Academic literature on the topic 'Performativity of gender'

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Journal articles on the topic "Performativity of gender"

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HAJAR, SITI. "QUEERING EMILY DICKINSON IN DICKINSON TV SERIES." LITERA KULTURA : Journal of Literary and Cultural Studies 11, no. 3 (2024): 79–88. http://dx.doi.org/10.26740/lk.v11i3.59695.

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Gender Performativity talks about Gender performativity explains that gender is formed by behavior that is carried out repeatedly and forms a gender which different with individual’s biological sex. Society creates gender divides between men and women. They think that humans are born in only two genders: male and female. Heteronormativity refers to those who have only two gender or sexual orientation possibilities. This study aims to examine how Gender Performativity proves that gender identity is shaped by society and performed from repetitive acts on homosexual gestures. This study portrays
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Alfiyah, Arbangatun, Imam Suhardi, and Widya Putri Ryolita. "Identifikasi Performativitas Gender dalam Novel Sisi Gelap Cinta Karya Mira W." Jurnal Hawa : Studi Pengarus Utamaan Gender dan Anak 6, no. 1 (2023): 99. http://dx.doi.org/10.29300/hawapsga.v6i1.2582.

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Abstract: Discussing feminism and what it studies is not easy, because some things are still very taboo issues, one of which is about LGBTQ issues. This research aims to identify gender performativity that shapes Wibianto's sexual identity in the novel Sisi Gelap Cinta by Mira W. This research uses a qualitative descriptive approach. The object of research is the novel Sisi Gelap Cinta by Mira W published by PT Gramedia Pustaka Utama with 208 pages. This research used two methods, theoretically using Judith Butler's performativity theory. The data analysis technique in this research uses Miles
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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This one­hour­and­fifty­seven­minute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance
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Parebong, Revinola Enjelvestia, and Orin Devisa. "DEKOLONIALISASI GENDER." Masokan Ilmu Sosial dan Pendidikan 4, no. 1 (2024): 30–44. http://dx.doi.org/10.34307/misp.v4i1.131.

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This article aims to describe gender decolonization based on Judith Butler's study of gender performativity regarding LGBTIQ issues and its implications for Christian Education. LGBTIQ emerged after the sexual revolution, previously referred to as the "third gender." Western colonialism, which identified gender differences based on socio-cultural aspects, has significantly influenced the debate and rejection of LGBTIQ issues in Indonesia across society, government, churches, and academia. To counter the lingering effects of colonialism, a sustainable decolonization effort is needed. Education,
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Syukur, Andi Abd khaliq, Aquarini Priyatna, and Lina Meilinawati Rahayu. "KEMATIAN DAN PERASAAN KEHILANGAN: KONSTRUKSI IDENTITAS QUEER DALAM EMPAT KARYA YOSHIMOTO (Death And Sense of Loss: Queer Identity Construction in Four Yoshimoto’s Works)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (2016): 193. http://dx.doi.org/10.26610/metasastra.2015.v8i2.193-210.

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Empat novelet Yoshimoto, yaitu Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), dan Hardluck (2001) menghadirkan kematian dan perasaan kehilangan di awal narasi. Kematian dan perasaan kehilangan membuka probabilitas baru sebagai bagian konstruksi identitas queer, seperti kematian sebagai pemutusan matrix heteroseksual, perasaan kehilangan sebagai perubahan identitas gender, penerimaan orang asing sebagai anggota keluarga, hubungan bersifat inses, homoseksualitas perempuan, transgenderisme, dan perubahan peran dalam anggota keluarga. Penelitian ini dilakukan untuk menganalisis cara k
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Arzil, Andrine Prima Afneta. "SELF DISCLOSURE DAN PERFORMATIVITAS KAUM LESBIAN ANDRO PADA MEDIA BARU (TIKTOK)." WACANA: Jurnal Ilmiah Ilmu Komunikasi 21, no. 2 (2022): 277–98. http://dx.doi.org/10.32509/wacana.v21i2.2268.

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This research is a scientific analysis of media which is closely related to social practices that occur in society as well as representation of gender identities in digital media. This research was conducted to determine the discourse of self disclosure, physical and appearance performativity, homosexual talk performativity, and sexual activity performativity displayed by lesbian (andro) on her new media accounts (Tik Tok) and how Tik Tok is interpreted as a medium of resistance lesbians today. By using a qualitative research methodology, this study puts itself in a digital ethnographic approa
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Bacchus, Ruth. "SATIAND PERFORMATIVITY." Australian Feminist Studies 28, no. 76 (2013): 155–76. http://dx.doi.org/10.1080/08164649.2013.789577.

