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Journal articles on the topic 'Performative redemption'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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1

Muneroni, Stefano. "Jesuit History, Theatre, and Spirituality." Religion and the Arts 23, no. 3 (2019): 273–92. http://dx.doi.org/10.1163/15685292-02303004.

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Abstract The 2014 staging and publication of Jonathan Moore’s play Inigo offers a unique commentary on the relationship between acting and spirituality within the Society of Jesus, the official name of the Jesuit Order. Through a close analysis of Moore’s play, this article contends that Jesuit spirituality draws on performative skills to inspire exemplary behavior and foster an embodied and long-lasting response to devotional narratives. In probing post-secular readings of hagiographical drama, the author considers the reasons for the ongoing fascination exerted by saints as stage characters
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2

Tahir Shah, Dr. Shaukat Ali, and Dr. Sajid Iqbal. "A STYLISTIC ANALYSIS OF RELIGIOUS IRONY AND THE ILLUSION OF REDEMPTION IN JAMES JOYCE’S GRACE." Journal of Applied Linguistics and TESOL (JALT) 8, no. 3 (2025): 460–72. https://doi.org/10.63878/jalt990.

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The research paper at hand conducts a stylistic analysis of James Joyce’s short story, Grace, to explore religious hypocrisy and the myth of spiritual redemption within early 20th-century Irish Catholicism. Since earlier research has only focused on the theological or cultural themes in Grace, this paper fills a significant gap by rigorously examining the story's linguistic and narrative devices using the stylistic model proposed by Leech and Short (2007). Following the stylistic model, the study analyzes the text at four levels; lexis, grammar, figures of speech, and discourse. Evidence from
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3

Perry, Elizabeth. "“Be prepared to perform what I ask” - Invasions of Affective Piety in the Comedic Activity of The Second Shepherds’ Play and Sir Gawain and the Green Knight." GIS - Gesto, Imagem e Som - Revista de Antropologia 7, no. 1 (2022): e185792. http://dx.doi.org/10.11606/issn.2525-3123.gis.2022.185792.

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Beginning with an investigation into forms of aurality used in late fourteenth and early fifteenth-century Middle English devotional literature, this article breaks down journeys of affective piety in both the courtly romance and urban cycle plays. Traditional understandings of genre divisions are super-ceded in the Middle English period by performative spirituality and invocations to the audience/ reader to a contemplative posture. The Wakefield Master and the Gawain poet developed their work in dialogue with Lollard critiques of church excesses. They both show investment in personal expressi
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4

Smith, Alicia. "The Anchoritic Body at Prayer in Goscelin of Saint-Bertin’s Liber Confortatorius." Early Middle English 3, no. 1 (2021): 101–14. http://dx.doi.org/10.17302/eme.3-1.7.

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Prayer was at the heart of the anchoritic vocation, as an integrated, embodied spiritual practice. Goscelin of Saint-Bertin’s Book of Consolation offers a complex and flexible model of the praying anchorite through images, exhortations, and recommended practices, reflecting the nature of reclusive prayer as a performative gesture or state. Applying the terminology of “liturgy” proposed by Jean-Yves Lacoste, this essay examines how Eve of Wilton is envisioned at prayer, and encouraged in her life of prayer. This life is inextricably connected, for Goscelin, to the eschatological vision which fo
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5

Baum, Miri Tashma. "Adversity and redemption: Learning and teaching in the language learning histories of two EFL student-teachers." Studies in Second Language Learning and Teaching 5, no. 2 (2015): 273–99. http://dx.doi.org/10.14746/ssllt.2015.5.2.5.

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A better understanding of the multifaceted, dynamic and situated identity of the language learner stands at the center of much current SLA research. One of the main ways in which it is investigated is through the examination of autobiographical language learning histories. In an effort to better understand some of the processes which lead to a motivated, confident and successful language learner and user, this article analyzes the language learning histories of two EFL student-teachers, notable for their commitment to the learning and teaching of English. A close analysis of their narratives,
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6

Bogatyrev, Sergei. "The Resignation of Metropolitan Afanasii in 1566." Canadian-American Slavic Studies 49, no. 2-3 (2015): 174–92. http://dx.doi.org/10.1163/22102396-04902004.

