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Dissertations / Theses on the topic 'Percussion ensembles with orchestra'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

McDonald, Richard F. (Richard Frederic). "Canonic Variations for Percussion and Orchestra." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc935717/.

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This work in three movements is written for piccolo, flute, alto flute in G, oboe, English horn in F, clarinet in Bb, bass clarinet in Bb, contrabass clarinet in Bb, bassoon, soprano saxophone in Bb, alto saxophine in Bb, horn in F, trumpet in Bb, six percussion, violins, violas, and violoncellos. The approximate duration is thirteen minutes. The rhythm of the piece is notated metrically and spatially. Movements I and III employ both types of notation, while movement II is strictly metric. Most of the percussion instruments used in the first movement are capable of sustaining very lengthy note

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2

Sherman, Donald Brad Sherman Donald Brad. "Two compositions /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/15507.

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3

Moore, Gregory Kehl. "Xenophilia : a piece in three movements for studio orchestra and African percussion ensemble /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983129.

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4

Puckett, James L. "Part I: Concerto for Percussion Quartet and Wind EnsemblePart II: The Compositional Technique of Joseph Schwantner as presented in LUMINOSITY "Concerto for Wind Orchestra"." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1554805885529634.

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5

Lierdeman, Philippe. "Pliages : for percussion sextet /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9728769.

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6

Kimbler, Chad. "CONCERTO FOR AMPLIFIED MANDOLIN, STRING ORCHESTRA, AND PERCUSSION." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143068097.

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7

Wang, Justin Wen-Lo. "Sometimes I feel the space between people (voices) in terms of tempos-- : a work for percussion duo with computer animated notational interface /." May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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D.M.A. final project--Department of Music, Stanford University, 2008.<br>Includes performance instructions (p. 16-18). "This piece will employ novel notation and scoring techniques using custom-designed software for animated notation, real-time composition and performance based interactivity."--p. iv. Accompanying CD-ROM contains computer-animated software. Includes bibliographical references (p. 20).

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8

Real, Nicolas. "Concerto No. 1 for Flute, String Orchestra and Percussion." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252765.

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Music Performance<br>D.M.A.<br>A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.<br>Temple University--Theses

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9

Tan, Anthony. "--then time killed the wind-- : for percussion quartet and live electronics." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116055.

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...then time killed the wind... is an original musical composition scored for percussion quartet and electronics with a duration of fourteen minutes. This work explores metaphorical relationships between biological processes and musical processes. The primary constructive element in the work is a rhythmic language based upon the assignment of rhythmic cells to genetic sequences. Furthermore, biological models such as inverted repeats, zeitgeber, 2-D representations of DNA and cross-breeding were applied to musical parameters such as form, pitch, harmony and live electronics.

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10

Drege, Lance M. "The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978-1999 : an examination of its history /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 2000.

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11

Andreatta, Drew David. "Three Lou Harrison Percussion Ensembles Arranged for A Solo Percussionist." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293612.

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This document details the creation of a new type of multiple percussion solo from pre-composed percussion ensembles. The author transcribes three works for percussion ensemble by Lou Harrison (1917-2003): Suite for Percussion, movement I, Bomba and Simfony #13 so that they can be performed as percussion solos. Each composition requires a different type of solo version because of the diverse instruments and musical materials in the original scores. Learning to perform these new versions will expand the technical capabilities of a soloist and offers complex challenges not found in the original e

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12

Hart, Shawn Michael. "An analysis of Joseph Schwantner's Concerto for percussion and orchestra." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9772.

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13

Cornelison, Randall. "Bombasticism: Concerto For Four Percussionists and Large Orchestra." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/202693.

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The original composition Bombasticism: Concerto for Four Percussion and Large Orchestra seeks to expand percussion ensemble literature, to the extent that the percussion quartet unites with the symphony orchestra in atypical fashion. This percussion quartet explores both expanded instrumentation as well as creates a homogenous new sound that suggests the importance of the percussion instrumentation collectively with wind and string instruments. Bombasticism diverges from traditional concerto by offering differing levels of soloist within the percussion quartet. The different levels of solo per

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14

Budón, Osvaldo 1965. "Territorios : for percussion ensemble and digital sounds on tape." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23969.

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Territorios is a 15-minute composition for eight percussionists and prerecorded sounds on digital tape. The composer chose this particular instrumentation because of his conviction that percussion and electronic/digital instruments are the most powerful sources of fresh and innovative sound matter that have appeared during this century. This choice also allowed him to challenge the development of a new and consistent rhythmic syntax derived from the internal structure of percussion instruments, which in turn made it possible to establish solid ties between the sound itself and the musical synt

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15

Broad, Elaine H. "Ee." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/725081.

