Relevant bibliographies by topics / Performance poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Performance poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Performance poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Performance poetry"

1

Gladun, Daryna. "Poetry-based performance as a method of Lesia Ukrainka’s heritage actualization." Synopsis: Text Context Media 28, no. 4 (2022): 183–88. http://dx.doi.org/10.28925/2311-259x.2022.4.2.

Full text
Abstract:
The object of study is poetry-based performance as a productive method of poetry actualization, which allows creating a wide range of individual interpretations of the same poem through the personal experience of the performer. A poetry performance is a performance where poetry media (written and/or spoken words) are dominant. A pretext for poetry performances is optional as poetry text can be created during poetry performance ex nihilo. All poetry-based performances have pretexts that are used as starting points for the performances. However, the use of poetry media during the performance its
APA, Harvard, Vancouver, ISO, and other styles
2

Hoyles, Asher, and Martin Hoyles. "Black Performance Poetry." English in Education 37, no. 1 (2003): 27–37. http://dx.doi.org/10.1111/j.1754-8845.2003.tb00588.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Thom, Marie. "Poetry and performance." Early Years Educator 12, no. 9 (2011): xii—xiii. http://dx.doi.org/10.12968/eyed.2011.12.9.xii.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hladun, D. V. "POETRY PERFORMANCE AND POETRY READING: TOUCHING POINTS." Тrаnscarpathian Philological Studies 2, no. 14 (2020): 157–61. http://dx.doi.org/10.32782/tps2663-4880/2020.14-2.29.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rahmawati, Aenun. "Reading poetry based on video modeling techniques of poetry performance records." LADU: Journal of Languages and Education 3, no. 3 (2023): 129–38. http://dx.doi.org/10.56724/ladu.v3i3.198.

Full text
Abstract:
Background: Reading poetry is an effort to convey the poet's message to his listeners. Purpose: This study aims to analyze the process of learning to read poetry and improve results. Design and methods: This experiment analyzes the improvement of the learning process, including the stages of attention, retention, reproduction, and motivation, as well as the improvement of student learning outcomes when reading poetry in terms of intonation, pronunciation, volume, gestures, and expressions. This research was conducted on Literary Club extracurricular students at SDIT ALIF. The method used in th
APA, Harvard, Vancouver, ISO, and other styles
6

Davidson, Ian. "Visual Poetry as Performance." Performance Research 9, no. 2 (2004): 99–107. http://dx.doi.org/10.1080/13528165.2004.10872020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Grobe, Christopher. "The Breath of the Poem: Confessional Print/Performance circa 1959." PMLA/Publications of the Modern Language Association of America 127, no. 2 (2012): 215–30. http://dx.doi.org/10.1632/pmla.2012.127.2.215.

Full text
Abstract:
This essay offers an early chapter in the conjoined history of poetry and performance art, literary criticism and performance studies. Beginning in the mid-1950s and with increasing fervor through the 1960s, American poetry lived simultaneously in print, on vinyl, and in embodied performance. Amid this environment of multimedia publicity, an oddly private poetry emerged. The essay locates confessional poetry in the performance-rich context of its birth and interrogates not only its textual voice but also its embodied, performed breath. Focusing on early confessional work by Robert Lowell and A
APA, Harvard, Vancouver, ISO, and other styles
8

Patrocínio, Paulo Roberto Tonani do. "Dois corpos, duas línguas e uma representação: notas sobre performances de Slam Poetry em línguas de sinais." Terceira Margem 26, no. 49 (2022): 137–53. http://dx.doi.org/10.55702/3m.v26i49.53356.

Full text
Abstract:
O presente artigo busca traçar uma análise crítica de performances poéticas de Slam Poetry produzidas a partir do diálogo entre língua de sinais e língua oral, assinadas por poetas surdos e ouvintes. A partir da leitura destas performances, nosso objetivo é discutir aspectos teóricos relacionados à constituição destes novos sujeitos da enunciação e, em especial, ao uso estético da língua de sinais para a produção de uma performance poética e a dimensão política desta intervenção. Além disso, nosso estudo igualmente investiga quais as imagens e as representações que são construídas pelos poetas
APA, Harvard, Vancouver, ISO, and other styles
9

Anderson, Anne P. "Doing Poetry." Voices from the Middle 6, no. 2 (1998): 28–36. http://dx.doi.org/10.58680/vm19982249.

Full text
Abstract:
Describes how an eighth-grade language-arts teacher teaches poetry via performance. Describes how she introduces poetry, performance, and audience. Shows how students (even non-readers and non-achievers) quickly show great eagerness to do poetry with enthusiasm, excitement, and energy; and now perform locally. Includes a poetry portfolio outline and a list of suggested performance poems.
APA, Harvard, Vancouver, ISO, and other styles
10

Anderson, Daniel. "Early Writing Metaphors in Performance." Mnemosyne 78, no. 2 (2025): 247–72. https://doi.org/10.1163/1568525x-bja10316.

