Academic literature on the topic 'Perception of one's experience'

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Journal articles on the topic "Perception of one's experience"

1

Gott, Jarrod, Leonore Bovy, Emma Peters, et al. "Virtual reality training of lucid dreaming." Philosophical Transactions of the Royal Society B: Biological Sciences 376, no. 1817 (2020): 20190697. http://dx.doi.org/10.1098/rstb.2019.0697.

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Metacognitive reflections on one's current state of mind are largely absent during dreaming. Lucid dreaming as the exception to this rule is a rare phenomenon; however, its occurrence can be facilitated through cognitive training. A central idea of respective training strategies is to regularly question one's phenomenal experience: is the currently experienced world real , or just a dream? Here, we tested if such lucid dreaming training can be enhanced with dream-like virtual reality (VR): over the course of four weeks, volunteers underwent lucid dreaming training in VR scenarios comprising dream-like elements, classical lucid dreaming training or no training. We found that VR-assisted training led to significantly stronger increases in lucid dreaming compared to the no-training condition. Eye signal-verified lucid dreams during polysomnography supported behavioural results. We discuss the potential mechanisms underlying these findings, in particular the role of synthetic dream-like experiences, incorporation of VR content in dream imagery serving as memory cues, and extended dissociative effects of VR session on subsequent experiences that might amplify lucid dreaming training during wakefulness. This article is part of the theme issue ‘Offline perception: voluntary and spontaneous perceptual experiences without matching external stimulation'.
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Stanghellini, G. "Abnormal time experience, bizarre delusions and verbal-acoustic hallucinations in schizophrenia." European Psychiatry 33, S1 (2016): S32. http://dx.doi.org/10.1016/j.eurpsy.2016.01.860.

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The integrity of time consciousness is the condition of possibility of the identity through time of an object of perception as well as of the person who perceives it. I will present our findings about abnormal time experience (ATE) in people with schizophrenia. These data may support the following hypothesis: if the continuity of temporal experience disintegrates (of which ATE are experiential manifestations), overarching meaningful units are no longer available, thereby creating temporal gaps, e.g., in one's stream of consciousness. In some cases, thoughts that are no longer experienced as embedded in one's stream of thoughts are experienced as, e.g., thought interferences, blockages, insertion or withdrawal. These symptoms cannot be explained as a mere disturbance of attention or comprehension at the level of semantic combinations. Rather, the disturbance could be searched for at a more basic level where the temporal coherence of conscious awareness is constituted. A failure of the constitutive temporal synthesis may create micro-gaps of conscious experience. In the most severe cases, thoughts or other mental phenomena that are no longer embedded in the continuity of basic self-experience may appear in consciousness as “erratic blocks” and experienced as being inserted, or, if further externalized, as auditory hallucinations (“voices”). This coheres with the hypothesis that a breakdown of temporality may be bound up with the breakdown of prereflexive self-awareness.Disclosure of interestThe author has not supplied his declaration of competing interest.
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Azorin, J. M., Catherine Wieder, and J. Naudin. "Binswanger & Schapp: Existential Analysis or Narrative Analysis?" Journal of Phenomenological Psychology 29, no. 2 (1998): 212–30. http://dx.doi.org/10.1163/156916298x00102.

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AbstractBinszuanger's Daseinsanalyse is, first and foremost, an attempt to explain the close links that may exist between how to understand, interpret, and experience. To achieve this goal, it constantly evolves through a to and fro movement between two kinds of thought processes, that is, Husserl's and Heidegger's. It sways around the central question of living connections that take place between the experiences within the intimate "(hi)stories" of one's life and the very same connections between my own experience and that of the other person. Of course, it runs into the problem of misunderstanding, which is typical of that very process and comes back whenever one is confronted by a theory of perception. The present authors question once again such an ontological primacy with reference to Wilhelm Schapp's philosophy. According to the latter, (hi)story and not perception comes first. Things are valid only because they surge within one's (hi)story, and it is (hi)story that holds person's seat. The person thus becomes described as being entangled amidst (hi)stories. The authors show that one can cast a new light on Binswanger's project by following Schapp on a narrative level: Connections living through experiences are connections between (hi)stories. The encounter with the psychiatric patient is understood in terms of mutual "entanglement. " Such a point of view leads the authors to analyze existential analysis through the new criteria of a strictly narrative analysis.
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4

Vuckovic, Zeljko. "Prolegomena regarding critical media aesthetics." Zbornik Matice srpske za drustvene nauke, no. 137 (2011): 495–507. http://dx.doi.org/10.2298/zmsdn1137495v.