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This article offers a new perspective on the relations between Ivan the Terrible and the Orthodox Church by examining the cultural and anthropological context of the resignation of Metropolitan Afanasii in 1566. Historians usually think that Afanasii, who headed the Orthodox Church from 1564 to 1566, resigned because of his disapproval of the Oprichnina terror. Correspondingly, most historians are skeptical about the official reason for Afanasii’s resignation, his illness. On the basis of a critical reassessment of existing sources from the perspective of Muscovite attitudes to illness, this p
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7

Dr., Md. Sazzad Hossain, Md. Abul Kalam Azad Dr., Md. Kamrul Hasan Dr., and Akter Mafia. "Deception and Self-Discovery in R. K. Narayan's The Guide: Analyzing the Themes of Morality." International Journal of Social Science and Human Research 08, no. 05 (2025): 3551–62. https://doi.org/10.5281/zenodo.15501645.

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R.K. Narayan's The Guide (1958) is a transformation journey through the protagonist Raju, which is a masterpiece of profound analysis on human ethics, by intertwining morals, deception, and self-discovery. This paper explores how Raju’s transition away from a duplicitous tour guide to an unexpected spiritual figure illustrates the flexibility of moral norms. Raju's spiritual development, contextualized in the sociocultural milieu of postcolonial India, deals with the tussle between egoism and altruism and the conventions that dictate identity and restitution. Narayan responds t
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8

Pauwels, Matthias. "Staging Uncivility, Or, The Performative Politics of Radical Decolonial Iconoclasm." Krisis | Journal for Contemporary Philosophy 42, no. 1 (2022): 61–76. http://dx.doi.org/10.21827/krisis.42.1.37173.

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In this article I reflect on the deployment of crass vandalism in contemporary decolonial and anti-racist struggles, as exemplified by the recent activist campaign against Belgium’s colonialist patrimony. Through a consideration of two internal, “enlightened” critiques of such vandalist activism, I argue that an irresolvable, recurrent conflict between two fundamental performative politics, based on the performance of civility and barbarity respectively, plays itself out here. In recourse to arguments by Benjamin, Žižek, Jameson and Fanon, I offer a redemptive critique of the second type of po
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9

Shahar, Galili. "Narrentum and Being-Jewish: Kafka and Benjamin." Naharaim 15, no. 1 (2021): 57–72. http://dx.doi.org/10.1515/naha-2021-0002.

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Abstract This essay examines the notion of Narrentum (foolishness) in Franz Kafka’s writings, reflecting Walter Benjamin’s engagement with the legacy of Kafka’s fools. The Narr, associated with playfulness, irony, and resistance, provides a comic perspective on the question of being-Jewish. Alongside its Germanic, mostly Baroque, heritage, the Narr incorporates traditional Jewish tropes, primarily rooted in Aggadic traditions. However, in Kafka’s world, the Narr embodies performative skills also linked to Yiddish theatre. In Benjamin’s readings, Kafka’s Narr is associated with the crisis of mo
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10

Hyslop, Megan. "Clown and Fool as Voice in Earth Activism." Journal of Childhood Studies 42, no. 3 (2017): 20. http://dx.doi.org/10.18357/jcs.v42i3.17891.

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<div class="page" title="Page 1"><div class="section"><div class="layoutArea"><div class="column"><p><span>How can the human relationship with the other-than-human be reenvisioned as neither destructive nor redemptive but as dynamic and playful? I explore ways that the archetype and practice of the fool and theatrical clowning could highlight this fundamental connection. This autoethnographic performative study draws on the work of such play theorists as Huizinga, Carse, Nachmanovitch, Winnicott, Bateson and Martin, Ackerman, and leadership visionary Wheatle
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11

Formoso, Bernard. "Ritual Treatment of Fortunate and Unfortunate Dead by the Chinese Redemptive Society Déjiāo in Thailand." Religions 11, no. 5 (2020): 245. http://dx.doi.org/10.3390/rel11050245.