Full text
Abstract:
Abstract This article investigates the intersection of writing and performance in early Greek poetry. It takes as a springboard the performed literacy of Callias’ Alphabet Tragedy, and notes the wealth of references to books, writing, and literacy across Old Comedy. Whereas the papyrus roll came to represent poetry as writing from the final quarter of fifth-century BCE, earlier Greek poetry uses a range of writing technologies as metaphors for performance, such as the skytalē, the sphragis, and epigraphic inscription. Other indications that poetry is conceptualized in terms of its written medi
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Performance poetry"

1

Vernon, Jenifer Rae. "Making community with the deep communication of popular live poetry in San Diego, California at the Millennium." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3330317.

Full text
Abstract:
Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed November 19, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 233-241).
APA, Harvard, Vancouver, ISO, and other styles
2

Kridler, Jamie Branam. "Justus Troupe Performance Poetry Group." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5863.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Phillips, Tom. "Pindar's library : performance poetry and material texts." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:fb9b6bcc-0a2e-486e-94c4-f74a30d8cae8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Davis, Nameer. "The existential subject of concrete performance poetry." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/35868/1/35868_Davis_1996.pdf.

Full text
Abstract:
This dissertation is a claim for the act of Concrete Performance Poetry (and the Poet) as the "bridge" between existence and experience. I have structured the argument to locate the theory I have drawn on, and the practice of Performance Poetry, in three specific areas. "The Performance" (Chapter One); "The Concrete" (Chapter Two); and "The PoeU Poetry" (Chapter Three). Chapter One. The Performance provides a circumstance for the PHENOMENOLOGICAL rapport between the PERFORMER and LANGUAGE deriving from John Austin's SPEECH-ACT and Maurice Merleau-Ponty's EMPIRICAL and EXISTENTIAL speech. I a
APA, Harvard, Vancouver, ISO, and other styles
5

Haas, Benjamin David. "Autobiographical Performance Poetry as a Philosophy of [Authenticity]." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/273.

Full text
Abstract:
This thesis begins the process toward a concept of [authenticity] that is both fragmented and performative. I outline a history in philosophy and performance studies where authenticity has been deployed, and demonstrate how it is often tied to modernist ideologies. I then offer "[authenticity]," with brackets, as a means to allow for this term to challenge these modernist conceptions of the self. I then track the ways in which "[authenticity]" opens the possibilities for a new approach to performing by exploring my performance of the poem, "Hydrangeas."
APA, Harvard, Vancouver, ISO, and other styles
6

Virtanen, Juha. "Innovative poetry & performance 1950-1980: event/effect." Thesis, University of Kent, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.592019.

Full text
Abstract:
This thesis takes three related observations as its point of departure. Drawing upon recent comments from lain Sinclair and Robert Sheppard, I initially present it as an investigation that intends to bring hitherto 'invisible' histories to a more tangible o field. Specifically, the histories in this thesis address the interactions between innovative poetry and performance. While this field of research has already produced several significant monographs and anthologies, they often focus almost exclusively on American poetry. Moreover, many of these studies seek to analyse the macroscopic phenom
APA, Harvard, Vancouver, ISO, and other styles
7

Willey, Stephen. "Bob Cobbing 1950-1978 : performance, poetry and the institution." Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8307.

Full text
Abstract:
Bob Cobbing (1920-2002) was a poet known for his performances and as an organiser of poetry events, as a participant in the British Poetry Revival, as a late-modernist and as a sound and concrete poet. This thesis seeks to reconfigure our view of Cobbing as a performer by considering his performances across a range of institutions to argue that this institutionalised nature was their defining aspect. It maps the transition from Cobbing’s defence of amateurism and localism in the 1950s to his self-definition as a professional poet in the mid 1960s and his attempt to professionalise poetry in th
APA, Harvard, Vancouver, ISO, and other styles
8

Bean, Heidi R. "Poetry 'n acts: the cultural politics of twentieth-century American poets' theater." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/638.

Full text
Abstract:
"Poetry 'n Acts: The Cultural Politics of Twentieth-Century American Poets' Theater," focuses on the disciplinary blind spot that obscures the productive overlap between poetry and dramatic theater and prevents us from seeing the cultural work that this combination can perform. Why did 2100 people turn out in 1968 to see a play in which most of the characters speak only in such apparently nonsensical phrases as "Red hus the beat trim doing going" and "Achtung swachtung"? And why would an Obie award-winning playwright move to New Jersey to write such a play in the first place? What led to the f
APA, Harvard, Vancouver, ISO, and other styles
9

Hall-Downs, Liz. "My arthritic heart : a collection of poetry; and, Making a writer : poetry, fiction, performance and illness /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16739.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Aiello, Traoré Flavia. "Continuitiy and change in Zanzibari Taarab performance and poetry." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91009.

