Log in

Relevant bibliographies by topics / Peredvyzhnyky (the Travelling Art Exhibitions) / Journal articles

To see the other types of publications on this topic, follow the link: Peredvyzhnyky (the Travelling Art Exhibitions).

Journal articles on the topic 'Peredvyzhnyky (the Travelling Art Exhibitions)'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 22 journal articles for your research on the topic 'Peredvyzhnyky (the Travelling Art Exhibitions).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Василь, Дутка. "СВІТ ГУЦУЛЬЩИНИ КРІЗЬ ПРИЗМУ МАЛЯРСТВА ВЛАДИСЛАВА ЯРОЦЬКОГО". ВІСНИК Львівської національної академії мистецтв, № 27 (17 листопада 2015): 36–43. https://doi.org/10.5281/zenodo.33914.

Full text

Abstract:

The author considers artistic, aesthetic and  visual conceptual basis of European art of the second half of the XIX-th — beginning of the XX-th century in this article. He analyzes what caused interest in Hutsulshchyna with its unique culture, and inspired V. Yarots’ky to monumental and decorative searches in painting. The author researches peculiarities of compositional structures of his works, principles of plastics and style, ethnographic and aesthetic grounds of implementation of an art idea. 

APA, Harvard, Vancouver, ISO, and other styles

2

Świtek, Gabriela. "Across Borders and Art Histories: Travelling Exhibitions." Artium Quaestiones, no. 35 (December 31, 2024): 55–82. https://doi.org/10.14746/aq.2024.35.3.

Full text

Abstract:

The concept of art geography is undergoing a process of revision in light of recent research on exhibition histories. The analysis of major perennial art exhibitions is conducted in relation to the spatial, global structures of social and economic life, or as an aspect of tourism geographies. The geography of art exhibitions entails mapping circulation, analysing the spatial and temporal conditions under which art is presented, and the identifying cultural boundaries in the reception of travelling artworks. This article examines the circulation of international exhibitions that were presented

APA, Harvard, Vancouver, ISO, and other styles

3

Valkova, K. V. "The Experience of Organizing the First Travelling Art Exhibitions in Russia (1871-1890s)." Izvestiya of Altai State University, no. 2(112) (June 5, 2020): 24–28. http://dx.doi.org/10.14258/izvasu(2020)2-03.

Full text

Abstract:

This article discusses the main goals of organizing the first traveling art exhibitions in Russia and specific measures for their implementation by members of the Association of the Wanderers (“Peredvizhniki”). The borrowing by artists of the idea of the second half of 19th century holding traveling exhibitions in Western countries is noted. The implementation of such exhibitions in the Russian Empire was made possible largely due to the emergence of technical capabilities, namely the development of railway communication. Despite the fact that the Wanderers proclaimed as their goal the acquain

APA, Harvard, Vancouver, ISO, and other styles

4

CHETVERIKOVA, A. S. "TRAVELING EXHIBITIONS AS A LEADING EDUCATIONAL ACTIVITY OF THE OREL ART GALLERY (1950s – 2000s)." JOURNAL OF PUBLIC AND MUNICIPAL ADMINISTRATION 13, no. 1 (2024): 175–89. http://dx.doi.org/10.22394/2225-8272-2024-13-1-175-189.

Full text

Abstract:

The main purpose of the article is to analyze traveling exhibitions as leading educational activity of the Orel Art Gallery. According to the organizers, the creation of the Orel Art Gallery and other similar open art museums was supposed to promote the aesthetic and public education. Therefore, summarizing the results of this multifaceted activity, the functioning and organization of exhibitions, the selection of expositions and authors are the subject of close attention. According to the Party ideology, museums and galleries had to be accessible. But not all forms of educational work were in

APA, Harvard, Vancouver, ISO, and other styles

5

Taylor, Nora A. "Have Performance, Will Travel." Asian Journal of Social Science 44, no. 6 (2016): 725–39. http://dx.doi.org/10.1163/15685314-04406006.

