Relevant bibliographies by topics / Performative Depression

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Academic literature on the topic 'Performative Depression'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Performative Depression"

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Calafell, Bernadette Marie. "When Depression Is in the Job Description #realacademicbios." Departures in Critical Qualitative Research 6, no. 1 (2017): 5–10. http://dx.doi.org/10.1525/dcqr.2017.6.1.5.

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Inspired by H. L. Goodall Jr.'s and Barabara J. Jago's respective essays on academic culture and depression, this piece utilizes performative writing to flesh out the popular hashtag #realacademicbios. Drawing on my experiences as a queer faculty of color in the neoliberal academy going through racial battle fatigue, microaggressions, anti-feminist/anti-intersectional critiques, and imposter syndrome, I seek to affectively create a state of depression on the page.
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Micu, Andreea S. "Photographing the End of the World: Capitalist Temporality, Crisis, and the Performativity of Visual Objects." Performance Philosophy 4, no. 1 (2018): 39–52. http://dx.doi.org/10.21476/pp.2018.41206.

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The Depression Era collective started as several photographers and video artists joined forces in March of 2011 to create an archive of photographic images about the Greek economic crisis, amidst the social and political upheaval provoked by ongoing austerity impositions of the EU on the Greek economy. In this essay, I examine selected images from Depression Era, including images from Marinos Tsagkarakis’s series Non-Places of Transition, Yannis Hadjiaslanis’s series After Dark, Pavlos Fisakis’s series Nea Elvetia, and Georges Salameh’s series Spleen. Bringing together Marxist philosophical ap
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Garcia Diaz, C., D. Gutierrez Castillo, and L. Lopez Alonso. "EPA-0376 – From performative to real: how is created the diagnosis of depression in women." European Psychiatry 29 (2014): 1. http://dx.doi.org/10.1016/s0924-9338(14)77801-0.

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Do Mar Pereira, Maria. "”Man kan känna utmattningen i luften”." Tidskrift för genusvetenskap 38, no. 4 (2022): 7–30. http://dx.doi.org/10.55870/tgv.v38i4.2887.

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Science and higher education have, in many countries, undergone profound changes in recent decades, often leading to the institutionalisation of academic cultures of performativity. These cultures reconceptualise academic work as labour which must aim to achieve the highest possible productivity and profitability, and whose quality can be assessed on the basis of amount of outputs and income generated. In several contexts, these changes transformed longstanding discourses about which kinds of scholars are “excellent” and which disciplines produce valuable knowledge. In this article, I examine
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Tsang, Eileen Y. H. "“Be the Dream Queen”: Gender Performativity, Femininity, and Transgender Sex Workers in China." International Journal of Environmental Research and Public Health 18, no. 21 (2021): 11168. http://dx.doi.org/10.3390/ijerph182111168.

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An under-researched aspect of transgender sex workers in China pertains to their desires and expressions of femininity. Male-to-Female (MTF) transgender sex workers are a high-risk population prone to depression and stress regarding body image, intimate relationships marked by violence, and social stigma, rendering them vulnerable to hate crimes and discrimination. Ethnographic data from in-depth interviews with 49 MTF transgender sex workers indicate that sex, gender and feminine desire are mutable in the construction of self and subjectivity. This study uses the conceptual framework of gende
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Apostolova, Anna-Maria I. "THE TELLING EVENT AS A WAY OF OVERCOMING THE IDENTITY CRISIS IN CONTEMPORARY RUSSIAN MONODRAMA (an analysis the of play «Mother» by A. Voloshina)." Челябинский гуманитарий 66, no. 1 (2024): 28–33. http://dx.doi.org/10.47475/1999-5407-2024-66-1-28-33.

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The offered article is devoted to the analysis of A. Voloshina’s play “Mother” in order to identify the features characteristic of modern Russian monodrama of the last decade, as well as to clarify the specifics of dramatic conflict in monodrama and possible options for resolving the crisis situation of the dramatic subject through the process of publishing the ego-story within the framework of the storytelling event. The paper records the changes that have occurred in the monodrama since its development within the latest Russian dramaturgy (compositional, thematic, structure-forming) and sugg
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Bordeleau, Erik. "La mise à l’aventure de la psyché : Notes psycho-politiques sur l’espace dépressif." Caietele Echinox 38 (June 30, 2020): 181–93. http://dx.doi.org/10.24193/cechinox.2020.38.15.

