantiThe Ilkhanid Heartland: Hasanlu Tepe (Iran) Period I.2004 University of Pennsylvania Museum of Archaeology and Anthropology Hasanlu Excavation Reports, vol. 2. University Museum Monograph 120. Philadelphia $49.95." Journal of Near Eastern Studies 69, no. 1 (April 2010): 123–24. http://dx.doi.org/10.1086/654966.

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28

Brownlee, David B. "Review: The Louis I. Kahn Archive Personal Drawings: The Completely Illustrated Catalogue of the Drawings in the Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission by Louis I. Kahn." Journal of the Society of Architectural Historians 49, no. 2 (June 1, 1990): 227–28. http://dx.doi.org/10.2307/990488.

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29

Wojtowicz, Robert. "A Model House and a House's Model: Reexamining Frank Lloyd Wright's House on the Mesa Project." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 522–51. http://dx.doi.org/10.2307/25068203.

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This article examines Frank Lloyd Wright's House on the Mesa project, which, despite its familiarity to most historians of twentieth-century architecture, has never been thoroughly studied within the general context of Wright's expansive oeuvre and the specific circumstances of the Museum of Modern Art's 1932 Modern Architecture: International Exhibition. Numerous drawings for the project survive in the Frank Lloyd Wright Archives at Taliesin West, although only photographic evidence survives of the original model. Scattered references to the project appear in Wright's writings, most notably his correspondence with wealthy Denver businessman George Cranmer, whose family served as a kind of inspirational muse for the architect. Of special importance is a letter from Wright to critic Lewis Mumford recently discovered in the Lewis Mumford Papers at the University of Pennsylvania. Handwritten on the back of a photograph of the project's model, Wright's letter sheds new light on some of the project's technical innovations, which included textile-block walls, cantilevered roofs, and stepped casements. Less a response to the International Style, as is commonly held, the project was Wright's model of individualized, machine-age luxury for a merit-based democracy.

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30

Papazian, Hratch. "Slab Stelae of the Giza Necropolis. By Peter Der Manuelian. Publications of the Pennsylvania‐Yale Expedition to Egypt, no. 7. New Haven and Philadelphia: The Peabody Museum of Natural History of Yale University and The University of Pennsylvania Museum of Archaeology and Anthropology, 2003. Pp. xxxiv + 244. $125." Journal of Near Eastern Studies 68, no. 1 (January 2009): 59–60. http://dx.doi.org/10.1086/598078.

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31

Fisher, Michael T. "The New Chronology of the Bronze Age Settlement of Tepe Hissar, Iran. By A. Gürsan-Salzmann. University Museum Monographs 142. Philadelphia: University of Pennsylvania Museum, 2016. Pp. 408 + 176 figs. + 27 tables. $69.95 (cloth)." Journal of Near Eastern Studies 77, no. 2 (October 2018): 316–18. http://dx.doi.org/10.1086/699536.

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32

Robertson, Jack. "THE ANNUAL EXHIBITION RECORD OF THE PENNSYLVANIA ACADEMY OF FINE ARTS: 1807–1870. Vol. 1. Peter Hastings FalkMONTREAL MUSEUM OF FINE ARTS, FORMERLY ART ASSOCIATION OF MONTREAL: SPRING EXHIBITIONS 1880–1970. Evelyn de R. McMann." Art Documentation: Journal of the Art Libraries Society of North America 8, no. 2 (July 1989): 91–92. http://dx.doi.org/10.1086/adx.8.2.27948055.

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33

Ceserani, Giovanna. "(M.J.) Becker and (P.P.) Betancourt Richard Berry Seager. Pioneer Archaeologist and Proper Gentleman. Philadelphia: U. of Pennsylvania Museum, 1997. Pp. xiv + 225. 924171472. $20." Journal of Hellenic Studies 122 (November 2002): 200–201. http://dx.doi.org/10.2307/3246247.

