Relevant bibliographies by topics / Percussion music Percussion instruments

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Percussion music Percussion instruments'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Percussion music Percussion instruments"

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Bielova, Yelyzaveta. "Sound images of percussion instruments: modernity and retrospections." Aspects of Historical Musicology 19, no. 19 (2020): 120–39. http://dx.doi.org/10.34064/khnum2-19.07.

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Introduction. The widespread use of percussion instruments is a worldwide trend in artistic practice of the 20th – early 21st centuries, whose existence is due to the constant development of composer creativity and the performing art of percussion instruments playing. The named vectors of musical activity are linked inextricably, since one direction contributes to the development of another. Nevertheless, there are not still fundamental scientific works would investigate the evolution of wind instruments from the beginnings to the present in the designated context of the interaction between co
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Bessell, David. "Dynamic Convolution Modeling, a Hybrid Synthesis Strategy." Computer Music Journal 37, no. 1 (2013): 44–51. http://dx.doi.org/10.1162/comj_a_00159.

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This article outlines a hybrid approach to the synthesis of percussion sounds. The synthesis method described here combines techniques and concepts from physical modeling and convolution to produce audio synthesis of percussive instruments. This synthesis method not only achieves a high degree of realism in comparison with audio samples but also retains some of the flexibility associated with waveguide physical models. When the results are analyzed, the method exhibits some interesting detailed spectral features that have some aspects in common with the behavior of acoustic percussion instrume
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Yudha, Kiki Devista, and Jagar Lumbantoruan. "HUBUNGAN HASIL BELAJAR TEORI MUSIK DASAR DAN PRAKTEK INSTRUMEN PERKUSI DI JURUSAN SENDRATASIK." Jurnal Sendratasik 9, no. 3 (2020): 37. http://dx.doi.org/10.24036/jsu.v9i1.109303.

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Abstract This study aims at finding out the correlation between learning outcomes in music theory subject and percussion instrument practice subject in the Department of Drama, Dnace and Music Arts. This quantitative research used a correlational method involving two variables, i.e. the learning outcomes of music theory subject and the learning outcomes percussion instrument practice subject. The population in this study was the students of Department of Drama, Dance and Music Arts, Faculty of Languages and Arts, Universitas Negeri Padang whi took Music Theory subject in the even semester of 2
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Howard, Karen. "Performing Rhythms of the Brazilian Bateria." General Music Today 33, no. 1 (2019): 52–56. http://dx.doi.org/10.1177/1048371319867426.

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Bateria (bah-teh-REE-ah) means drum set in Portuguese. In terms of Brazilian samba music, the bateria is the percussion ensemble driving the groove of the whole samba band. Organizing a batucada (bah-tooKAH-dah), a Brazilian percussion jam session, is possible in general music classes throughout elementary and secondary school. The necessary instruments are easily available through percussion and educator websites. In addition, quality online tutorials are easily accessible.
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Ondrejka, Vojtěch, Tomáš Gergeĺ, Anna Danihelová, et al. "THE IMPACT OF ACOUSTIC OF SELECTED SPACES ON PERCUSSION INSTRUMENTS." Akustika, VOLUME 37 (December 15, 2020): 37–85. http://dx.doi.org/10.36336/akustika20203772.

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The results of the investigation of the room acoustic properties influence on the perception of the sound of percussion musical instruments are presented in the paper. At first, the acoustic properties of two rooms were determined without musical instrument. Subsequently, the acoustic properties of the rooms were determined during the presentation of cajon music. On the base of reverberation time (EDT, T30), Clarity C80, Definition D50 and bass index BI) we can conclude that the room of the Hron cinema is more suitable for musical presentation, but it cannot be considered as ideal one. The Roy
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Dustov, Sanoqul. "The Role Of Uzbek National Performance In The Music Art." American Journal of Social Science and Education Innovations 03, no. 02 (2021): 126–32. http://dx.doi.org/10.37547/tajssei/volume03issue02-20.

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In the article the role of our national percussion words formed on the basis of Uzbek musical performance art in IX-XII centuries in the cultural life of people at all stages of development from generation to generation for centuries, their joy, sometimes accompanying us in our sad days, reaching us in a perfected and perfected form, the necessary influence on the spiritual world of people with the sound of percussion instruments, their place in our modern cultural life.
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Ardedi, Dodo Pratama, and Wimbrayardi Wimbrayardi. "ANSAMBLE PERKUSI (KOMPOSISI MUSIK SMK NEGERI 3 PADANG)." Jurnal Sendratasik 8, no. 1 (2019): 25. http://dx.doi.org/10.24036/jsu.v8i1.106415.

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Abstract This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is v
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Vande Veire, Len, Cedric De Boom, and Tijl De Bie. "Sigmoidal NMFD: Convolutional NMF with Saturating Activations for Drum Mixture Decomposition." Electronics 10, no. 3 (2021): 284. http://dx.doi.org/10.3390/electronics10030284.

