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Journal articles on the topic 'Performance Interpretation'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Mazzola, Guerino, and Stefan G�ller. "Performance and Interpretation." Journal of New Music Research 31, no. 3 (September 1, 2002): 221–32. http://dx.doi.org/10.1076/jnmr.31.3.221.14190.

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2

Shaffer, L. Henry. "Musical Performance as Interpretation." Psychology of Music 23, no. 1 (April 1995): 17–38. http://dx.doi.org/10.1177/0305735695231002.

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3

Hamilton, James R. "Theatrical Performance and Interpretation." Journal of Aesthetics and Art Criticism 59, no. 3 (August 2001): 307–12. http://dx.doi.org/10.1111/1540-6245.00028.

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4

Bishop, Laura, and Werner Goebl. "Negotiating a Shared Interpretation During Piano Duo Performance." Music & Science 3 (January 1, 2020): 205920431989615. http://dx.doi.org/10.1177/2059204319896152.

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Most notated forms of music require interpretation of loosely-defined score instructions. For music ensembles, coordinating a shared interpretation in which each performer plays a complementary role can be challenging, especially if performers have already established their own individual interpretations. This study aimed to identify the patterns of behavior that distinguish performance in collaborative and solo conditions. We tested the hypothesis that highly skilled pianists would be motivated to create more expressively variable and divergent interpretations in the collaborative duet setting than when performing solo. Pianists recorded solo and duet performances of a new piece following individual rehearsal. MIDI and head motion data were assessed. Contrary to expectations, duet performances were less expressively variable than solo performances and no more or less prototypical; indeed, prototypicality increased with years of training. Leader–follower relationships in note timing emerged, with primos tending to take the lead. Pianists moved less during duet performances, and more smoothly. Coordination in head acceleration patterns also emerged during duet performances. Our findings show how performers’ intent to collaborate encourages more communicative styles of head movement and a conservative or protective style of playing that prioritizes coordination over creativity.
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5

Kim, Mihyun. "Becoming-Ontologic interpretation of Performance." Journal of Korean Theatre Education 33 (December 31, 2018): 67–102. http://dx.doi.org/10.46262/kte.33.2.3.

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6

Barton, Stephen C. "New Testament Interpretation as Performance." Scottish Journal of Theology 52, no. 2 (May 1999): 179–208. http://dx.doi.org/10.1017/s0036930600053618.

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In recent study of the nature of NT interpretation, considerable attention in certain circles has been given to the possibility that there is one metaphor that is particularly appropriate for articulating what NT interpretation involves. It is the metaphor ofperformance. The purpose of this paper is to describe and develop this proposal and to give an assessment of it. To my knowledge, this is a task in biblical hermeneutics that has only just begun. If we ask why this is so, one possible answer lies in the fact that the proposal comes in the main from systematic and patristic theologians and therefore from outside the guild of biblical scholars. The consequence is that our customary division of labour inhibits us from attending with sufficient care to what our neighbours are saying even when it bears directly on our own work.
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7

Carroll, Noel. "Interpretation, Theatrical Performance, and Ontology." Journal of Aesthetics and Art Criticism 59, no. 3 (August 2001): 313–16. http://dx.doi.org/10.1111/1540-6245.00029.

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8

Lee, Sang-Bin. "Holistic assessment of consecutive interpretation." Interpreting. International Journal of Research and Practice in Interpreting 21, no. 2 (November 11, 2019): 245–69. http://dx.doi.org/10.1075/intp.00029.lee.

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Abstract The article aims to show how interpreter trainers holistically grade student performances. For this purpose, experimental rating sessions were held for four undergraduate interpreter trainers. The raters were asked to think aloud their quality judgments while holistically assessing six recordings of consecutive interpretation. Their concurrent verbal reports, along with reflective reports, interview transcripts, and video recordings of computer screen activity, were collected and analysed in detail. Findings revealed various facets of interpreting performance assessment, including what procedures the raters followed, what aspects of the performance they focused on, what criteria they depended on for their judgment decisions, and why two ratings of the same performance were divergent. This article also presents a tentative model for holistic rating of consecutive interpretation.
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9

Doherty, Mike, and Erika Reiman. "Voices of Opera: Performance, Production, Interpretation." University of Toronto Quarterly 67, no. 4 (September 1998): 744–49. http://dx.doi.org/10.3138/utq.67.4.744.