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Ee is a single movement composition for eight sopranos (who also play handbells), a percussion ensemble consisting of eight players, and piano. The work is organized into two sections, the first of which presents the basic material and explores the possibilities it suggests. The second represents a disintegration of the material, eventual synthesis, and assertion of the original material. The piece is conceived as a minimalist composition in which the musical energy and momentum is created not through development, but rather through devices of additive layering of ostinato patterns. The piece

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16

Nazor, Craig. "Concerto for solo violin, strings, and percussion /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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17

Pang, Law Ma Rome Anne. "Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc501224/.

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The composition is scored for the following instruments: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and a large percussion section requiring 7 performers. Beneath the Dancing Moon is a programmatic piece in one movement form composed of 5 continuous sections. It depicts a night scene when the elves begin to dance beneath the moon. Later, the moaning ghosts from the dark forest and the witches with brooms come to join them. They dance furiously until the moon disappears, the sea stops dead and all the dancers suddenly vanish. The approximate performance time is 17 minutes.

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18

Funkhouser, Rob. "Surfaces." Digital Commons @ Butler University, 2017. https://digitalcommons.butler.edu/grtheses/492.

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Surfaces is a work for two percussionists in four movements. It uses a variety of small percussion instruments, keyboard percussion, and two specially built kalimbas. This document contains both the score and an analysis of the piece that covers instrument choice, performance practice, form and compositional techniques employed

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19

Stulman, Timothy A. "Si Ji Tu." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151329272.

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20

Craycraft, Jeremy L. "William Russell's Percussion Ensemble Music, 1931-1940." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305820085.

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21

Fidler, Sean A. "Why Is America So Blue? A Performance Analysis of the Blue Man Group that Demonstrates the Deeper Cultural Significance within the Structure of its Performance." Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/FidlerSA2002.pdf.

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22

Phelps, Amy Louise. "Beyond auditions: gender discrimination in America's top orchestras." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/874.

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Although women have slowly been accepted in America's top orchestras, they are still a minority. Certain instrument sections remain predominantly male in spite of the implementation of blind auditions. Inconsistency in the use of the screen in blind auditions is partially responsible for the lack of women in orchestras, but the problem is seeded in cultural constructions that act as barriers for female brass, percussion and string bass players. Gender constructions have dictated that women should not play instruments that are loud, heavy or require physical exertion. Nonetheless, many women ha

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23

Nelly, Thomas F. "I. Research-based rubrics for assessing undergraduate music compositions a validity study. II. Identity crisis : a composition for wind ensemble, percussion, electric organ, and electric bass /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013772.

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24

Dalton, Grant Beckett. "Nigel Westlake's Omphalo Centric Lecture guide for performance including a biography of the composer and an examination of the different versions of the work /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1155572878.

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25

Comajuncosas, Josep M. "Assessing creativity in computer music ensembles: a computational approach." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/359392.

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Over the last decade Laptop Orchestras and Mobile Ensembles have proliferated. As a result, a large body of research has arisen on infrastructure, evaluation, design principles and compositional methodologies for Computer Music Ensembles (CME). However, little has been addressed and very little is known about the challenges and opportunities provided by CMEs for creativity in musical performance. Therefore, one of the most common issues CMEs have to deal with is the lack of a systematic approach to handle the implications of the performative paradigms they seek to explore, in terms of

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26

Routenberg, Scott Kevin. "Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/80.

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Americana Suite is a seven movement musical composition inspired by nineteenth and early twentieth century American master paintings. Representative artists from each of the major schools of American painting include Frederic Church, Winslow Homer, Mary Cassatt, Childe Hassam, George Bellows, Edward Hopper and Georgia O'Keeffe. Essentially pluralist in style, the suite is written for ensembles of varying size and genre, spanning from full orchestra and contemporary big band to intimate jazz chamber ensembles and electro-acoustic hybrids. Four of the seven movements are written for jazz ensem

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27

Hall, Alec Hall Alec Hall Alec Hall Alec. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464967.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 11, 2009). Available via ProQuest Digital Dissertations. Accompanying disc contains PDF file of thesis and recordings of performances.

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28

Chen, Yunfeng. "Lou Harrison's Organ concerto with percussion orchestra : the fusion of Asian musical rhetoric with the western world's oldest musical instrument /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11440.

