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Journal articles on the topic 'Performative Depression'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Calafell, Bernadette Marie. "When Depression Is in the Job Description #realacademicbios." Departures in Critical Qualitative Research 6, no. 1 (2017): 5–10. http://dx.doi.org/10.1525/dcqr.2017.6.1.5.

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Inspired by H. L. Goodall Jr.'s and Barabara J. Jago's respective essays on academic culture and depression, this piece utilizes performative writing to flesh out the popular hashtag #realacademicbios. Drawing on my experiences as a queer faculty of color in the neoliberal academy going through racial battle fatigue, microaggressions, anti-feminist/anti-intersectional critiques, and imposter syndrome, I seek to affectively create a state of depression on the page.

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2

Micu, Andreea S. "Photographing the End of the World: Capitalist Temporality, Crisis, and the Performativity of Visual Objects." Performance Philosophy 4, no. 1 (2018): 39–52. http://dx.doi.org/10.21476/pp.2018.41206.

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The Depression Era collective started as several photographers and video artists joined forces in March of 2011 to create an archive of photographic images about the Greek economic crisis, amidst the social and political upheaval provoked by ongoing austerity impositions of the EU on the Greek economy. In this essay, I examine selected images from Depression Era, including images from Marinos Tsagkarakis’s series Non-Places of Transition, Yannis Hadjiaslanis’s series After Dark, Pavlos Fisakis’s series Nea Elvetia, and Georges Salameh’s series Spleen. Bringing together Marxist philosophical ap

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3

Garcia Diaz, C., D. Gutierrez Castillo, and L. Lopez Alonso. "EPA-0376 – From performative to real: how is created the diagnosis of depression in women." European Psychiatry 29 (2014): 1. http://dx.doi.org/10.1016/s0924-9338(14)77801-0.

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4

Do Mar Pereira, Maria. "”Man kan känna utmattningen i luften”." Tidskrift för genusvetenskap 38, no. 4 (2022): 7–30. http://dx.doi.org/10.55870/tgv.v38i4.2887.

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Science and higher education have, in many countries, undergone profound changes in recent decades, often leading to the institutionalisation of academic cultures of performativity. These cultures reconceptualise academic work as labour which must aim to achieve the highest possible productivity and profitability, and whose quality can be assessed on the basis of amount of outputs and income generated. In several contexts, these changes transformed longstanding discourses about which kinds of scholars are “excellent” and which disciplines produce valuable knowledge. In this article, I examine

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Tsang, Eileen Y. H. "“Be the Dream Queen”: Gender Performativity, Femininity, and Transgender Sex Workers in China." International Journal of Environmental Research and Public Health 18, no. 21 (2021): 11168. http://dx.doi.org/10.3390/ijerph182111168.

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An under-researched aspect of transgender sex workers in China pertains to their desires and expressions of femininity. Male-to-Female (MTF) transgender sex workers are a high-risk population prone to depression and stress regarding body image, intimate relationships marked by violence, and social stigma, rendering them vulnerable to hate crimes and discrimination. Ethnographic data from in-depth interviews with 49 MTF transgender sex workers indicate that sex, gender and feminine desire are mutable in the construction of self and subjectivity. This study uses the conceptual framework of gende

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Apostolova, Anna-Maria I. "THE TELLING EVENT AS A WAY OF OVERCOMING THE IDENTITY CRISIS IN CONTEMPORARY RUSSIAN MONODRAMA (an analysis the of play «Mother» by A. Voloshina)." Челябинский гуманитарий 66, no. 1 (2024): 28–33. http://dx.doi.org/10.47475/1999-5407-2024-66-1-28-33.

