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Journal articles on the topic 'Performance art Loss (Psychology) Ritual in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Katrak, Ketu H. "Legacies of Loss and Trauma, Healing and Redemption: Cape Town Live Art Festival." TDR/The Drama Review 63, no. 4 (2019): 172–80. http://dx.doi.org/10.1162/dram_a_00882.

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Performance, installation, and African-based ritual represent the body as a site of subversion, sexuality, and healing at the 2018 Cape Town Live Art Festival. Provocative performances are located in sites across the city — the Cape Coast Castle (with its 19th-century slave-holding dungeons), a warehouse, a museum, a railway station, and the library.

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Boulton, Padraig, and Peter Hall. "Under Material Skin Lie the Bones of Identity." Art and Perception 8, no. 3-4 (2020): 387–406. http://dx.doi.org/10.1163/22134913-bja10020.

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This paper explores the automated recognition of objects and materials and their relation to depictions in images of all kinds: photographs, artwork, doodles by children, and any other visual representation. The way artists of all cultures, ages and skill levels depict objects and materials furnishes a gamut of ‘depictions’ so wide as to present a severe challenge to current algorithms — none of them perform satisfactorily across any but a few types of depiction. Indeed, most algorithms exhibit a significant performance loss when the images used are non photographic in nature. This loss can be

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Skliar, Carlos, and Daniel Brailovsky. "dar infancia a la niñez. notas para una política y poética del tiempo." childhood & philosophy 17 (February 27, 2021): 01–21. http://dx.doi.org/10.12957/childphilo.2021.56316.

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The following text aims to pose the question provoked by the of discrepancy between infancy as defined in the work of Jean-Francois Lyotard and childhood per se, and to do so in the epochal context of an educational temporality governed by the attributes of acceleration, “profitable,” knowledge, cognitivism, rampant inequalities, an ethos of “success” at any cost, a univocal relationship between knowledge and utilitarianism, and a severe conflict between egalitarian organization and experience and the demand for performance. The loss of infancy in childhood is perhaps the loss of infancy in hu

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Rusinova, Elena A. "The sound world of the alienated film character." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 64–78. http://dx.doi.org/10.17816/vgik11264-78.

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Alienation is a concept interpreted from different angles and used in various areas of human thought: in philosophy, psychology, sociology, law, and economics. Some theoretical works and those works of art which center on the phenomenon of alienation, emphasize three main aspects of this phenomenon: alienation as the loss of essential connections (identification) with the outside world (society, social group, nature); with close people (the loved one, family, friends) and, ultimately, with oneself, the true self. It is these aspects of the understanding of alienation that can also be seen in c

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Akmaliyah, Lazizah, Zahratul Jannah Zulfa, and Nikmah Rochmawati. "PERGESERAN MAKNA MITOS NILAI SPIRITUAL KEBUDAYAAN ONDEL-ONDEL PADA KEPERCAYAAN MASYARAKAT BETAWI ZAMAN DAHULU DAN ZAMAN SEKARANG." LISAN AL-HAL: Jurnal Pengembangan Pemikiran dan Kebudayaan 15, no. 1 (2021): 97–121. http://dx.doi.org/10.35316/lisanalhal.v15i1.1018.

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Ondel-ondel is a cultural performance of the Betawi people passed down from generation to generation. However, the problem that occurs is that along with the development of the era, ondel-ondel is no longer a sacred object and is no longer used for ritual offerings and the loss of cultural values of the ancestors. The purpose of making this journal is to find out the shift in the meaning of the ondel-ondel cultural myth to the beliefs of the people of Jakarta. The method used in this study uses a qualitative approach and data collection techniques use interview techniques, observation and anal

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Fischer, Julia. "On the Social Life and Motivational Changes of Aging Monkeys." Gerontology 63, no. 6 (2017): 572–79. http://dx.doi.org/10.1159/000477401.

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Although nonhuman primates have been used in biomedical research to develop a better understanding of physiological aging processes, their value as models for studying age-related differences in motivation, cognition, and decision-making has only recently been appreciated. This paper reviews the state of the art, with a focus on a recent study on Barbary macaques. A number of studies reported that with increasing age, Old World monkeys spend more time resting, have fewer social partners, and/or spend less time in social interactions, though other studies found no such effects. Less was known a

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Fedenko, A. Yu. "Musical and dramatic creativity by Olena Pchilka in the development of children musical theater in Ukraine." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 73–92. http://dx.doi.org/10.34064/khnum1-56.05.

