Books on the topic 'Performance practice (Music) – History – 17th century'
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The interpretation of 16th and 17th century Iberian keyboard music. Stuyvesant, NY: Pendragon Press, 1987.
Find full textIntroduction to organ playing in 17th & 18th century style. [United States]: Wayne Leupold Editions, 1991.
Find full textHoule, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 1987.
Find full textHoule, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 2000.
Find full textHoule, George. Meter in music, 1600-1800. Bloomington, IN: Indiana University, 2000.
Find full textSherman, Bernard D. Inside early music: Conversations with performers. New York: Oxford University Press, 1997.
Find full textA performer's guide to seventeenth-century music. Bloomington: Indiana University Press, 2012.
Find full textLuis Milán on sixteenth-century performance practice. Bloomington, Ind: Indiana University Press, 1996.
Find full textThe performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.
Find full textHambræus, Bengt. Aspects of twentieth century performance practice: Memories and reflections. [Stockholm]: Royal Swedish Academy of Music, 1997.
Find full textAuthenticity in performance: Eighteenth-century case studies. Cambridge: Cambridge University Press, 1990.
Find full textSmith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.
Find full textChristensen, Jesper Bøje. 18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.
Find full text18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.
Find full textListening as spiritual practice in early modern Italy. Berkeley: University of California Press, 2011.
Find full textChristopher, Jackson John-Paul, ed. Performing medieval and Renaissance music: An introductory guide. New York: Schirmer Books, 1986.
Find full textJeppesen, Knud. Counterpoint: The polyphonic vocal style of the sixteenth century. New York: Dover Publications, 1992.
Find full textInterpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.
Find full textOrchestral performance practices in the nineteenth century: Size, proportions, and seating. Ann Arbor, Mich: UMI Research Press, 1986.
Find full textMusic and performance in the later Middle Ages. New York: Palgrave Macmillan, 2013.
Find full textThe end of early music: A period performer's history of music for the twenty-first century. New York, NY: Oxford University Press, 2007.
Find full textToft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Find full textHefling, Stephen E. Rhythmic alteration in seventeenth- and eighteenth-century music: Notes inégales and overdotting. New York: Schirmer Books, 1993.
Find full textBoer, Bertil H. Van. La t lustic die hörner erschallen: Resolutions to two problems in horn performance practice of the late eighteenth century. New York: Historic Brass Society, 2000.
Find full text1720-1774, Agricola Johann Friedrich, and Baird Julianne, eds. Introduction to the art of singing. Cambridge [England]: Cambridge University Press, 1995.
Find full textButt, John. Bach interpretation: Articulation marks in primary sources of J.S. Bach. Cambridge [England]: Cambridge University Press, 1990.
Find full textRosanoff, Ivan. Essays on problems of rhythm in Germany in the XVIII-th century: Overdotting and the so-called Taktenlehre (a research of sources). Heilbronn: Musik-Ed. L. Galland, 1996.
Find full textThe art of musical phrasing in the eighteenth century: Punctuating the classical period. Rochester: University of Rochester Press, 2008.
Find full textThe reception of Bach's organ works from Mendelssohn to Brahms. New York: Oxford University Press, 2006.
Find full textSantiago, MacArio. Interpretation of 16th and 17th Century Iberian Keyboard (Monographs in Musicology). Pendragon Pr, 1987.
Find full text1960-, Burden Michael, ed. Performing the music of Henry Purcell. Oxford: Clarendon Press, 1996.
Find full textSherman, Bernard D. Inside Early Music: Conversations with Performers. Oxford University Press, USA, 2003.
Find full textHammond, Susan Lewis. Music of the Baroque: History, Culture, and Performance. Taylor & Francis Group, 2015.
Find full textStewart, Carter, ed. A performer's guide to seventeenth-century music. New York: Schirmer Books, 1997.
Find full textLewis, Marshall Robert, ed. Eighteenth-century keyboard music. 2nd ed. New York: Routledge, 2003.
Find full textMusic of the Baroque World: History, Culture, and Performance. Taylor & Francis Group, 2015.
Find full textCarter, Stewart. A Performer's Guide to Seventeenth-Century Music: Edited by Stewart Carter (Performer's Guides to Early Music). Schirmer Books, 1997.
Find full textCarter, Stewart. A Performer's Guide to Seventeenth-Century Music: Edited by Stewart Carter (Performer's Guides to Early Music). Schirmer Books, 1997.
Find full textHogwood, Christopher. The Keyboard in Baroque Europe (Musical Performance and Reception). Cambridge University Press, 2009.
Find full textYorb Music In The Twentieth Century Identity Agency And Performance Practice. University of Rochester Press, 2012.
Find full textMuzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Taylor & Francis Group, 2018.
Find full textNineteenth-century piano music: Essays in performance and analysis. New York: Garland Publishing, 1996.
Find full textDell'Antonio, Andrew. Listening As Spiritual Practice in Early Modern Italy. University of California Press, 2011.
Find full textThe Interpretation of the Music of the 17th and 18th Centuries. Dover Publications, 2005.
Find full textVirtual Haydn: Paradox of a Twenty-First Century Keyboardist. University of Chicago Press, 2014.
Find full textRandolph, Gilliam Bryan, ed. Music and performance during the Weimar Republic. Cambridge: Cambridge University Press, 1994.
Find full textJohann Sebastian Bach's Art of Fugue: Performance Practice Based on German Eighteenth-Century Theory. Leuven University Press, 2013.
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