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Books on the topic 'Performance (Arte)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Performance arte e antropologia. São Paulo: Editora Hucitec, 2010.

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2

Museo de Arte Contemporáneo (Santiago, Chile), ed. SCL2110: Arte, arquitectura, performance. Santiago, Chile: Uqbar, 2010.

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3

Transgressões: Religião, performance e arte. São Paulo: Emblema, 2005.

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4

El arte de la performance. Buenos Aires, Argentina: Ediciones de Arte Gaglianone, 1986.

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5

Roberto, Barbanti, ed. Arte immateriale, arte vivente: Percorsi di ricerca nell'arte italiana dell'ultimo decennio. Ravenna: Essegi, 1994.

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6

Museo de Arte Moderno (Buenos Aires, Argentina). Arte de acción, 1960-1990. Buenos Aires: Museo de Arte Moderno, 1999.

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7

Reti performative: Letteratura, arte, teatro, nuovi media. Trento: Tangram edizioni scientifiche, 2015.

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8

Albert Serra: Cinema, arte e performance. Milano: Mimesis, 2018.

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9

Víctor, Muñoz, ed. Arte acción. México, D.F: Universidad Autónoma Metropolitana, Unidad Xochimilco, 2008.

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10

Spagnolo, Paolo. Pianosophia: Tecnica ed arte. Napoli: Pagano, 1996.

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11

Sesso arte rock'n'roll: Tra readymade e performance. Monteveglio (Bologna): Atlante, 2006.

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12

Isabel, Diegues, Sardenberg Ricardo, and Mazzucchelli Kiki, eds. Paulo Nazareth: Arte contemporânea/LTDA. Rio de Janeiro, RJ: Cobogó, 2012.

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13

Céspedes, Francisco Garzón. El arte escénico de contar cuentos: La narración oral escénica. Madrid, España: Editorial Frakson, 1991.

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14

Mexico) Centro Cultural Santa Teresa (Mexico City. Cronología del performance 1992-1997: Ex Teresa Arte Alternativo. México]: Instituto Nacional de Bellas Artes, 1998.

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15

Mininni, Massimo. Arte in scena: La performance in Italia, 1965-1980. Ravenna: D. Montanari, 1995.

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16

Mayer, Mónica. Rosa chillante: Mujeres y performance en México. México: CONACULTA/FONCA, 2004.

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17

Muestra Internacional de Performance del Museo Ex Teresa Arte Actual. La vida en otro planeta: Décima muestra internacional de performance ex Teresa arte actual. [Mexico]: CONACULTA, 2001.

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18

Casa do Pontal (Rio de Janeiro, Brazil), ed. Figuras e brincantes: Arte e performance na cultura popular. Rio de Janeiro: Museu Casa do Pontal, 2016.

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19

Lorenzo, Magri, Dorfles Gillo 1910-, and Ferrara (Italy). Galleria civica d'arte moderna., eds. Centro video arte, 1974-1994: Videoarte, performance, partecipazioni : catalogo. [Ferrara]: G. Corbo, 1995.

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20

Arte y performance: Una historia desde las vanguardias hasta la actualidad. Tres Cantos, Madrid - España: Akal, 2021.

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21

Gómez, Luis. Luis Gómez: Arte cubano contemporáneo. Cuba]: [publisher not identified], 2020.

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22

(Bolivia), Defensor del Pueblo, and Museo Nacional de Arte (Bolivia), eds. Arte en la calle: Jornadas de performance y derechos humanos. La Paz, Bolivia: Defensor del Pueblo, República de Bolivia, 2008.

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23

Ram, Charan, ed. El arte de la ejecución en los negocios. México, D.F: Punto De Lectura, 2008.

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24

Liechtenstein, Kunstmuseum, and Musée d'art moderne et contemporain de Saint-Étienne Métropole, eds. Entrare nell'opera: Processes and performative attitudes in Arte Povera. Köln: Verlag der Buchhandlung Walther König, 2019.

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25

Ceridwen, Lloyd-Morgan, and National Library of Wales, eds. Gwen John: Letters and notebooks. London: Tate Publishing in association with the National Library of Wales, 2004.

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26

Vicén, Javier Gutiérrez. Manual legal del arte: La propiedad intelectual explicada a los artistas plásticos. Madrid: Ministerio de Cultura, 1993.

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27

El arte de narrar y la noción de literatura oral: Protopanorama intercultural y problemas espistemológicos. Caracas: Universidad Central de Venezuela, Consejo de Desarrollo Científico y Humanístico, 1990.