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34

Novacek, Gabrielle. "Early Beth Shan (Strata XIX–XIII): G. M. FitzGerald’s Deep Cut on the Tell. By Eliot Braun. University Museum Monograph 121. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2004. Pp. xiv + 194 + 119 figs. $49.95." Journal of Near Eastern Studies 67, no. 4 (October 2008): 302–4. http://dx.doi.org/10.1086/596080.

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35

Simek, Jan F. "The Middle Paleolithic: Adaptation, Behavior, and Variability. Harold L. Dibble and Paul Mellars, editors. University Museum Monograph 72, Symposium Series IV. The University Museum, University of Pennsylvania, Philadelphia, 1992. x + 216 pp., figures, tables, references cited. $50.00 (cloth)." American Antiquity 60, no. 4 (October 1995): 773–74. http://dx.doi.org/10.2307/282064.

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Greene, Joseph A., William P. Anderson, Issam A. Khalifeh, Robert B. Koehl, and James B. Pritchard. "Sarepta I, the Late Bronze and Early Iron Age Strata of Area II, Y: The University Museum of the University of Pennsylvania Excavations at Sarafand, Lebanon." Journal of the American Oriental Society 112, no. 3 (July 1992): 504. http://dx.doi.org/10.2307/603101.

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37

Backer, Anna. "The Middle Paleolithic Site of Combe-Capelle Bas (France). Harold Dibble and Michel Lenoir, editors. University Museum Monograph 91. University of Pennsylvania Museum of Anthropology and Archaeology, Philadelphia, 1995. xxi + 363 pp., figures, tables, appendixes, references cited. $40.00 (cloth)." American Antiquity 62, no. 1 (January 1997): 164–65. http://dx.doi.org/10.2307/282401.

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38

Cook, R. M. "Cyrene.The extramural sanctuary of Demeter and Persephone at Cyrene, Libya: final reports. Ed. D. White. 2. The East Greek, Island and Laconian pottery. By G. P. Schaus. (Pennsylvania University Museum monograph, 56.) Philadelphia: Pennsylvania University Museum (for Libyan Department of Antiquities, Tripoli). 1985. Pp. xxii + 140, [44] plates (1 col.), 8 text figs., 2 plans. Price not stated." Journal of Hellenic Studies 107 (November 1987): 255–56. http://dx.doi.org/10.2307/630167.

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39

Biggs, Robert D. "Two Lyres from Ur. By Maude de Schauensee. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2003. Pp. xix + 125 + 8 figs. + 51 pls. $29.95 (cloth)." Journal of Near Eastern Studies 64, no. 4 (October 2005): 313–14. http://dx.doi.org/10.1086/498375.

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40

Goffen, Rona. "Elizabeth Cropper, with Charles Dempsey, Francesco Solinas and Anna Nicolò, and Francesca Consagra. Pietro Testa 1612-1650: Prints and Drawings. Philadelphia Museum of Art: University of Pennsylvania Press, 1988. 1 color pl. + 128 pls. + 139 illus. + civ + 298 pp. $44.95." Renaissance Quarterly 44, no. 4 (1991): 845–47. http://dx.doi.org/10.2307/2862498.

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41

Tomlinson, R. A. "Cyrene. The extramural sanctuary of Demeter and Persephone at Cyrene, Libya. Final reports Ed. D. White 1. Background and introduction to the excavations. By D. White. (Pennsylvania University Museum monograph, 52.) Philadelphia: Pennsylvania University Museum and Tripoli: Libyan Department of Antiquities. 1984. Pp. xx + 143, [124[ illus. (incl. plates, text figs., maps, plans (7 folding, 2 in rear pocket)). Price not stated." Journal of Hellenic Studies 106 (November 1986): 246–47. http://dx.doi.org/10.2307/629717.

