Journal articles: 'Percy Bysshe'

1

Fulford, Tim, and Michael O'Neill. "Percy Bysshe Shelley." Modern Language Review 90, no. 2 (April 1995): 419. http://dx.doi.org/10.2307/3734568.

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Bakić-Mirić, Nataša, and Mirjana Lončar-Vujnović. "Percy Bysshe Shelley: The neglected genius." Зборник радова Филозофског факултета у Приштини 49, no. 3 (2019): 129–45. http://dx.doi.org/10.5937/zrffp49-21447.

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Haekel, Ralf. "Towards the Soul: Percy Bysshe Shelley'sEpipsychidion." European Romantic Review 22, no. 5 (October 2011): 667–84. http://dx.doi.org/10.1080/10509585.2011.601681.

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Stephens, Paul. "Percy Bysshe Shelley: Poet and Revolutionary." Keats-Shelley Review 33, no. 1 (January 2, 2019): 134–36. http://dx.doi.org/10.1080/09524142.2019.1611285.

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Borushko, Matthew C. "Percy Bysshe Shelley and the Sciences." Literature Compass 2, no. 1 (January 2005): **. http://dx.doi.org/10.1111/j.1741-4113.2005.00205.x.

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Clemit, P. "Review: Percy Bysshe Shelley. The prose works of Percy Bysshe Shelley, vol. I, ed. EB Murray." Notes and Queries 43, no. 2 (June 1, 1996): 223–34. http://dx.doi.org/10.1093/nq/43.2.223.

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Paley, Morton D., Donald H. Reiman, Neil Fraistat, and Percy Bysshe Shelley. "The Complete Poetry of Percy Bysshe Shelley." Studies in Romanticism 40, no. 2 (2001): 300. http://dx.doi.org/10.2307/25601508.

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Varinelli, Valentina. "The Complete Poetry of Percy Bysshe Shelley." European Romantic Review 33, no. 1 (January 2, 2022): 109–15. http://dx.doi.org/10.1080/10509585.2021.2019402.

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Coffey, Bysshe Inigo. "Percy Bysshe Shelley and China’s Gayest Art." Wordsworth Circle 51, no. 2 (March 2020): 221–41. http://dx.doi.org/10.1086/709153.

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Motion, Andrew. "The Complete Poetry of Percy Bysshe Shelley." Hopkins Review 15, no. 4 (September 2022): 194–98. http://dx.doi.org/10.1353/thr.2022.0094.

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Ngide, George. "Romanticism and Nonviolence: Percy Bysshe Shelley Exhumed." International Journal of Literature and Arts 12, no. 2 (April 11, 2024): 16–26. http://dx.doi.org/10.11648/j.ijla.20241202.11.

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This paper posits that in his prose and poetry, Percy Bysshe Shelley (an English poet of the Romantic period) articulates both the philosophy and methodology of nonviolence as a response to oppression, repression and marginalisation. It also contends that although his theory significantly impacted the formation of the philosophies and socio-political campaigns of later nonviolence activists, especially the Indian Civil Rights Activist Mahatma Gandhi, Shelley has not been sufficiently credited for the ground-breaking political philosophy of nonviolence. This article thus explores Shelley’s philosophy of nonviolence in his poetry, prose, dramas and pamphlets. It compares the nonviolence philosophies of Gandhi and Shelley and brings out Shelley’s unquestionable influence on Mahatma Gandhi. The article raises questions about why Shelley was not credited with the philosophy of nonviolence and suggests possible reasons for this apparent near lack of global consideration for the English Romantic poet despite his pioneering the philosophy. Having proceeded thus and upon thorough academic investigation, the article irresistibly concludes that contrary to popular socio-political opinion, Percy Bysshe Shelley is the unrivalled father of nonviolence as an ethical and pragmatic philosophy for socio-political mutation. By this study, Shelley is given his rightful position in matters of nonviolence and thus exhumed as a poet-philosopher whose philosophy has outlived his existence and practised to date by activists to press for reform.