Full text

Abstract:

This article looks at artistic exchanges in Southeast Asia that are created through person-to-person contact, rather than the circulation of objects, in the form of performance art events, re-enactments, and large travelling exhibitions. It argues that close physical contact and creative collaborations among artists have become a means of writing alternative art histories that rely on oral transmission and live recordings. The creation of networks among artists have helped develop bonds among artists, as well as foster the development of art history in the region.

APA, Harvard, Vancouver, ISO, and other styles

6

Kolokolceva, N. Yu, K. V. Valkova, and I. V. Pyanzina. "The Importance of the Position of an Exhibition Organizer at the Association of Artists-Peredvizhniki (on the Example of A.D. Chirkin's Activities in 1872-1881)." Izvestiya of Altai State University, no. 3(125) (July 12, 2022): 23–27. http://dx.doi.org/10.14258/izvasu(2022)3-03.

Full text

Abstract:

The article is devoted to the consideration of organizational issues related to the implementation of the mobile form of exhibition activity of the Society for Travelling Art Exhibitions in the first decade of its existence. The special role of the Commissioner for the organization of exhibitions or the organizer of exhibitions in the coordination of these issues is noted. The experience of organizing the First Traveling Exhibition in 1871-1872 showed the need to attract to the Society a person who understands art and is ready to assume the responsibilities associated with exhibiting in the pr

APA, Harvard, Vancouver, ISO, and other styles

7

Ткачев, Виталий Викторович. "ДЕЯТЕЛЬНОСТЬ ОБЩЕСТВА ПЕРЕДВИЖНЫХ ВЫСТАВОК В КОНТЕКСТЕ РАСКРЫТИЯ ТВОРЧЕСТВА ХУДОЖНИКОВ И ПРИОБЩЕНИЯ К ХУДОЖЕСТВЕННОМУ НАСЛЕДИЮ В 1890-1910 гг. (ПО МАТЕРИАЛАМ ПЕРИОДИЧЕСКОЙ ПЕЧАТИ ИРКУТСКОЙ ГУБЕРНИИ)". Вестник Восточно-Сибирского государственного института культуры 160 (17 жовтня 2023): 11–21. http://dx.doi.org/10.31443/2541-8874-2023-2-26-11-21.

Full text

Abstract:

The study considers the activities of the society of travelling exhibitions in the context of portraying the artists’ creativity and familiarizing with the artistic heritage in 1890-1910. The principles of cooperation between the community of intellectuals and arts workers in the museums and galleries are presented in detail. On the basis of the periodical press describing the collective work of the centers of artistic life in Irkutsk, it is proven that both collectors and public figures focused on the development of creative urban space, the formation of cultural ties and the emergence of edu

APA, Harvard, Vancouver, ISO, and other styles

8

Lemaire, Marie-Hélène. "Les concepts en mouvement : une méthode basée sur la poésie pour la visite de groupe dans l’exposition d’art contemporain." Canadian Review of Art Education 48, no. 1 (2021): 53–72. http://dx.doi.org/10.26443/crae.v48i1.102.

Full text

Abstract:

Résumé : L’objectif de cet article consiste à présenter ma méthode de recherche des concepts en mouvement basée sur la poésie pour la visite de groupe dans l’exposition d’art contemporain. Cette méthode s’élabore en dialogue avec l’approche pédagogique de l’équipe de l’éducation à la Fondation PHI qui s’ancre dans la notion de mouvement et dans la méthodologie des concepts migratoires (Bal, 2002). Ma pédagogie féministe basée sur les concepts en mouvement est une extension des concepts migratoires, mais elle s’en distingue en se situant spécifiquement dans l’écriture poétique née d’une fulgura

APA, Harvard, Vancouver, ISO, and other styles

9

Likhomanov, Anton V. "Popularization of Russian Culture and Development of Librarianship: To the 200th Anniversary of Vladimir Vasilyevich Stasov." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 5 (2024): 435–44. http://dx.doi.org/10.25281/0869-608x-2024-73-5-435-444.