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10

Halewood, Peter H. "Performance and Pragmatism in Constitutional Interpretation." Canadian Journal of Law & Jurisprudence 3, no. 1 (January 1990): 91–112. http://dx.doi.org/10.1017/s0841820900001065.

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Is there the possibility of a critical standpoint from which to adjudicate the correctness or validity of constitutional interpretation? This basic question has been given considerable attention in contemporary constitutional theory and has been the focus of the pragmatist law as literature movement born of the interpretive turn in legal theory. At issue is the very purpose of constitutional practice: is it to recover the truth of a set of foundational, moral ideals from the constitution and apply it to a particular factual conflict? Or is it to preserve continuity between the various elements of our cultural practices, to keep the peace?
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11

Thom, P. "The Interpretation of Music in Performance." British Journal of Aesthetics 43, no. 2 (April 1, 2003): 126–37. http://dx.doi.org/10.1093/bjaesthetics/43.2.126.

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12

Lee, Jong-Sub, and J. Carlos Santamarina. "Bender Elements: Performance and Signal Interpretation." Journal of Geotechnical and Geoenvironmental Engineering 131, no. 9 (September 2005): 1063–70. http://dx.doi.org/10.1061/(asce)1090-0241(2005)131:9(1063).

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13

Kilcoyne, Aoife, Aileen O’Shea, Debra A. Gervais, and Susanna I. Lee. "Hysterosalpingography in endometriosis: performance and interpretation." Abdominal Radiology 45, no. 6 (January 2, 2020): 1680–93. http://dx.doi.org/10.1007/s00261-019-02373-w.

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14

Lambert, Sylvie. "Shared Attention during Sight Translation, Sight Interpretation and Simultaneous Interpretation." Meta 49, no. 2 (October 28, 2004): 294–306. http://dx.doi.org/10.7202/009352ar.

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Abstract This study set out to determine the types of processing involved when subjects perform sight translation compared to both sight interpretation and simultaneous interpretation, but more specifically whether performance is enhanced or hindered by the visual presentation of the material to be interpreted. Results indicated that both sight translation and sight interpretation yielded significantly higher performance scores than simultaneous interpretation, indicating that the added feature of visual exposure to the message to be interpreted does not necessarily interfere with a subject’s already overloaded capacity to listen and speak simultaneously, but that in fact, it may even help the student’s performance. Pedagogically speaking, it is recommended that sight interpretation be included in any cognitive approach to a simultaneous-interpreter training program.
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15

Syrett, Kristen, and Jeffrey Lidz. "Competence, Performance, and the Locality of Quantifier Raising: Evidence from 4-Year-Old Children." Linguistic Inquiry 42, no. 2 (April 2011): 305–37. http://dx.doi.org/10.1162/ling_a_00043.

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We revisit the purported locality constraint on Quantifier Raising (QR) by investigating children's and adults' interpretation of antecedent-contained-deletion (ACD) sentences, where the interpretation depends on the landing site targeted by QR out of an embedded clause. When ACD is embedded in a nonfinite clause, 4-year-old children and adults access both the embedded and the matrix interpretations. When ACD is embedded in a finite clause, and the matrix interpretation is generally believed to be ungrammatical, children and even some adults access both readings. These findings allow for the possibility that the source of QR's reputed locality constraint may instead be extragrammatical, and they provide insight into the development of the human sentence parser.
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16

Lee, Eun Hye, and Chae Yeon Lyou. "Radiology Residents' Performance in Screening Mammography Interpretation." Journal of the Korean Society of Radiology 68, no. 4 (2013): 333. http://dx.doi.org/10.3348/jksr.2013.68.4.333.

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17

Pelias, Ronald J. "Schools of interpretation thought and performance criticism." Southern Speech Communication Journal 50, no. 4 (December 1985): 348–65. http://dx.doi.org/10.1080/10417948509372640.

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18

Söderlind, Paul. "An Interpretation of SDF Based Performance Measures." Review of Finance 3, no. 2 (August 1, 1999): 233–37. http://dx.doi.org/10.1023/a:1009841713667.

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19

Jeffrey Carr, J., Robert L. Dixon, Rita L. Freimanis, and Mark D. Hiatt. "Reader performance with monitor interpretation of mammograms." Academic Radiology 4, no. 12 (December 1997): 850. http://dx.doi.org/10.1016/s1076-6332(97)80326-1.

