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1

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. New York: Macmillan, 1990.

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2

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. New York: W.W. Norton, 1990.

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3

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music after 1600. New York, NY: Norton, 1990.

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4

Neumann, Frederick. New essays on performance practice. Ann Arbor: UMI Research Press, 1989.

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5

Gordon, Stewart. Mastering the art of performance: A primer for musicians. New York: Oxford University Press, 2010.

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6

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music before 1600. Basingstoke, Hampshire: Macmillan Press, Music Division, 1989.

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7

Mayer, Brown Howard, and Sadie Stanley 1930-, eds. Performance practice: Music before 1600. New York, NY: Norton & Company, 1989.

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8

Artur, Szklener, and Narodowy Instytut Fryderyka Chopina, eds. Chopin in performance: History, theory, practice. Warszawa: Narodowy Instytut Fryderyka Chopina, 2005.

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9

1914-, Levarie Siegmund, ed. Early music: Approaches to performance practice. New York: Da Capo Press, 1986.

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10

Engelke, Ulrike. Musik und Sprache: Interpretation der Musik des Frühbarock nach überlieferten Regeln = Music and language : interpretation of early Baroque music according to traditional rules. Zürich: Pan AG, 1990.

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11

Bernard, Harrison. Haydn's keyboard music: Studies in performance practice. Oxford: Clarendon Press, 1997.

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12

Stewart, Gordon. Mastering the Art of Performance. New York: Oxford University Press, 2007.

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13

Brown, Clive. Classical and Romantic performing practice 1750-1900. Oxford: Oxford University Press, 1999.

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14

Stewart, Gordon. Mastering the art of performance: A primer for musicians. New York: Oxford University Press, 2010.

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15

Stewart, Gordon. Mastering the art of performance: A primer for musicians. New York: Oxford University Press, 2010.

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16

G, Pauly Reinhard, ed. Baroque music today: Music as speech : ways to a new understanding of music. Portland, Or: Amadeus Press, 1988.

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17

Webb, Barrie. Contemporary performance. Abingdon: Routledge, 2007.

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18

Berry, Wallace. Musical structure and performance. New Haven: Yale University Press, 1989.

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19

Kaplan, Burton. The musician's practice log. New York, NY: Perception Development Techniques, 1985.

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20

College), International Congress on Performing Practice in Monteverdi's Music (1993 Goldsmith's. Proceedings of the International congress on performing practice in Monteverdi's music: The historic-philological background : Goldsmith's College, University of London, 13-14 December 1993. Cremona: Fondazione Claudio Monteverdi, 1995.

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21

Renaissance Music. Taylor & Francis Group, 2017.

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22

Renaissance music. Farnham, Surrey, England: Ashgate, 2011.

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23

Renaissance Music. Taylor & Francis Group, 2017.

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24

(Editor), Howard Mayer Brown, and Stanley Sadie (Editor), eds. Performance Practice: Music Before 1600 (Norton/Grove Handbooks in Music). W. W. Norton & Company, 1990.

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25

Beech, Nic, and Charlotte Gilmore. Organising Music: Theory, Practice, Performance. Cambridge University Press, 2017.

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26

Beech, Nic, and Charlotte Gilmore. Organising Music: Theory, Practice, Performance. Cambridge University Press, 2014.

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27

Beech, Nic, and Charlotte Gilmore. Organising Music: Theory, Practice, Performance. Cambridge University Press, 2015.

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28

Beech, Nic, and Charlotte Gilmore. Organising Music: Theory, Practice, Performance. Cambridge University Press, 2015.

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29

HISTORY, IMAGINATION AND THE PERFORMANCE OF MUSIC. SUFFOLK: BOYDELL PRESS, 2003.

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30

Brown, Howard Mayer. Performance practice: Music before 1600. Macmillan, 1989.

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31

Organising Music: Theory, Practice, Performance. Cambridge University Press, 2015.

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32

Chopin in performance: History, theory, practice. Warszawa: Narodowy Instytut Fryderyka Chopina, 2005.

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33

Rink, John. Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 2009.

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34

Rink, John. Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 2011.

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35

A performer's guide to seventeenth-century music. Bloomington: Indiana University Press, 2012.

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36

Kuijken, Barthold. Notation Is Not the Music: Reflections on Early Music Practice and Performance. Indiana University Press, 2013.

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37

Kuijken, Barthold. Notation Is Not the Music: Reflections on Early Music Practice and Performance. Indiana University Press, 2013.

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38

Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 1996.

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39

Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press, 2005.

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40

Gauldin, Robert. Harmonic Practice. R.S. Means Company, 1997.

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41

Performance Practice (New Grove Handbooks in Music). Grove Publications, 1989.

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42

Music As Creative Practice. Oxford University Press, Incorporated, 2018.

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43

Doğantan-Dack, Mine. Artistic Practice As Research in Music: Theory, Criticism, Practice. Taylor & Francis Group, 2016.

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44

Brown, Clive. Classical and Romantic Performing Practice 1750-1900. Oxford University Press, 1999.

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45

Brown, Clive, and Roger Norrington. Classical and Romantic Performing Practice 1750-1900. Oxford University Press, Incorporated, 1999.

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46

Brown, Clive, and Roger Norrington. Classical and Romantic Performing Practice 1750-1900. Oxford University Press, Incorporated, 2004.

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47

Jerold, Beverly. Music Performance Issues: 1600-1900. Pendragon Press, 2016.

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48

Nakipbekova, Alfia. Exploring Xenakis: Performance, Practice, Philosophy. Vernon Art and Science Inc., 2020.

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49

Practice, Music. Music Practice Log: Schedule practice to improve performance. Independently Published, 2018.

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50

Gordon, Stewart. Mastering the Art of Performance: A Primer for Musicians. Oxford University Press, USA, 2005.

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