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Relevant bibliographies by topics / Perception of art

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Academic literature on the topic 'Perception of art'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 June 2025

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Journal articles on the topic "Perception of art"

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Teodora, Hubenco. "Artistic Perception of Visual Art Works - Imperative of Art Education." Journal of Educational Theory and Practice DIDACTICA PRO... 22, no. 2-3 (132-133) (June 22, 2022): 20–23. https://doi.org/10.5281/zenodo.6685274.

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 The complexity of artistic perception is defined by the contradictions between subjective and objective, by the rapport between the rational and the emotional, real perceptions and creative abilities. Artistic perception is a complex matter that requires a multilayered approach: the development of perception in an emotional-logical way; the union of the act of artistic creation with the act of artistic perception; the decoding of the visual creative language through the lens of the sensibilities of the individual receptor; the manifestation of the received message by the receptor; the understanding of the author’s message in the visual work of art; the artistic communication of the receptor with the author of the visual art via his/her work.   

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Young, Bernard. "Children' Perception about Art." Art Education 38, no. 6 (November 1985): 47. http://dx.doi.org/10.2307/3192879.

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Herman, Amy E. "The Art of Perception." Journal of Museum Education 36, no. 1 (March 2011): 81–89. http://dx.doi.org/10.1080/10598650.2011.11510686.

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Pavia, Luke, Simon Grima, Inna Romanova, and Jonathan V. Spiteri. "Fine Art Insurance Policies and Risk Perceptions: The Case of Malta." Journal of Risk and Financial Management 14, no. 2 (February 6, 2021): 66. http://dx.doi.org/10.3390/jrfm14020066.

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The aim of this paper is to identify the risks that need to be addressed when holding fine art, determine which are perceived as being the most important, and whether the risk perception is influenced by demographic variables such as age, educational background, and field of occupation. To identify the risks and evaluate the risk perception, we used a purposely designed questionnaire and sent it via various sources of communication systems and applications to individuals knowledgeable on fine arts. Findings revealed that, generally, art deterioration, art fraud, and art theft are the three main highlighted risks, with art deterioration considered in the high-risk range. In terms of risk perception, forgery is the biggest concern. On the other hand, considerations of the investment value of art lessened perceived risk exposure. Furthermore, the study has shown that certain risk perceptions were influenced by the participants’ demographic variables. Both the identified risks and risk perception considerations analyzed within this study provide us with insights as to what needs to be considered when offering fine art insurance, particularly when it comes to which risks that are perceived as being the most pressing by potential policyholders, and how these perceptions vary according to individual demographics variables as noted above.

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Pawlik, Jacek Jan. "Perception/Reception." Roczniki Kulturoznawcze 13, no. 4 (December 31, 2022): 145–47. http://dx.doi.org/10.18290/rkult22134.20.

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The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.

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Sasmita, Husni. "Persepsi Siswa terhadap Kurikulum 2013 Mata Pelajaran Seni Budaya Pada Kelas VII.3 di SMP Negeri 13 Pekanbaru Tahun pelajaran 2016/2017." Instructional Development Journal 1, no. 1 (June 30, 2018): 22. http://dx.doi.org/10.24014/idj.v1i1.6417.

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This study aims to determine and describe student perceptions towards the 2013 curriculum on art and culture subjects (music arts) in Public Middle School 13 Pekanbaru. The perception in question is the response of students to the 2013 curriculum in the eye art and culture lessons (music arts). Based on the results of this study, it can be concluded that students in the State Junior High School 13 Pekanbaru in the 2016/2017 school year have a good perception 2013 curriculum. This is evidenced from 40 respondents, there are 10 students (25%) have a good perception, 18 students (45%) have fairly good perceptions high and there are 9 students (22.5%) who have poor / less high perceptions, 3 students (7.5%) have very poor perceptions.