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Background. Today in the minds of Ukrainians there is a process of reappraisal of values, which requires new approaches to the cultural education of citizens. At the current stage of the formation of the Ukrainian state, in front of its culture, in particular, children education, important and responsible educational tasks arise for the younger generation to develop a worldview focused on national ideals and traditions, preserved in folk songs, tales, in outstanding literary, musical works and other significant achievements of spiritual culture. That is why there is a need to study the childre

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Bucher, Taina. "About a Bot: Hoax, Fake, Performance Art." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.814.

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Introduction Automated or semi-automated software agents, better known as bots, have become an integral part of social media platforms. Reportedly, bots now generate twenty-four per cent of all posts on Twitter (Orlean “Man”), yet we know very little about who these bots are, what they do, or how to attend to these bots. This article examines one particular prominent exemplar: @Horse_ebooks, a much beloved Twitter bot that turned out not to be a “proper” bot after all. By examining how people responded to the revelations that the @Horse_ebooks account was in fact a human and not an automated s

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Carvalho, Sónia, Paulo Bernardino Bastos, and Rui Alexandre Rosa Grincho Serra. "Corpo Transpessoal: O contributo espiritual da Performance para a construção pictórica." AVANCA | CINEMA, February 26, 2021. http://dx.doi.org/10.37390/avancacinema.2020.a102.

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After my practical-theoretical project - TRANSPERSONAL BODY - which seeks to question the meaning of the representing action of the transpersonal and numinous body in the context of the contemporary image (whether pictures and moving images). The practice is based on painting versus cinema as an expanded field, resulting from performative contexts, and on the relationship that is proposed in the experience of the poetry of the other.The paradigm underlying the pictorial processes as an extension of the performative will be considered, in the context of the practice of ritual performance, from

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Campays, Philippe, and Vioula Said. "Re-Imagine." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1250.

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To Remember‘The central problem of today’s global interactions is the tension between cultural homogenisation and cultural heterogenisation.’ (Appadurai 49)While this statement has been made more than twenty years, it remains more relevant than ever. The current age is one of widespread global migrations and dis-placement. The phenomenon of globalisation is the first and major factor for this newly created shift of ground, of transmigration as defined by its etymological meaning. However, a growing number of migrations also result from social or political oppression and war as we witness the c

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ДЗЛИЕВА, Д. М. "OSSETIAN MYTH -RELIGIOUS SONGS IN HONOR OF ALARDY." Известия СОИГСИ, no. 28(67) (July 18, 2018). http://dx.doi.org/10.23671/vnc.2018.67.15200.

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Осетинский народный календарь представляет собой сложную систему счета и регламентации годового времени. Одним из самых почитаемых во всей Осетии народных кален- дарных праздников до сих пор является праздник в честь покровителя оспы, кори и глазных болезней — Аларды. Вероятно, именно с этим связана достаточно хорошая сохранность музыкальной составляющей культа. По свидетельствам информантов, обязательным атрибутом обрядов в честь покровителя оспы было исполнение песен «Алардыйæн зарæг» (ʻПесня в честь Аларды᾿). Источниками для проведения исследования послужили сборники «Ирон адæмон сфæлдыстад

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Dowse, Jill Francesca. ""So what will you do on the plinth?”: A Personal Experience of Disclosure during Antony Gormley’s "One & Other" Project." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.193.

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Who can be represented in art? How can we make it? How can we experience it? [...] It has provided an open space of possibility for many to test their sense of self and how they might communicate this to a wider world. (Gormley)On Friday 17 July 2009, from 12.00 am to 1.00 am, I was on the Fourth Plinth in Trafalgar Square, London, as part of British sculptor Antony Gormley’s One & Other project. Over a period of 100 days, 2,400 people were randomly selected (from 34,000 applicants) to occupy this site for sixty minutes each. Gormley’s sculptures have mostly focused on explorations of the

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ДЗЛИЕВА, Д. М. "THE SONG “FÆZZÆDZHY ZARÆG” (AUTUMN SONG) IN THE OSSETIC CALENDRICAL RITUALISM: TYPOLOGY AND MUSICAL STYLISTICS." Kavkaz-forum, no. 2() (July 1, 2020). http://dx.doi.org/10.46698/l0621-0675-6391-d.