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Ria Lestari, Ummu Fatimah. "PERFORMATIVITAS QUEER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE (KEBERAGAMAN GENDER MASYARAKAT BUGIS DALAM KARYA SASTRA)." Kibas Cenderawasih 17, no. 2 (2020): 103–14. http://dx.doi.org/10.26499/kc.v17i2.290.

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Karya sastra sebagai tiruan realitas kehidupan manusia terepresentasi dalam novel Calabai karya Pepi Al-Bayqunie. Novel ini berlatar belakang kehidupan masyarakat Bugis di Sulawesi Selatan. Penelitian ini membahas tentang performativitas queer dalam novel Calabai melalui queer theory Judith Butler.Menurut Butler, performativitas adalah kondisi alamiah bagi manusia dalam menampilkan tubuhnya (fisik). Bahasan mengenai jenis kelamin (sex), gender, dan orientasi seksual adalah konstruksi sosial yang dapat bersifat cair, tidak alamiah, dan labil.Performativitas queer dalam narasi pengarang novel Ca
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Arruzza, Cinzia. "Gender as Social Temporality: Butler (and Marx)." Historical Materialism 23, no. 1 (2015): 28–52. http://dx.doi.org/10.1163/1569206x-12341396.

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This article addresses the notions of gender performativity and temporality in Butler’s early work on gender. The paper is articulated in four steps. First it gives an account of the role and nature of temporality in Butler’s theory of gender performativity. Second, it shows some similarities and connections between the role played by temporality in Butler’s theory of gender performativity and its role in Marx’s analysis of capital. Third, it raises some criticisms of Butler’s understanding of temporality and historicity, focusing in particular on the lack of historicisation of her own categor
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AYE, PA PA MYO. "A Feminist Analysis on Performativity and Gender Identity of Main Character in Virginia Woolf's 'Mrs. Dalloway'." International Journal of Recent Research in Social Sciences and Humanities (IJRRSSH) 10, no. 3 (2023): 62–67. https://doi.org/10.5281/zenodo.8167354.

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<strong>Abstract:</strong> Literature is the kind of the tool to tell the daily life of the people, their behaviours, performances and identities of both genes. There is a close relationship between the gender performativity and literature. In the same way, characters are agents of the people who want to tell or show something they want in daily life for different purposes: political, economic, social and other aspects. In the book &lsquo;Mrs. Dalloway&rsquo; written by feministic novelist Virginia Woolf, the writer revealed the life of women and those feelings concerning men, their perception
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Dissertations / Theses on the topic "Performativity of gender"

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Nilsson, Nina. "Gender Performativity and Motherhood in Coraline." Thesis, Umeå universitet, Institutionen för språkstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160255.

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Coraline by Neil Gaiman has several characters who in many ways break gender norms. The main protagonist of the novel, Coraline, acts more in accordance with masculine gender norms, and the mother figures are mothers who do not fully conform to the traditional mother role. The purpose of this study is to look at how Coraline and the mother figures perform their gender, and in which ways this breaks with or aligns with traditional gender norms. The analytical approach is based on Judith Butler’s theory of gender performativity, and on masculine and feminine gender schemas defined by John Stephe
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Anderson, Samantha. "Gender performativity and ritual performance in South-east China." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23706.

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This thesis explores issues of subjectivity and gender around ritual activity in Xianyou county, Fujian Province, China. It focuses on three groups of women: Buddhist nuns, mediums and village women engaged in the ritual caretaking of their families. It also examines a spirit writing text from the late Qing dynasty (1644-1911). It is suggested that subject positions and kin positions are to a certain extent coextensive and that participation in certain rituals is what constitutes one as a gendered subject (as a "woman") and in certain kin roles (as wife, daughter-in-law, etc.). Other gendered
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Bowers, Kerry. "Gender matters : performativity and its discontents in women's science fiction /." Full text available from ProQuest UM Digital Dissertations, 2009. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1801444221&SrchMode=1&sid=7&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1268678127&clientId=22256.

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Thesis (Ph.D.)--University of Mississippi, 2009.<br>Typescript. Vita. "May 2009." Dissertation director: Natalie M. Schroeder Includes bibliographical references (leaves 168-177). Also available online via ProQuest to authorized users.
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Throp, Mo. "Trauma, performativity, and subjectivity in art practice." Thesis, University of the Arts London, 2006. http://ualresearchonline.arts.ac.uk/2039/.