Full text

Abstract:

The activity of the outstanding Russian art and music critic V.V. Stasov (1824—1906) is considered. In 2024 the 200th anniversary of his birth is celebrated. V.V. Stasov was closely connected with the “Mighty Handful” group of composers (he helped to create subjects for operas) and members of the Association of Travelling Art Exhibitions (he selected material for paintings). V.V. Stasov promoted the achievements of Russian art in our country and abroad. Having given more than 50 years of his life to service in the Imperial Public Library, V.V. Stasov made an invaluable contribution to its deve

APA, Harvard, Vancouver, ISO, and other styles

10

Cacchione, Orianna. "Related rhythms: Situating Zhang Peili and contemporary Chinese video art in the globalizing art world." Journal of Contemporary Chinese Art 5, no. 1 (2018): 21–39. http://dx.doi.org/10.1386/jcca.5.1.21_1.

Full text

Abstract:

Despite being considered the first video artist to work in China, the majority of Zhang Peili’s earliest video works were originally exhibited abroad. In many of these exhibitions, his videos were displayed in different installation formats and configurations. One of the most evident of these changes occurred at the travelling exhibition China Avant-Garde. In Berlin, the opening venue of the exhibition, two videos were displayed in ways that differed from their original presentations; Document on Hygiene No. 3 (1991) and Assignment No. 1 (1992) were presented as singlechannel videos on single

APA, Harvard, Vancouver, ISO, and other styles

11

Lai, Mankit. "Curating pandemic contingencies: Remote collaboration and display reconfiguration in practice." Journal of Contemporary Chinese Art 8, no. 2 (2021): 313–37. http://dx.doi.org/10.1386/jcca_00049_1.

Full text

Abstract:

Amid the restrictions on travelling and gathering imposed during the COVID-19 pandemic, exhibitions with international collaborations in Hong Kong experimented with curating across borders and time. This article examines recent curatorial practices in Hong Kong’s art institutions, particularly relating to site-specific installations and performances that had to cope with the artist’s physical absence and institutional restrictions. Two site-specific art commissions ‐ Shirley Tse’s Negotiated Differences (2020), installed at the M+ Pavilion, and Eisa Jocson’s Zoo (2020), performed at Tai Kwun C

APA, Harvard, Vancouver, ISO, and other styles

12

Allen, Nancy S. "History of Western sources on Japanese art." Art Libraries Journal 11, no. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.

Full text

Abstract:

Learning about Japanese art has been difficult for Westerners. Limited access, language barriers, and cultural misunderstanding have been almost insurmountable obstacles. Knowledge of Japanese art in the West began over 150 years before the arrival of Commodore Perry in 1853. Englebert Kaempfer (1657-1716), sent to Japan as a physician for the Dutch East India Company, befriended a young assistant who provided information for a book on Japanese life and history published in 1727. By 1850, more ethnographic information had been published in Europe. Catalogs of sales of Japanese art in Europe ex

APA, Harvard, Vancouver, ISO, and other styles

13

van Gils, Martijn. "Material Remembrance in Contentious Spaces: Framing Multi-Scalar Memories and National Culpability in the Museo della Fondazione della Shoah." Martor. The Museum of the Romanian Peasant Anthropology Review 23 (November 15, 2018): 177–98. http://dx.doi.org/10.57225/martor.2018.23.10.

Full text

Abstract:

In the last decade, several initiatives to build a state-of-the-art Holocaust museum in Rome have been proposed only to subsequently fail to materialize—primarily due to fund cuts. Instead, today, the Museo della Fondazione della Shoah consists of a small, self-sufficient project with very limited display space (one floor), often dependent on travelling collections. The museum’s development and its current status are relevant for memorial discourses in Italy. The memories of Fascism and Italy’s role in the Holocaust sit uneasily in public discourses: from the post-war era, there has been a ten

APA, Harvard, Vancouver, ISO, and other styles

14

Zanatta, Maura, and Anjali Gera Roy. "Facing the Pandemic: A Perspective on Patachitra Artists of West Bengal." Arts 10, no. 3 (2021): 61. http://dx.doi.org/10.3390/arts10030061.