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This paper compares the ritual management of fortunate and unfortunate dead (hungry ghosts) by a Chinese new religious movement named Déjiāo 徳教 (lit. Teaching of Virtue), which emerged in Chaozhou (the northeast of Guangdong province) in 1939, before spreading to Southeast Asia after World War II. Based on ethnographic data collected in Chaozhou and Thailand between 1993 and 2005, the analysis reveals significant differences concerning both the ideological and performative aspects of the ritual processing of the two categories of dead. The funeral care of orphaned dead by Déjiāo conforms to th
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12

Anthony Keddie, G., and Jonathan MacLellan. "Ezekiel’s Exagoge and the Politics of Hellenistic Theatre." Journal of Ancient Judaism 8, no. 2 (2017): 170–87. http://dx.doi.org/10.30965/21967954-00802004.

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The debate over the Jewish, Greek, or mixed social settings of Ezekiel’s Exagoge often focuses on whether the play was intended for performance in a Greek theatre. Consequently, much scholarship has attempted to define the play’s import to a reconstructed audience. This effort, while fruitful, has distracted scholars from the ways that this tragedy resonated with the broader parameters and ramifications of theatre culture in its particular social context. Our paper redirects the discussion by parsing the ways that the Exagoge engages with the theatre culture of Ptolemaic Alexandria. Literary a
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13

Montargil, Gilmar, and Maria de Lourdes Rossi Remenche. "Polifonia queer nos roleplays de LuCroft." Letrônica 14, sup. (2021): e42552. http://dx.doi.org/10.15448/1984-4301.2021.s.42552.

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Os roleplays (RP’s) são práticas performativas que possibilitam a criação de personagens em cidades fictícias do mundo dos jogos (gameplaces). Essas vidas-narrativas virtuais são povoadas por diversas vozes sociais, onde transmutam-se linguagens, discursos e visões de mundo na constituição psicossocial dessas representações amplificadas pela cibercultura. Nesse cenário, buscamos analisar o dialogismo constitutivo da identidade da personagem Maria Vaquejada com a hipótese de que a streamer LuCroft articula dois cronotopos na arquitetônica de seu RP: um relativo ao século XIX dos Estados Unidos
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14

Loayza, Milton. "“The Bee Lecture: How Amerindian Perspectivism Psychoanalyzed the Western Symbolic Order And its Historicity And Set A Precedent for a New Kind of Politics.”." Latin American Literary Review 48, no. 96 (2021): 48–60. http://dx.doi.org/10.26824/lalr.237.

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“The Bee Lecture” is an essay/performance that attempts to make a consistent representation or sketch of Viveiros de Castro’s anthropological description of Amerindian cosmology, which he calls perspectivism, through the persona of ‘the Bee.’ Perspectivism serves as a jumping board for an exploration of performance and some of the implications that perspectivism has for our historical moment of crisis vis-à-vis climate change, mass extinction, and the violent appropriation of nature in the capitalocene (Jason Moore). Walter Benjamin’s critique of modern historicity and Jacques Lacan’s psychoan
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15

Boulton, Matthew Myer. "Supersession or Subsession? Exodus Typology, the Christian Eucharist and the Jewish Passover Meal." Scottish Journal of Theology 66, no. 1 (2013): 18–29. http://dx.doi.org/10.1017/s0036930612000300.

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AbstractContemporary Christian construals of the Eucharist, both in doctrine and in practice, generally tend to subordinate, de-emphasise or omit theological reference to the Jewish Passover meal. And yet the key New Testament texts in which the Eucharist's institution is variously narrated – the very texts and institution allegedly ‘remembered’ in eucharistic rites – are virtually unintelligible apart from Passover. Thus, at the heart of Christian doctrine and practical life sits a particular theological problem: namely, precisely how to relate the distinctively Jewish character of the Euchar
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16

Stancer, Rebecca, Jan Georgeson, Suparna Bagchi, et al. "Covid stories: A narrative exploration of experiences of the pandemic among members of an academic research group." Human Systems: Therapy, Culture and Attachments, April 22, 2024. http://dx.doi.org/10.1177/26344041241245418.