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The offered article is devoted to the analysis of A. Voloshina’s play “Mother” in order to identify the features characteristic of modern Russian monodrama of the last decade, as well as to clarify the specifics of dramatic conflict in monodrama and possible options for resolving the crisis situation of the dramatic subject through the process of publishing the ego-story within the framework of the storytelling event. The paper records the changes that have occurred in the monodrama since its development within the latest Russian dramaturgy (compositional, thematic, structure-forming) and sugg

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7

Bordeleau, Erik. "La mise à l’aventure de la psyché : Notes psycho-politiques sur l’espace dépressif." Caietele Echinox 38 (June 30, 2020): 181–93. http://dx.doi.org/10.24193/cechinox.2020.38.15.

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How can we account for the psychopolitical phenomenon of depression in the light of the planetary? In his Sphere trilogy, Peter Sloterdijk uses Dante’s infernology as a navigational device to map out the imaginal geography of what he defines as “depressive space.” This article prolongs this approach by articulating it to a series of anonymous therapeutic exchanges that have taken place by chat in an online support group. The literary aspect of these exchanges is brought to the fore in an attempt to creatively and performatively accompany these precarious expressions of suffering, following Sta

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8

Panasiuk, Mariia. "A Girlfriend for the Schizoid (Part IV): Performative Depression, Repressed Desire, and the Queer Impotence of the Infantilized Male." Le "Pilier Noir" Philosophique, May 13, 2025. https://doi.org/10.5281/zenodo.15395901.

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<strong><em>A Girlfriend for the Schizoid (Part IV): Performative Depression, Repressed Desire, and the Queer Impotence of the Infantilized Male</em></strong> <em>“He always lies that he’s alone, yet pushes everyone away.”</em> The schizoid-emic subject of this text — half ghost, half meme — is not simply alienated, but structurally unavailable. The incapacity for intimacy is no accident, no trauma to be overcome: it is the very substance of his desire. He craves what he cannot sustain, seeks what he will immediately devalue, and rejects anyone who gets too close.

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9

Seyama, Sadi Mokhaneli. "“Hiding within the Glass Cage”: Performance Management as Surveillance—A Case of Academic Spaces as Resistance Spaces." Education as Change 24 (October 5, 2020). http://dx.doi.org/10.25159/1947-9417/7223.

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Universities have become toxic sites characterised by anxiety, depression and humiliation. Following new managerialism, leadership and management in universities have been driven by the mandate of achieving efficiency, which has led to the implementation of stringent performance management systems, increasing accountability and authoritarianism. While performance management is justified as an accountability tool that drives efficiency and effectiveness, its demand for absolute transparency has created “panopticons” and “glass cages”. These have produced a stifling atmosphere in academic spaces

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10

Koivisto, Mikko O. "(Live!) The Post-traumatic Futurities of Black Debility." Disability Studies Quarterly 39, no. 3 (2019). http://dx.doi.org/10.18061/dsq.v39i3.6614.

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This article investigates the possibilities of artistic and performative strategies for elucidating forms of systemic violence targeted at racialized and disabled bodies. The analysis focuses on the album PTSD: Post traumatic stress disorder by the New York rapper Pharoahe Monch, delving into the ways in which it explores the intersections of Blackness and disability. The album's lyrics range from a critique of the structural racism in contemporary American society to subjective, embodied experiences of clinical depression, anxiety, and chronic asthma—and their complex entanglement. Informed b

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11

Kosenko, Oxana, and Igor J. Polianski. "“My Death Was in a Kiss”: Theatrical Propaganda Against Sexually Transmitted Infections in the Early Soviet Union and the United States in the 1920s–1930s." American Journal of Public Health, July 7, 2022, e1-e8. http://dx.doi.org/10.2105/ajph.2022.306933.

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We analyze key historical anti–sexually transmitted infection (STI) theatrical performances in the Soviet Union and the United States that were staged to disseminate knowledge and awareness of STIs among the population. The phenomenon of theatrical hygiene propaganda emerged in the USSR after the October Uprising of 1917. The so-called sanitary plays, mock trials, revues, and Living Newspapers addressed important public health issues, one of which was STIs. The Soviet experience provided inspiration for the Federal Theater Project in the United States, which produced socially relevant performa

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12

Looi, Jeffrey CL, Stephen Allison, and Tarun Bastiampillai. "Remaining on course, online: Reflections and recommendations on more effective psychiatrist participation in online chat forums in the context of social media dynamics." Australasian Psychiatry, June 24, 2023. http://dx.doi.org/10.1177/10398562231186244.