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29

Hall, John Richard. "Development of the percussion ensemble through the contributions of the Latin American composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211553990.

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30

Smith, Alyssa Gretchen. "An examination of notation in selected repertoire for multiple percussion." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1118639448.

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Thesis (D.M.A.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xiv, 107 p.; also includes graphics, music. Includes bibliographical references (p. 103-107). Available online via OhioLINK's ETD Center.

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31

Ferris, Morris Samuel A. "Pulse Patterns." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1398272266.

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32

Zator, Brian Edward. "A comparative analysis of Minoru Miki's Time for marimba and Concerto for marimba and orchestra." Thesis, connect to online resource. Recital, recorded Apr. 17, 2006, in digital collections. Access restricted to the University of North Texas campus, 2008. http://digital.library.unt.edu/permalink/meta-dc-9716.

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33

Johnson, Allison Adah Johnson Allison Adah Johnson Allison Adah Johnson Allison Adah. "Transmission/translation/transgression /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099912.

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Thesis (Ph. D.)--University of California, San Diego, 2003.<br>Vita. "Three related compositions written for string quartet, small ensemble (soprano, violin, viola, cello, flute, clarinet, piano) and percussion duo"--P. viii; 3rd work an open form composition. Also available on the World Wide Web. (Access restricted to UC campuses).

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34

Barnes, Austin Lee. "Analysis of selected percussion literature: Concerto for vibraphone and orchestra by Ney Rosauro, Surface tension by Dave Hollinden, Urban sketches for percussion trio by Lon W. Chaffin, Take five by Paul Desmond, and DT supreme by Austin Barnes." Kansas State University, 2012. http://hdl.handle.net/2097/14141.

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Master of Music<br>Department of Music<br>Kurt Gartner<br>This is a report for anyone playing or teaching any one of the following pieces: Concerto for Vibraphone and Orchestra by Ney Rosauro, Surface Tension by Dave Hollinden, Urban Sketches for Percussion Trio by Lon W. Chaffin, Take Five by Paul Desmond, or DT Supreme by Austin Barnes. The repertoire is analyzed by the method given in Jan Larue’s book Guidelines for Style and Analysis. The report includes interpretive decisions, technical considerations, harmonic analysis, and form.

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35

CHEN, HSIN-LEI. "Ebb and Flow." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196019524.

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36

Àlamo, Santos Juan Manuel. "A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9803/.

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Keiko Abe's contributions to the contemporary marimba repertoire have been a milestone in the development of the marimba as a solo concert instrument. Besides the creation of a new repertoire through commissions and her own compositions, Abe's contributions to the marimba include the improvement of the sound quality of the marimba and the establishment of the five octave instrument as the standard concert marimba. During the last four decades, Abe's compositions have been performed and studied worldwide and become standard literature for the marimba. Abe has written more than sixty compositi

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37

Wheeler, Robinson Andrew. "The brief nature of the wind, the flower of the air : Elliott Carter's "Allegro Scorrevole" for orchestra and Caeli, for two sopranos, two electric guitars, two percussion, and electronics /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.

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38

Porter, Amanda H. "Remnants." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1166400966.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>Document formatted into pages; contains 1 score (36 p.) For soprano and chamber orchestra (flute, bassoon, viola, piano, harp and percussion) Includes bibliographical references.

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39

Kilgore, Matthew Ryan. ""Homage to Nancarrow" from "Estudios de Frontera for 5 Percussion Players" by Alejandro Viñao: A Rhythmic Analysis and Performance Practice Guide." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609136/.

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The Peabody Conservatory commissioned Estudios De Frontera by Alejandro Viñao in 2004. Percussionist Robert Van Sice initiated the commissioning process. Estudios De Frontera is the first composition for percussion ensemble by Viñao. Viñao's Estudios is written in two movements. The first is titled Homage to Nancarrow. As the title implies the compositional processes are directly influenced by Conlon Nancarrow. The composer states: "Homage to Nancarrow is concerned with the perceptual illusion of multiple simultaneous speeds or tempi....This movement explores the type of rhythms that c

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40

陳錦標 and Kam Biu Joshua Chan. "Portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234094.

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41

Tarazona, Francia Federico Octavio. "Le hatun charango et la culture andine dans trois de mes compositions récentes." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30115/30115.pdf.

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Le présent mémoire traite principalement de l'association du hatun charango – un instrument de ma création appartenant à la famille du charango andin – à des formations instrumentales occidentales (musique de chambre et d’orchestre). La conception de ces œuvres a engendré une réflexion sur l’importance, dans mon travail artistique, des relations entre la culture de tradition orale – ici, la culture andine – et la culture de tradition écrite – la culture occidentale en général –, et tout particulièrement dans le domaine musical. Ces enjeux sont ici abordés selon une réflexion personnelle liée à

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42

"A portfolio of music compositions." 2005. http://library.cuhk.edu.hk/record=b5892650.

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Remembrance -- Suite -- Symphonic prelude.<br>Ng Wah-hei.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 2005.<br>Abstracts in English and Chinese.<br>Abstract --- p.i<br>Table of Contents --- p.ii<br>Acknowledgements --- p.iii<br>Chapter 1. --- Remembrance for Orchestra --- p.1<br>Chapter 2. --- "Suite for Flute, Clarinet, Cello, and Percussion" --- p.58<br>Chapter 3. --- Symphonic Prelude for Orchestra --- p.100

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43

"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.

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Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.<br>Yang Jin Fong.<br>"June 2004."<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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44

"A portfolio of music compositions." 2009. http://library.cuhk.edu.hk/record=b5896608.

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《紙・驚》與《鼓・箏》 : 褐紫紅色 : 自《彩露》 : 為京腔女中音、中國大鼓和古箏而寫的雙樂章作品 = "Paper. Jolt" and "Gu. Zheng", op. 23 : Maroon : from the Dews of Color : two-movement piece for Chinese operatic mezzo-soprano, Chinese big drum, and Gu-Zheng (2008) -- Carnival, op. 24 : for symphonic band : coral : from the Dews of Color (2009) -- Celadon, op. 26 : from the Dews of Color : composed for clarinet in B-flat, Gu Zheng, and Percussion (suspended cymbal and vibraphone) = 青瓷色: 自《彩露》: 為降B單簧管, 古箏與敲擊(弔鈸及鋼片琴)而寫 -- Prelude, passacaglia and fugue, op. 25 : for percussion quartet.<br>"Zhi, jing" yu "Gu, zheng" : he zi hong se : zi "Ca

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45

WU, KUO-MING, and 吳國銘. "The Operation Strategies of Percussion Ensembles in Taiwan-A Study on School Percussion Ensembles of Taichung County." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/16702308606617490726.

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碩士<br>玄奘大學<br>公共事務管理學系碩士班<br>98<br>【Abstract】 The Operation Strategies of Percussion Ensembles in Taiwan A Study on School Percussion Ensembles of Taichung County Through reviewing the developing background of the percussion ensembles and management strategies in human resource, finance, operation and marketing, this paper is to discuss the current operation system of school percussion ensembles and the problems of applying enterprise management model into operation strategies. The study uses qualitative research techniques of interview, observation and SWOT analysis to investigate the operat

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46

Curcin, Katarina. "Double concerto for violin, percussion and orchestra." 2007. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=510529&T=F.

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47

HUANG, HAO-HSUAN, and 黃浩軒. "Concerto for Clarinet and String Orchestra with Harp and Percussion." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/27673308742172686744.

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48

Vollen, Guy James Kubík Ladislav. "Carnival of souls A symphony for winds, percussion, harps and low strings /." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-09042003-184312/.

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Dissertation (D.M.) -- Florida State University, 2003.<br>Advisor: Ladislav Kubík, Florida State University, School of Music. Title and description from dissertation home page (viewed 11-21-03) Document formatted into pages; contains 66 pages. Includes biographical sketch.

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49

Catania, Michael Wingate Mark. "Something to be happy about Solo for tenor pan and orchestra /." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-08272003-145846/.

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Thesis (M.M.) -- Florida State University, 2003.<br>Advisor: Mark Wingate, Florida State University, School of Music. Title and description from dissertation home page (viewed 11-17-03). Document formatted into pages; contains 77 pages. Includes biographical sketch.

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50

Wilson, Zackery Joseph. "Música dramática." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1503.

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In my years as a composer, I’ve had a great fascination with the concept of juxtaposition and superimposition of various moods and styles of music. Although I’d written many pieces before thesis, I had yet to examine the results of this polarization in music. Thus, the purpose of this present composition was to explore contrasting musical elements while combining them in a coherent, competent manner. To begin, I chose two differing instrumentations of which to amalgamate: strings and percussion. música dramática exploits the different timbres and colors of the instruments and presents them by

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