Relevant bibliographies by topics / Performance Interpretation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Performance Interpretation'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Performance Interpretation"

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Mazzola, Guerino, and Stefan G�ller. "Performance and Interpretation." Journal of New Music Research 31, no. 3 (September 1, 2002): 221–32. http://dx.doi.org/10.1076/jnmr.31.3.221.14190.

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Shaffer, L. Henry. "Musical Performance as Interpretation." Psychology of Music 23, no. 1 (April 1995): 17–38. http://dx.doi.org/10.1177/0305735695231002.

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Hamilton, James R. "Theatrical Performance and Interpretation." Journal of Aesthetics and Art Criticism 59, no. 3 (August 2001): 307–12. http://dx.doi.org/10.1111/1540-6245.00028.

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Bishop, Laura, and Werner Goebl. "Negotiating a Shared Interpretation During Piano Duo Performance." Music & Science 3 (January 1, 2020): 205920431989615. http://dx.doi.org/10.1177/2059204319896152.

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Most notated forms of music require interpretation of loosely-defined score instructions. For music ensembles, coordinating a shared interpretation in which each performer plays a complementary role can be challenging, especially if performers have already established their own individual interpretations. This study aimed to identify the patterns of behavior that distinguish performance in collaborative and solo conditions. We tested the hypothesis that highly skilled pianists would be motivated to create more expressively variable and divergent interpretations in the collaborative duet setting than when performing solo. Pianists recorded solo and duet performances of a new piece following individual rehearsal. MIDI and head motion data were assessed. Contrary to expectations, duet performances were less expressively variable than solo performances and no more or less prototypical; indeed, prototypicality increased with years of training. Leader–follower relationships in note timing emerged, with primos tending to take the lead. Pianists moved less during duet performances, and more smoothly. Coordination in head acceleration patterns also emerged during duet performances. Our findings show how performers’ intent to collaborate encourages more communicative styles of head movement and a conservative or protective style of playing that prioritizes coordination over creativity.
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Kim, Mihyun. "Becoming-Ontologic interpretation of Performance." Journal of Korean Theatre Education 33 (December 31, 2018): 67–102. http://dx.doi.org/10.46262/kte.33.2.3.

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Barton, Stephen C. "New Testament Interpretation as Performance." Scottish Journal of Theology 52, no. 2 (May 1999): 179–208. http://dx.doi.org/10.1017/s0036930600053618.

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In recent study of the nature of NT interpretation, considerable attention in certain circles has been given to the possibility that there is one metaphor that is particularly appropriate for articulating what NT interpretation involves. It is the metaphor ofperformance. The purpose of this paper is to describe and develop this proposal and to give an assessment of it. To my knowledge, this is a task in biblical hermeneutics that has only just begun. If we ask why this is so, one possible answer lies in the fact that the proposal comes in the main from systematic and patristic theologians and therefore from outside the guild of biblical scholars. The consequence is that our customary division of labour inhibits us from attending with sufficient care to what our neighbours are saying even when it bears directly on our own work.
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Carroll, Noel. "Interpretation, Theatrical Performance, and Ontology." Journal of Aesthetics and Art Criticism 59, no. 3 (August 2001): 313–16. http://dx.doi.org/10.1111/1540-6245.00029.

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Lee, Sang-Bin. "Holistic assessment of consecutive interpretation." Interpreting. International Journal of Research and Practice in Interpreting 21, no. 2 (November 11, 2019): 245–69. http://dx.doi.org/10.1075/intp.00029.lee.

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Abstract The article aims to show how interpreter trainers holistically grade student performances. For this purpose, experimental rating sessions were held for four undergraduate interpreter trainers. The raters were asked to think aloud their quality judgments while holistically assessing six recordings of consecutive interpretation. Their concurrent verbal reports, along with reflective reports, interview transcripts, and video recordings of computer screen activity, were collected and analysed in detail. Findings revealed various facets of interpreting performance assessment, including what procedures the raters followed, what aspects of the performance they focused on, what criteria they depended on for their judgment decisions, and why two ratings of the same performance were divergent. This article also presents a tentative model for holistic rating of consecutive interpretation.
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Doherty, Mike, and Erika Reiman. "Voices of Opera: Performance, Production, Interpretation." University of Toronto Quarterly 67, no. 4 (September 1998): 744–49. http://dx.doi.org/10.3138/utq.67.4.744.