Full text
Abstract:
Taarab in contemporary Zanzibar currently experiences great changes since the Nineties with the emerging and growing success of modern taarab. This has shocked the fans of the traditional style (taarab asilia) with musical and instrumental innovations, including powerful amplifiers and more danceable rhythms, but also textual innovations, using in their songs, commonly called mipasho, a sort of language and poetical imagery very open and non-disguised (Khamis 2002: 200). The perception of a split between the two musical and poetical styles is widely shared among the artists and fans of tradit
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Performance poetry"

1

Michael, McClure, ed. Poetry and performance. English Dept., Stanford University, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gibson, Abraham. Violently tender: Performance poetry. 2nd ed. Pen Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stricker, Meredith. Alphabet theater: Performance poetry. Wesleyan University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Giggs, Rebecca, and Scott-Patrick Mitchell. Performance poets. Fremantle Press, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Holbrook, Sara. Wham! it's a poetry jam: Discovering performance poetry. Boyds Mills Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

1957-, Glazner Gary Mex, ed. Poetry slam: The competitive art of performance poetry. Manic D Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jane, Yolen, ed. Wham! it's a poetry jam: Discovering performance poetry. Boyds Mills Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

McMahon, Brian, and Annemari Ferreira. Old Norse Poetry in Performance. Routledge, 2022. http://dx.doi.org/10.4324/9780367809324.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Oliver, Douglas. Poetry and Narrative in Performance. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10445-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Knox, C. M. Circum-evolution: A poetry performance. CMK & Associates, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Performance poetry"

1

Shem-Tov, Naphtaly. "Performance poetry." In Israeli Theatre. Routledge, 2021. http://dx.doi.org/10.4324/9781351009089-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bundschuh, Jessica. "Poetry in Performance." In An Introduction to Poetic Forms. Routledge, 2022. http://dx.doi.org/10.4324/9781003244004-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Schmid, Susanne. "4.3 Reception as Performance." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.29sch.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Würth, Stefanie. "Skaldic Poetry and Performance." In Medieval Texts and Cultures of Northern Europe. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.tcne-eb.3.4077.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Johnson, Javon. "The Ethnography of Poetry." In Research Methods in Performance Studies. Routledge, 2023. http://dx.doi.org/10.4324/9781351044790-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sutton-Spence, Rachel. "The Poem and Performance." In Analysing Sign Language Poetry. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230513907_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Oliver, Douglas. "Rule and Performance." In Poetry and Narrative in Performance. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10445-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Oliver, Douglas. "Narrative in Performance." In Poetry and Narrative in Performance. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10445-1_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Vautrin, Éric. "Performance and Poetry: Crossed Destinies." In Contemporary French Theatre and Performance. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305663_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Eriksen, Anne. "Antiquarian poetry and royal performance." In Early Modern Genres of History. Routledge, 2024. http://dx.doi.org/10.4324/9781003331971-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Performance poetry"

1

Figueredo, Maria. "E-poetry, Performance, and Identity: Perspectives From Latinx Canadian Poets." In – The Kyoto Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2436-0503.2021.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sagar, Preety, and Jatinderkumar R. Saini. "Multi-Genre Poetry Classification and Performance Evaluation." In 2024 International Conference on Inventive Computation Technologies (ICICT). IEEE, 2024. http://dx.doi.org/10.1109/icict60155.2024.10544744.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stikute, Elita, and Anita Skalberga. "Secondary School Level Creative Tasks for Studying Poetry." In 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.53.

Full text
Abstract:
The present study endeavors to analyze the challenges encountered by readers when interpreting poetry, and the development of their creative potential. Voluminous decoding of poetry texts is possible in the learning process if creative process is offered, which in turn enables to look for new ways of reading and explore comprehension labyrinths. Literature studies at secondary school require the development of creative task taxonomy, which would assist the reader – student to explore their creative potential and develop it deliberately. Creativity is beneficial in any area and can enrich every
APA, Harvard, Vancouver, ISO, and other styles
4

Kaushal, Ayush, and Kamlesh Dutta. "Analysis of Performance Metrics for Classification of Punjabi Poetry using Machine Learning Techniques." In 2023 International Conference on Artificial Intelligence and Smart Communication (AISC). IEEE, 2023. http://dx.doi.org/10.1109/aisc56616.2023.10085197.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Zevakhina, T. "LINGUOSTYLISTIC ANALYSIS OF INTERMEDIAL DISCOURSE (BASED ON THE EXAMPLE OF RAP COMPOSITIONS BY RICHARD SEMASHKOV)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3760.rus_lit_20-21/350-353.