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A narrative longitudinal study of experiences and lessons learnt by an English academic research group during the COVID-19 pandemic. Members of the research group acted as both participants and researchers. Each member of the group wrote their own accounts of academic and personal experiences during the pandemic at two timepoints. Key lessons learnt included, Resilience, Redemption, Self-Discovery, Personal strategies, Academic skills, Realisation, Acceptance, and Resignation. At timepoint one, the stories were generally progressive and were best described as accounts of a journey. Performativ
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17

Hallett, Michael. "The Spirituality of Carceral Citizenship: “Making Your Test Your Testimony”." Symbolic Interaction, September 13, 2023. http://dx.doi.org/10.1002/symb.669.

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Through participant observation of the redemption‐focused identity work of formerly incarcerated citizens affiliated with an urban faith‐based nonprofit organization run by ex‐offenders, this paper examines religiously motivated desistance among eighteen male respondents who attribute lasting desistance to intense religiosity. Recent research portrays the “identity work” of criminal justice‐involved citizens as “narrative labor” fraught with capricious experiences of social rejection and “uncanny” patterns of discrimination and exclusion. Drawing from eight years of participant observation and
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18

Huff, Amber, and Andrea Brock. "Introduction: Accumulation by restoration and political ecologies of repair." Environment and Planning E: Nature and Space, April 25, 2023, 251484862311683. http://dx.doi.org/10.1177/25148486231168393.

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Accumulation by Restoration (AbR) represents a shift from a conservationist ‘mode of production’ emphasizing sustainability and preservation to a ‘growth economy of repair’ in which nature becomes valued not just for its use but also for its potential for repair or restoration. The ‘repair mode’ mobilizes the assumption, imagery and mythology of degradation juxtaposed with the promise of economic and ecological redemption. Through rationalization, restoration, re-creation and/or re-cultivation, it aims to generate new, better-disciplined, more legible, ‘substitutable’ natures to multiple accum
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19

McMahon, Paul. "Darkness and Light:." Journal of Music Research Online 8 (January 20, 2022). https://doi.org/10.20851/255a2v46.

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In his study of Handel’s dramatic oratorio Samson (HWV 57), Winton Dean alludes to darkness and light as multi-hued poetical and spiritual elements perpetuating the narrative. Literature contextualised by rhetorical ideology, the aesthetic notion of the affections in which the composer sought to arouse and manipulate the emotions of the listener, and contemporary scholarship pertaining to Baroque performance practice offers scant evidence investigating Handel’s adaptation of rhetorical principles. This article surveys the composer’s manuscript sources, observing through a performative lens the
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20

Hossain, Dr Md Sazzad, Dr Md Abul Kalam Azad, Dr Md Kamrul Hasan, and Mafia Akter. "Deception and Self-Discovery in R. K. Narayan’s The Guide: Analyzing the Themes of Morality." International Journal of Social Science and Human Research 08, no. 05 (2025). https://doi.org/10.47191/ijsshr/v8-i5-82.

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R.K. Narayan's The Guide (1958) is a transformation journey through the protagonist Raju, which is a masterpiece of profound analysis on human ethics, by intertwining morals, deception, and self-discovery. This paper explores how Raju’s transition away from a duplicitous tour guide to an unexpected spiritual figure illustrates the flexibility of moral norms. Raju's spiritual development, contextualized in the sociocultural milieu of postcolonial India, deals with the tussle between egoism and altruism and the conventions that dictate identity and restitution. Narayan responds to Western ethica
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21

Anderson, Claudette A. "“[Obeah] Ọbịa by Igbo Spelling”". African Journal of Gender and Religion 30, № 1 (2024). http://dx.doi.org/10.36615/mxnj5732.

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Against the backdrop of the demonization of Africana Religious Traditions (ARTs), peoples of African descent, in shame and ignorance, and seduced by the benefits of a ruthless capitalist Christianity, fail to affirm the value of their ancestral spirituality. In Jamaica and other parts of the Anglophone Caribbean, the word “Obeah”, a label for African spirituality, remains misunderstood, demonized, and criminalized as Christians consistently thwart any effort to value it. Dibịa-Professor Umeh’s spiritual oeuvre provides necessary redress to the epistemicide that fuels the continued criminalizat
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22

Shahar, Galili. "Narrentum and Being-Jewish: Kafka and Benjamin." Naharaim, June 4, 2021. http://dx.doi.org/10.1515/naharaim-2021-0002.