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Halewood, Peter H. "Performance and Pragmatism in Constitutional Interpretation." Canadian Journal of Law & Jurisprudence 3, no. 1 (January 1990): 91–112. http://dx.doi.org/10.1017/s0841820900001065.

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Is there the possibility of a critical standpoint from which to adjudicate the correctness or validity of constitutional interpretation? This basic question has been given considerable attention in contemporary constitutional theory and has been the focus of the pragmatist law as literature movement born of the interpretive turn in legal theory. At issue is the very purpose of constitutional practice: is it to recover the truth of a set of foundational, moral ideals from the constitution and apply it to a particular factual conflict? Or is it to preserve continuity between the various elements of our cultural practices, to keep the peace?
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Dissertations / Theses on the topic "Performance Interpretation"

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Duncan, Bobby Charles. "Suicide: a Solo Interpretation Performance." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501100/.

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The purpose of this project was to determine if oral interpretation in a social context setting can be used as a persuasive means of suicide prevention. A script on suicide was compiled, directed and performed as a solo performance by the writer. The thesis includes the script, a history of suicide prevention, the process of compiling a script for solo interpretation performance, and an overall evaluation of the production. This Author's evaluation was influenced by audience and critic responses.
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Evans, Richard Walter. "Key concepts in musical performance : practice, performance, interpretation." Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/f4b0771f-0d5a-4e90-906e-b2c3ae91783b.

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Lee, Suan Liu. "Czerny's interpretation of Beethoven's piano sonatas." Thesis, Bangor University, 2003. https://research.bangor.ac.uk/portal/en/theses/czernys-interpretation-of-beethovens-piano-sonatas(feb6fd76-4266-471f-a1e0-5dd95dff5b83).html.

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The teaching of Carl Czemy was influential in the first half of the nineteenth century. His Complete Theoretical and Practical Piano Forte School and its supplement, The Art ofPlaying the Ancient and Modern Piano Forte Works, are especially relevant to the performance of Beethoven's piano sonatas. Much of the information in this monumental treatise reveals how Beethoven would have performed his sonatas. His pedalling techniques, for example, are similar to those described in Czerny's treatise. Although The Art was published in 1846, some of the ideas in tl-ds book date back to Czemy's Haslinger II edition of the late 1820s, thereby showing a. certain consistency over a period of about twenty years. Most of Czemy's teaching on the performance of Beethoven's piano sonatas, hs recorded in his piano treatise, stem from Beethoven's own practice. However, he sometimes altered Beethoven's directions because he considered his solution to be better (such as the fingering. in the trio of Op. 2/l/iii), or because they did not conform to contemporary performing styles, or simply because they did not suit the more resonant pianos of his day.
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Nalimova, Elena. "Demystifying Galina Ustvolskaya : critical examination and performance interpretation." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/8013/.