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Contemporary technology and media era is characterized by aesthetics domination over logic, ethics and metaphysics. The reality is replaced by simulation and the picture is more important that the truth. The narcissistic media shape not only one's perception, but one's experience of the world, creation of taste and system of values. Therefore, we need a new media aesthetics that would lead to the development of critical media sensitivity and comprehension of how media messages emerge and affect the audience. If there is no critical aesthetics, there exists anesthesia. Being both a media perception theory and media taste critique, media aesthetics can contribute to creating a new media culture, realizing human potentials and improving communication rationality. Aesthetics is a prerequisite of media literacy and critical media pedagogy. In such a world media can serve as creative extensions of human perception, tools for comprehension and socialization in such a way as suggested by poet William Blake: If the doors of perception were cleansed, everything would appear to man as it is, infinite.
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5

Kindermann, Nicole K., and Natalie S. Werner. "Cardiac Perception Enhances Stress Experience." Journal of Psychophysiology 28, no. 4 (2014): 225–32. http://dx.doi.org/10.1027/0269-8803/a000114.

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In the present study we aimed to investigate the impact of the ability to perceive bodily changes as indexed by the perception of one’s heartbeat (cardiac perception) on emotional experience when being confronted with a mental stressor. To induce stress, participants high and low in cardiac perception performed a computerized mental arithmetic test while listening to a white noise increasing in volume. Emotional experience and heart rate were assessed as indices of stress response. Our results show that participants high in cardiac perception reported more negative emotions during the stress period compared to participants low in cardiac perception, though heart rate did not differ between the groups. Our findings suggest that cardiac perception moderates the stress experience by enhancing the perceived emotion. Thus we were able to demonstrate that cardiac perception contributes as a factor explaining the variance in individuals’ emotional response to a stressor.
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6

Liebow, Nabina. "Internalized Oppression and Its Varied Moral Harms: Self‐Perceptions of Reduced Agency and Criminality." Hypatia 31, no. 4 (2016): 713–29. http://dx.doi.org/10.1111/hypa.12265.

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The dominant view in the philosophical literature contends that internalized oppression, especially that experienced in virtue of one's womanhood, reduces one's sense of agency. Here, I extend these arguments and suggest a more nuanced account. In particular, I argue that internalized oppression can cause a person to conceive of herself as a deviant agent as well as a reduced one. This self‐conception is also damaging to one's moral identity and creates challenges that are not captured by merely analyzing a reduced sense of agency. To help illustrate this claim, I consider experiences of people of color who internalize stereotypes regarding criminality and moral deviance. With these examples in mind, I show that internalized prejudices regarding criminality can cause people of color (men and women) to view themselves as outlaws in the moral community, that is, as wrongdoers. This conclusion helps give voice to some of the challenges that women of color who experience multiple sorts of internalized prejudices often face. To conclude, I discuss one strategy for empowerment that women of color have used when confronted with multiple forms of internalized oppression.
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7

Skura, Monika. "The meaning of experiencing disability and its effect on one’s perception of society." Men Disability Society 45, no. 3 (2019): 5–16. http://dx.doi.org/10.5604/01.3001.0013.6221.