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Nabugodi, Mathelinda. "The Contexts of Percy Bysshe Shelley’s Faust Translations." Publications of the English Goethe Society 90, no. 1 (January 2, 2021): 31–52. http://dx.doi.org/10.1080/09593683.2021.1887593.

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Walker, Leila. "Percy Bysshe Shelley and the Ekphrasis of Hair." European Romantic Review 24, no. 2 (April 2013): 231–50. http://dx.doi.org/10.1080/10509585.2013.768178.

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14

Lindstrom, Eric. "Mourning Life: William Wordsworth and Percy Bysshe Shelley." Romanticism 23, no. 1 (April 2017): 38–52. http://dx.doi.org/10.3366/rom.2017.0305.

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What does it mean that Shelley publicly mourns the death a living Wordsworth in his poetry? This essay argues that Percy Bysshe Shelley's renunciation of a narrow concept of selfhood not only informs, but germinates, his psychological and political principles, and in the process shapes his response to William Wordsworth—not as an “egotistical” poet, but as one who paradoxically and enviably escapes mutability by being ontologically identified with forms of non-life. I argue that Shelley brilliantly (and correctly) attributes this position to Wordsworth's poetic thought through his own poetic thinking in works such as Peter Bell the Third, and that Shelley also finds such an alignment incomprehensible. His construction of Wordsworth is a skeptical dialectician's disavowal of mute or dull inclusion. The essay attends to Shelley's treatment of Wordsworth in connection to Shelley's performative speech acts of inversion: life-death; heaven-hell; blessing-curse. Shelley abjures Wordsworth for excessive love for otherwise inanimate things; for ‘ma[king] alive | The things it wrought on’ and awakening slumberous ‘thought in sense’.

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15

Westwood, Daniel. "Jacqueline Mulhallen, Percy Bysshe Shelley: Poet and Revolutionary." Romanticism 25, no. 1 (April 2019): 109–11. http://dx.doi.org/10.3366/rom.2019.0408.

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16

Borushko, Matthew C. "Percy Bysshe Shelley: A Biography by James Bieri." Studies in Romanticism 51, no. 1 (2012): 114–18. http://dx.doi.org/10.1353/srm.2012.0049.

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17

Stokoe, Leanne. "Percy Bysshe Shelley: A Biography - By James Bieri." Journal for Eighteenth-Century Studies 33, no. 1 (March 2010): 121–22. http://dx.doi.org/10.1111/j.1754-0208.2009.00206.x.

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18

Vail, Jeffery. "The Complete Poetry of Percy Bysshe Shelley, Volume II. Edited by Percy Bysshe Shelley, Donald H. Reiman, and Neil Fraistat." Wordsworth Circle 36, no. 4 (September 2005): 194–95. http://dx.doi.org/10.1086/twc24044274.

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19

Hajjari, Leila, and Zahra Soltani Sarvestani. "IMPERMANENCE / MUTABILITY: READING PERCY BYSSHE SHELLEY’S POETRY THROUGH BUDDHA." Littera Aperta. International Journal of Literary and Cultural Studies 5 (December 30, 2017): 19–37. http://dx.doi.org/10.21071/ltap.v5i5.13320.

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As an ongoing phenomenon, the impermanence of the world has been observed by many people, both in ancient and modern times, in the East and in the West. Two of these authors are Gautama Buddha (an ancient, eastern philosopher from the 6th-5th centuries B.C.) and Percy Bysshe Shelley (a modern Western poet: 1792-1822). The aim of this paper is to examine in the light of Buddhist philosophy what impermanence means or looks in a selection of Shelley’s poems, after considering that this philosophy was not alien to the Europeans of the 18th and 19th centuries. Buddhism, seeing impermanence (anicca) as the foundation of the world, both acquiesces to it and urges the individuals to sway with its ebb and flow. Shelley mainly falters in the incorporation of the phenomenon into his mindset and his poems. However, he often shows a casual acceptance of it; and even, in a few cases, he presents it with a positive assessment. Keywords: Buddhism, Shelley, impermanence, mutability, transience, anicca