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This thesis presents a performer’s view of Galina Ustvolskaya and her music with the aim of demystifying her artistic persona. The author examines the creation of ‘Ustvolskaya Myth’ by critically analysing Soviet, Russian and Western literature sources, oral history on the subject and the composer’s personal recollections, and reveals paradoxes and parochial misunderstandings of Ustvolskaya’s personality and the origins of her music. Having examined all the available sources, the author argues that the ‘Ustvolskaya Myth’ was a self-made phenomenon that persisted due to insufficient knowledge on the subject. In support of the argument, the thesis offers a performer’s interpretation of Ustvolskaya as she is revealed in her music. The author examines Ustvolskaya’s music from two viewpoints, a scholar and a performer, and draws upon inter-textual connections between Ustvolskaya’s music and Russian literature (Gogol, Dostoevsky, oberiuty) and aesthetics; analyses the influences of Russian musical traditions (Russian folklore, znamenny raspev) and some artistic individuals (Mussorgsky, Shostakovich, and Stravinsky), and examines the nature of Ustvolskaya’s spirituality and religiosity. The performance aspects of Ustvolskaya’s music are discussed as well as the specific nature of her writing for instruments, particularly the piano, and the interpretation and perception of her music by both the performers and the audience. The thesis examines the performance history of Ustvolskaya’s works, and draws on interview materials with musicians who knew the composer and performed her music. The author’s own performance experience and that derived from the ‘Ustvolskaya at Chetham’s’ project which involved young musicians in studying and performing Ustvolskaya’s compositions, underlined the practical value of the research. While supporting the view of Ustvolskaya as a singular composer, the thesis stands to demystify and reevaluate her artistic image.
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Lowe, Bethany Laura. "Performance, analysis, and interpretation in Sibelius's Fifth Symphony." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364710.

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Burling, David. "CT colonography : defining performance and interventions to improve interpretation." Thesis, University of Leicester, 2006. http://hdl.handle.net/2381/9380.

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CT colonography is now widely regarded as the optimal radiological technique for colonic examination. However, performance characteristics, particularly relating to interpretation accuracy, interpretation times and polyp measurement have been derived primarily from academic centres in the USA. For successful implementation of CT colonography, such performance characteristics must be generalisable to non-academic centres, different patient populations in different geographical locations, and different clinical environments. This thesis aims to investigate current UK implementation and to determine the interpretative performance of observers across the UK and Europe, focussing on those interventions influencing reader accuracy and polyp measurement. The first chapter reviews the technique, diagnostic performance and clinical role of CT colonography. It is followed by two surveys revealing CT colonography is widely available across the UK NHS, and that hitherto unsuspected complications do occur, although CT colonography appears relatively safe in routine clinical practice when compared to alternatives. The effect of directed training on reader performance is investigated in a multi-centre European study and shows that experienced radiologists are significantly more accurate and time-efficient when reporting CT colonography compared to specifically trained but less experienced radiologists and radiographers. A subsequent study also shows they are more accurate than radiologists offering CT colonography in UK clinical practice routinely. Trained radiographers can perform as well as their radiologist counterparts. The accuracy of polyp measurement is investigated and the effect of different visualisation displays determined. Results suggest that an optimised 2D display utilising a 'colon CT window' should be recommended. Finally, we show that an automatic measurement software tool improves inter and intra-observer agreement for polyp measurement 'in vitro' although the benefit for in-vivo measurement is less clear.
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Benmusa, Tammam A. "The processing and interpretation of communication network performance data." Thesis, Loughborough University, 2005. https://dspace.lboro.ac.uk/2134/13503.

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There is an increased demand for higher levels of network availability and reliability. Effective monitoring is necessary to help meet this demand. Loughborough University's High speed Network (HSN) group and many other research groups have preformed significant research related to the monitoring of communication networks and the subsequent processing of the information collected in a meaningful way. This thesis takes latency as an example performance metric. The term 'Data Exception' is then employed to describe delay data that is unusual or unexpected due to some fundamental change in the underlying network performance. Examples of such changes include significant changes in usage patterns or planned alterations. The objective of this work is to process and interpret such communication network performance data at higher levels of understanding, and will focus on three main points:- • Developing a rule based algorithm to automate the detection of Delay Data Exceptions. • Correlating Delay Data Exceptions in different routes in a network to detect the location and the characteristic of the event that caused these Exceptions. • Predicting the effect of an external event on network performance. In addition to the above three points, the research started by improving a previously published technique for detection and classification of Delay Data Exceptions. The nature of the delay patterns in a commercial communication network was the key issue in developing the algorithm for the first section of the work, and a Neural Network was used in the last two research areas. The monitored delay data used in this work was obtained from different sources; the historical performance data of a commercial network, data from simulation and monitoring of test network in previous related research, and also by monitoring two experimental test networks built in the laboratory. The results of the detection algorithm show an improvement in detection performance, and provide more generality and independency of the source of the delay data. The outputs of the approaches used in the event detection and the performance predictions work give good results, and show potentially the ability to locate the underlying events.
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Love, N. Eric. "The wounded storyteller in performance /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164526.