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28

Sincretismo y arte contemporáneo lationoamericano: Performances de Tania Bruguera, Carlos Zerpa y Rosemberg Sandoval. Toluca, México: Universidad Autónoma del Estado de México, 2011.

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29

Adrian, Heathfield, and Glendinning Hugo, eds. Live: Art and performance. London: Tate Pub., 2004.

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30

Conceptualismo(s): Poéticos, políticos, periféricos : en torno al arte conceptual en España, 1964-1980. Madrid: Akal, 2007.

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31

Blanco, Paloma. Modos de hacer: Arte crítico, esfera pública y acción directa. Edited by A.F.R.I.K.A. Gruppe. Salamanca: Ediciones Universidad de Salamanca, 2001.

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32

Presentación y representación en el arte contemporáneo: Ambientaciones, instalaciones, happening y performance. Mexico: Universidad Autónoma del Estado de México, 2000., 2000.

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33

Ram, Charan, and Álvarez del Castillo, Fernando, translator, eds. El arte de la ejecucion en los negocios. Ciudad de México: Debolsillo, 2017.

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34

Deborah, Cullen, and Bustamante Maris, eds. Arte [no es] vida: Actions by artists of the Americas 1960-2000. New York: El Museo Del Barrio, 2008.

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35

Centro Atlántico de Arte Moderno, ed. Guillermo Gómez-Peña: Homo fronterizus [1492-2020] : Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, 15 Junio-7 octubre 2012. Las Palmas: Centro Atlántico de Arte Moderno-CAAM, 2012.

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36

Ramos, María Elena. Acciones frente a la plaza: Reseñas y documentos de siete eventos para una nueva lógica del arte venezolano. Caracas: Fundarte, 1995.

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37

Chiantore, Luca. Historia de la técnica pianística: Un estudio sobre los grandes compositores y el arte de la interpretación en busca de la Ur-Technik. Madrid: Alianza, 2001.

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38

Consejo Nacional de las Artes Plásticas (Cuba), ed. Proyecto galería rodante: Arte para todos, performance en la ruta Habana-Varadero-Habana. [La Habana? Cuba]: Consejo Nacional de las Artes Plásticas, 2002.

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39

Savoca, Giuseppe. Arte estrema: Dal teatro di performance degli anni Settanta alla body art estrema degli anni Novanta. Roma: Castelvecchi, 1999.

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40

Savoca, Giuseppe. Arte estrema: Dal teatro di performance degli anni Settanta alla body art estrema degli anni Novanta. Roma: Castelvecchi, 1999.

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41

Luna, Diego. ZAJ: Arte y política en la estética de lo cotidiano. Sevilla (España): Athenaica Ediciones Universitarias, 2016.

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42

Amelia, Jones, and Stephenson Andrew 1957-, eds. Performing the body/performing the text. London: Routledge, 1999.

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43

Alberto, Tassinari, Naves Rodrigo 1955-, Centro de Arte Hélio Oiticica., and Museu de Arte Moderna de São Paulo., eds. Nuno Ramos: Centro de Arte Hélio Oiticica, 15 de outubro a 27 novembro de 1999 : Museu de Arte Moderna de São Paulo, 18 de janeiro a 19 de março de 2000. Rio de Janeiro, RJ: Centro de Arte Hélio Oiticica, 2000.

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44

Grupo de Arte Callejero (Argentina), ed. GAC: Pensamiento, prácticas, acciones. Ciudad Autónoma de Buenos Aires]: Tinta Limón Ediciones, 2009.

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45

Moreno, Alejandra, and Cristian Aravena. Arte acción en México: Registros y residuos = Action art in Mexico : registers and residues. Ciudad de México: MUAC, Museo Universitario Arte Contemporáneo, UNAM, 2019.

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46

Forsythe, William. William Forsythe: Suspense. Zürich, Switzerland: JRP Ringier, 2008.

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47

D, Abrahams Roger, Sánchez Carretero Cristina, Noyes Dorothy, and Díaz Viana Luis 1951-, eds. Performance, arte verbal y comunicación: Nuevas perspectivas en los estudios de folklore y cultura popular en USA. Oiartzun, Gipuzkoa [i.e. Oyarzún Guipúzcoa, Spain]: Sendoa Editorial, 2000.

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48

Nasr, Seyyed Hossein. Islamic art and spirituality. Albany: State University of New York Press, 1987.

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49

Nasr, Seyyed Hossein. Islamic art and spirituality. Ipswich, Suffolk: Golgonooza Press, 1987.

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50

Nasr, Seyyed Hossein. Islamic art & spirituality. New Delhi: Indira Gandhi National Centre for the Arts, 1990.

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