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Anak, Agung Sagung Sawitri, Nyoman Sutarsa I, Parwati Merati Tuti, Bakta Made, and Nyoman Wirawan Dewa. "Perceptions dynamics about antiretroviral treatment among HIV patients in Bali." International Journal of Public Health Science (IJPHS) 10, no. 3 (September 1, 2021): 500~507. https://doi.org/10.11591/ijphs.v10i3.20917.

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Perceptions of people living with HIV and AIDS (PLHIV) about antiretroviral treatment (ART) is crucial for improving adherence. This study aims to examine the dynamics of perceptions during the early phase of ART. A longitudinal study involving newly diagnosed PLHIV was conducted. Interviews were carried out at the time of HIV diagnosis and at three months after ART initiation. Data were analyzed by comparing proportion of good perception across the continuum of HIV diagnosis, ART initiation and three-months follow-up, and were tested using Chi-square. From 170 PLHIV participated in the study, 81.76% had initiated ART and 73.4% remained on ART at three-months of follow-up. Several positive perception items were significantly decreased: ability to take ART at work and ability to continue treatment if experiencing side effects, effectiveness of ART, confidentiality, unwanted disclosure, and level of support from outreach workers. Ability to follow instruction from physician was significantly increased, and negative attitudes toward ART were decreased across the continuum. Adherence to ART is a continuous process, and is influenced by the dynamics perceptions among PLHIV. Understanding these dynamics is crucial to formulate strategies that can promote and maintain positive attitudes toward ART as well as living with HIV more broadly.

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Sawitri, Anak Agung Sagung, I. Nyoman Sutarsa, Tuti Parwati Merati, Made Bakta, and Dewa Nyoman Wirawan. "Perceptions dynamics about antiretroviral treatment among HIV patients in Bali." International Journal of Public Health Science (IJPHS) 10, no. 3 (September 1, 2021): 500. http://dx.doi.org/10.11591/ijphs.v10i3.20917.

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Perceptions of people living with HIV and AIDS (PLHIV) about antiretroviral treatment (ART) is crucial for improving adherence. This study aims to examine the dynamics of perceptions during the early phase of ART. A longitudinal study involving newly diagnosed PLHIV was conducted. Interviews were carried out at the time of HIV diagnosis and at three months after ART initiation. Data were analyzed by comparing proportion of good perception across the continuum of HIV diagnosis, ART initiation and threemonths follow-up, and were tested using Chi-square. From 170 PLHIV participated in the study, 81.76% had initiated ART and 73.4% remained on ART at three-months of follow-up. Several positive perception items were significantly decreased: ability to take ART at work and ability to continue treatment if experiencing side effects, effectiveness of ART, confidentiality, unwanted disclosure, and level of support from outreach workers. Ability to follow instruction from physician was significantly increased, and negative attitudes toward ART were decreased across the continuum. Adherence to ART is a continuous process, and is influenced by the dynamics perceptions among PLHIV. Understanding these dynamics is crucial to formulate strategies that can promote and maintain positive attitudes toward ART as well as living with HIV more broadly.

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MacQueen, J. C. "Pure Perception: God as Art." International Journal of Religion and Spirituality in Society 1, no. 1 (2011): 45–56. http://dx.doi.org/10.18848/2154-8633/cgp/v01i01/51192.

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Gorglione, Nancy, and Brigitte Burgmer. "Holographic Art: Perception, Evolution, Future." Leonardo 22, no. 3/4 (1989): 439. http://dx.doi.org/10.2307/1575414.

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Dissertations / Theses on the topic "Perception of art"

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Phillips, Jessica. "The art of perception." This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Hawes, Robin J. "Art and visual perception : what value do contemporary theories of visual perception have for art practice?" Thesis, Cardiff Metropolitan University, 2014. http://hdl.handle.net/10369/6524.

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Hillard, Wonda Y. "An Art Educators' Perception of an Art Professional Development Workshop." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6578.

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There are no guidelines in South Carolina for developing workshops that reflect the needs of art educators, and there are no tools to evaluate and support their professional development. The problem is a lack of informative, substantive, and academically oriented art inservices that are standards-based and focused on the enhancement of pedagogy, teaching strategies, and content. The purpose of this case study was to explore participants' perceptions of an art professional development workshop as an approach to examining art standards, instructional strategies, and policy changes. Dewey's experiential theory served as the conceptual framework. A purposeful sample of 10 art educators who attended a district-sponsored professional development workshop participated in this study. After the workshop, data about educators' perceptions of the inservice were collected through a beta test and a focus group with 2 participants, 1 open-ended questionnaire with 8 participants, and a workshop observation with 20 participants. Data were analyzed using comparative analysis to identify patterns in the data. Member checking and triangulation were used to verify the data and control bias. Five themes emerged from the data: adult-centered hands-on learning, professional development experiences, grants, collaboration and networking, and best practices. This study contributes to social change by showing the importance of on-going adult-centered, research-based, hands-on professional development for educators addressing visual art standards, practice, instructional strategies, policy changes, and the facilitation of student-centered activities.

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Sobieszczanski, Marcin. "Art et perception : essai d'esthétique cognitiviste." Paris 8, 1999. http://www.theses.fr/1999PA082101.

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On propose un cheminement vers une esthétique cognitiviste et une série de quatre études où cette esthétique apparaît comme méthodologie critique et clé de l'interprétation. L'art est perception car son matériau est le monde perçu, sa quête est de rendre présente l'existence de cette perception originale et son résultat est l'objet destiné à être perçu. On pratique une voie médiane entre : 1) le dualisme gnoséologique de Kant (la donation sensible d'objets assumée par l'entendement), confiné par certains aspects de la pensée de Husserl dans le solipsisme de la conscience absolue, 2) l'absolutisme de l'Esprit confondu avec le sujet des romantiques. Le sens se déduit à la fois : 1) des processus physiques et phylogénétiques de l'établissement de la conscience du monde, 2) de l'apparaître morphologique pensé par une philosophie structurant les résultats des sciences cognitives. L'art est une attitude doxo-thétique portant sur les perceptions du monde et opérant sur la base d'une ontologie du personnel, du concret et du momentané. . .

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White, Christopher D. "A Perception of Change, A Change of Perception." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3756.

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Change is a constant reminder that permanence is the ultimate illusion. It is through the creation of hyper-realistic, ceramic sculpture that I explore the relationship between nature, humans, and the phenomenon of impermanence. I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them. The juxtaposition of natural and man-made features in combination with the skewing of scale, proportion, and material, creates an altered perspective – forcing the viewer to look closer. By combining both human and natural elements within my work I highlight the fact that we are not separate from nature but are, in fact, part of it.

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Brewer, Rhett, of Western Sydney Nepean University, of Performance Fine Arts and Design Faculty, and School of Design. "Paint, painters and primary perception." THESIS_FPFAD_SD_Brewer_R.xml, 1996. http://handle.uws.edu.au:8081/1959.7/300.

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This paper examine's painters attempts to find, in their chosen medium, a meaningful representation of nature. It proposes the idea that despite the best efforts of some of western art's most gifted artists, this has remained an elusive goal so far and this is likely to remain the case in the future. The paper concludes with an examination of Postmodern theoretical discourse and the effects it has had on painters who may want to attempt to make a meaningful statement about nature with their art. It goes on to make a case that despite the difficulty of the task, there are some very sound reasons why any painter wishing to attempt it, should do so. Some associated issues are raised in the course of the investigation: 1/. An investigation of perception of nature. 2/. The role of language in shaping our perceptions of nature. 3/. The inability of language itself to capture a satisfactory recreation of the experience of nature. 4/. An examination of Paul Cezanne's attempts to record nature using his empirical optical method. 5/. An examination of Barnett Newmans's attempts to recreate the experience of nature through the use of symbols. 6/. The work of the phenomenologists with regard to nature and painting. 7/. The problem of aesthetics. 8/. The apparent reluctance of many critics and theoreticians to take the importance of nature as a vital and indispensable starting point for some artists<br>Master of Arts (Hons)

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Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.

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This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an ethical preoccupation with the earth is identifiable in works that stage the artist's inability to condense natural phenomena into an intelligible art object thereby evidencing the earth's excess beyond the field of perception. Contemporary earth art has the paradoxical goal of evoking the sensorial plenitude of the earth without representing it as such. The first chapter analyzes Robert Smithson's monumental sculpture, the Spiral Jetty (1970), and suggests that the artist deploys the emblem of the whirlpool to express the artwork's constitutive rupture from the earth, a loss that the artwork subsequently discloses in its textual modes, including an essay and a film that document the construction of the sculpture. Chapter two examines the recurrence of the whirlpool motif and other anagrammatic shapes such as black holes, tornadoes, shells and nests, in earth art from the last three decades. In contemporary practices the whirlpool allegorizes an ethical attentiveness to the earth's alterity; not only does it thematize the artwork's separation from perpetual natural regeneration, it signals the artist's withdrawal from the attempt to construct a totalizing perspective of the site. Chapter three addresses performance and installation works that feature the contact between the artist's body and the earth, and in particular, the body's role in delineating the point of friction between the earth's sensorial plenitude and its resistance to representation. Earth artists thereby assert the body as a surface that separates itself out from the earth and receives sensation of it as other. The conclusion summarizes the main arguments of the previous chapters through a discussion of a three-part installation by Chris Drury entitled Whorls (2005).

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Barber, LaMar. "Perception and reception of complexion." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1541.

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Sankofa, a proverb from the Akan language of Ghana, is one attribute of Ghanaian culture that lives on in Black America. Sankofa, symbolically depicted as a bird reaching backwards to scoop an egg, translates into English as "reach back and get it." As an autobiographical artist, I continue to "reach back" into black history. I research the biographies and autobiographies of other Black Americans--the stories that chronicle the lives of those who came before me. I research urban cultures and contemporary expressions of identity and courage. Through the creation of installation and performance art, I have learned to incorporate this research into my own expressions my visions of hope, discontent, healing and beauty.

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Parker, Margaret Ina. "Landscape painting : connection, perception and attention /." Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.

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Thesis (M.Visual Arts) -- La Trobe University, 2006.<br>Research. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.

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Landais, David. "La synesthésie, les sens et la quasi-synesthésie en art." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH187.

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La synesthésie est un phénomène dans lequel soit (i) la stimulation d’une modalité sensorielle A déclenche une sensation dans A de même qu’une sensation additionnelle dans A (dans le cas de la synesthésie unimodale, comme la synesthésie graphème/couleur), soit (ii) la stimulation d’une modalité sensorielle B déclenche une sensation dans B et dans une autre modalité sensorielle C (dans le cas d’une synesthésie bimodale, comme l’audition colorée). Dans cette thèse, je me propose demontrer que la synesthésie est un phénomène sui generis quasi-perceptif. À cet effet, je développe une conception sémantico-perceptive de la synesthésie, que j’appelle le maniérisme perceptif. Cette conception concerne l’expérience synesthésique et son contenu perceptif. J’introduis la synesthésie et son arrière-plan phénoménologique et empirique. Je présente six types de synesthésie et proposeplusieurs sous-distinctions pertinentes. Je montre que ces six types se réduisent finalement à trois types de base. Puis je discute quelques problèmes théoriques et méthodologiques posés par l’étude philosophique de la synesthésie, et présente quelques théories récentes de ce phénomène. Enfin, je suggère d’utiliser les termes « synesthésie » et « expérience synesthésique » avec précaution dans le domaine de l’esthétique et discute de quelques sujets relatifs à la musique visuelle, le musicalisme d’Henri Valensi et l’alphabet plastique d’Auguste Herbin<br>Synesthesia is a phenomenon in which either (i) stimulation of a sense modality A triggers a sensation in A as well as an additional sensation in A (i.e., unimodal synesthesia, like grapheme/color synesthesia) or (ii) stimulation of a sense modality B triggers a sensation in B and in another sense modality C (i.e., bimodal synesthesia, like colored-hearing). In this thesis I want to argue that synesthesia is a sui generis quasi-perceptual phenomenon. To that effect, I introduce a semantic-perceptual account of synesthesia that I call perceptual mannerism. This account is about synesthesia experience and its perceptual content. I start with some background about synesthesia, especially phenomenological and empirical data. I present six types of synesthesia and draw several sub-distinctions. I show that these six types ultimately reduce to only three basic types. And I discuss some theoretical and methodological issues concerning the philosophical study of synesthesia, and present some of the main recent theories of synesthesia. Finally, I suggest using the terms “synesthesia” and “synesthesic experience” carefully in aesthetics and discuss some issues about visual music, Henri Valensi’s musicalism and Auguste Herbin’s plastic alphabet

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Books on the topic "Perception of art"

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Niccoli, Christian. Escalating perception. Cologne: Salon, 2006.

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Rosengren, Mats. Cave Art, Perception and Knowledge. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271976.

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Königshofer, Ulrike. Ulrike Königshofer: On perception. Wien: Verlag für Moderne Kunst, 2017.

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Baingio, Pinna, ed. Art and perception: Towards a visual science of art. Leiden: VSP, 2008.

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Sumpf, Denise. Art Experience and Human Resources’ Perception. Wiesbaden: Deutscher Universitätsverlag, 2005. http://dx.doi.org/10.1007/978-3-322-81213-1.

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1829-1916, Watkins Carleton E., Hambourg Maria Morris, and San Francisco Museum of Modern Art., eds. Carleton Watkins: The art of perception. San Francisco, Calif: San Francisco Museum of Modern Art, 1999.

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Bloomer, Carolyn M. Principles of visual perception. 2nd ed. New York, NY: Design Press, 1990.

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Hamburg, Kunstverein in, ed. Klassenverhältnisse: Phantoms of perception. Hamburg: Kunstverein in Hamburg, 2020.

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Centre Georges Pompidou. Espace 315. and Musée national d'art moderne (France), eds. Le nuage Magellan: Une perception contemporaine de la modernité = a contemporary perception of modernism. Paris: Centre Pompidou, 2007.

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Fischer, Walter W. Notes & éclats: Un art du regard, un art de la perception. Sion: Musée cantonal des beaux-arts, 1991.

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Book chapters on the topic "Perception of art"

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Masè, Stefania. "Art and Consumer Perception." In Art and Business, 123–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51769-4_9.

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Cochrane, Andrew, and Andrew Meirion Jones. "Cognition, perception, affect." In The Archaeology of Art, 75–86. New York : Routledge, 2018. | Series: Themes in archaeology: Routledge, 2018. http://dx.doi.org/10.4324/9781315691343-6.

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Pickford, R. W. "Form perception and art." In Psychology and Visual Aesthetics, 11–47. London: Routledge, 2025. https://doi.org/10.4324/9781003646839-2.

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Hopkins, Robert. "Critical Reasoning and Critical Perception." In Knowing Art, 137–53. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5265-1_10.

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Cabelle Ahn, J. "Fractured Perception." In Art and Artifice in Visual Culture, 13–31. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003478898-3.

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Hackett, Paul M. W. "Theorizing Perception." In Psychology and Philosophy of Abstract Art, 11–34. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-48332-4_2.

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Osborne, Harold. "Aesthetic perception*." In Aesthetics and the Philosophy of Art, 25–32. Abingdon, Oxon; New York: Routledge, 2021.: Routledge India, 2021. http://dx.doi.org/10.4324/9781003094401-3.