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People with physical disabilities, just as other people who have a different appearance or function in a different way may experience negative social mechanisms. Therefore, it is worth asking, what does it mean to experience different stages of the process of accepting one's disability in a society. The research sample consisted of 75 people with physical disabilities. The data was collected using a questionnaire and the Adjective Check List (ACL) by H.B. Gough, A.B. Heilbrun. The first part of this article aims to determine what difficulties are involved in experiencing a disability. Subsequently, the data is presented regarding the perception of the disabled people of: non-disabled people, people with physical disabilities and people with a different type of disability. It turns out, that regardless of the stage of adapting to their own disability, people with a physical disability are most likely to meet with the able-bodied and their own group of people.
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8

Tu, Yangjun, Yaguang Chen, Yi Guo, Zhi Yang, and Xin Jiang. "Interpersonal Trust and Self-Perception of Heterosexual Charm Moderate Potential for Betraying One's Romantic Partner." Social Behavior and Personality: an international journal 43, no. 6 (2015): 909–20. http://dx.doi.org/10.2224/sbp.2015.43.6.909.

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We examined whether or not interpersonal trust and self-perception of one's heterosexual charm moderated the potential to betray one's romantic partner. To enable free expression, we asked college students (N = 271) to imagine the possibility of a relationship breakup occurring between couples described in 4 vignettes. The results showed that the men believed that couples were more likely to break up when the woman in the partnership experienced a dramatic change for the worse in her physical appearance, but the women thought that couples were more likely to break up when the man in the partnership experienced a dramatic worsening of his economic status. Interpersonal trust and self-perception of heterosexual charm more strongly affected the perception of the male participants that a couple would break up when there was a change for the worse in the physical appearance of the woman partner, and these 2 factors also strongly affected the perception of the female participants that a couple would break up when there was a dramatic worsening of the economic status of the man in the partnership.
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9

O'Sullivan, Noreen, Christophe de Bezenac, Andrea Piovesan, et al. "I Am There … but Not Quite: An Unfaithful Mirror That Reduces Feelings of Ownership and Agency." Perception 47, no. 2 (2017): 197–215. http://dx.doi.org/10.1177/0301006617743392.

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The experience of seeing one's own face in a mirror is a common experience in daily life. Visual feedback from a mirror is linked to a sense of identity. We developed a procedure that allowed individuals to watch their own face, as in a normal mirror, or with specific distortions (lag) for active movement or passive touch. By distorting visual feedback while the face is being observed on a screen, we document an illusion of reduced embodiment. Participants made mouth movements, while their forehead was touched with a pen. Visual feedback was either synchronous (simultaneous) with reality, as in a mirror, or asynchronous (delayed). Asynchronous feedback was exclusive to touch or movement in different conditions and incorporated both in a third condition. Following stimulation, participants rated their perception of the face in the mirror, and perception of their own face, on questions that tapped into agency and ownership. Results showed that perceptions of both agency and ownership were affected by asynchrony. Effects related to agency, in particular, were moderated by individual differences in depersonalisation and auditory hallucination-proneness, variables with theoretical links to embodiment. The illusion presents a new way of investigating the extent to which body representations are malleable.
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10

Beer, David W. "“There's a Certain Slant of Light”: The Experience of Discovery in Qualitative Interviewing." Occupational Therapy Journal of Research 17, no. 2 (1997): 110–29. http://dx.doi.org/10.1177/153944929701700206.

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Perception, meaning, and experience, often expressed in the writing and interpretation of poetry, are important parts of human life. Qualitative interviewing, when it acknowledges and capitalizes on the presence of human interviewers and of so-called interviewer effects, opens itself to capturing and comprehending such phenomena as perception, meaning, and experience. Such interviewing is a creative process in which the interactions) and conversation(s) of interviewer and respondent produce statements and formulations, rather than merely drawing such constructs from the mind of the respondent. Examination of an interview in which the author was respondent shows how interview dialogue facilitated his formulation of a narrative account of part of his intellectual development. This example is used to illustrate how interviewing can facilitate the exploration of one's personal world(s) and how interviewers discover that their constructions and formulations of the world differ from those of their respondents. In the final analysis, it is the subjectivity of the qualitative interview, its being influenced by and affecting both interviewer and respondent, that makes discovery possible in qualitative research.
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