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Abstract This essay examines the notion of Narrentum (foolishness) in Franz Kafka’s writings, reflecting Walter Benjamin’s engagement with the legacy of Kafka’s fools. The Narr, associated with playfulness, irony, and resistance, provides a comic perspective on the question of being-Jewish. Alongside its Germanic, mostly Baroque, heritage, the Narr incorporates traditional Jewish tropes, primarily rooted in Aggadic traditions. However, in Kafka’s world, the Narr embodies performative skills also linked to Yiddish theatre. In Benjamin’s readings, Kafka’s Narr is associated with the crisis of mo
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23

Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit
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24

Hadley, Bree. "Mobilising the Monster: Modern Disabled Performers’ Manipulation of the Freakshow." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.47.

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The past two decades have seen the publication of at least half a dozen books that consider the part that fairs, circuses, sideshows and freakshows play in the continuing cultural labour to define, categorise and control the human body, including Robert Bogdan’s Freakshow, Rosemarie Garland-Thomson’s Extraordinary Bodies, and her edited collection Freakery, and Rachel Adams’s Sideshow USA. These writers cast the freakshow as a theatre of culture, worthy of critical attention precisely because of the ways in which it has provided a popular forum for staging, solidifying and transforming ideas a
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25

Killeen, Padraic. "Ecology, Materialism, and Transfiguration." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3173.

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Introduction An ecologically responsive parable about biological mutation in a post-apocalyptic environment, David Cronenberg’s Crimes of the Future (2022) was hailed on release as a “dream-noir” (Ehrlich), a “sci-fi noir” (Oller), and a “body-noir” (“Crimes”). The use of the term ‘noir’ here is enigmatic. As is often the case, the term is deployed to address a quality that otherwise resists easy identification. Noir has, of course, acquired a multitude of connotations and aesthetic legacies over the years. As I have observed elsewhere, one of those legacies is a concern with the physicality o
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26

Molnar, Tamas. "Spectre of the Past, Vision of the Future – Ritual, Reflexivity and the Hope for Renewal in Yann Arthus-Bertrand’s Climate Change Communication Film "Home"." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.496.

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About half way through Yann Arthus-Bertrand’s film Home (2009) the narrator describes the fall of the Rapa Nui, the indigenous people of the Easter Islands. The narrator posits that the Rapa Nui culture collapsed due to extensive environmental degradation brought about by large-scale deforestation. The Rapa Nui cut down their massive native forests to clear spaces for agriculture, to heat their dwellings, to build canoes and, most importantly, to move their enormous rock sculptures—the Moai. The disappearance of their forests led to island-wide soil erosion and the gradual disappearance of ara
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27

Littaye, Alexandra. "The Boxing Ring: Embodying Knowledge through Being Hit in the Face." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1068.

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Boxing is a purely masculine activity and it inhabits a purely masculine world. […] Boxing is for men, and it is about men, and is men. (Joyce Carol Oates) IntroductionWriting about boxing is an intimate, private, and unusual activity. Although a decade has passed since I first “stepped into the ring” (sparring or fighting), I have not engaged with boxing in academic terms. I undertook a doctoral degree from 2012 to 2016, during which I competed and won amateur titles in three different countries. Boxing, in a sense, shadowed my research. My fieldwork, researching heritage foods networks, brou
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28

Usmar, Patrick. "Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.856.

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Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relationship the Gothic holds to popular culture” (Piatti-Farnell ii). This article critically examines how Gothic themes and modes are used in the music videos of Lana Del Rey; particularly the “ways in which Gothic is dispersed through contemporary non-literary media” (Spooner and McEvoy 2). This work follows the argument laid down by Edwards and Monnet who describe Gothic’s assimilation into popular culture —Pop Gothic—
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29

Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri
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