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Осетинский народный календарь не раз становился объектом научных изысканий, однако музыкальная составляющая обряда оставалась за рамками научного интереса исследователей. В настоящей статье впервые рассматриваются музыкально-поэтические особенности песни «Фæззæджы зарæг» (букв. Осенняя песня), исполняемой во время праздника в честь первого выхода на покос. Источниками для проведения исследования послужили образцы из сборников «Ирон адæмон сфæлдыстад», «Памятники народного творчества осетин», «Осетинские народные песни» под редакцией Е. Гиппиуса и Б. Галаева, а также материалы из Научного архив

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14

Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi

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Molnar, Tamas. "Spectre of the Past, Vision of the Future – Ritual, Reflexivity and the Hope for Renewal in Yann Arthus-Bertrand’s Climate Change Communication Film "Home"." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.496.

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About half way through Yann Arthus-Bertrand’s film Home (2009) the narrator describes the fall of the Rapa Nui, the indigenous people of the Easter Islands. The narrator posits that the Rapa Nui culture collapsed due to extensive environmental degradation brought about by large-scale deforestation. The Rapa Nui cut down their massive native forests to clear spaces for agriculture, to heat their dwellings, to build canoes and, most importantly, to move their enormous rock sculptures—the Moai. The disappearance of their forests led to island-wide soil erosion and the gradual disappearance of ara

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Musgrove, Brian Michael. "Recovering Public Memory: Politics, Aesthetics and Contempt." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.108.

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1. Guy Debord in the Land of the Long WeekendIt’s the weekend – leisure time. It’s the interlude when, Guy Debord contends, the proletarian is briefly free of the “total contempt so clearly built into every aspect of the organization and management of production” in commodity capitalism; when workers are temporarily “treated like grown-ups, with a great show of solicitude and politeness, in their new role as consumers.” But this patronising show turns out to be another form of subjection to the diktats of “political economy”: “the totality of human existence falls under the regime of the ‘perf

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17

Farley, Rebecca. "Game." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1872.

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Metaphors of 'game' and 'play' are increasingly popular in academic writing, partly because games themselves are becoming increasingly important to media experience, and partly because something in the 'game' idea seems to describe the post-modern experience. However, the metaphor sometimes forgets what games can be like in practice. What I want to do, then, is go a round or two with the term, to question what the metaphor invokes. Round I: 'Game'? Games are played on a dedicated field -- a board, a screen, a playing-ground -- which is marked off so that in some sense it becomes a separate 'sp

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Heise, Franka. ""I’m a Modern Bride": On the Relationship between Marital Hegemony, Bridal Fictions, and Postfeminism." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.573.

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Introduction This article aims to explore some of the ideological discourses that reinforce marriage as a central social and cultural institution in US-American society. Andrew Cherlin argues that despite social secularisation, rising divorce rates and the emergence of other, alternative forms of love and living, marriage “remains the most highly valued form of family life in American culture, the most prestigious way to live your life” (9). Indeed, marriage in the US has become an ideological and political battlefield, with charged debates about who is entitled to this form of state-sanctione

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Murphy, Ffion, and Richard Nile. "Writing, Remembering and Embodiment: Australian Literary Responses to the First World War." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.526.

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This paper is part of a larger project exploring Australian literary responses to the Great War of 1914-1918. It draws on theories of embodiment, mourning, ritual and the recuperative potential of writing, together with a brief discussion of selected exemplars, to suggest that literary works of the period contain and lay bare a suite of creative, corporeal and social impulses, including resurrection, placation or stilling of ghosts, and formation of an empathic and duty-bound community. In Negotiating with the Dead, Margaret Atwood hypothesises that “all writing of the narrative kind, and perh

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Dawson, Andrew. "Reality to Dream: Western Pop in Eastern Avant-Garde (Re-)Presentations of Socialism's End – the Case of Laibach." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1478.

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Introduction: Socialism – from Eternal Reality to Passing DreamThe Year of Revolutions in 1989 presaged the end of the Cold War. For many people, it must have felt like the end of the Twentieth Century, and the 1990s a period of waiting for the Millennium. However, the 1990s was, in fact, a period of profound transformation in the post-Socialist world.In early representations of Socialism’s end, a dominant narrative was that of collapse. Dramatic events, such as the dismantling of the Berlin Wall in Germany enabled representation of the end as an unexpected moment. Senses of unexpectedness res

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Pace, Steven. "Acquiring Tastes through Online Activity: Neuroplasticity and the Flow Experiences of Web Users." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.773.