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Objective To provide a synthesis of psychiatrist experience, online resources, and peer-reviewed literature to document benefits and challenges, and thus derive recommendations on participating in professional psychiatrist online chat forums. Conclusions Psychiatrists should carefully consider and curate their participation in online chat forums. Convivial discourse, including shared interests, knowledge, and skills are benefits. However, social media dynamics influence online roles and behaviour. There is a performative aspect to chat forums and social media, through depiction of a participan

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13

Temel, Anna. "To Be a Barbie Is to Perform." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3055.

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Historically, the Barbie doll has embodied all things stereotypically feminine, ranging from fashion trends to societal roles, and reflected the contemporary image of “the perfect woman”. However, beneath the surface of Barbie’s seemingly innocent portrayal of femininity lies a complex web of societal expectations and norms, and the toy’s potential for instilling such norms within young girls. This function of the doll ties into Judith Butler’s concept of gender performativity, in which gender is masked as a pre-existing condition while being a construct constantly produced and reproduced by s

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14

Duncan, Pansy Kathleen. "The Uses of Hate: On Hate as a Political Category." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1194.

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I. First Brexit, then Trump: Has the past year or so ushered in a “wave” (Weisberg), a “barrage” (Desmond-Harris) or a “deluge” (Sidahmed) of that notoriously noxious affect, hate? It certainly feels that way to those of us identified with progressive social and political causes—those of us troubled, not just by Trump’s recent electoral victory, but by the far-right forces to which that victory has given voice. And yet the questions still hanging over efforts to quantify emotional or affective states leaves the claim that there has been a clear spike in hate moot (Ngai 26; Massumi 136-7; Ahmed

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15

Cover, Rob. "Queer Youth Resilience: Critiquing the Discourse of Hope and Hopelessness in LGBT Suicide Representation." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.702.

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Introduction Discourses of queer youth suicide regularly represent non-heterosexual young men as vulnerable and as victims who are inherently without strategies for coping with adversity (qv. Rasmussen; Marshall; Driver 3). Alternatively, queer youth are sometimes marked as fundamentally resilient, as avid users of tools of resilience and community such as the internet (Smith & Gray 74; Wexler et al. 566; Hillier & Harrison; Bryson & McIntosh). In the latter approach, protective factors are typically presented as specific to queer youth (e.g., Russell 10), therefore also minoritisi

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16

Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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17

Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri

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18

Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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19

Ayoub, Ramy. "The Commodity Society." August 16, 2022. https://doi.org/10.5281/zenodo.13322066.

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<em>The Commodity Society: Understanding the Self as a Product in a Market-Driven World</em> <em>The Commodity Society</em> <em>In today's hyper-capitalistic world, the lines between personal identity and economic value have</em> <em>blurred, giving rise to what can be described as a "Commodity Society." This term encapsulates</em> <em>the phenomenon where individuals increasingly view themselves as products or services to be</em> <em>marketed, sold, and consumed. The advent of the digital age, coupled with the proliferation of</em> <em>social media and the gig economy, has accelerated this tr

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20

Potts, Graham. "For God and Gaga: Comparing the Same-Sex Marriage Discourse and Homonationalism in Canada and the United States." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.564.

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We Break Up, I Publish: Theorising and Emotional Processing like Taylor Swift In 2007 after the rather painful end of my first long-term same-sex relationship I asked myself two questions (and like a good graduate student wrote a paper about it that was subsequently published): (1) what is love; (2) and if love exists, are queer and straight love somehow different. I asked myself the second question because, unlike my previous “straight” breakups (back when I honestly thought I was straight), this one was different, was far more messy, and seemed to have a lot to do with the fact that my then

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