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Journal articles on the topic 'PERCEPTION OF EMBODIMENT'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Friis, Jan Kyrre Berg Olsen. "Perception: Embodiment and Beyond." Foundations of Science 17, no. 4 (2011): 363–67. http://dx.doi.org/10.1007/s10699-011-9242-y.

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2

Aizawa, Kenneth. "Understanding The Embodiment of Perception." Journal of Philosophy 104, no. 1 (2007): 5–25. http://dx.doi.org/10.5840/jphil2007104135.

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3

Wisnewski, Jeremy. "Affordances, Embodiment, and Moral Perception." Philosophy in the Contemporary World 25, no. 1 (2019): 35–48. http://dx.doi.org/10.5840/pcw20192514.

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My aim in this article is programmatic. I argue that understanding perceptual experience on the model of perceptual affordances allows us to acknowledge the centrality of embodiment to moral phenomenology, on the one hand, and to see more transparently the place of the emotions in the moral life, on the other. I suggest some means by which moral perception, construed as the perception of moral affordances, might be cultivated.

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Liu, Huaping, Di Guo, Fuchun Sun, Wuqiang Yang, Steve Furber, and Tengchen Sun. "Embodied tactile perception and learning." Brain Science Advances 6, no. 2 (2020): 132–58. http://dx.doi.org/10.26599/bsa.2020.9050012.

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Various living creatures exhibit embodiment intelligence, which is reflected by a collaborative interaction of the brain, body, and environment. The actual behavior of embodiment intelligence is generated by a continuous and dynamic interaction between a subject and the environment through information perception and physical manipulation. The physical interaction between a robot and the environment is the basis for realizing embodied perception and learning. Tactile information plays a critical role in this physical interaction process. It can be used to ensure safety, stability, and complianc

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JIA, Lina, Lili WANG, Xuelian ZANG, Wenfeng FENG, and Zhijie ZHANG. "Emotional Time Perception: An Embodiment Perspective." Advances in Psychological Science 23, no. 8 (2015): 1331. http://dx.doi.org/10.3724/sp.j.1042.2015.01331.

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Bailey, Andrew. "Spatial Perception, Embodiment, and Scientific Realism." Dialogue 46, no. 3 (2007): 553–68. http://dx.doi.org/10.1017/s0012217300002055.

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7

Niedenthal, Paula M., Lawrence W. Barsalou, Piotr Winkielman, Silvia Krauth-Gruber, and François Ric. "Embodiment in Attitudes, Social Perception, and Emotion." Personality and Social Psychology Review 9, no. 3 (2005): 184–211. http://dx.doi.org/10.1207/s15327957pspr0903_1.

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Findings in the social psychology literatures on attitudes, social perception, and emotion demonstrate that social information processing involves embodiment, where embodiment refers both to actual bodily states and to simulations of experience in the brain's modality-specific systems for perception, action, and introspection. We show that embodiment underlies social information processing when the perceiver interacts with actual social objects (online cognition) and when the perceiver represents social objects in their absence (offline cognition). Although many empirical demonstrations of soc

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8

Cantor, Robert M. "Conceptual embodiment in visual semiotics." Semiotica 2016, no. 210 (2016): 215–34. http://dx.doi.org/10.1515/sem-2016-0052.

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AbstractIn this paper, the basic concepts of Peircean semiotics are derived from visual experience by the process of conceptual embodiment. We begin with embodiment of the universal Categories of Being that are accessible to thought or the universal Categories of Thought, which Charles S. Peirce defined and termed Firstness, Secondness, and Thirdness. On this basis, we demonstrate conceptual embodiments of the Peircean typologies of dyadic relations, triadic relations and representations. The phenomenology of visual perception is modeled as a triadic typology of embodied mental processes which

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Barbey, Aron, Lawrence Barsalou, W. Kyle Simmons, and Ava Santos. "Embodiment in Religious Knowledge." Journal of Cognition and Culture 5, no. 1-2 (2005): 14–57. http://dx.doi.org/10.1163/1568537054068624.