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20

Kistenberg, Cindy J., and Michael S. Bowman. "Review essay: Textbooks in interpretation/performance studies." Communication Education 42, no. 3 (July 1993): 268–76. http://dx.doi.org/10.1080/03634529309378933.

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21

Niblett, Hannah, and Jennifer Allison. "Performance as interpretation: a museum studies perspective." Research in Drama Education: The Journal of Applied Theatre and Performance 21, no. 4 (August 12, 2016): 574–80. http://dx.doi.org/10.1080/13569783.2016.1220246.

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22

Hamoda, M. F., H. A. AL‐Rqobah, and S. E. M. Hamam. "Interpretation of activated sludge plant performance data." Journal of Environmental Science and Health . Part A: Environmental Science and Engineering 21, no. 4 (May 1986): 333–51. http://dx.doi.org/10.1080/10934528609375296.

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23

Shaikh, M. A., and W. H. Moore. "Statistical interpretation of absolute system performance requirements." IEEE Transactions on Aerospace and Electronic Systems 33, no. 2 (April 1997): 626–31. http://dx.doi.org/10.1109/7.588380.

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24

Thomas, Philip. "Berio'sSequenza IV: Approaches to performance and interpretation." Contemporary Music Review 26, no. 2 (April 2007): 189–205. http://dx.doi.org/10.1080/07494460701295341.

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25

Madhavi Menon, K. "India's Shakespeare: Translation, Interpretation, and Performance (review)." Shakespeare Quarterly 58, no. 3 (2007): 418–20. http://dx.doi.org/10.1353/shq.2007.0045.

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26

Hernández, Rodrigo, Wayne Y. Lee, Pu Liu, and Tian-Shyr Dai. "Outperformance Certificates: analysis, pricing, interpretation, and performance." Review of Quantitative Finance and Accounting 40, no. 4 (May 30, 2012): 691–713. http://dx.doi.org/10.1007/s11156-012-0294-z.

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27

Ibeh, Kevin I. N., and Colin N. Wheeler. "A Resource-Centred Interpretation of Export Performance." International Entrepreneurship and Management Journal 1, no. 4 (December 2005): 539–56. http://dx.doi.org/10.1007/s11365-005-4777-4.

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28

Alcaide Romero, María. "¿LA PERFORMANCE DEL FUTURO? UNA LECTURA PERSONAL SOBRE LAS PRÁCTICAS PERFORMATIVAS." Journal of Arts and Visual Culture, no. 1 (2018): 68–75. http://dx.doi.org/10.12795/jovc.2017.i01.08.

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29

Sivarajah, Yathunanthan, Eun-Jung Holden, Roberto Togneri, and Michael Dentith. "Identifying effective interpretation methods for magnetic data by profiling and analyzing human data interactions." Interpretation 1, no. 1 (August 1, 2013): T45—T55. http://dx.doi.org/10.1190/int-2013-0002.1.

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Geoscientific data interpretation is a highly subjective and complex task because human intuition and biases play a significant role. Based on these interpretations, however, the mining and petroleum industries make decisions with paramount financial and environmental implications. To improve the accuracy and efficacy of these interpretations, it is important to better understand the interpretation process and the impact of different interpretation techniques, including data processing and display methods. As a first step toward this goal, we aim to quantitatively analyze the variability in geophysical data interpretation between and within individuals. We carried out an experiment to analyze how individuals interact with magnetic data during the process of identifying prescribed targets. Participants performed two target spotting exercises where the same magnetic image was presented at different orientations. The task was to identify the magnetic response from porphyry-style intrusive systems. The experiment involved analyzing the data observation pattern during the interpretation process using an eye tracker system that captures the interpreter’s eye gaze motion and the target-spotting performance. The time at which targets were identified was also recorded. Fourteen participants with varying degrees of experience and expertise participated in this study. The results show inconsistencies within and between the interpreters in target-spotting performance. The results show a correlation between a systematic data observation pattern and target-spotting performance. Improved target-spotting performance was obtained when the magnetic image was observed from multiple orientations. These findings will help to identify and quantify the effective interpretation practices, which can provide a roadmap for the training of geoscientific data interpreters and contribute toward the understanding of the uncertainties in the data interpretation process.
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30

Chan, Frederick H. F., Keisuke Takano, Jennifer Y. F. Lau, and Tom J. Barry. "Evaluation of the Factor Structure and Content Specificity of the Interpretation Bias Task (IBT)." Cognitive Therapy and Research 44, no. 6 (August 19, 2020): 1213–24. http://dx.doi.org/10.1007/s10608-020-10138-9.