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Styhre, Alexander. "Art: Visual Perception and the Aesthetic." In Perception and Organization, 44–99. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584167_2.

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Corbet, David. "On Perception." In Trauma, Art and Memory in the Postcolony, 19–38. Cham: Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-70942-5_2.

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Verstegen, Ian. "Picture Perception." In Handbook of Gestalt-Theoretical Psychology of Art, 230–47. New York: Routledge, 2025. https://doi.org/10.4324/9781032694467-12.

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Conference papers on the topic "Perception of art"

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Nabor, Zion B., Rosel O. Onesa, Tiffany Lyn O. Pandes, and Joseph Jessie S. Oñate. "Thematic Analysis of Students’ Perception and Attitudes towards Online Class using Latent Dirichlet Allocation." In 2024 Artificial Intelligence x Humanities, Education, and Art (AIxHEART), 64–69. IEEE, 2024. https://doi.org/10.1109/aixheart62327.2024.00019.

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Ali, Mudassar, Iqra Mariam, Kainat Wajahat, Ghulam Murtaza, Muhammad Awais, and Muhammad Ahsan Qureshi. "The Art of Perception: Cross-Modality Learning for Accurate Tumour Segmentation in Breast Imaging." In 2025 Eighth International Women in Data Science Conference at Prince Sultan University (WiDS PSU), 181–85. IEEE, 2025. https://doi.org/10.1109/wids-psu64963.2025.00045.

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Luo, Xiaofeng, Yang Ma, Zhibin Cai, Tianqi Zhou, Xiaoyu Liu, and Yi Long. "State-of-the-art Research in Perception and Control of Lower Limb Exoskeletons: A Systematic Review." In 2024 3rd International Conference on Service Robotics (ICoSR), 135–42. IEEE, 2024. https://doi.org/10.1109/icosr63848.2024.00037.

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Hamadi, Abdelkader, Gabriel Papaiz Garbini, Tarik Hammi, Ali Kabalan, Annie Ho, Katia Amer Yahia, Ayad Tilleli, et al. "Exploiting Meta AI's object segmentation model on distributed acoustic sensing data for spatio-temporal train localization." In 3D Image Acquisition and Display: Technology, Perception and Applications, JF2A.12. Washington, D.C.: Optica Publishing Group, 2024. http://dx.doi.org/10.1364/3d.2024.jf2a.12.

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Train tracking is an essential need for railway companies. Indeed, monitoring train movements is crucial for safety and traffic management issues. Although train tracking solutions already exist, they are still expensive and have some limitations. The French railway company (SNCF) is investing efforts to exploit emerging state-of-the-art results to develop its own train tracking solution. We present in this article an approach that exploits “Meta’s Segment Anything model” for spatio-temporal train localization on data sensed by a distributed acoustic sensing (DAS) system. We tested our approach on a traffic platform situated in Paris. While we achieved promising results, we also identified certain limitations to this solution.

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Pepperell, Robert. "The perception of art and the science of perception." In IS&T/SPIE Electronic Imaging. SPIE, 2012. http://dx.doi.org/10.1117/12.914774.

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Wallraven, Christian, Kathrin Kaulard, Cora Kürner, Robert Pepperell, and Heinrich H. Bülthoff. "Psychophysics for perception of (in)determinate art." In the 4th symposium. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1272582.1272605.

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Yen, Shao-Wei, Chih-Kuo Yeh, Charles C. Morace, Sheng-Yuan Chen, Shih-Syun Lin, Chia-Hsiang Chen, and Tong-Yee Lee. "Content enhanced word art with depth perception." In SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3005274.3005280.

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Knowlton, Ken. "Nude (studying in perception), 1996." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281647.

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Jaller, Camilla. "Cyborgism: Artistic Hybridizations of Human Perception." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.20.