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AbstractIncreasing evidence suggests that mundane knowledge about objects, people, and events is grounded in the brain's modality-specific systems. The modality-specific representations that become active to represent these entities in actual experience are later used to simulate them in their absence. In particular, simulations of perception, action, and mental states often appear to underlie the representation of knowledge, making it embodied and situated. Findings that support this conclusion are briefly reviewed from cognitive psychology, social psychology, and cognitive neuroscience. A si

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10

Westney, William, Cynthia M. Grund, Jesse Latimer, et al. "Musical Embodiment and Perception: Performances, Avatars and Audiences." Signata, no. 6 (December 31, 2015): 353–81. http://dx.doi.org/10.4000/signata.1117.

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Wisnewski, J. Jeremy. "Perceiving Sympathetically: Moral Perception, Embodiment, and Medical Ethics." Journal of Medical Humanities 36, no. 4 (2015): 309–19. http://dx.doi.org/10.1007/s10912-015-9349-1.

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12

Droit-Volet, Sylvie, Sophie Fayolle, Mathilde Lamotte, and Sandrine Gil. "Time, Emotion and the Embodiment of Timing." Timing & Time Perception 1, no. 1 (2013): 99–126. http://dx.doi.org/10.1163/22134468-00002004.

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The past few decades have seen an explosion in studies exploring the effects of emotion on time judgments. The aim of this review is to describe the results of these studies and to look at how they try to explain the time distortions produced by emotion. We begin by examining the findings on time judgments in affective disorders, which allow us to make a clear distinction between the feelings of time distortion that originate from introspection onto subjective personal experience, and the effects of emotion on the basic mechanisms involved in time perception. We then report the results of beha

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13

Leman, Marc, and Pieter-Jan Maes. "The Role of Embodiment in the Perception of Music." Empirical Musicology Review 9, no. 3-4 (2015): 236. http://dx.doi.org/10.18061/emr.v9i3-4.4498.

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In this paper, we present recent and on-going research in the field of embodied music cognition, with a focus on studies conducted at IPEM, the research laboratory in systematic musicology at Ghent University, Belgium. Attention is devoted to encoding/decoding principles underlying musical expressiveness, synchronization and entrainment, and action-based effects on music perception. The discussed empirical findings demonstrate that embodiment is only one component in an interconnected network of sensory, motor, affective, and cognitive systems involved in music perception. Currently, these fin

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Davis, Barbara L., and Peter F. MacNeilage. "An Embodiment Perspective on the Acquisition of Speech Perception." Phonetica 57, no. 2-4 (2000): 229–41. http://dx.doi.org/10.1159/000028476.

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15

Pitcher, D., L. Garrido, V. Walsh, and B. Duchaine. "TMS disrupts the perception and embodiment of facial expressions." Journal of Vision 8, no. 6 (2010): 700. http://dx.doi.org/10.1167/8.6.700.

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16

Tan, Liang, Zhuang Ma, Jun Huang, and Gengxuan Guo. "Peer abusive supervision and third-party employee creativity from a social exchange theory perspective." Social Behavior and Personality: an international journal 49, no. 5 (2021): 1–12. http://dx.doi.org/10.2224/sbp.9641.

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We used social exchange theory to construct a theoretical framework of peer abusive supervision, third-party perception of organizational support, third-party employee creativity, and third-party perception of supervisory organizational embodiment. We then empirically tested the theoretical model with 367 supervisor–employee paired dyads from five large real estate companies in China. The results show that peer abusive supervision had a negative impact on third-party employee creativity, and third-party perception of organizational support played a mediating role in this relationship. Further,

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17

Briñol, Pablo, Kenneth G. DeMarree, and K. Rachelle Smith. "The role of embodied change in perceiving and processing facial expressions of others." Behavioral and Brain Sciences 33, no. 6 (2010): 437–38. http://dx.doi.org/10.1017/s0140525x10001639.

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AbstractThe embodied simulation of smiles involves motor activity that often changes the perceivers' own emotional experience (e.g., smiling can make us feel happy). Although Niedenthal et al. mention this possibility, the psychological processes by which embodiment changes emotions and their consequences for processing other emotions are not discussed in the target article's review. We argue that understanding the processes initiated by embodiment is important for a complete understanding of the effects of embodiment on emotion perception.

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Bailey, Jakki O., Jeremy N. Bailenson, and Daniel Casasanto. "When Does Virtual Embodiment Change Our Minds?" Presence: Teleoperators and Virtual Environments 25, no. 3 (2016): 222–33. http://dx.doi.org/10.1162/pres_a_00263.

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Can an avatar’s body movements change a person’s perception of good and bad? We discuss virtual embodiment according to theories of embodied cognition (EC), and afferent and sensorimotor correspondences. We present an example study using virtual reality (VR) to test EC theory, testing the effect of altered virtual embodiment on perception. Participants either controlled an avatar whose arm movements were similar to their own or reflected the mirror opposite of their arm movements. We measured their associations of “good” and “bad” with the left and right (i.e., space-valence associations). Thi

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matthen, mohan. "is color perception really categorical?" Behavioral and Brain Sciences 28, no. 4 (2005): 504–5. http://dx.doi.org/10.1017/s0140525x0539008x.

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are color categories the evolutionary product of their usefulness in communication, or is this an accidental benefit they give us? it is argued here that embodiment constraints on color categorization suggest that communication is an add-on at best. thus, the steels & belpaeme (s&b) model may be important in explaining coordination, but only at the margin. furthermore, the concentration on discrimination is questionable: coclassification is at least as important.

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20

Radermacher, Martin. "Space, Religion, and Bodies: Aspects of Concrete Emplacements of Religious Practice." Journal of Religion in Europe 9, no. 4 (2016): 304–23. http://dx.doi.org/10.1163/18748929-00904001.

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This article takes up the implications of the spatial turn in the wider context of a material turn (Manuel A. Vásquez) and deals with concrete emplacements of religion. It argues that the concrete, material space of religious practice is not just a passive stage, but itself has ‘agency,’ i.e. it shapes and facilitates discourse and embodiment of human actors in space. The materiality of space influences sensory perception, communication and embodiment, and also relates to imaginations about space as well as social norms. The emplacement of religious practice is illustrated by examples of rooms

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21

Corina, David P., and Eva Gutierrez. "Embodiment and American Sign Language." Gesture 15, no. 3 (2016): 291–305. http://dx.doi.org/10.1075/gest.15.3.01cor.

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Little is known about how individual signs that occur in naturally produced signed languages are recognized. Here we examine whether sign understanding may be grounded in sensorimotor properties by evaluating a signer’s ability to make lexical decisions to American Sign Language (ASL) signs that are articulated either congruent with or incongruent with the observer’s own handedness. Our results show little evidence for handedness congruency effects for native signers’ perception of ASL, however handedness congruency effects were seen in non-native late learners of ASL and hearing ASL-English b

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22

Chevalier, Pauline, Valentina Vasco, Cesco Willemse, et al. "Upper limb exercise with physical and virtual robots: Visual sensitivity affects task performance." Paladyn, Journal of Behavioral Robotics 12, no. 1 (2021): 199–213. http://dx.doi.org/10.1515/pjbr-2021-0014.

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Abstract We investigated the influence of visual sensitivity on the performance of an imitation task with the robot R1 in its virtual and physical forms. Virtual and physical embodiments offer different sensory experience to the users. As all individuals respond differently to their sensory environment, their sensory sensitivity may play a role in the interaction with a robot. Investigating how sensory sensitivity can influence the interactions appears to be a helpful tool to evaluate and design such interactions. Here we asked 16 participants to perform an imitation task, with a virtual and a

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23

Witt, Jessica, Bradley Connor, Nathan Tenhundfeld, and Jamie Parnes. "Gun-Embodiment Biases on Object Perception are Unaffected by Prior Experience." Journal of Vision 15, no. 12 (2015): 250. http://dx.doi.org/10.1167/15.12.250.

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24

Pitcher, D., L. Garrido, V. Walsh, and B. C. Duchaine. "Transcranial Magnetic Stimulation Disrupts the Perception and Embodiment of Facial Expressions." Journal of Neuroscience 28, no. 36 (2008): 8929–33. http://dx.doi.org/10.1523/jneurosci.1450-08.2008.