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Abstract Background Theories suggest that interpretation biases play a role in the aetiology of a range of psychopathology including depression, anxiety and psychosis. We evaluate the psychometric properties of an adapted version of an ambiguous scenario task (i.e., Interpretation Bias Task [IBT]) that assesses benign and negative interpretations in four domains: immediate bodily injury; long-term illness; social rejection; and, performance failure. Methods The factor structure of the IBT was evaluated in a student sample (N = 237) in Study 1, and subsequently confirmed in a community sample with a wider age range (N = 1103) in Study 2. Correlations between interpretation biases and health and social anxiety symptoms were tested in both studies. Results The four IBT domains were differentiable and each was represented by two factors (i.e., benign vs. negative). In Study 1, higher health anxiety was characterised by fewer benign interpretations for injury- and illness-related scenarios, whereas higher social anxiety was associated with more negative and fewer benign interpretations for social rejection and performance failure scenarios. Correlational results were replicated in Study 2 for social anxiety, but not health anxiety. Conclusions The IBT is suitable for measuring interpretation biases in Asian adults. The content specificity of interpretation biases was partially supported.
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31

Craigo-Snell, Shannon. "Command Performance: Rethinking Performance Interpretation in the Context of Divine Discourse." Modern Theology 16, no. 4 (October 2000): 475–94. http://dx.doi.org/10.1111/1468-0025.00142.

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32

Boutard, Guillaume, and François-Xavier Féron. "Documenting acousmatic music interpretation." Journal of Documentation 75, no. 1 (January 14, 2019): 99–119. http://dx.doi.org/10.1108/jd-03-2018-0037.

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PurposeExtending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. The purpose of this paper is to present the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation.Design/methodology/approachThe methodology relies on the grounded theory. A total of 12 Interviews were conducted over a period of three years in France, Québec and Belgium, grounded in theoretical sampling.FindingsThe analysis outcome describes eight dimensions in acousmatic performance, namely, musical, technical, anthropological, psychological, social, cultural, linguistic and ontological. Discourse profiles are provided in relation to each participant. Theory development led to the distinction between documentation of interpretation as an expertise and as a profession.Research limitations/implicationsData collection is limited to French-speaking experts, for historical and methodological reasons.Practical implicationsThe model stemming from the analysis provides a framework for documentation which will benefit practitioners and organizations dedicated to the dissemination of acousmatic music. The model also provides this community with a tool for characterizing expert discourses about acousmatic performance and identifying content areas to further investigate. From a research point of view, the theorization leads to the specification of new directions and the identification of relevant epistemological frameworks.Originality/valueThis research brings a new vision of acousmatic interpretation, extending the literature on this repertoire’s performance with a more holistic perspective.
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33

Berre, Lodve, Jan Petter Morten, Graeme Baillie, and Elias Nerland. "Experience on controlled-source electromagnetic performance for exploration in Norway." Interpretation 8, no. 4 (August 31, 2020): SQ25—SQ37. http://dx.doi.org/10.1190/int-2019-0307.1.

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We have analyzed the predictive performance of the controlled-source electromagnetic (CSEM) method using a large statistical database. The prediction strength is quantified by comparing the CSEM interpretation to exploration drilling results for more than 100 wells in Norway. The comparison has been done by correlating inversion results for all of the surveys covering these wells with the well outcome, using a statistically driven anomaly detection workflow to avoid confirmation bias. The comparison is summarized by classifying the interpretations as true positives, true negatives, false positives, or false negatives. We find that the CSEM interpretation correctly identified the true negative and positive cases for 79% of the analyzed wells. We further evaluate how integrated interpretation can provide more detailed predictions. This includes taking the sensitivity to the target into account as well as integrating seismic data and rock-physics parameters with the CSEM data to quantify the potential volumes in place. In some cases, we also determine that the derived parameters are not compatible with hydrocarbon models, and prospects must be downgraded despite having clear CSEM anomalies associated with them. In addition to the statistics, our results are supported by several case examples.
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34

Renshaw, Andrew A., Diane D. Davey, George G. Birdsong, Molly Walsh, Patricia E. Styer, Dina R. Mody, and Terence J. Colgan. "Precision in Gynecologic Cytologic Interpretation: A Study From the College of American Pathologists Interlaboratory Comparison Program in Cervicovaginal Cytology." Archives of Pathology & Laboratory Medicine 127, no. 11 (November 1, 2003): 1413–20. http://dx.doi.org/10.5858/2003-127-1413-pigcia.