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Yoon, Haein, Jungho Kim, Hyoungin Kim, and Taekyung Yoo. "Perception of War: AI Data Universe." In SA '22: SIGGRAPH Asia 2022 Art Gallery. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550470.3558435.

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Reports on the topic "Perception of art"

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Viytovych, Tetyana. FROM DATA TO NARRATIVES: THE ART OF STORYTELLING IN ECONOMIC JOURNALISM. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12160.

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The study analyzes the effectiveness of data storytelling for the comprehensibility of economic publications. It considers it as a method of presenting information that facilitates better perception and understanding of economic processes. Data storytelling has proven to be one of the key methods in presenting economic data, transforming complex numerical sets into meaningful narratives. The application of this method allows readers to more easily assimilate information more efficiently, enhancing financial literacy. Keywords: media, data storytelling, narratives, economic journalism, infographics.

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Rothwell, John. PR-164-2151-R01 Assessment of High Frequency Welded Line Pipe for Offshore Use. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), August 2023. http://dx.doi.org/10.55274/r0000036.

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The present work highlights aspects relating to the industry perception of HFW pipe via studies of pipeline failures and draws out the relevant technological factors that industry should focus on to overcome them. These factors are then examined further to understand the state of the art and provide insight on how to manage them. The application of HFW offshore via reel-lay is also examined with a focus on the risk of buckling or fracture near or at the girth weld.

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Ferdaus, Md Meftahul, Mahdi Abdelguerfi, Kendall Niles, Ken Pathak, and Joe Tom. Widened attention-enhanced atrous convolutional network for efficient embedded vision applications under resource constraints. Engineer Research and Development Center (U.S.), November 2024. http://dx.doi.org/10.21079/11681/49459.

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Onboard image analysis enables real-time autonomous capabilities for unmanned platforms including aerial, ground, and aquatic drones. Performing classification on embedded systems, rather than transmitting data, allows rapid perception and decision-making critical for time-sensitive applications such as search and rescue, hazardous environment exploration, and military operations. To fully capitalize on these systems’ potential, specialized deep learning solutions are needed that balance accuracy and computational efficiency for time-sensitive inference. This article introduces the widened attention-enhanced atrous convolution-based efficient network (WACEfNet), a new convolutional neural network designed specifically for real-time visual classification challenges using resource-constrained embedded devices. WACEfNet builds on EfficientNet and integrates innovative width-wise feature processing, atrous convolutions, and attention modules to improve representational power without excessive over-head. Extensive benchmarking confirms state-of-the-art performance from WACEfNet for aerial imaging applications while remaining suitable for embedded deployment. The improvements in accuracy and speed demonstrate the potential of customized deep learning advancements to unlock new capabilities for unmanned aerial vehicles and related embedded systems with tight size, weight, and power constraints. This research offers an optimized framework, combining widened residual learning and attention mechanisms, to meet the unique demands of high-fidelity real-time analytics across a variety of embedded perception paradigms.

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Lora, Eduardo. The Distance between Perception and Reality in the Social Domains of Life. Inter-American Development Bank, August 2013. http://dx.doi.org/10.18235/0011489.

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The distance between perception and reality with respect to the social domains of life is often striking. Using survey data collected on Latin American countries, this paper provides an overview of the main empirical findings on the gaps between perception and reality in four social domains--health, employment, the perception of security, and social ranking. The overview emphasizes the psychological biases that may explain the gaps. Biases associated with cultural values are very relevant with respect to health and job satisfaction. Cultural differences across countries are pronounced in perceptions of health, while cultural differences across socioeconomic groups are more apparent with respect to job satisfaction. Affect and availability heuristics are the dominant sources of bias in the case of perceptions of security. The formation of subjective social rankings appears to be less culturally dependent but more dependent on the socioeconomic development in the country. The gaps between objective and subjective indicators in the social domains of life are a rich source of data to help understand how perceptions are formed, identify important aspects of people's lives that do not appear in official indicators, inform public debate on social policy, and shed light on public attitudes on key social issues.

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Buraschi, Daniel, and Dirk Godenau. How does Tenerife society perceive immigration? Observatorio de la Inmigración de Tenerife. Departamento de Geografía e Historia. Universidad de La Laguna. Tenerife, 2020. http://dx.doi.org/10.25145/r.obitfact.2019.15.

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The social perceptions of immigration and the attitudes that Tenerife society has towards immigrants are essential aspects of the dynamics of intercultural coexistence. The Tenerife Immigration Observatory has conducted research that has shows that in general terms the society in Tenerife has a positive perception of immigration, although there is a generalized perception of comparative grievance, based on the idea that migrants are treated more favourably by public institutions

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Pookulangara, Sanjukta, Shannon Koonsman, and Nicole Corts. How Secure Are You? Consumer Perceptions of Cybersecurity. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-663.

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Caetano, Ana Paula, Clara Cruz Santos, and Lisete Mónico. Welfare Deservingness in the perspective of public opinion and street-level bureaucrats: a scoping review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, February 2023. http://dx.doi.org/10.37766/inplasy2023.2.0010.

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Review question / Objective: This scoping review aims to systematize the scientific knowledge about the relationship between public opinion concerning the street-level bureaucrats’ actions and their perceptions about Welfare Deservingness and social protection measures implemented within the framework of the current Welfare State. In a more concrete way, we intend to demonstrate the following assumptions: (a) if there is a connection between the perception of Welfare Deservingness and the public support given to social policies; (b) if there are more valued dimensions of Welfare Deservingness in public opinion; and (c) if the street-level bureaucrats' perceptions of Welfare Deservingness will have an impact on the implementation of public policies.

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Ruiz-Vega, Mauricio, Ana Corbacho, and Martín Ardanaz. Mind the Gap: Bridging the Perception and Reality of Crime Rates with Information. Inter-American Development Bank, August 2014. http://dx.doi.org/10.18235/0011650.

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Gains from government crime-reducing programs are not always visible to the average citizen. The media overexpose crime events, but the absence of crime rarely makes the news, increasing the risk that citizen may have inaccurate perceptions of security. Through a survey experiment carried out in Bogota, Colombia, a city that experienced a substantial reduction in homicides over the last decade, as well as a noticeable drop in robberies, this paper tests the effect that communicating objective crime trends could have on such perceptions. The results show that information improves perceptions of safety and police effectiveness, and lowers distrust in the police. However, the information treatment is not able to impact those with biased priors, and tends to weaken over time. A more active and regular engagement with citizens regarding these trends is needed to bridge the gap between perception and reality.

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Treadwell, Mark B. When Does a Act of Information Warfare Become an Act of War? Ambiguity in Perception. Fort Belvoir, VA: Defense Technical Information Center, May 1998. http://dx.doi.org/10.21236/ada345572.

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De León, Ignacio L., and Jose Fernandez Donoso. The Costs of Using Formal Intellectual Property Rights: A Survey on Small Innovative Enterprises in Latin America. Inter-American Development Bank, September 2016. http://dx.doi.org/10.18235/0007023.

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This document analyzes the perceptions of small innovative enterprises (SIE) in Latin America of the effectiveness of the legal protection afforded by intellectual property rights (IPR). To analyze the costs of using IPR, the study surveyed 352 SIEs from Chile, Colombia, Costa Rica, Ecuador, Mexico, and Peru. It found evidence that SIEs do not know how the IP system works, and that most SIEs consider that knowing how it works is not important for business performance. The study finds large differences among countries with respect to the need to hire legal services to apply for IPR. There are also differences in perceptions of the efficiency of the IP system, unrelated to the countries' IPR enforcement (Park, 2008). The study also finds differences in the perception of the disadvantage in protect their IPR when innovations are imitated by a large firm. This difference is related to the countries' IPR enforcement.

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