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25

Trasmundi, Sarah Bro. "Skilled Embodiment in Emergency Medicine." Chinese Semiotic Studies 15, no. 4 (2019): 627–51. http://dx.doi.org/10.1515/css-2019-0032.

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Abstract This paper applies a multiscalar interactivity perspective in the study of how healthcare professionals enact skilled embodiment in ways that allow them to animate their rich environment during task performance. However, in focusing on interactivity, we are not only interested in the characteristics of embodiment as they are enacted in the here-and-now. While task performance involves not only the whole body (as a multi-sensory organ), but a historical, skilled body that affects the ecology in which a person is embedded, action-perception must be viewed as direct and distributed. That

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26

O'Sullivan, Noreen, Christophe de Bezenac, Andrea Piovesan, et al. "I Am There … but Not Quite: An Unfaithful Mirror That Reduces Feelings of Ownership and Agency." Perception 47, no. 2 (2017): 197–215. http://dx.doi.org/10.1177/0301006617743392.

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The experience of seeing one's own face in a mirror is a common experience in daily life. Visual feedback from a mirror is linked to a sense of identity. We developed a procedure that allowed individuals to watch their own face, as in a normal mirror, or with specific distortions (lag) for active movement or passive touch. By distorting visual feedback while the face is being observed on a screen, we document an illusion of reduced embodiment. Participants made mouth movements, while their forehead was touched with a pen. Visual feedback was either synchronous (simultaneous) with reality, as i

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27

Corness, Greg. "The Musical Experience through the Lens of Embodiment." Leonardo Music Journal 18 (December 2008): 21–24. http://dx.doi.org/10.1162/lmj.2008.18.21.

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The author addresses the impression that digital media is diminishing the engagement of the body in our musical experience. Combining theories from the disciplines of philosophy and psychology, he constructs a framework for examining the experience of listening to music. A link between research in mirror neurons and the act of perception, as described by Merleau-Ponty, is used to demonstrate the role of embodiment in the listening experience. While acknowledging that hearing and viewing a musical performance do not provide the same musical experience, he aims to demonstrate how our embodied ex

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Smith, Norris L., and Oussama H. Hamid. "Embodied Cognition and Human-Machine Coexistence." UKH Journal of Science and Engineering 1, no. 1 (2017): 67–71. http://dx.doi.org/10.25079/ukhjse.v1n1y2017.pp67-71.

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Recently, we discussed the relative importance of direct perception, embodiment, metaphors, and ethics for cooperative human-machine coexistence. The present paper deepens the examination of embodiment and direct perception by considering differences between computational and representational models on one hand and embodied cognition on the other. We found that to achieve true artificial intelligence (AI) and, hence, a cooperative human-machine coexistence, research must overcome the limitations of computational and representational models. This can be reached by connecting machines to the wor

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Kiefer, Markus, and Natalie M. Trumpp. "Embodiment theory and education: The foundations of cognition in perception and action." Trends in Neuroscience and Education 1, no. 1 (2012): 15–20. http://dx.doi.org/10.1016/j.tine.2012.07.002.

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30

Mollahosseini, Ali, Hojjat Abdollahi, Timothy D. Sweeny, Ron Cole, and Mohammad H. Mahoor. "Role of embodiment and presence in human perception of robots’ facial cues." International Journal of Human-Computer Studies 116 (August 2018): 25–39. http://dx.doi.org/10.1016/j.ijhcs.2018.04.005.

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31

Darmayasa, I. Nyoman, Ni Wayan Desy Widhi Utami, and I. Nyoman Mandia. "THE EMBODIMENT OF VOLUNTARY COMPLIANCE THROUGH UNDERSTANDING OF MSMEs TAX COMPLIANCE PERCEPTION." Assets: Jurnal Akuntansi dan Pendidikan 10, no. 1 (2021): 63. http://dx.doi.org/10.25273/jap.v10i1.7129.

