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Books on the topic 'Performance Interpretation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Coursen, Herbert R. Shakespearean performance as interpretation. Newark: University of Delaware Press, 1992.

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2

Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Cambridge, Mass: Harvard University Press, 2008.

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3

Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Cambridge, Mass: Harvard University Press, 2008.

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4

1944-, Küper Christoph, ed. Meter, rhythm, and performance =: Metrum, Rhythmus, Performanz. Frankfurt am Main: P. Lang, 2002.

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5

Hagestedt, Jens. Wie spielt Glenn Gould?: Zu einer Theorie der Interpretation. München: P. Kirchheim, 1991.

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6

Joint Commission on Accreditation of Healthcare Organizations., ed. Clinical performance data: A guide to interpretation. Oakbrook Terrace, IL: Joint Commission on Accreditation of Healthcare Organizations, 1995.

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7

Performance studies: The interpretation of aesthetic texts. New York: St. Martin's Press, 1992.

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8

Gamble, Teri Kwal. Oral interpretation: Bringing literature to life through performance. New York: Glencoe McGraw-Hill, 2002.

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9

Donington, Robert. The interpretation of early music. London: Faber and Faber, 1989.

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10

The interpretation of early music. New York: Norton, 1989.

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11

Welker, Roberto Echavarren. Performance: Género y transgénero. Buenos Aires: Eudeba, 2000.

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12

Engelke, Ulrike. Musik und Sprache: Interpretation der Musik des Frühbarock nach überlieferten Regeln = Music and language : interpretation of early Baroque music according to traditional rules. Zürich: Pan AG, 1990.

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13

James, VanOosting, ed. Performance in life and literature. Boston: Allyn and Bacon, 1996.

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14

Hans-Dieter, Klein, ed. Drei Sonnen: Performance von Evelin Klein (1984-1997) : auch eine Interpretation von Franz Schuberts "Winterreise". Frankfurt am Main: Peter Lang, 1997.

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15

Institut für Neue Musik und Musikerziehung Darmstadt. Frühjahrstagung and Institut für Neue Musik und Musikerziehung Darmstadt, eds. Ans Licht gebracht: Zur Interpretation Neuer Musik. Mainz: Schott, 2013.

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16

Bruce, Henderson, ed. Performance: Texts and contexts. New York: Longman, 1993.

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17

Reading musical interpretation: Case studies in solo piano performance. Burlington, VT: Ashgate, 2008.

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18

Erwin, Stein. Form and performance. New York: Limelight Editions, 1989.

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19

Stein, Erwin. Form and performance. New York: Limelight Editions, 1989.

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20

Butt, John. Bach interpretation: Articulation marks in primary sources of J.S. Bach. Cambridge [England]: Cambridge University Press, 1990.

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21

Mathews, Peter Valentine. A modes of performance interpretation of SLD pupils' mathematical expertise. Birmingham: University of Birmingham, 1987.

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22

Arps, Bernard. Tembang in two traditions: Performance and interpretation of Javanese literature. London: School of Oriental and African Studies, University of London, 1991.

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23

Pierce, Alexandra. Deepening musical performance: The theory and practice of embodied interpretation. Bloomington: Indiana University Press, 2007.

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24

Arps, Ben. Tembang in two traditions: Performance and interpretation of Javanese literature. London: School of Oriental and African Studies, 1992.

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25

1951-, Reed Mike, Blau Edouard 1836-1906, Milliet Paul 1848-1924, Hartmann Georges 1843-1900, Goethe, Johann Wolfgang von, 1749-1832, and Massenet Jules 1842-1912, eds. Werther: A performance guide. Hillsdale, NY: Pendragon Press, 2012.

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26

Performance in the cinema of Hal Hartley. Amherst, NY: Cambria Press, 2011.

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27

Performance, rewriting, identity: Chantal Akerman's postmodern cinema. Torino: Otto, 2000.

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28

Hadfield, Gillian K. Judicial competence and the interpretation of incomplete contracts. [Champaign, Ill: American Law and Economics Association, 1991.

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29

Nagy, Péter H. A betücivilizáció szétrobbantása: Szombathy Bálint szupergutenbergi univerzuma. Budapest: Ráció, 2008.

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30

Nagy, Péter H. A betücivilizáció szétrobbantása: Szombathy Bálint szupergutenbergi univerzuma. Budapest: Ráció, 2008.

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31

Nagy, Péter H. A betücivilizáció szétrobbantása: Szombathy Bálint szupergutenbergi univerzuma. Budapest: Ráció, 2008.

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32

Howard, Tony. Women as Hamlet: Performance and interpretation in theatre, film and literature. Cambridge, UK: Cambridge University Press, 2007.

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33

Hadley, Keith. Ensuring competent performance in forensic practice: Recovery, analysis, interpretation, and reporting. Boca Raton, FL: CRC Press, 2008.

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34

Songs of death: Performance, interpretation, and the text of Richard III. Lincoln: University of Nebraska Press, 1987.

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35

Mukhopadhyay, Pradyot Kumar. The Nyāya theory of linguistic performance: A new interpretation of Tattvacintāmaṇi. Calcutta: Published for Jadavpur University, Calcutta by K.P. Bagchi & Co., 1992.

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36

Elizabeth, Phillips. Emily Dickinson: Personae and performance. University Park: Pennsylvania State University Press, 1988.

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37

McVeigh, Sean. An interpretation and appraisal of the strategic model of balance: A formal strategy diagnosis tool. Dublin: University College Dublin, 1995.

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38

Goldberg, RoseLee. Laurie Anderson. New York: Harry N. Abrams, 2000.

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39

Chalifour, François. Hélène Lefebvre: De la peinture à la performance. Ottawa: Éditions L'Interligne, 2008.

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40

Chalifour, François. Hélène Lefebvre: De la peinture à la performance. Ottawa: Éditions L'Interligne, 2008.

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41

Breland, Hunter M. Factors in performance on brief, impromptu essay examinations. New York: College Entrance Examination Board, 1995.

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42

Interpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.

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43

Poetry and narrative in performance. Basingstoke: Macmillan, 1989.

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44

Poetry and narrative in performance. New York: St. Martin's Press, 1989.

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45

The art of storytelling: Creative ideas for preparation and performance. Colorado Springs, Colo: Meriwether, 1994.

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46

Horsley, Richard A. Text and tradition in performance and writing. Eugene, Oregon: Cascade Books, 2013.

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47

Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 1996.

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48

Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 2005.

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49

John, Rink, ed. The Practice of performance: Studies in musical interpretation. Cambridge [England]: Cambridge University Press, 1995.

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50

Musikalische Interpretation. Laaber: Laaber-Verlag, 1992.

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