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Books on the topic 'Perception des objets'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

E, Shepp Bryan, and Ballesteros Soledad, eds. Object perception: Structure and process. Lawrence Erlbaum Associates, 1989.

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2

de, Graef Peter, Jolicoeur Pierre, and Ydewalle Géry d', eds. Object perception and scene analysis. Canadian Psychological Association, 1992.

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3

1932-, Jansson Gunnar, Bergström Sten Sture 1930-, Epstein William 1931-, and Johansson Gunnar 1911-, eds. Perceiving events and objects. L. Erlbaum Associates, 1994.

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4

1947-, Floch Jean-Marie, ed. Analyse sémiotique de la perception d'un objet naturel. PULIM, 1996.

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5

Kaiser, Jochen, and Marcus Johannes Naumer, eds. Multisensory Object Perception in the Primate Brain. Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5615-6.

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6

Naumer, Marcus J., and Jochen Kaiser. Multisensory object perception in the primate brain. Springer, 2010.

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7

name, No. Perception of faces, objects, and scenes: Analytic and holistic processes. Oxford University Press, 2003.

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8

1950-, Peterson Mary A., and Rhodes Gillian, eds. Perception of faces, objects, and scenes: Analytic and holistic processes. Oxford University Press, 2003.

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9

Pompe, Ulrike. Perception and cognition: The analysis of object recognition. Mentis, 2011.

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10

Leśniak-Rychlak, Dorota. Impossible objects. Zachęta National Gallery of Art, 2014.

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11

Intuition et idéalités: Phénoménologie des objets mathématiques. PUF, 2020.

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12

Future of Museum and Gallery Design: Purpose, Process, Perception. Taylor & Francis Group, 2018.

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13

Future of Museum and Gallery Design: Purpose, Process, Perception. Taylor & Francis Group, 2018.

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14

Hing-Kay, Oscar Ho, Jonathan Hale, Suzanne MacLeod, and Tricia Austin. Future of Museum and Gallery Design: Purpose, Process, Perception. Taylor & Francis Group, 2018.

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15

Hing-Kay, Oscar Ho, Jonathan Hale, Suzanne MacLeod, and Tricia Austin. Future of Museum and Gallery Design: Purpose, Process, Perception. Taylor & Francis Group, 2018.

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16

French, Craig. Object Seeing and Spatial Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199666416.003.0006.

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This chapter considers the Spatiality Claim: if one sees an object then one sees some of that object’s spatial properties. The author considers an argument for this given by Cassam (2007), and challenges Cassam’s argument. His argument involves the idea, inspired by Dretske (1969), that seeing an object requires visual differentiation. But, it is argued here, there are prima facie counter-examples to the visual differentiation condition. Next, the author discusses the Spatiality Claim directly, and defends it against potential counter-examples which come from reflection on empirical cases wher

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17

Casati, Roberto, and Mohan Matthen. Object Perception. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199600472.013.019.

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18

Shepp, Bryan E., and Soledad Ballesteros, eds. Object Perception. Psychology Press, 2013. http://dx.doi.org/10.4324/9780203762851.

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19

Perception and Its objects. Oxford University Press, 2011.

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20

Brewer, Bill. Perception and Its Objects. Oxford University Press, 2011.

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21

Brewer, Bill. Perception and Its Objects. Oxford University Press, 2013.

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22

Perception and Its Objects. Oxford University Press, Incorporated, 2011.

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23

Marušić, Jennifer Smalligan. Berkeley on the Objects of Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755685.003.0004.

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In the first of the Three Dialogues between Hylas and Philonous, Hylas distinguishes two parts or aspects of every perception, namely a sensation, which is an act of mind, and an object immediately perceived. Hylas concedes that sensations can exist only in a mind, but maintains that the objects immediately perceived have a real existence outside the mind; they are qualities of material objects. This distinction and Philonous’s response to it are the topic of this essay. It considers the implications of this response for understanding Berkeley’s theory of perception and concludes that it suppo

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24

Barwich, Ann-Sophie. Measuring the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779636.003.0017.

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How much does stimulus input shape perception? The common-sense view is that our perceptions are representations of objects and their features and that the stimulus structures the perceptual object. The problem for this view concerns perceptual biases as responsible for distortions and the subjectivity of perceptual experience. These biases are increasingly studied as constitutive factors of brain processes in recent neuroscience. In neural network models the brain is said to cope with the plethora of sensory information by predicting stimulus regularities on the basis of previous experiences.

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25

and, Bruno. Object Perception and Recognition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198725022.003.0004.

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Perceived objects are unitary entities that enter our consciousness as organized wholes distinct from other entities and from empty parts of the environment, that are amenable to bodily interactions, and that possess several features such as a three-dimensional structure, a location in space, a colour, a texture, a weight, a degree of rigidity, an odour, and so on. In this chapter, we will discuss perceptual processes responsible for forming such units within and between sensory channels, typically for the purpose of recognition. Our discussion of multisensory interactions in object perception

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26

Bruno, Nicola, and Francesco Pavani. Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198725022.001.0001.