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20

Lindstrom, Eric Reid, Percy Bysshe Shelley, Donald H. Reiman, and Neil Fraistat. "The Complete Poetry of Percy Bysshe Shelley. Vol. 2." Journal of the Midwest Modern Language Association 39, no. 1 (April 1, 2006): 168. http://dx.doi.org/10.2307/20464167.

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21

Blake Davis, Amanda. "The Complete Poetry of Percy Bysshe Shelley: Volume VII." Keats-Shelley Review 36, no. 1 (January 2, 2022): 44–47. http://dx.doi.org/10.1080/09524142.2022.2075612.

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22

Marks, Clifford. "Percy Bysshe Shelley'sQueen Mab:En route to an ethical identity." European Romantic Review 3, no. 2 (December 1992): 159–92. http://dx.doi.org/10.1080/10509589208569963.

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23

Trott, Nicola. "Loves of the Triangle: William, Mary, and Percy Bysshe." Wordsworth Circle 31, no. 1 (January 2000): 2–13. http://dx.doi.org/10.1086/twc24044188.

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Wootton, Sarah. "Post-Romantic Relations: Percy Bysshe Shelley and Emily Brontё." Wordsworth Circle 55, no. 1 (January 1, 2024): 67–88. http://dx.doi.org/10.1086/730373.

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25

Zhang, Qiushuang, and Shuhui Chen. "Appreciation of Ode to the West Wind." Scholars International Journal of Linguistics and Literature 5, no. 2 (February 22, 2022): 42–45. http://dx.doi.org/10.36348/sijll.2022.v05i02.001.

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Ode to the West Wind, written by Percy Bysshe Shelley, is considered as a masterpiece in the English literature, even in the whole culture. This paper appreciates this poem mainly from two aspects--metrical analysis and rhetorical devices. The purpose is to explore the deep meaning behind the words and help us understand this poem better.

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26

Wroe, Ann. "Good self, bad self: The Struggle in Shelley." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019259ar.

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Abstract Although he sometimes decried the notion of a duality of body and soul, few poets were more conscious than Percy Bysshe Shelley of the soul’s imprisonment in the illusory material world. In considering Shelley’s notion of the self, this essay will track his constant search to discover and unlock his own inner powers of empathy, imagination and liberation.

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27

Zwick, Renato, and Ludmila Menezes Zwick. "Tradução da “Carta ao lorde Ellenborough”, de Percy Bysshe Shelley." Idéias 10 (August 12, 2019): e019003. http://dx.doi.org/10.20396/ideias.v10i0.8656197.