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Abstract Context.—Numerous studies address the accuracy or positive predictive value of cytologic interpretations for defined histopathologic entities. The reproducibility (precision) of cytologic interpretation is less well defined. Objective.—To establish and compare the reproducibility (precision) of cytologic interpretation in gynecologic cytopathology, as reflected in the educational program of the College of American Pathologists Interlaboratory Comparison Program in Cervicovaginal Cytology (PAP). Methods.—The pathologists' interpretations for both validated (25 745 responses) and educational conventional (14 353 responses) slides in the PAP program for 2001 were analyzed. The frequency of exact matches between the reference and pathologists' interpretation for each of the cytologic interpretative categories was identified, and the cumulative distributions of exact match rates were derived. χ2 Tests by reference interpretations were used for cytodiagnostic categories, least and most reproducible groupings, and high-grade (HSIL) versus low-grade (LSIL) squamous intraepithelial lesions. Results.—Pathologists' interpretations of negative, Candida, Trichomonas, herpes, and LSIL were characterized by a high degree of exact matching, while interpretations of repair, HSIL, adenocarcinoma, and squamous cell carcinomas were characterized by a lesser degree of exact matching (reproducibility). Pathologists' cytologic interpretations of HSIL were significantly less reproducible than those of LSIL. Conclusion.—The cytologic interpretations of the most significant categories (HSIL, squamous cell carcinoma, and adenocarcinoma) are less precise than those of specific infection (Candida, Trichomonas, and yeast), negative, and LSIL categories. Cytologic interpretations of LSIL are made with greater precision than those of HSIL and may represent a more appropriate endpoint to measure the precision performance of gynecologic cytology laboratories.
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35

Buck, Bryony, Jennifer MacRitchie, and Nicholas J. Bailey. "The Interpretive Shaping of Embodied Musical Structure in Piano Performance." Empirical Musicology Review 8, no. 2 (October 24, 2013): 92. http://dx.doi.org/10.18061/emr.v8i2.3929.

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Research has indicated that the magnitude of physical expressive movements during a performance helps to communicate a musician's affective intent. However, the underlying function of these performance gestures remains unclear. Nine highly skilled solo pianists are examined here to investigate the effect of structural interpretation on performance motion patterns. Following previous findings that these performers generate repeated patterns of motion through overall upper-body movements corresponding to phrasing structure, this study now investigates the particular shapes traced by these movements. Through this we identify universal and idiosyncratic features within the shapes of motion patterns generated by these performers. Gestural shapes are examined for performances of Chopin’s explicitly structured A major Prelude (Op. 28, No. 7) and are related to individual interpretations of the more complex phrasing structure of Chopin’s B minor Prelude (Op. 28, No. 6). Findings reveal a universal general embodiment of phrasing structure and other higher-level structural features of the music. The physical makeup of this embodiment, however, is particular to both the performer and the piece being performed. Examining the link between performers' movements and interpreted structure strengthens understanding of the connection between body and instrument, furthering awareness of the relations between cognitive interpretation and physical expression of structure within music performance.
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36

Piraino, David, Bradford Richmond, Mark Schluchter, Daniel Rockey, and Jean Schils. "Radiology Image Interpretation System: Modified observer performance study of an image interpretation expert system." Journal of Digital Imaging 4, no. 2 (May 1991): 94–101. http://dx.doi.org/10.1007/bf03170417.

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37

Adams, K. "Pegging grooved pegboard performance: Removal times in interpretation." Archives of Clinical Neuropsychology 13, no. 1 (February 1998): 15. http://dx.doi.org/10.1016/s0887-6177(98)90371-7.