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In many types of music, percussion plays an essential role to establish the rhythm and the groove of the music. Algorithms that can decompose the percussive signal into its constituent components would therefore be very useful, as they would enable many analytical and creative applications. This paper describes a method for the unsupervised decomposition of percussive recordings, building on the non-negative matrix factor deconvolution (NMFD) algorithm. Given a percussive music recording, NMFD discovers a dictionary of time-varying spectral templates and corresponding activation functions, rep
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Zappi, Victor, Andrew Allen, and Sidney Fels. "Extended Playing Techniques on an Augmented Virtual Percussion Instrument." Computer Music Journal 42, no. 2 (2018): 8–21. http://dx.doi.org/10.1162/comj_a_00457.

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Innovation and tradition are two fundamental factors in the design of new digital musical instruments. Although apparently mutually exclusive, novelty does not imply a total disconnection from what we have inherited from hundreds of years of traditional design, and the balance of these two factors often determines the overall quality of an instrument. Inspired by this rationale, in this article we introduce the Hyper Drumhead, a novel augmented virtual instrument whose design is deeply rooted in traditional musical paradigms, yet aimed at the exploration of unprecedented sounds and control. In
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Taylor, Donald M. "Refining Learned Repertoire for Percussion Instruments in an Elementary Setting." Journal of Research in Music Education 54, no. 3 (2006): 231–43. http://dx.doi.org/10.1177/002242940605400306.

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The purpose of this study was to examine teaching effectiveness in an elementary music setting using student achievement as a dependent measure. Because Orff Schulwerk instruction is one of the most prevalent pedagogies in elementary music education, this study examined the rehearsal strategies of recognized Orff Schulwerk teachers as they worked to refine learned repertoire for percussion instruments. Eight instructors and their upper elementary students were videotaped in four regular rehearsals each. Systematic analyses of rehearsal frames in which teachers were working to improve student p
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Dissertations / Theses on the topic "Percussion music Percussion instruments"

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Lee, Elsa. "Sunan chui da : an investigation of the role of percussion in traditional Chinese music." Title page, table of contents and introduction only, 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09muml477.pdf.

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Baumbusch, Brian. "The lightbulb project| New music for new percussion instruments." Thesis, Mills College, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1549992.

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<p> This thesis is about the process behind building, tuning, and composing music for a new set of metallophones called the "Lightbulb" instruments. This project began in 2011 and has continued to expand over the past two years: the first piece to be written for the instruments is titled <i> Prana,</i> and this thesis describes how the process of building and tuning the instruments informed the compositional process behind <i><b> Prana.</b></i> The premiere of <i>Prana</i> led to the formation of the Lightbulb Ensemble, which performs on these new instruments. The instruments and the group con
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Yannavut, Wannapha. "An exploration of Thai traditional music for Western percussion instruments." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3231.

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This study consists of five compositions/arrangements and one excerpt of a composition from the folk music of Thailand for Western percussion solo and ensembles. These compositions/arrangements were selected from Thai folk songs from the four regions of Thailand (central, northern, northeastern, and southern) in order to represent each region's culture and characteristics: Bats Eat Bananas for percussion ensemble, plus an excerpt for mallet percussion (from the central region); Long Mae Ping Fantasia for marimba solo and percussion ensemble (from the northern region); Mang Poo Tom Dok for perc
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Michael, Carlucci. "The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31376.

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The influence of electronic percussion (in particular, the Simmons Drum Company’s innovations) on the compositions and evolution of 1980s Pop music can be examined through technological advancements as well as stylistic characteristics of drum partitions of the decade. Archived company catalogues in collaboration with Matt Dean’s historical timeline provide a clear understanding of the advancements during the time of the company’s tenure at the top of the electronic percussion industry. Definitions of the terms “style” and “genre” in both the primary and secondary approaches -by Allan Moore an
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Craycraft, Jeremy L. "William Russell's Percussion Ensemble Music, 1931-1940." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305820085.

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McCloud, Daniel W. "Notable percussion excerpts derived from the wind-band repertoire : a continuation of a study by Charles Timothy Sivils." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1395456.

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In 1995 Charles Timothy Sivils completed his study, "Notable Percussion Excerpts of the Twentieth Century Wind-Band Literature." Sivils' intention was to create a formal list of percussion excerpts from substantial, originally composed wind-band literature that could supplement the study of orchestral excerpts. However, because of the continuingly increasing amount of literature being written and published for wind-bands, Sivils' original list no longer reflects recent or current trends in percussion writing for the wind-band. The objective of this study is to expand upon Sivils' excerpt list.
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Broadhurst, James Donald. "The early drum-melodic music of Michael Colgrass and the evolution of the Colgrass drum." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1123272187.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xix, 218 p.; also includes graphics. Includes bibliographical references (p. 177-185). Available online via OhioLINK's ETD Center
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Zhang, Boyu. "Mathematical rhythmic structure of Chinese percussion music : an analytical study of Shifan Luogu collections /." Turku : Turun Yliopisto, 1997. http://catalogue.bnf.fr/ark:/12148/cb38877189v.

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Burdett, Kimberley H. "A review of literature and texts relating to the percussion methods course including a proposal for a new text to meet concerns about course content and structure." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180457064.

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White, Marc M. "Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20012/white%5Fmarc%5Fm/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2001.<br>Accompanied by recitals, recorded Nov. 14, 1994, Nov. 20, 1995 and Nov. 23, 1999. Includes bibliographical references (p. 115-117) and discography (p. 118-119).
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Books on the topic "Percussion music Percussion instruments"

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Practical percussion: A guide to the instruments and their sources. Scarecrow Press, 2005.

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James, Holland. Practical percussion: A guide to the instruments and their sources. Oxford University Press, 2001.

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Larrick, Geary. A percussionist's guide to music--bibliographic essays. Edwin Mellen Press, 2002.

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Zhongguo da ji yue. Renmin yin yue chu ban she, 1996.

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Dhāḥ bājā, nau bājā va mye yāgu śabda va bola: Neku jātrā cale yāyegu niti. Motilāla Śilpakāra o Parivāra, 2002.

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François, Jean Charles. Percussion et musique contemporaine. Klincksieck, 1991.

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How to write for percussion: A comprehensive guide to percussion composition. SZSolomon, 2002.

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Monroe, Peggy. Adding percussion to medieval and renaissance music. ARS Education Committee, The American Recorder Society, 1996.

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Analytical and biographical writings in percussion music. P. Lang, 1989.

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Matney, Bill B. Tataku: The use of percussion in music therapy. Sarsen Pub., 2007.

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Book chapters on the topic "Percussion music Percussion instruments"

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "Percussion Instruments." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-26.

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Eargle, John M. "Acoustics of Percussion Instruments." In Music, Sound, and Technology. Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7070-3_8.

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Eargle, John M. "Acoustics of Percussion Instruments." In Music, Sound, and Technology. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_8.

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Rossing, Thomas D. "Percussion Instruments." In Encyclopedia of Acoustics. John Wiley & Sons, Inc., 2007. http://dx.doi.org/10.1002/9780470172544.ch135.

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Moravcsik, Michael J. "Percussion Instruments." In Musical Sound. Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0577-8_13.

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Hartmann, William M. "Percussion Instruments." In Principles of Musical Acoustics. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_26.

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Fletcher, Neville H., and Thomas D. Rossing. "Mallet Percussion Instruments." In The Physics of Musical Instruments. Springer New York, 1998. http://dx.doi.org/10.1007/978-0-387-21603-4_19.

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Morrison, Andrew C., and Thomas D. Rossing. "Percussion Musical Instruments." In Springer Handbook of Systematic Musicology. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_9.

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Fletcher, Neville H., and Thomas D. Rossing. "Mallet Percussion Instruments." In The Physics of Musical Instruments. Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-2980-3_19.

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Snoman, Rick. "Kicks and percussion." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-17.

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Conference papers on the topic "Percussion music Percussion instruments"

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Roy, Uttam Kumar. "Instrumental Bengali music synthesis from transcription with Indian percussion instruments." In 2016 International Conference on Computer, Electrical & Communication Engineering (ICCECE). IEEE, 2016. http://dx.doi.org/10.1109/iccece.2016.8009551.

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Dawalatabad, Nauman, Jom Kuriakose, Chandra Sekhar Chellu, and Hema Murthy. "Information Bottleneck Based Percussion Instrument Diarization System for Taniavartanam Segments of Carnatic Music Concerts." In Interspeech 2018. ISCA, 2018. http://dx.doi.org/10.21437/interspeech.2018-1203.

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Kvistad, Garry. "Materials in percussion instruments." In 161st Meeting Acoustical Society of America. Acoustical Society of America, 2014. http://dx.doi.org/10.1121/1.4865241.

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Aimi, Roberto. "Percussion instruments using realtime convolution." In the 7th international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279768.

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Manoj Kumar, P. A., Jilt Sebastian, and Hema A. Murthy. "Musical onset detection on carnatic percussion instruments." In 2015 Twenty First National Conference on Communications (NCC). IEEE, 2015. http://dx.doi.org/10.1109/ncc.2015.7084897.

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Ren, Zhimin, and Ming C. Lin. "Interactive virtual percussion instruments on mobile devices." In VRST '15: 21th ACM Symposium on Virtual Reality Software and Technology. ACM, 2015. http://dx.doi.org/10.1145/2821592.2821616.

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Worland, Randy. "Electronic speckle pattern interferometry: Applications to the musical acoustics of percussion instruments." In 179th Meeting of the Acoustical Society of America. ASA, 2019. http://dx.doi.org/10.1121/2.0001461.

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Pei-Pei Chen, Tzu-Chun Yeh, Jyh-Shing Roger Jang, and Wenshan Liou. "AutoRhythm: A music game with automatic hit-time generation and percussion identification." In 2015 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2015. http://dx.doi.org/10.1109/icme.2015.7177487.

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Sarkar, Mihir, and Barry Vercoe. "Recognition and prediction in a network music performance system for Indian percussion." In the 7th international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279809.

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Kvistad, Garry. "Rhythmic techniques and psychoacoustic effects of the percussion music of Steve Reich." In 166th Meeting of the Acoustical Society of America. Acoustical Society of America, 2014. http://dx.doi.org/10.1121/1.4863156.

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