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A carta ao lorde Ellenborough (1790-1871), escrita pelo poeta Percy Bysshe Shelley (1792-1822) em maio de 1812 em defesa de Daniel Isaac Eaton (1753-1814), condenado pela publicação da terceira parte de A idade da razão, de Thomas Paine (1737-1809), representa o posicionamento de um cidadão cuja arma, a escrita, o colocou em situações difíceis ao longo da vida. No ano anterior, Shelley já havia sido expulso de Oxford pelas opiniões expressas no texto A necessidade do ateísmo, e agora, nesta carta, o autor não apenas sai em defesa da liberdade de expressão de Eaton, que também pagou várias penas ao longo da vida, mas também de Paine. Thomas Paine é caro aos que se manifestam em favor da liberdade de abdicar da crença religiosa, e embora tenha sido exaltado num período de sua vida, viveu seus últimos dias na obscuridade; perderam-se inclusive seus restos mortais. Tendo participado das duas grandes revoluções de seu tempo – a norte-americana e a francesa –, compreende-se o porquê de tamanha reação do lorde Ellenborough à panfletagem de Eaton. Foi Paine o autor de obras-chave como Senso comum (publicado nos Estados Unidos em 1776) e Os direitos do homem (cuja primeira parte foi publicada na Inglaterra em 1791, e a segunda, em 1792), ambas com milhares de exemplares vendidos. Outras obras suas de radicalismo político são a Dissertação sobre os primeiros princípios do governo e da justiça agrária e A era da razão, ambas de 1795; para Paine, o homem apenas poderia esperar que o governo o deixasse em paz, já que este teria sido formado pela maldade humana. A seu ver, a primogenitura própria da aristocracia (esse monstro), com seus legisladores hereditários, seria tão ridícula quanto a existência de matemáticos hereditários. Além disso, julgava que a riqueza não era um atestado de caráter moral e que a miséria não deveria ser tolerada com normalidade. Defender alguém como Eaton, um divulgador das obras de Paine – autor que contribuiu tão intensamente para a democracia, mas que era tão malvisto e odiado que muitos desejavam nada menos que sua morte por enforcamento –, era uma atitude extremamente arriscada, mas Shelley pagou o preço, tendo sofrido retaliações em sua carreira literária, com o boicote de suas publicações e as consequentes e seriíssimas dificuldades financeiras.

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28

Duffy, Cian. "The Neglected Shelley; The Oxford Handbook of Percy Bysshe Shelley." European Romantic Review 27, no. 4 (June 28, 2016): 526–32. http://dx.doi.org/10.1080/10509585.2016.1190090.

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Borushko, Matthew C. "Perils of the Sublime: Ideology in Percy Bysshe Shelley’s Alastor." European Romantic Review 28, no. 5 (September 3, 2017): 643–58. http://dx.doi.org/10.1080/10509585.2017.1362340.

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30

Dawson, P. M. S. "Review: The Complete Poetry of Percy Bysshe Shelley, Volume I." Review of English Studies 53, no. 209 (February 1, 2002): 154–56. http://dx.doi.org/10.1093/res/53.209.154.

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31

Gregus, Andrej. "Sublimity in the Poetry of William Wordsworth and Percy Bysshe Shelley." Keats-Shelley Review 35, no. 1 (January 2, 2021): 100–104. http://dx.doi.org/10.1080/09524142.2021.1911172.

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32

Bowers, Will. "Percy Bysshe Shelley’s ‘I Visit Thee But Thou Art Sadly Changed’." Notes and Queries 64, no. 4 (September 28, 2017): 569–72. http://dx.doi.org/10.1093/notesj/gjx125.

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33

Varinelli, Valentina. "“Accents of an Unknown Land”: Percy Bysshe Shelley’s Writings in Italian." European Romantic Review 30, no. 3 (May 4, 2019): 255–63. http://dx.doi.org/10.1080/10509585.2019.1612570.

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34

Mercer, Anna. "BeyondFrankenstein: The Collaborative Literary Relationship of Percy Bysshe and Mary Shelley." Keats-Shelley Review 30, no. 1 (January 2, 2016): 80–85. http://dx.doi.org/10.1080/09524142.2016.1145937.

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35

Duffy, Cian. "Percy Bysshe Shelley’s Other Lyrical Drama and the Inception of Hellas." SEL Studies in English Literature 1500-1900 55, no. 4 (2015): 817–40. http://dx.doi.org/10.1353/sel.2015.0036.

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36

Romanyshyn, Nataliia. "REPRESENTATION OF NATURAL AND SPATIAL CONCEPTS IN PERCY BYSSHE SHELLEY’S POETRY." Inozenma Philologia, no. 132 (November 25, 2019): 113–24. http://dx.doi.org/10.30970/fpl.2019.132.2927.

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37

Pappas, Nickolas. "Plato's Ion: The Problem of the Author." Philosophy 64, no. 249 (July 1989): 381–89. http://dx.doi.org/10.1017/s0031819100044727.