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How can we account for the psychopolitical phenomenon of depression in the light of the planetary? In his Sphere trilogy, Peter Sloterdijk uses Dante’s infernology as a navigational device to map out the imaginal geography of what he defines as “depressive space.” This article prolongs this approach by articulating it to a series of anonymous therapeutic exchanges that have taken place by chat in an online support group. The literary aspect of these exchanges is brought to the fore in an attempt to creatively and performatively accompany these precarious expressions of suffering, following Sta
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8

Panasiuk, Mariia. "A Girlfriend for the Schizoid (Part IV): Performative Depression, Repressed Desire, and the Queer Impotence of the Infantilized Male." Le "Pilier Noir" Philosophique, May 13, 2025. https://doi.org/10.5281/zenodo.15395901.

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<strong><em>A Girlfriend for the Schizoid (Part IV): Performative Depression, Repressed Desire, and the Queer Impotence of the Infantilized Male</em></strong> <em>&ldquo;He always lies that he&rsquo;s alone, yet pushes everyone away.&rdquo;</em> The schizoid-emic subject of this text &mdash; half ghost, half meme &mdash; is not simply alienated, but structurally unavailable. The incapacity for intimacy is no accident, no trauma to be overcome: it is the very substance of his desire. He craves what he cannot sustain, seeks what he will immediately devalue, and rejects anyone who gets too close.
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Seyama, Sadi Mokhaneli. "“Hiding within the Glass Cage”: Performance Management as Surveillance—A Case of Academic Spaces as Resistance Spaces." Education as Change 24 (October 5, 2020). http://dx.doi.org/10.25159/1947-9417/7223.

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Universities have become toxic sites characterised by anxiety, depression and humiliation. Following new managerialism, leadership and management in universities have been driven by the mandate of achieving efficiency, which has led to the implementation of stringent performance management systems, increasing accountability and authoritarianism. While performance management is justified as an accountability tool that drives efficiency and effectiveness, its demand for absolute transparency has created “panopticons” and “glass cages”. These have produced a stifling atmosphere in academic spaces
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Koivisto, Mikko O. "(Live!) The Post-traumatic Futurities of Black Debility." Disability Studies Quarterly 39, no. 3 (2019). http://dx.doi.org/10.18061/dsq.v39i3.6614.

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This article investigates the possibilities of artistic and performative strategies for elucidating forms of systemic violence targeted at racialized and disabled bodies. The analysis focuses on the album PTSD: Post traumatic stress disorder by the New York rapper Pharoahe Monch, delving into the ways in which it explores the intersections of Blackness and disability. The album's lyrics range from a critique of the structural racism in contemporary American society to subjective, embodied experiences of clinical depression, anxiety, and chronic asthma—and their complex entanglement. Informed b
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Books on the topic "Performative Depression"

1

Wells, Christopher J. “And I Make My Own”. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.029.

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This chapter applies spatial practice theory to the intersections of power relations, social spaces, and embodied performance in the dance culture of Great Depression-era Harlem. Tracing the movement in black communities away from signifiers of ethnicity toward social-class-based hierarchies, it shows how ethnicized tropes have been used to exoticize and commodify black identity and to create the American black/white racial binary. This strategy has its roots in the marketing labels of the slave trade and the performative tropes of minstrel shows, and it continued in the floor shows of the Cot
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Book chapters on the topic "Performative Depression"

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Watson, Keri. "Sex Mad." In Freak Inheritance. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197691120.003.0017.

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Abstract This chapter examines representations of freakshows, such as the photographs taken at the 1939 Mississippi State Fair by Eudora Welty (1909–2001) and the photographs and paintings made of Coney Island by Reginald Marsh (1898–1954), to explore the ways in which they both embody the anxiety that surrounded disability during the Great Depression and expose the ways in which gendered and abled identities are ultimately performative. Whereas Marsh used his representations of the sideshow to ameliorate his fantasies, reassure his position of privilege, and reinforce notions of whiteness, ab
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Crosthwaite, Paul. "“To Will a Future”." In Speculative Time. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198891796.003.0005.

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Abstract Chapter 4 focuses on the poet Archibald MacLeish’s verse drama Panic (1935), which depicts an America ravaged by the bank runs and closures that proliferated in the wake of the Great Crash, and ponders the routes via which the nation might emerge from its disastrous slump. Having established MacLeish’s complex position within the cultural politics of the Depression era, the chapter initially explores how the play presents a stylistic critique of what MacLeish saw as Marxist thought’s economic fatalism: the obscurantism and mystification that he associated with Marxism are manifest in
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