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42

Abdi, Kamyar. "A Central Asian Village at the Dawn of Civilization, Excavations at Anau, Turkmenistan. By Fredrik T. Hiebert with, Kakamurad Kurbansakhatov. University Museum Monograph 116. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2003. Pp. xviii + 238 + 162 figs. + 41 tables. $75." Journal of Near Eastern Studies 68, no. 4 (October 2009): 308–10. http://dx.doi.org/10.1086/649615.

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43

Fash, William L. "Maya Rulers of Time, A Study of Architectural Sculpture at Tikal, Guatemala. Arthur G. Miller. University Museum, University of Pennsylvania, Philadelphia, 1986. 96 pp., illustrations, appendix, biblio. $24.95 (paper)." American Antiquity 54, no. 1 (January 1989): 211. http://dx.doi.org/10.2307/281354.

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44

Rice, Danielle. "Jeffrey Trask. Things American: Art Museums and Civic Culture in the Progressive Era. Philadelphia: University of Pennsylvania Press, 2012. xi+312 pp.; 35 black-and-white illustrations, notes, index. $39.95." Winterthur Portfolio 48, no. 1 (March 2014): 109–10. http://dx.doi.org/10.1086/675775.

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45

Rice, Don S. "The Settlement Survey of Tikal. Dennis E. Puleston. Tikal Report No. 13, University Museum Monograph 48, William Haviland, volume editor. University of Pennsylvania, 1983. xiii + 50 pp., illustrations, biblio., appendices. $27.00 (cloth). - The Graffiti of Tikal. Helen Trik and Michael E. Kampen. Tikal Report No. 31, University Museum Monograph 57, William R. Coe, volume editor. University of Pennsylvania, 1983. v + 11 pp., illustrations, biblio., appendix. $26.00 (cloth)." American Antiquity 51, no. 4 (October 1986): 882. http://dx.doi.org/10.2307/280885.

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46

Rovner, Irwin. "Current Research in Phytolith Analysis: Applications in Archaeology and Paleoecology. Deborah M. Pearsall and Dolores R. Piperno, editors. MASCA Research Papers in Science and Archaeology, Vol. 10. Museum Applied Science Center for Archaeology, University Museum, University of Pennsylvania, 1993. 212 pp., figures, tables, references, indexes. $35.00 (cloth)." American Antiquity 61, no. 2 (April 1996): 430–31. http://dx.doi.org/10.2307/282444.

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Guralnick, Eleanor. "The Archaeology of Midas and the Phrygians: Recent Work at Gordion. Edited by Lisa Kealhofer. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2005. Pp. vi + 258 + 139 figs. $49.95." Journal of Near Eastern Studies 68, no. 1 (January 2009): 62–63. http://dx.doi.org/10.1086/598081.

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Shea, John J. "Handbook of Paleolithic Typology: Volume One, Lower and Middle Paleolithic of Europe. Andre Debenath and Harold L. Dibble. University Museum, University of Pennsylvania, 1994. xi + 202 pp., illustrations, appendixes, bibliography, index. $60.00 (paper)." American Antiquity 60, no. 4 (October 1995): 765–66. http://dx.doi.org/10.2307/282058.

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Burke, Ariane M. "Before Farming: Hunter-Gatherer Society and Subsistence. Douglas V. Campana editor. 1995. MASCA Research Papers, Supplement 12. University Museum Publications, University of Pennsylvania, Philadelphia, v + 117 pp., 34 figures, 16 tables, references. $25.00 (cloth)." American Antiquity 62, no. 4 (October 1997): 761–62. http://dx.doi.org/10.2307/281912.

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Droke, Julie. "Preserving Field Records: Archival Techniques for Archaeologists and Anthropologists. Mary Anne Kenworthy, Eleanor M. King, Mary Elizabeth Ruwell, and Trudy Van Houten. University Museum, University of Pennsylvania, Philadelphia, 1985. ix + 102pp., biblio. $12.95 (paper)." American Antiquity 54, no. 1 (January 1989): 222. http://dx.doi.org/10.2307/281373.

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