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Du, Pont Abe James. "Defining performance targets through interpretation of standard comparative performance information / Abe James du Pont." Thesis, North-West University, 2004. http://hdl.handle.net/10394/9630.

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Setting performance targets for a business is a strategically important function. These targets focus the efforts of teams and team members, and as such define the direction of development of the business's competencies and thus its competitiveness. In the highly competitive world of commodities, it is imperative that resources be focused optimally. This implies that the focus be placed on those few aspects that if achieved, it would yield maximum benefit. The objective of this report is to, for the Natref refinery: • Define and prioritise those business aspects that should be focused on over the next three years so as to maximise profit and long-term competitiveness, • Define target performance levels for the respective aspects, and • Define interim targets that could be applied in yearly performance incentive schemes. The aspects of importance for Natref have been defined through an analysis of the South African liquid fuel industry, its profit profile and the implications for Natref specifically. Benchmarking was primarily based on the 2002 refinery performance survey, as executed by Solomon Associates. Optimal profit performance is subject to the combination of optimal integration, and optimal relative performance of the contributing functional roles. Over-emphasis of one role relative to another inevitably results in lower than achievable long-term profitability. Benchmarking the relative performance of refineries is complicated by the extensive differences between refineries and their respective business situations. As a result, technical aspects can be consistently compared through a process of normalisation and peer groups. However, no fundamentally sound method could be found to compare the overall performance of refineries in different business situations. Return-on-investment and refining margin were evaluated, but found unsuitable for this purpose. As a compromise, the Profit Index as developed by Natref, is proposed for evaluating integrated refinery performance. In addition, a new parameter, the Profit Potential Index, aimed at measuring growth of relevant value-adding capability, is proposed. Evaluation of and performance targets for total cash cost, fixed cost, and variable cost, round of evaluation of integrated performance. Total production cost, including fixed and variable cost, has to improve by approximately 10% to be competitive with the Asia-Pacific peer group and other South African refineries. It is proposed to achieve a 10% composite cost reduction over the next three years. The targeted improvement in energy consumption, if achieved, could represent the full 10% reduction in operating cost. It was found that Natrefs performance in terms of energy efficiency was of the poorest of all the refineries included in the 2002 benchmarking survey. Given the increasing cost of energy, it is considered critical to improve energy efficiency. The proposed three-year performance target of 92 Ell, if achieved, will result in matching the average energy performance of the Asia-Pacific peer group, but will still fall short of the energy efficiency of the best performers in the group. Refinery availability is of strategic importance in the current industry situation where Natref production is cut back due .to over-capacity and tactics. It is thus recommended that performance in terms of availability be targeted to be first quartile, whereas third quartile performance was achieved in the 2002 benchmarking survey. The overall availability performance is required to increase to 96. 7%. The following practices are recommended for implementation in addition to the performance targets set: Operating cost is strongly influenced by the R/$ exchange rate. Systems are required to proactively identify the impact of this exchange rate. In contrast with previous practice of always operating Natref at full capacity, Natrefs production rate is subject to market share, product demand and price competitiveness since termination of the Main Supply Agreement. Sasol' s overall unbalanced product slate results in Sasol being long in petrol production capacity and short in diesel production capacity. Sasol is thus obliged to sell part of its petrol production at discount prices, which motivates other producer-distributors to maximise their production of diesel and to minimise petrol production. Marginal sales are in competition with the marginal cost of production with other South African refineries for inland sales, and with that of Asia-Pacific peer group refineries for export markets. More emphasis is thus required on knowledge of marginal production cost, and on minimising marginal production cost than was before. It is concluded that producer-distributors utilise the imbalance in product supply capacity stemming from Synfuels' product slate to negotiate price discounts. It would thus be in the interest of the producer-distributors to increase their production capacity according to demand growth so as to maintain the petrol over-supply situation and thus reduced purchase prices. The optimisation model for the refinery forms the backbone towards determining not only the marginal cost of production, but also for optimisation of business decisions, crude purchasing, profit apportionment between the Shareholders, and for determining the Profit Index and the Profit Potential Index. As such it is recommended that the accuracy of this model be targeted at 15USc/bbl. Finally, crude oil cost represents approximately 90% of the overall production cost. Yet the refinery has only indirect input on crude slate optimisation, i.e. via the accuracy and number of crudes represented in the refinery model. It is recommended that this input be expanded.
MBA, North-West University, Vaal Triangle Campus, 2005
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Heywood, Simon R. "Storytelling revivalism in England and Wales : history, performance and interpretation." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/14629/.