Full text
Abstract:
The article analyzes the texts of Richard Semashkov (known as rapper Rich), one of the representatives of Russian rap. The texts of rap compositions, accompanied by a special performance (recitative to a preset musical rhythm), represent a new type of intermedial discourse. The topic of the texts is the social and political life of today's Russia. Poetic devices in the texts corresponds to the harshness of modern life. The author's style is characterized by expressive comparisons, unexpected epithets, oxymorons, colloquial vocabulary and slang. In a separate section, the results of a contrasti
APA, Harvard, Vancouver, ISO, and other styles
6

Dos Reis, Jorge. "Computer mimetics in visible performance: the late work of the Portuguese experimental poet Ernesto Melo e Castro." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004219.

Full text
Abstract:
Ernesto Melo e Castro, Covilhã 1932–202, is a textile engineer and Portuguese artist, trained in Bradford. He dedicated is life to textile design and to the technical direction of textile engineering companies. At the same time, he developed research in the field of Brazilian concrete poetry and Portuguese experimental poetry; being a fundamental and very innovative author that used the computer in the last phase of its journey as an artist.His work is based on an ideographic structure where the visual composition, which uses exclusively typography, is based on the principle of the ideogram, w
APA, Harvard, Vancouver, ISO, and other styles
7

TOMUȘ, Ionuț. "General Considerations on Performing Poetry in the Current Performing Arts Context." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0012.

Full text
Abstract:
The contemporary theatre landscape seems to have strayed away from the feelings specific to poetry and to reciting it in front of an audience. The topics preferred by theatrical productions now, at the beginning of the XXIst Century, are strongly connected to the social realities one encounters on a daily basis. Certainly, it is reasonable for things to be this way, as theatre depends on firmly anchoring itself in reality, and the means of expression and of conveying emotion have, now, particularities that no one would have thought of fifty years ago. The present study intends to bring perform
APA, Harvard, Vancouver, ISO, and other styles
8

Turdimov, Shomirza. "KURGAN SCHOOL OF POETRY AND THE CREATION OF IRGASH JUMANBULBUL OGLI." In RESEARCH ON UZBEK FOLKLORE AND DIALECTS: PRACTICE, METHODOLOGY, AND NEW APPROACHES. TSUULL, 2025. https://doi.org/10.52773/tsuull.conf.2025/kheq6768.

Full text
Abstract:
This article analyzes the life and rich creative legacy of the renowned folk bakhshi Ergash Shoir. In particular, it highlights his significant role in preserving and developing the traditions of the Qorghan school of epic storytelling, his innovative approach to performance, and his contribution to the continuity of the bakhshi tradition. The study also discusses the cultural and educational value of the epics from the “Goroghli” cycle performed by the poet, as well as his renditions of traditional folk songs (termalar).
APA, Harvard, Vancouver, ISO, and other styles
9

Markov, A. "SYNTHETIC TEXT: TO THE PROBLEM OF DIFFERENTIATION OF THE PHENOMENON OF SONG POETRY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3763.rus_lit_20-21/371-381.

Full text
Abstract:
The article treats the song text as a kind of synthetic text. The intermediate nature of the object of study gives rise to difficulties associated with the need for an interdisciplinary approach to its study. Author's and bard's song, rock poetry and rap poetry - these and adjacent types of combining music and text cannot be described and classified using the available tools. The interaction of music and text, the peculiarities of performance, the variability of song texts - all these complicates the research task. An attempt to resolve the terminological confusion that aroses almost simultane
APA, Harvard, Vancouver, ISO, and other styles
10

Pandulcheva, Daniela, and Dancho Pandulchev. "Theo-anthropological aspects of paneurhythmy in physical education." In Antropološki i teoantropološki pogled na fizičke aktivnosti (10). University of Priština – Faculty of Sport and Physical Education in Leposavić, 2024. http://dx.doi.org/10.5937/atavpa24038p.

Full text
Abstract:
We analyze Paneurhythmy through the perspective of the theo-anthropological approach to physical education. This psycho-physical system of exercises combines rhythmic movements with ideas, music, and poetry, performed in a group, with specific space organization, in the open. The author, Beinsa Douno, is a founder of a Christian philosophy for a life in harmony with nature, where exercising is important for personality development. We analyze: 1. Constituent elements: movements, music, and poetic text; 2. Performance: person, pairs, and group; 3. Education: relations and personality developmen
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Performance poetry' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography