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Books on the topic 'Performance poets'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Giggs, Rebecca, and Scott-Patrick Mitchell. Performance poets. Fremantle Press, 2013.

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2

1962-, Ross Jack, and Kemp Jan 1949-, eds. Classic New Zealand poets in performance. Auckland University Press, 2006.

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3

Guerrero, art by Alex, ed. Dominicanish: A performance text. I Om Be Press, 2000.

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4

Martin, Chusid, and Schubert Franz 1797-1828, eds. A companion to Schubert's Schwanengesang: History, poets, analysis, performance. Yale University Press, 2000.

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5

Patel, Shailja. Migritude. Kaya Press, 2010.

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6

Hunt, Sam. Roaring forties. Hodder Moa Beckett, 1995.

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7

Ann, Caws Mary, ed. Surrealist painters and poets: An anthology. The MIT Press, 2001.

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8

Sorby, Angela. Schoolroom poets: Childhood, performance, and the place of American poetry, 1865-1917. University of New Hampshire Press, 2005.

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9

Ken, Norris, ed. Vehicule days: An unorthodox history of Montreal's Vehicule Poets. Nuage Editions, 1993.

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10

Werner, Matt. Oakland in popular memory: Interviews with twelve cutting-edge artists from Oakland and beyond. Thought Pub., 2012.

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11

Reynolds, Dwight Fletcher. Heroic poets, poetic heroes: The ethnography of performance in an Arabic oral epic tradition. Cornell University Press, 1995.

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12

Reynolds, Dwight Fletcher. Heroic poets, poetic heroes: The ethnography of performance in an Arabic oral epic tradition. Cornell University Press, 1995.

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13

Press, Bottom Dog, and Smith Larry R. editor, eds. Cleveland poetry scenes: A panorama & anthology. Bottom Dog Press, 2008.

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14

Majozo, Estella Conwill. Come out the wilderness: The memoir of a Black woman artist. Feminist Press at the City University of New York, 1999.

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15

Dragomir, Ugren, Šuler Gabrijela, and Muzej savremene umetnosti Vojvodine, eds. Moć žene: Katalin Ladik : retrospektiva 1962-2010 = the power of a woman : Katalin Ladik : retrospective 1962-2010. Muzej savremene umetnosti Vojvodine, 2010.

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16

Jan, Jansen, and Maier Hendrik M. J, eds. Epic adventures: Heroic narrative in the oral performance traditions of four continents. Lit, 2004.

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17

Reaney, James. Performance: Poems. Moonstone Press, 1990.

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18

1950-, Moses Brian, ed. Performance poems. Southgate, 1996.

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19

Paul, Beasley, ed. Hearsay: Performance poems plus. Red Fox, 1995.

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20

Preckwitz, Boris. Szene.leben: Poems und Performance. Passagen Verlag, 2009.

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21

Paul, Beasley, ed. Hearsay: Performance poems plus. Bodley Head, 1994.

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22

Rubinshteĭn, Lev. Here I am: Performance poems. Glas, 2001.

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23

Janette, Becerra, Fiet Lowell, Caribe 2000 (Organization) Simposio, and University of Puerto Rico (Río Piedras Campus). Faculty of Humanities., eds. Caribe 2000: Definiciones, identitades y culturas regionales y/o nacionales : Simposio III : un convite de poetas y teatreros : voz y performance en la(s) cultura(s) caribeña(s) = Caribbean 2000 : regional and/or national definitions, identities and cultures : Symposium III : a gathering of players and poets : voice and performance in Caribbean culture(s). Caribe 2000, Facultad de Humanidades, Universidad de Puerto Rico, 1999.

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24

Launko, Okinba. Ire and other poems for performance. Opon Ifa Readers, 1998.

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25

Agabian, Nancy. Princess Freak: Poems and performance texts. Beyond Baroque Books, 2000.

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26

Khanchin, Vsevolod. Kogda i︠a︡ otpoi︠u︡ i otygrai︠u︡--: Vladimir Vysot︠s︡kiĭ. Kredo, 2005.

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27

Holman, Bob. Panic DJ: Performance text, poems, raps, songs. VRI Theater Library, 1987.

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28

Launko, Okinba. Commemorations: Poems for performance = Irè ni tèmi. Mosuro, 2007.

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29

Khanchin, Vsevolod. Nosil on sovestʹ blizko k serdt͡s︡u: Vysot͡s︡kiĭ v Kuĭbysheve. Parus, 1997.

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30

(Editor), Jack Ross, and Jan Kemp (Editor), eds. Classic New Zealand Poets in Performance. Auckland University Press, 2006.

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31

Contemporary New Zealand Poets in Performance. Auckland Univ Pr, 2007.

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32

Matisse's Poets: Critical Performance in the Artist's Book. Bloomsbury Publishing Plc, 2017.

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33

Brown, Kathryn. Matisse's Poets: Critical Performance in the Artist's Book. Bloomsbury Publishing Plc, 2019.

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34

Great Demon Kings: A Memoir of Poetry, Sex, Art, Death, and Enlightenment. Farrar, Straus and Giroux, 2020.

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35

Giorno, John. Great Demon Kings: A Memoir of Poetry, Sex, Art, Death, and Enlightenment. Farrar, Straus & Giroux, 2020.

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36

Taos Poetry Circus: the Nineties. Pennywhistle Press, 2002.

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37

A Companion to Schubert's "Schwanengesang": History, Poets, Analysis, Performance. Yale University Press, 2000.

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38

New New Zealand Poets in Performance With 2 CDs. Auckland University Press, 2008.

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39

Light on Don Bank: Fifteen years of Live Poets' Society. Live Poets' Press, 2006.

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40

I Wanna Be Yours. Picador, 2020.

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41

I Wanna Be Yours. Picador, 2021.

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42

I Wanna Be Yours. Pan Macmillan, 2021.

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43

Poetry 99: Twenty South African poets in performance, Grahamstown 1999. Timbila Poetry Project, 2013.

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44

Acts of Poetry: American Poets' Theater and the Politics of Performance. University of Michigan Press, 2019.

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45

Bean, Heidi R. Acts of Poetry: American Poets' Theater and the Politics of Performance. University of Michigan Press, 2019.

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46

Poetry off the page: Twentieth-century British women poets in performance. Ashgate, 2004.

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47

Severin, Laura. Poetry off the Page: Twentieth-Century British Women Poets in Performance. Taylor & Francis Group, 2017.

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48

Severin, Laura. Poetry off the Page: Twentieth-Century British Women Poets in Performance. Taylor & Francis Group, 2017.

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49

Slyomovics, Susan. The Merchant of Art: An Egyptian Hilali Oral Epic Poet in Performance (University of California Publications in Modern Philology). Univ of California Pr, 1988.

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50

Ready, Jonathan L. Similes in Five Modern Oral Poetries. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802556.003.0004.

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Abstract:

This chapter presents detailed analyses of similes in five modern oral poetries. Examining the poet’s reliance on shared similes in the performances of two epic poems, The Epic of Pābūjī (Rajasthan, India) and The Guritan of Radin Suane (South Sumatra), prepares us to pay attention to shared similes when we see them alongside idiolectal similes. Next comes a demonstration of how Kyrgyz and Bosniac epic poets and composers of Najdi lyric poetry use similes to move around on the spectrum of distribution: they present shared and idiolectal similes. The chapter ends by considering the construction

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