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This study discusses the storytelling movement in England and Wales as an example of the traditional arts "revival." "Revivals" are qualitatively different from mature traditions, but this distinction eludes theorisation. This creates shortcomings in the literature, which are identified and discussed. It is concluded that mature traditions and "revivals" are both subcategories of traditional milieu. The "revival" is distinguished, firstly, by its attenuated diachronic chains of transmission and synchronic bonds of social cohesion, resulting in a loss of deep aesthetic consensus in the participant group; and, secondly, by its self-traditionalisation: its selfconscious self-presentation as a traditional form socioculturally opposed to a traditionless mainstream modernity. The "revival" is therefore often understood as a nostalgic and symbolic re-enactment of desired sociocultural conditions. The study is an inductive, transparent consideration of storytelling revivalism in England and Wales in the light of this preliminary conclusion, considering three issues: the history of the movement; the whole-group performance of storytelling events; and emic interpretations and understandings of involvement, elicited in interview. The evidence is that storytelling revivalism is part of a long-lived appropriative process transcending sociocultural distinctions; that its performative idioms do not express but mediate - eventually, undermine - its iconoclastic separateness from modernity, integrating the formally "revived" form into the informal mainstream; and that interviews demonstrated nostalgic sociocultural beliefs to be contingent and of secondary importance to aesthetic experience. In conclusion, revivalistic communities indulge selfconscious self-traditionalisation sparingly and reluctantly. Emically, it is an uninteresting implication or a necessary cognitive and behavioural stopgap facilitating a deeper experiential familiarity with the form itself "Revival," although occupying an intellectually enfranchised milieu, is properly a nascent non-intellectual, aesthetic and social form. This conclusion overturns the preliminary conclusion, and suggests the general fallaciousness of assuming that cultural forms are primarily coded representations of sociocultural conditions.
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Books on the topic "Performance Interpretation"

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Coursen, Herbert R. Shakespearean performance as interpretation. Newark: University of Delaware Press, 1992.

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Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Cambridge, Mass: Harvard University Press, 2008.

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Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Cambridge, Mass: Harvard University Press, 2008.

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1944-, Küper Christoph, ed. Meter, rhythm, and performance =: Metrum, Rhythmus, Performanz. Frankfurt am Main: P. Lang, 2002.

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Hagestedt, Jens. Wie spielt Glenn Gould?: Zu einer Theorie der Interpretation. München: P. Kirchheim, 1991.

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Joint Commission on Accreditation of Healthcare Organizations., ed. Clinical performance data: A guide to interpretation. Oakbrook Terrace, IL: Joint Commission on Accreditation of Healthcare Organizations, 1995.

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Performance studies: The interpretation of aesthetic texts. New York: St. Martin's Press, 1992.

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Gamble, Teri Kwal. Oral interpretation: Bringing literature to life through performance. New York: Glencoe McGraw-Hill, 2002.

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Donington, Robert. The interpretation of early music. London: Faber and Faber, 1989.

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The interpretation of early music. New York: Norton, 1989.

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Book chapters on the topic "Performance Interpretation"

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Risi, Clemens. "Beyond interpretation." In Opera in Performance, 21–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003124863-3.

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Gura, Timothy, Benjamin Powell, and Charlotte I. Lee. "Group Performance of Literature." In Oral Interpretation, 311–39. 13th edition. | New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315108865-11.

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Denzin, Norman K. "Performance, Hermeneutics, Interpretation." In The SAGE Handbook of Qualitative Data Collection, 200–216. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP: SAGE Publications Ltd, 2018. http://dx.doi.org/10.4135/9781526416070.n13.

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Reichl, Karl. "Performance and Interpretation." In The Oral Epic, 202–27. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003189114-14.

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Lushetich, Natasha. "Resisting Determination,Resisting Interpretation." In Interdisciplinary Performance, 125–44. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-33503-6_7.

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Bateman, Richard M. "Interpretation." In Cased-Hole Log Analysis and Reservoir Performance Monitoring, 133–41. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-2068-6_10.

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Bateman, Richard M. "Interpretation." In Cased-Hole Log Analysis and Reservoir Performance Monitoring, 137–46. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-017-0977-4_10.

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Gura, Timothy, Benjamin Powell, and Charlotte I. Lee. "Technique and Solo Performance of Drama." In Oral Interpretation, 223–48. 13th edition. | New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315108865-8.

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Leutenegger, Christian M. "Test Performance." In Interpretation of Equine Laboratory Diagnostics, 27–31. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118922798.ch4.

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Pelberg, Robert. "Performance, Interpretation and Reporting." In Cardiac CT Angiography Manual, 153–80. London: Springer London, 2015. http://dx.doi.org/10.1007/978-1-4471-6690-0_7.

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Conference papers on the topic "Performance Interpretation"

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Phan, Thien, Sohum Sohoni, Damon M. Chandler, and Eric C. Larson. "Performance-analysis-based acceleration of image quality assessment." In 2012 IEEE Southwest Symposium on Image Analysis & Interpretation (SSIAI). IEEE, 2012. http://dx.doi.org/10.1109/ssiai.2012.6202458.

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Malony, Allen D. "Data interpretation and experiment planning in performance tools." In the 1995 ACM SIGMETRICS joint international conference. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/223587.223595.

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Glinskikh, V. N., and M. I. Epov. "Electromagnetic Logging – High–performance Computing and Effective Interpretation." In Saint Petersburg 2010. Netherlands: EAGE Publications BV, 2010. http://dx.doi.org/10.3997/2214-4609.20145593.

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Cuevas, Carlos, Carlos R. del Blanco, Narciso Garcia, and Fernando Jaureguizar. "Segmentation-tracking feedback approach for high-performance video surveillance applications." In 2010 IEEE Southwest Symposium on Image Analysis & Interpretation (SSIAI). IEEE, 2010. http://dx.doi.org/10.1109/ssiai.2010.5483922.

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Goodall, Todd, and Alan C. Bovik. "No-reference task performance prediction on distorted LWIR images." In 2014 IEEE Southwest Symposium on Image Analysis and Interpretation (SSIAI). IEEE, 2014. http://dx.doi.org/10.1109/ssiai.2014.6806036.

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Philip, Rohit C., Sree Ramya S. P. Malladi, Maki Niihori, Abraham Jacob, and Jeffrey J. Rodriguez. "Performance of Supervised Classifiers for Damage Scoring of Zebrafish Neuromasts." In 2018 IEEE Southwest Symposium on Image Analysis and Interpretation (SSIAI). IEEE, 2018. http://dx.doi.org/10.1109/ssiai.2018.8470377.

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COCKRELL, JR., CHARLES. "Interpretation of waverider performance data using computational fluid dynamics." In 23rd Fluid Dynamics, Plasmadynamics, and Lasers Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1993. http://dx.doi.org/10.2514/6.1993-2921.

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Utami, Budi, Sulistyo Saputro, Ashadi, Mohammad Masykuri, and Sri Widoretno. "Performance assessment to assess students’ interpretation in chemistry learning." In THE 2ND INTERNATIONAL CONFERENCE ON SCIENCE, MATHEMATICS, ENVIRONMENT, AND EDUCATION. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5139867.

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Menington, I. S., and G. M. Green. "Measurement and interpretation of radar system performance in a complex environment." In IEE Colloquium on Specifying and Measuring Performance and Modern Radar Systems. IEE, 1998. http://dx.doi.org/10.1049/ic:19980146.

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Philip, Rohit C., Sundaresh Ram, Xin Gao, and Jeffrey J. Rodriguez. "A comparison of tracking algorithm performance for objects in wide area imagery." In 2014 IEEE Southwest Symposium on Image Analysis and Interpretation (SSIAI). IEEE, 2014. http://dx.doi.org/10.1109/ssiai.2014.6806041.

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Reports on the topic "Performance Interpretation"

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Doyle, Jon, and Peter Szolovits. High-Performance Knowledge Base Support for Monitoring, Analysis, and Interpretation Tasks. Fort Belvoir, VA: Defense Technical Information Center, June 2002. http://dx.doi.org/10.21236/ada404565.

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Markman, Arthur B. DURIP97 Human Cognitive Performance in the Interpretation of False Color Non-Literal Imagery. Fort Belvoir, VA: Defense Technical Information Center, April 1997. http://dx.doi.org/10.21236/ada346277.

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Terrell, Dudley J. Effects of the Advanced Map Interpretation and Terrain Analysis Course on Contour-Level Navigation Performance. Fort Belvoir, VA: Defense Technical Information Center, June 1989. http://dx.doi.org/10.21236/ada212163.

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Forsythe, Thomas K. A Research Concept for Developing and Applying Methods for Measurement and Interpretation of Unit Performance at the National Training Center. Fort Belvoir, VA: Defense Technical Information Center, January 1987. http://dx.doi.org/10.21236/ada181073.

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Dalton, Ben. The Landscape of School Rating Systems. RTI Press, September 2017. http://dx.doi.org/10.3768/rtipress.2017.op.0046.1709.

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Abstract:
The rise of the accountability movement in education has resulted in the proliferation of school report cards, school ratings and rankings, and other kinds of performance reporting for public consumption and policy use. To understand the strengths and limitations of school rating systems and the role they play in shaping public perceptions and school improvement practices, this paper situates rating systems within the broader field of comparative organizational assessments and neo-institutional theory; describes school rankings and rating systems in use by states and consumer-oriented enterprises; and details four aspects of school ratings (measurement, transformation, integration, and presentation) that affect their use and interpretation.
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The Roles of Otolaryngologists and Speech-Language Pathologists in the Performance and Interpretation of Strobovideolaryngoscopy. Rockville, MD: American Speech-Language-Hearing Association, 1998. http://dx.doi.org/10.1044/policy.rp1998-00132.

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Role of the Speech-Language Pathologist in the Performance and Interpretation of Endoscopic Evaluation of Swallowing: Guidelines. Rockville, MD: American Speech-Language-Hearing Association, 2004. http://dx.doi.org/10.1044/policy.gl2004-00059.

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The Role of the Speech-Language Pathologist in the Performance and Interpretation of Endoscopic Evaluation of Swallowing: Position Statement. Rockville, MD: American Speech-Language-Hearing Association, 2005. http://dx.doi.org/10.1044/policy.ps2005-00112.

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The Role of the Speech-Language Pathologist in the Performance and Interpretation of Endoscopic Evaluation of Swallowing: Technical Report. Rockville, MD: American Speech-Language-Hearing Association, 2005. http://dx.doi.org/10.1044/policy.tr2005-00155.

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