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38

Schulenberg, David, and John Rink. "The Practice of Performance: Studies in Musical Interpretation." Notes 53, no. 4 (June 1997): 1137. http://dx.doi.org/10.2307/899458.

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39

Clarke, Eric, Nicholas Cook, Bryn Harrison, and Philip Thomas. "Interpretation and performance in Bryn Harrison's être-temps." Musicae Scientiae 9, no. 1 (March 2005): 31–74. http://dx.doi.org/10.1177/102986490500900102.

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The majority of studies of performance focus on the tonal and metric music of the common-practice period, studied at the moment of performance rather than over a period of rehearsal, and usually divorced from the context of real rehearsal and performance (schedules, audiences, auditoria). This paper reports part of a larger project in which three newly commissioned works for solo piano have been studied from the moment that the performer received them, through a period of preparation and rehearsal, to their first public performance. The data consist of interview and diary data, audio recordings, and MIDI data taken from the piano at rehearsals and the public premiere. The paper is a collaboration between one of the composers (Bryn Harrison), the performer (Philip Thomas), and two analysts (Nicholas Cook and Eric Clarke). The paper demonstrates the stability of the performer's approach to this complex music from a very early stage in the rehearsal process; some interesting attributes of his approach to rhythm and tempo; the function of notation as a “prompt for action” rather than as a recipe for, or representation of, sound; and the concealed social character of solo performance and apparently solitary composition. The paper concludes with a discussion and critique of the “communication” model of performance that prevails in psychological studies of performance.
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40

Adams, K. M. "Pegging grooved pegboard performance: Removal times in interpretation." Archives of Clinical Neuropsychology 13, no. 1 (February 1, 1998): 15. http://dx.doi.org/10.1093/arclin/13.1.15.

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41

Palmer, Caroline. "Effects of interpretation on timing in piano performance." Journal of the Acoustical Society of America 81, S1 (May 1987): S92. http://dx.doi.org/10.1121/1.2024475.

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42

Belfrage, Björn, Anders Hansson, and Björn Bake. "Performance and interpretation of spirometry among Swedish hospitals." Clinical Respiratory Journal 10, no. 5 (January 27, 2015): 567–73. http://dx.doi.org/10.1111/crj.12255.

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43

Quinsland, Kirk. "Antitheatricalism and the Interpretation of Tudor Allegorical Performance." SEL Studies in English Literature 1500-1900 55, no. 2 (2015): 365–89. http://dx.doi.org/10.1353/sel.2015.0011.

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44

Park, Eunseung. "A Study on the Interpretation of Authentic Performance." Korean Society of Music Education Technology 35 (April 16, 2018): 133–52. http://dx.doi.org/10.30832/jmes.2018.35.133.

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45

Jain, C. Charles, and Barry A. Borlaug. "Performance and Interpretation of Invasive Hemodynamic Exercise Testing." Chest 158, no. 5 (November 2020): 2119–29. http://dx.doi.org/10.1016/j.chest.2020.05.552.

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46

Malony, Allen D. "Data interpretation and experiment planning in performance tools." ACM SIGMETRICS Performance Evaluation Review 23, no. 1 (May 1995): 62–63. http://dx.doi.org/10.1145/223586.223595.

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47

Kamdar, U., K. Tariq, J. Morjaria, and G. Anderson. "P239 Junior Doctors Performance and Interpretation of Spirometry." Thorax 67, Suppl 2 (November 19, 2012): A168.3—A169. http://dx.doi.org/10.1136/thoraxjnl-2012-202678.300.

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48

Saltz, David Z. "What Theatrical Performance Is (Not): The Interpretation Fallacy." Journal of Aesthetics and Art Criticism 59, no. 3 (August 2001): 299–306. http://dx.doi.org/10.1111/1540-6245.00027.

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49

Dawes, T. J. W., S. L. Vowler, C. M. C. Allen, and A. K. Dixon. "Training improves medical student performance in image interpretation." British Journal of Radiology 77, no. 921 (September 2004): 775–76. http://dx.doi.org/10.1259/bjr/66388556.

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50

Denkewicz, Raymond P., Anita G. Monino, Deborah E. Russ, and Howard S. Sherry. "Measurement and interpretation of zeolite NaA builder performance." Journal of the American Oil Chemists’ Society 72, no. 1 (January 1995): 31–35. http://dx.doi.org/10.1007/bf02635775.

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