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<p class="JurnalASSETSABSTRAK">ABSTRACT</p><p>This research aims to understand micro, small and medium-sized enterprises' (MSMEs) perception of tax compliance as an embodiment of voluntary compliance. This study uses a qualitative interpretive method. The results show the fulfillment of MSMEs taxation is affected by the application of fines/sanctions, tax audits, tax knowledge, tax education, trust in tax authorities, a fair tax system, social norms, and ease of tax administration. These factors internalize into a value in the self of MSMEs, which is reflected through behavio

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Ihde, Don. "Embodiment and Multi- versus Mono-Tasking in Driving-Celling." Techné: Research in Philosophy and Technology 18, no. 1 (2014): 147–53. http://dx.doi.org/10.5840/techne201461820.

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In my discussion of the articles in this special issue of Techné I will relate the multiple perspectives on the phenomenon of driving-celling to the core debate, which concerns how this dual activity may be related to the need to have a concentrated focus, on the one hand, or to the possibility of a form of multitasking, on the other. The contributors show multiple perspectives on this phenomenon and draw from a range of authors on the roles of attention, embodiment and perception.

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Lopez, Christophe. "Making Sense of the Body: the Role of Vestibular Signals." Multisensory Research 28, no. 5-6 (2015): 525–57. http://dx.doi.org/10.1163/22134808-00002490.

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The role of the vestibular system in posture and eye movement control has been extensively described. By contrast, how vestibular signals contribute to bodily perceptions is a more recent research area in the field of cognitive neuroscience. In the present review article, I will summarize recent findings showing that vestibular signals play a crucial role in making sense of the body. First, data will be presented showing that vestibular signals contribute to bodily perceptions ranging from low-level bodily perceptions, such as touch, pain, and the processing of the body’s metric properties, to

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Zielasko, Daniel, and Bernhard E. Riecke. "To Sit or Not to Sit in VR: Analyzing Influences and (Dis)Advantages of Posture and Embodied Interaction." Computers 10, no. 6 (2021): 73. http://dx.doi.org/10.3390/computers10060073.

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Virtual Reality (VR) users typically either sit or stand/walk when using VR; however, the impact of this is little researched, and there is a lack of any broad or systematic analysis of how this difference in physical posture might affect user experience and behavior. To address this gap, we propose such a systematic analysis that was refined through discussions and iterations during a dedicated workshop with VR experts. This analysis was complemented by an online survey to integrate the perspectives of a larger and more diverse group of VR experts, including developers and power users. The re

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35

de Vos, Jeroen. "Listen to the Absent: Binaural Inquiry in Auditive Spatial Perception." Leonardo Music Journal 26 (December 2016): 7–9. http://dx.doi.org/10.1162/lmj_a_00958.

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If space can be perceived through sound, then recording and playback techniques allow capturing a unique spatial moment for later retrieval. The notion of spectrality as the invisible visible can be used to explain the embodiment of an auditive momentum in a space that is ultimately absent. This empirical study presents the results of five structured interviews in which interviewees are confronted with three binaural spatial recordings to reflect on the perception of dwelling in a spectral space: a space that is not there.

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Findlay-Walsh, Iain. "Hearing How It Feels to Listen: Perception, embodiment and first-person field recording." Organised Sound 24, no. 1 (2019): 30–40. http://dx.doi.org/10.1017/s1355771819000049.

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This article explores recent theories of listening, perception and embodiment, including those by Mark Grimshaw and Tom Garner, Salomé Voegelin, and Eric Clarke, as well as consequences and possibilities arising from them in relation to field recording and soundscape art practice. These theories of listening propose auditory perception as an embodied process of engaging with and understanding lived environment. Such phenomenological listening is understood as a relational engagement with the world in motion, as movement and change, which grants access to the listener’s emerging presence, agenc

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Pollatos, Olga, Jürgen Füstös, and Hugo D. Critchley. "On the generalised embodiment of pain: How interoceptive sensitivity modulates cutaneous pain perception." Pain 153, no. 8 (2012): 1680–86. http://dx.doi.org/10.1016/j.pain.2012.04.030.

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Marasco, Paul D., Keehoon Kim, James Edward Colgate, Michael A. Peshkin, and Todd A. Kuiken. "Robotic touch shifts perception of embodiment to a prosthesis in targeted reinnervation amputees." Brain 134, no. 3 (2011): 747–58. http://dx.doi.org/10.1093/brain/awq361.

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Kaur, S., Glen Mullineux, and Jason Matthews. "Perception of Constraints in Conceptual Design within the Automotive Industry." Advanced Materials Research 118-120 (June 2010): 697–706. http://dx.doi.org/10.4028/www.scientific.net/amr.118-120.697.

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Many previous researchers have shown design to be essentially the process of negotiating and resolving constraints. This has lead to a multitude of different design methods and approaches purely based on constraints; much of this work has concentrated on the late conceptual and embodiment phases of the design activity. The work presented in this paper has shown initial investigations into expanding these approaches to the earliest stages of the conceptual phase. The research has reviewed previous academic work, and the current approaches and understanding of designers working in the automotive

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Salosaari, Paula. "Perception and Movement Imagery as Tools in Performative Acts Combining Live Music and Dance." Nordic Journal of Dance 4, no. 1 (2013): 16–27. http://dx.doi.org/10.2478/njd-2013-0003.

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Abstract In this article I discuss movement imagery and perceptual strategies as tools in enhancing performative acts of playing music and composing performance material combining music and dance. In my earlier research I have introduced the concept of multiple embodiment in classical ballet and developed co-authored choreography with dancers. The concept of multiple embodiment in ballet suggests treating the fixed vocabulary as qualitatively open and therefore a basis for interpretation, improvisation and composition of new dance material. Directing the dancer’s experience in an open-ended wa

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Smith, K. Lauriston. "Entering the World." International Philosophical Quarterly 60, no. 3 (2020): 307–22. http://dx.doi.org/10.5840/ipq2020715153.

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There is a significant lack of clarity among critical realists in the language they use to discuss perception. In this paper I illustrate this lack of clarity and then argue that a critical realist view of perception is best understood as conceiving of perception as an active process in direct contact with the world. I connect this view with the thought of Maurice Merleau-Ponty’s views of perception and embodiment and argue that seeing this point has implications for our understanding of perception by offering a path through the direct/indirect debate. It suggests challenges both to the defini

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Markopoulou, Athina. "How to Undo Things with Codes: New Writing Mechanisms and the Un/archivable Dis/appearing text." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 6 (May 1, 2014): 26. http://dx.doi.org/10.12681/syn.16174.

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The discourses of criticism are being transformed at the same time that our writing mechanisms are undergoing a major change. Reflecting on the relationship between our writing tools and our perceptions and taking programmability and interactivity as the main characteristics of new writing media, this essay attempts an approach to how that which is new in scriptural techniques, that is to say, programmability and interactivity, are undoing our perception of such notions as the archive and embodiment. The two works which are here commented contain the conditions of unwriting their written trace

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Misi, Mirella, and Ludmila Martinez Pimentel. "Interfaces Between Don Idhe, Merleau-Ponty, and Gretchen Schiller´s Embodiment Concepts Applied to Mediadance." International Journal of Creative Interfaces and Computer Graphics 7, no. 2 (2016): 1–10. http://dx.doi.org/10.4018/ijcicg.2016070101.

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The artworks that fall nowadays within the umbrella term ‘mediadance,' characterized by the hybridism on the intersection of dance, moving image, digital technology and communication and information technologies, are representing and simulating not only new types of dancing body configurations but also promoting a new way for the audience to experience dance. This article presents and reflects on Gretchen Schiller's (2003) concepts of ‘mediadance' and ‘kinesfield,' revisiting Maurice Merleau-Ponty's (1945, 1962) thoughts on phenomenology of perception for theoretical support to analyze the for

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Sulikowska, Anna. "Embodiment und Un-Höflichkeit. Kognitive Aspekte kulturell geprägter Konzepte." Germanica Wratislaviensia 144 (November 20, 2019): 247–60. http://dx.doi.org/10.19195/0435-5865.144.18.

