Academic literature on the topic 'Performance art Loss (Psychology) Ritual in art'

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Journal articles on the topic "Performance art Loss (Psychology) Ritual in art"

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Katrak, Ketu H. "Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival." TDR/The Drama Review 63, no. 4 (2019): 172–80. http://dx.doi.org/10.1162/dram_a_00882.

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Performance, installation, and African-based ritual represent the body as a site of subversion, sexuality, and healing at the 2018 Cape Town Live Art Festival. Provocative performances are located in sites across the city — the Cape Coast Castle (with its 19th-century slave-holding dungeons), a warehouse, a museum, a railway station, and the library.
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Boulton, Padraig, and Peter Hall. "Under Material Skin Lie the Bones of Identity." Art and Perception 8, no. 3-4 (2020): 387–406. http://dx.doi.org/10.1163/22134913-bja10020.

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This paper explores the automated recognition of objects and materials and their relation to depictions in images of all kinds: photographs, artwork, doodles by children, and any other visual representation. The way artists of all cultures, ages and skill levels depict objects and materials furnishes a gamut of ‘depictions’ so wide as to present a severe challenge to current algorithms — none of them perform satisfactorily across any but a few types of depiction. Indeed, most algorithms exhibit a significant performance loss when the images used are non photographic in nature. This loss can be
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Skliar, Carlos, and Daniel Brailovsky. "dar infancia a la niñez. notas para una política y poética del tiempo." childhood & philosophy 17 (February 27, 2021): 01–21. http://dx.doi.org/10.12957/childphilo.2021.56316.

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The following text aims to pose the question provoked by the of discrepancy between infancy as defined in the work of Jean-Francois Lyotard and childhood per se, and to do so in the epochal context of an educational temporality governed by the attributes of acceleration, “profitable,” knowledge, cognitivism, rampant inequalities, an ethos of “success” at any cost, a univocal relationship between knowledge and utilitarianism, and a severe conflict between egalitarian organization and experience and the demand for performance. The loss of infancy in childhood is perhaps the loss of infancy in hu
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Rusinova, Elena A. "The sound world of the alienated film character." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 64–78. http://dx.doi.org/10.17816/vgik11264-78.

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Alienation is a concept interpreted from different angles and used in various areas of human thought: in philosophy, psychology, sociology, law, and economics. Some theoretical works and those works of art which center on the phenomenon of alienation, emphasize three main aspects of this phenomenon: alienation as the loss of essential connections (identification) with the outside world (society, social group, nature); with close people (the loved one, family, friends) and, ultimately, with oneself, the true self. It is these aspects of the understanding of alienation that can also be seen in c
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Akmaliyah, Lazizah, Zahratul Jannah Zulfa, and Nikmah Rochmawati. "PERGESERAN MAKNA MITOS NILAI SPIRITUAL KEBUDAYAAN ONDEL-ONDEL PADA KEPERCAYAAN MASYARAKAT BETAWI ZAMAN DAHULU DAN ZAMAN SEKARANG." LISAN AL-HAL: Jurnal Pengembangan Pemikiran dan Kebudayaan 15, no. 1 (2021): 97–121. http://dx.doi.org/10.35316/lisanalhal.v15i1.1018.

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Ondel-ondel is a cultural performance of the Betawi people passed down from generation to generation. However, the problem that occurs is that along with the development of the era, ondel-ondel is no longer a sacred object and is no longer used for ritual offerings and the loss of cultural values of the ancestors. The purpose of making this journal is to find out the shift in the meaning of the ondel-ondel cultural myth to the beliefs of the people of Jakarta. The method used in this study uses a qualitative approach and data collection techniques use interview techniques, observation and anal
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Fischer, Julia. "On the Social Life and Motivational Changes of Aging Monkeys." Gerontology 63, no. 6 (2017): 572–79. http://dx.doi.org/10.1159/000477401.

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Although nonhuman primates have been used in biomedical research to develop a better understanding of physiological aging processes, their value as models for studying age-related differences in motivation, cognition, and decision-making has only recently been appreciated. This paper reviews the state of the art, with a focus on a recent study on Barbary macaques. A number of studies reported that with increasing age, Old World monkeys spend more time resting, have fewer social partners, and/or spend less time in social interactions, though other studies found no such effects. Less was known a
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Fedenko, A. Yu. "Musical and dramatic creativity by Olena Pchilka in the development of children musical theater in Ukraine." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 73–92. http://dx.doi.org/10.34064/khnum1-56.05.

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Background. Today in the minds of Ukrainians there is a process of reappraisal of values, which requires new approaches to the cultural education of citizens. At the current stage of the formation of the Ukrainian state, in front of its culture, in particular, children education, important and responsible educational tasks arise for the younger generation to develop a worldview focused on national ideals and traditions, preserved in folk songs, tales, in outstanding literary, musical works and other significant achievements of spiritual culture. That is why there is a need to study the childre
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Bucher, Taina. "About a Bot: Hoax, Fake, Performance Art." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.814.

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Introduction Automated or semi-automated software agents, better known as bots, have become an integral part of social media platforms. Reportedly, bots now generate twenty-four per cent of all posts on Twitter (Orlean “Man”), yet we know very little about who these bots are, what they do, or how to attend to these bots. This article examines one particular prominent exemplar: @Horse_ebooks, a much beloved Twitter bot that turned out not to be a “proper” bot after all. By examining how people responded to the revelations that the @Horse_ebooks account was in fact a human and not an automated s
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Carvalho, Sónia, Paulo Bernardino Bastos, and Rui Alexandre Rosa Grincho Serra. "Corpo Transpessoal: O contributo espiritual da Performance para a construção pictórica." AVANCA | CINEMA, February 26, 2021. http://dx.doi.org/10.37390/avancacinema.2020.a102.

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After my practical-theoretical project - TRANSPERSONAL BODY - which seeks to question the meaning of the representing action of the transpersonal and numinous body in the context of the contemporary image (whether pictures and moving images). The practice is based on painting versus cinema as an expanded field, resulting from performative contexts, and on the relationship that is proposed in the experience of the poetry of the other.The paradigm underlying the pictorial processes as an extension of the performative will be considered, in the context of the practice of ritual performance, from
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Campays, Philippe, and Vioula Said. "Re-Imagine." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1250.

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To Remember‘The central problem of today’s global interactions is the tension between cultural homogenisation and cultural heterogenisation.’ (Appadurai 49)While this statement has been made more than twenty years, it remains more relevant than ever. The current age is one of widespread global migrations and dis-placement. The phenomenon of globalisation is the first and major factor for this newly created shift of ground, of transmigration as defined by its etymological meaning. However, a growing number of migrations also result from social or political oppression and war as we witness the c
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Dissertations / Theses on the topic "Performance art Loss (Psychology) Ritual in art"

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Tang, Cheong Wai Acty. "Gazing at horror: body performance in the wake of mass social trauma." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002381.

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This thesis explores various dilemmas in making theatre performances in the context of social disruption, trauma and death. Diverse discourses are drawn in to consider issues of body, subjectivity and spectatorship, refracted through the writer’s experiences of and discontent with making theatre. Written in a fractal-like structure, rather than a linear progression, this thesis unsettles discourses of truth, thus simultaneously intervening in debates about the epistemologies of the body and of theatre in context of the academy. Chapter 1: Methodological Anxieties Psychoanalytic theory provides
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Tang, Cheong Wai Acty. "Gazing at horror : body performance in the wake of mass social trauma /." 2005. http://eprints.ru.ac.za/207/.

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