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Today Plato's Ion, thought one of his weaker works, gets little attention. But in the past it has had its admirers–in 1821, for example, Percy Bysshe Shelley translated it into English. Shelley, like other Romantic readers of Plato, was drawn to the Ion's account of divine inspiration in poetry. He recommended the dialogue to Thomas Love Peacock as a reply to the latter's Four Ages of Poetry: Shelley thought the Ion would refute Peacock's charge that poetry is useless in a practical world.

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38

Callaghan, Madeleine. "Wordsworth, Shelley, and Hardy: The Inheritance of Loss." ELH 91, no. 1 (March 2024): 181–206. http://dx.doi.org/10.1353/elh.2024.a922013.

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Abstract: This article calls for a revaluation of Thomas Hardy's Poems of 1912–13 , viewing them as in dialogue with William Wordsworth's Lucy poems and Percy Bysshe Shelley's Jane poems. Though Poems of 1912–13 has been favored with a great deal of criticism that aims to come to terms with its manifold influences, the Romantic influence upon Hardy's collection has been overlooked. This article considers how Hardy brings Wordsworth and Shelley's sequences into conversation with his elegies to argue that Hardy reimagines both poets' sequences to create his poetry of mourning.

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39

Dawson, P. M. S., and Michael Henry Scrivener. "Radical Shelley: The Philosophical Anarchism and Utopian Thought of Percy Bysshe Shelley." Yearbook of English Studies 16 (1986): 306. http://dx.doi.org/10.2307/3507830.

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40

Whatley, John. "Romantic and Enlightened Eyes in the Gothic Novels of Percy Bysshe Shelley." Gothic Studies 1, no. 2 (December 1999): 201–21. http://dx.doi.org/10.7227/gs.1.2.5.

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41

Paley, Morton D., and Michael Henry Scrivener. "Radical Shelley: The Philosophical Anarchism and Utopian Thought of Percy Bysshe Shelley." Studies in Romanticism 24, no. 4 (1985): 572. http://dx.doi.org/10.2307/25600568.

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42

Desset, Fabien. "Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas." Interfaces, no. 36 (January 1, 2015): 187–218. http://dx.doi.org/10.4000/interfaces.239.

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43

Behrendt, Stephen C., and Michael Henry Scrivener. "Radical Shelley: The Philosophical Anarchism and Utopian Thought of Percy Bysshe Shelley." Modern Language Studies 15, no. 3 (1985): 91. http://dx.doi.org/10.2307/3194448.

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44

Jones, Ken Prichard. "The Influence of Field Place and Its Surroundings Upon Percy Bysshe Shelley." Keats-Shelley Review 8, no. 1 (January 1993): 132–50. http://dx.doi.org/10.1179/ksr.1993.8.1.132.

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45

Witcher, Heather Bozant. "‘With Me’: The Sympathetic Collaboration of Mary Godwin and Percy Bysshe Shelley." Forum for Modern Language Studies 52, no. 2 (April 2016): 144–59. http://dx.doi.org/10.1093/fmls/cqw004.

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46

Kolosova, Ekaterina. "VEGETARIANISM IN BRITISH LITERATURE OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES, ITS FOUNDATIONS AND CULTURAL CONTEXTS." RZ-Literaturovedenie, no. 4 (2021): 53–65. http://dx.doi.org/10.31249/lit/2021.04.04.

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Vegetarianism was actualized in Western culture at the turn of the seventeenth century. This cultural phenomenon is primarily associated with the names of Thomas Tryon, George Cheyne and Joseph Ritson. In their works the benefits of plant foods are substantiated both for the individual and for the formation of a harmonious society. This review examines the phenomenon of vegetarianism and its cultural context. Special attention is paid to the English physician George Cheyne who popularized the plant-based diet in his medical treatises. The influence of his ideas on the works of Joseph Ritson and Percy Bysshe Shelley is considered.