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Eine der Grundprämissen der Kognitiven Linguistik bildet die Embodiment-These, die besagt, dass die menschliche Kognition und konzeptuelle Organisation sich aus der Art und Weise ergeben, in denen unsere artenspezifischen Körper mit der Umwelt interagieren. Das Fundament des konzeptuellen Systems eines Menschen baut also auf der Wahrnehmung, Sensomotorik, auf körperlicher und sozialer Erfahrung auf. Im folgenden Beitrag wird auf die Frage eingegangen, inwieweit kulturell geprägte Konzepte wie die Höflichkeit und Unhöflichkeit embodied sind. Der Analyse werden Idiome sowie figurative Einwortlex

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Ding, L., L. Li, S. Chen, and J. Jia. "Speech paired sensory feedbacks enhancing the perception of embodiment of the reflection of face." Annals of Physical and Rehabilitation Medicine 61 (July 2018): e344-e345. http://dx.doi.org/10.1016/j.rehab.2018.05.805.

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46

Vecchiato, Giovanni, Andrea Jelic, Gaetano Tieri, Anton Giulio Maglione, Federico De Matteis, and Fabio Babiloni. "Neurophysiological correlates of embodiment and motivational factors during the perception of virtual architectural environments." Cognitive Processing 16, S1 (2015): 425–29. http://dx.doi.org/10.1007/s10339-015-0725-6.

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47

Fahey, Samira, Chavelyn Santana, Ryo Kitada, and Zane Zheng. "Affective judgement of social touch on a hand associated with hand embodiment." Quarterly Journal of Experimental Psychology 72, no. 10 (2019): 2408–22. http://dx.doi.org/10.1177/1747021819842785.

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Social touch constitutes a critical component of human interactions. A gentle tap on the hand, for instance, can sometimes create emotional bonding and reduce interpersonal distance in social interactions. Evidence of tactile empathy suggests that touch can be experienced through both physical sensation and observation, yet vicarious perception of observed touch on an object as a function of the object’s conceptual representation (e.g., Is this object identified as mine? Does this object feel like part of me?) remains less explored. Here we examined the affective judgement of social touch when

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McGann, Marek. "A little more social enaction than that: comment on Arango (2019)." Adaptive Behavior 27, no. 2 (2019): 157–59. http://dx.doi.org/10.1177/1059712319830650.

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In his article “From Sensorimotor Dependencies to Perceptual Practices”, Alejandro Arango presents a case for socialising enactive perception. While noting the importance of understanding perception as embodied, he argues that addressing just the issues of embodiment is not enough, that the socially situated and conditioned character of bodies, and the practices involved in perception, must be given full account. In surveying the current state of enactive theories of perception Arango dismisses what he terms “autopoietic” enactivism as only “hand waving” on the manner in which social aspects o

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Du Plessis, Hester. "Oriental Africa." Tydskrif vir Letterkunde 45, no. 1 (2018): 87–100. http://dx.doi.org/10.17159/2309-9070/tvl.v.45i1.4465.

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Arab culture and the religion of Islam permeated the traditions and customs of the African sub-Sahara for centuries. When the early colonizers from Europe arrived in Africa they encountered these influences and spontaneously perceived the African cultures to be ideologically hybridized and more compatible with Islam than with the ideologies of the west. This difference progressively endorsed a perception of Africa and the east being “exotic” and was as such depicted in early paintings and writings. This depiction contributed to a cultural misunderstanding of Africa and facilitated colonialism.

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Fitrah, Elpeni. "Politik Identitas dalam Sejarah Pembentukan Negara Israel." Insignia Journal of International Relations 1, no. 01 (2014): 84. http://dx.doi.org/10.20884/1.ins.2014.1.01.431.

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This paper discusses how the political identity becomes a motive of Israel state formation. Identitypolitics is a part of cultural politics which consisted by race, religion, ethnic and culture. TheAuthor identified identity politics as a concept or political movement which focusing into diversity.The main argument of this paper is Israel has succeed utilize its cultural identity narrative to unitethe perception of the Jewish around the world to reproduce as a historical justification as well asthe tools of politics for the sake of the embodiment of national ideals in establishing their ownnat

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