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Perception: A Multisensory Perspective examines multisensory interactions as the key process behind how we perceive our own body, control its movements, perceive and recognize objects, respond to edible objects, perceive space, and perceive time. In addition, the book discusses multisensory processing in synaesthesia, multisensory attention, and the role of multisensory processing in learning. Multisensory phenomena in these domains are used to identify general principles, to introduce formal models, to present experimental methods, to discuss pathologies, and to illustrate applications within

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27

Shiffrar, Maggie. The Aperture Problem. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0076.

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The accurate visual perception of an object’s motion requires the simultaneous integration of motion information arising from that object along with the segmentation of motion information from other objects. When moving objects are seen through apertures, or viewing windows, the resultant illusions highlight some of the challenges that the visual system faces as it balances motion segmentation with motion integration. One example is the barber pole Illusion, in which lines appear to translate orthogonally to their true direction of emotion. Another is the illusory perception of incoherence whe

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28

Brewer, Bill. Objects and the Explanation of Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809630.003.0011.

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Persisting macroscopic material objects play a fundamental role in our commonsense understanding of the world around us, and this is central to our appreciation of their status as mind-independent things. I offer a characterization of one central aspect of this explanatory role and elaborate a conception of such objects themselves that I argue is essential to their playing it. I conclude that the objects that play this fundamental explanatory role meet the conception that I elaborate. The material objects that we encounter in perception are evidently independent of our perceptions of them; and

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29

Perception of Faces, Objects, and Scenes. Oxford University Press, 2007.

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30

Stoneham, Tom. Some Issues in Berkeley’s Account of Sense Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755685.003.0003.

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This paper engages with the debate of how Berkeley reconciles restricting the objects of sense perception to what is immediately perceived with allowing that ordinary physical objects are amongst the objects of perception. Pitcher’s (1986) argument that Berkeley did not take the claim that we perceive ordinary physical objects to be ‘strictly true’ is rejected before we move to the debate between Pappas (2000) and Dicker (2006) about whether Berkeley equivocates about the definition of ‘immediate perception’ in a way which undermines his position. They agree that Hylas must accept indirect rea

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31

Object Perception: Structure and Process. Lawrence Erlbaum, 1989.

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32

Ballesteros, Soledad, and Bryan E. Shepp. Object Perception: Structure and Process. Taylor & Francis Group, 2013.

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33

Ballesteros, Soledad, and Bryan E. Shepp. Object Perception: Structure and Process. Taylor & Francis Group, 2013.

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34

Ballesteros, Soledad, and Bryan E. Shepp. Object Perception: Structure and Process. Taylor & Francis Group, 2013.

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35

(Editor), Bryan E. Shepp, and Soledad Ballesteros (Editor), eds. Object Perception: Structure and Process. Lawrence Erlbaum, 1989.

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36

Ballesteros, Soledad, and Bryan E. Shepp. Object Perception: Structure and Process. Taylor & Francis Group, 2013.

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37

Perception: From Sense to Object. Taylor & Francis Group, 2017.

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38

Perception: From Sense to Object. Taylor & Francis Group, 2017.

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39

Perception: From Sense to Object. Taylor & Francis Group, 2017.

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40

Cunningham, J. J. Are Perceptual Reasons the Objects of Perception? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809630.003.0012.

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This paper begins with a Davidsonian puzzle in the epistemology of perception and introduces two solutions to that puzzle: the Truth-Maker View (TMV) and the Content Model. The paper goes on to elaborate TMV, elements of which can be found in the work of Kalderon (2011) and Brewer (2011). The central tenant of TMV is the claim that one’s reason for one’s perceptual belief should, in all cases, be identified with some item one perceives which makes the proposition believed true. I defend an argument against TMV which appeals to (a) the claim that the reason for which one believes should always

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41

Epstein, William, Gunnar Jansson, Sten Sture Bergstr"m, and Sten Sture Bergstrom. Perceiving Events and Objects. Taylor & Francis Group, 2013.

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42

Epstein, William, Gunnar Jansson, Sten Sture Bergstr"m, and Sten Sture Bergstrom. Perceiving Events and Objects. Taylor & Francis Group, 2013.

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43

Epstein, William, Gunnar Jansson, Sten Sture Bergstr"m, and Sten Sture Bergstrom. Perceiving Events and Objects. Taylor & Francis Group, 2013.

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44

Epstein, William, Gunnar Jansson, Sten Sture Bergstr"m, and Sten Sture Bergstrom. Perceiving Events and Objects. Taylor & Francis Group, 2013.

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45

Epstein, William, Gunnar Jansson, and Sten Sture Bergström. Perceiving Events and Objects. Taylor & Francis Group, 2015.

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46

Space, objects, minds, and brains. Psychology Press, 2004.

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47

Sound Objects. Duke University Press, 2019.

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48

Chow, Rey, and James A. Steintrager. Sound Objects. Duke University Press, 2018.

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49

Sitskoorn, Margriet M. Infant perception of dynamic object relations. Labyrint, 1994.

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50

The perception of multiple objects: A connectionist approach. MIT Press, 1991.

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