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IntroductionCan a person’s tastes in art, music, literature, cinema, sport, humour or other fields be changed through online activity? This article explores that question by comparing recent research findings in the areas of neuroplasticity and flow. Neuroplasticity, also known as brain plasticity, is the idea that the human brain can change its structure and function through thought and activity, even into old age (Doidge). The second concept—flow—comes from the field of psychology, and refers to a deeply satisfying state of focused attention that people sometimes experience while engaging in

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Cruikshank, Lauren. "Synaestheory: Fleshing Out a Coalition of Senses." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.310.

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Everyone thinks I named my cat Mango because of his orange eyes but that’s not the case. I named him Mango because the sounds of his purrs and his wheezes and his meows are all various shades of yellow-orange. (Mass 3) Synaesthesia, a condition where stimulus in one sense is perceived in that sense as well as in another, is thought to be a neurological fluke, marked by cross-sensory reactions. Mia, a character in the children’s book A Mango-Shaped Space, has audition colorée or coloured hearing, the most common form of synaesthesia where sounds create dynamic coloured photisms in the visual fi

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Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d

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Usmar, Patrick. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.856.

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Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relationship the Gothic holds to popular culture” (Piatti-Farnell ii). This article critically examines how Gothic themes and modes are used in the music videos of Lana Del Rey; particularly the “ways in which Gothic is dispersed through contemporary non-literary media” (Spooner and McEvoy 2). This work follows the argument laid down by Edwards and Monnet who describe Gothic’s assimilation into popular culture —Pop Gothic—

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Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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Koh, Wilson. ""Gently Caress Me, I Love Chris Jericho": Pro Wrestling Fans "Marking Out"." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.143.

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“A bunch of faggots for watching men hug each other in tights.”For the past five Marches, World Wrestling Entertainment (WWE) has produced an awards show which honours its aged former performers, such as Jimmy “Superfly” Snuka and Ricky “The Dragon” Steamboat, as pro-wrestling Legends. This awards show, according to WWE, is ‘an elegant, emotional, star-studded event that recognizes the in-ring achievements of the inductees and offers historical insights into this century-old sports-entertainment attraction’ (WWE.com, n.p.). In an episodic storyline leading up to the 2009 awards, however, the r

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Kennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1127.

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IntroductionSince its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one of the largest sources of user generated content, and one of the most frequently visited sites globally (Burgess and Green). As YouTube’s popularity has increased, more and more people have taken up the site’s invitation to “Broadcast Yourself.” Vlogging (video blogging) on YouTube has increased in popularity, creating new genres and communities. Vlogging not only allows individuals to create their own mediated content for mass consumption—making it a site for participatory culture (B

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Pavlidis, Adele, and David Rowe. "The Sporting Bubble as Gilded Cage." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2736.

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Introduction: Bubbles and Sport The ephemeral materiality of bubbles – beautiful, spectacular, and distracting but ultimately fragile – when applied to protect or conserve in the interests of sport-media profit, creates conditions that exacerbate existing inequalities in sport and society. Bubbles are usually something to watch, admire, and chase after in their brief yet shiny lives. There is supposed to be, technically, nothing inside them other than one or more gasses, and yet we constantly refer to people and objects being inside bubbles. The metaphor of the bubble has been used to describe

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Stafford, Paul Edgerton. "The Grunge Effect: Music, Fashion, and the Media During the Rise of Grunge Culture In the Early 1990s." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1471.

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IntroductionThe death of Chris Cornell in the spring of 2017 shook me. As the lead singer of Soundgarden and a pioneer of early 1990s grunge music, his voice revealed an unbridled pain and joy backed up by the raw, guitar-driven rock emanating from the Seattle, Washington music scene. I remember thinking, there’s only one left, referring to Eddie Vedder, lead singer for Pearl Jam, and lone survivor of the four seminal grunge bands that rose to fame in the early 1990s whose lead singers passed away much too soon. Alice in Chains singer Layne Staley died in 2002 at the age of 35, and Nirvana fro

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