Full text

Abstract:

The COVID-19 pandemic has intensely impacted art production and the art market all around the world. This is dramatically visible inside the Patua or Patachitra communities in Medinipur, West Bengal, where Patachitras’ scrolls characterise the economy of folk-art communities in the so-called villages of painters. Patachitras’ singing pictures belong to an ancestral tradition of storytelling and performing art. For centuries, new themes have been embodied inside the Patuas’ repertoire, creating a living heritage that has always reflected the political, religious, cultural, and social main event

APA, Harvard, Vancouver, ISO, and other styles

15

Lisitsina, Yana Yu. "The Artists and BAM: “Come and Draw, Again and Again”." Observatory of Culture 21, no. 5 (2024): 516–25. http://dx.doi.org/10.25281/2072-3156-2024-21-5-516-525.

Full text

Abstract:

Soviet fine art contains a large number of works with industrial themes, including those devoted to the great construction sites of socialism. The construction of the Baikal-Amur Mainline (BAM) influenced the country’s development not only in economic and social aspects, but also had a direct impact on the cultural background, giving a new impetus to the activity of creative unions and the emergence of works of various types of art. The BAM theme is talentedly reflected in the creative field of Soviet fine arts. The appearance of numerous pictorial, graphic, sculptural, decorative and applied

APA, Harvard, Vancouver, ISO, and other styles

16

Jan Nelken. "Ideas on counteracting alcohol and drug addiction in Poland between the two world wars." Archives of Criminology, no. XIV (April 8, 1987): 201–25. http://dx.doi.org/10.7420/ak1987f.

Full text

Abstract:

The birth of the independent Poland in 1918 activated a social movement against alcoholism and drug addiction. In 1919, the Polish Society for Fighting Alcoholism ,,Trzeźwość'' ("Sobriety'') was established which operated nationwide and which in the period between the two wars became the main factor of fighting alcoholism. In the light of the Statute of "Trzeźwość" and resolutions of the Polish anti-alcoholic congresses, as well as the postulates of psychiatrists, the ideas of how to fight alcoholism included three spheres: a. anti-alcoholic legislation and its practical enforcement; b. anti-a

APA, Harvard, Vancouver, ISO, and other styles

17

Peoples, Sharon Margaret. "Fashioning the Curator: The Chinese at the Lambing Flat Folk Museum." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1013.

Full text

Abstract:

IntroductionIn March 2015, I visited the Lambing Flat Folk Museum (established 1967) in the “cherry capital of Australia”, the town of Young, New South Wales, in preparation for a student excursion. Like other Australian folk museums, this museum focuses on the ordinary and the everyday of rural life, and is heavily reliant on local history, local historians, volunteers, and donated objects for the collection. It may not sound as though the Lambing Flat Folk Museum (LFFM) holds much potential for a fashion curator, as fashion exhibitions have become high points of innovation in exhibition desi

APA, Harvard, Vancouver, ISO, and other styles

18

Daniel, Ryan. "Artists and the Rite of Passage North to the Temperate Zone." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1357.

Full text

Abstract:

IntroductionThree broad stages of Australia’s arts and culture sectors may be discerned with reference to the Northern Hemisphere. The first is in Australia’s early years where artists travelled to the metropoles of Europe to learn from acknowledged masters, to view the great works and to become part of a broader cultural scene. The second is where Australian art was promoted internationally, which to some extent began in the 1960s with exhibitions such as the 1961 ‘Survey of recent Australian painting’ at the Whitechapel gallery. The third relates to the strong promotion and push to display a

APA, Harvard, Vancouver, ISO, and other styles

19

Muller, Vivienne. "Abject d’Art." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2663.

Full text

Abstract:

   Julia Kristeva’s famous essay Powers of Horror conceptualises the abject as that which “disturbs identity, system, order. What does not respect borders, positions, rules. The in-between, the ambiguous” (4). While the social forms of the abject are clearly implicated here, Kristeva illustrates it primarily in corporeal terms, suggesting that filth, excrement, those things injected and expelled by the body, and disturb the epidermic surfaces of it (Grosz 244) are visible signifiers of the abject. In this semiotic schema, the corpse is the ultimate site of the abject because

APA, Harvard, Vancouver, ISO, and other styles

20

Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

Full text

Abstract:

At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer

APA, Harvard, Vancouver, ISO, and other styles

21

Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

Full text

Abstract:

The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

APA, Harvard, Vancouver, ISO, and other styles

22

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

Full text

Abstract:

   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!