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47

Mc Danel de García, Mary Anne. "The Napoleon mystique and British poets." Revista Científica General José María Córdova 17, no. 26 (April 1, 2019): 359–77. http://dx.doi.org/10.21830/19006586.382.

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This reflection on the influence of Napoleon and the consequences of the wars on the major British poets of the Romantic era is meant to illustrate how the reactions of both nobility and commoners are recorded in literature and media. The dual perception of Napoleon as both hero and tyrant and the atrocious suffering of those at home and bloody battles are manifest in the works of the major poets, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelly, and especially George Gordon, Lord Byron. Even today, Napoleon transcends precise definition and he has inspired some of the greatest poets in British literature

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48

Torralbo, Juan de Dios. "“Beauty is truth”: Carlos Clementson, traductor de los románticos ingleses." Monteagudo, no. 27 (March 9, 2022): 379–407. http://dx.doi.org/10.6018/monteagudo.487171.

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This paper examines the translations of the English Romantics by the Cordoban poet Carlos Clementson, who put works by these eight poets into Spanish: William Blake, Robert Burns, William Wordsworth, Samuel Taylor Coleridge, Joseph Blanco White, Lord Byron, Percy Bysshe Shelley and John Keats. For their study, the analysis models proposed by James Holmes (1970) and Armin Paul Frank (1990) are applied, with the aim of exploring not only morphosyntactic and semantic correlations between the original texts and their translations, but also the prosodic patterns of the target texts with respect to the external form of the source texts. In addition, in order to draw contrasts and to enrich the work, other translations of the same poems are cited, by Alberto Lista, Marià Manent, Ángel Rupérez, Antonio Ballesteros González, Santiago Corugedo, José Luis Chamosa, José María Valverde and Leopoldo Panero. Este capítulo investiga las traducciones de los románticos ingleses realizadas por el poeta cordobés Carlos Clementson, las cuales proceden del legado de estos ocho autores: William Blake, Robert Burns, William Wordsworth, Samuel Taylor Coleridge, Joseph Blanco White, Lord Byron, Percy Bysshe Shelley y John Keats. Para su estudio, se aplican los modelos de análisis propuestos por James Holmes (1970) y Armin Paul Frank (1990) con el objetivo de explorar no solamente las correlaciones morfosintácticas y semánticas, sino también los esquemas prosódicos de los textos meta respecto a la forma externa de los textos fuente. Asimismo, por razones de contraste y para enriquecer el trabajo, se aportan otras traducciones de los mismos poemas realizadas por Alberto Lista, Marià Manent, Ángel Rupérez, Antonio Ballesteros González, Santiago Corugedo y José Luis Chamosa o José María Valverde y Leopoldo Panero.

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Ward, Ian. "Shelley’s Mask." Pólemos 12, no. 1 (March 26, 2018): 21–34. http://dx.doi.org/10.1515/pol-2018-0003.

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Abstract On the 16th August 1819, a crowd of around sixty thousand gathered outside Manchester to listen to the renowned radical Henry Hunt. When the crowd appeared to grow restless the authorities ordered in a regiment of Hussars. Eleven were killed, hundreds injured. The radical presses swiftly condemned the “Peterloo massacre.” So, away in Italy, did the poet Percy Bysshe Shelley. The consequence of Shelley’s anger was one of the greatest poems of political protest in the English language. It was entitled The Mask of Anarchy. This article is about this poem. It asks why Shelley wrote it, what he wanted to say, and how he chose to say it.

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Tedeschi, Stephen. "The Life of Percy Bysshe Shelley and Shelley’s Poetics of Reticence: Shelley’s Shame." European Romantic Review 32, no. 4 (July 4, 2021): 486–92. http://dx.doi.org/10.1080/10509585.2021.1944471.

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Journal articles on the topic 'Percy Bysshe'

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