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Abstract: This is a practice based PhD of predominantly video works/installations which seek to examine, alongside the accompanying reflective writing on these works, a particular dynamic set up between the artwork and the spectator which allows a rethinking of the model of the subject's relation to the 'other'. This investigation which is lead by my ongoing practice (presented as six artworks) is informed and underpinned by feminist theoretical concerns seeking a way out of the deadlock of Lacanian thinking which characterises the feminine as problematic (the other of the other). Though I mak
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Willis, Victoria E. "From Orators to Cyborgs: The Evolution of Delivery, Performativity, and Gender." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/66.

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@font-face { font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } The purpose of this project is to provide a thorough account of delivery by tracing the history and evolution of delivery from antiquity to the present day in order to expose the spread and transmission of proto-masculine ideologies through delivery. By looking at delivery from an evolutionary perspective, delivery no longer becomes a tool of rhetoric, but the technology of rhetoric, evolving over time in
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Zaidka, N. (Neha). "Gender construction and performativity in religious folklore:insights from Hindu vrat kathas." Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201901121042.

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Abstract. Gender has proved to be an important category of analysis in religious studies. Religions have been criticized by feminists over the decades for the oppression of women. Hinduism, the world’s third largest religion, with a strong story tradition, has a wide cast of characters, both men and women, who display normative views on what it is to be a woman or a man in Hindu society. The Hindu story tradition dates back to Upanishads written during 500 BCE. Today’s vrat kathas are Hindu stories that are a part of the rich folklore tradition. During the last four decades, written pamphlets
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Proctor-Thomson, Sarah. "Creative differences : the performativity of gender in the digital media sector." Thesis, Lancaster University, 2009. http://eprints.lancs.ac.uk/61629/.

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The digital media sector is a site for competing claims about women’s equality in employment. On the one hand, commentators have claimed that the digital media sector is exemplary as an open and egalitarian domain for all workers, including women. On the other hand, feminist researchers have identified persistent inequalities in the quality and quantity of women’s participation in this sector. I use this apparent paradox as a starting point to develop an analysis of the performativity of gender in the digital media sector in the North West of England, during the period 2001–2007. Previous femi
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Todd, Emerson A. "Creative Gender Expression Performativity As a Coping Mechanism for Minority Stress." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/591.

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Creative Gender Expression Performativity may be a coping mechanism for dealing with minority stress in sexual and gender minority populations. The current study suggests the creation of a new scale that measures effortful presentation rather than directional presentation. Rather than examining whether someone identifies as masculine or feminine – the proposed model would instead look at how much effort an individual is putting into their gender expression. In this mixed methods study, participants (N = 187) completed a survey based on gender expression, minority stress, and mental health, whi
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Akurugu, Constance Awinpoka. "Marriage, power and performativity : theorising gender relations in rural northern Ghana." Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3794.

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Most studies on gendered relations of power in Ghana have focused on formal and policy issues such as gender parity in education and political representation. Where attention has been paid to marriage relations, it has often been fragmentary, centering on, for instance, male spousal violence or inheritance patterns, rather than targeting holistically the socio-cultural dynamics that engender and reproduce unequal power relations and violence against women. This study directly addresses this deficit. This thesis develops a poststructuralist feminist framework to analyse the rules and expectatio
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Cochran, Shannon M. Phd. "Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281917081.

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Books on the topic "Performativity of gender"

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Antosa, Silvia. Gender and sexuality: Rights, language and performativity. Aracne, 2012.

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Halsema, Annemie, Katja Kwastek, and Roel Oever, eds. Bodies That Still Matter. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722940.

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Since the appearance of her early-career bestseller Gender Trouble in 1990, American philosopher Judith Butler is one of the most influential thinkers in academia. Her work addresses numerous socially pertinent topics such as gender normativity, political speech, media representations of war, the democratic power of assembling bodies, and the force of nonviolence. The volume Bodies That Still Matter: Resonances of the Work of Judith Butler brings together essays from scholars across academic disciplines who apply, reflect on, and further Butler’s ideas in their own research. It includes a new
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Convegno "Il corpo che abito, identità di genere e suoi transiti, analisi dei linguaggi performativi contemporanei (2015 Bologna, Italy). Il corpo che abito: Identità di genere e suoi transiti : analisi dei linguaggi performativi contemporanei : atti del Convegno, Bologna, 20 febbraio 2015. Nicomp L. E., 2016.

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De Zordo, Ornella, and Fiorenzo Fantaccini, eds. altri canoni / canoni altri. Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-012-3.

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The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the can
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Berry, Alex. Camp and the Performativity of Gender. Independently Published, 2017.

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Gender Performativity in Sports and Physical Education. Common Ground Research Networks, 2024.

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Gender Performativity in Sports and Physical Education. Common Ground Research Networks, 2024.

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Gender Performativity in Sports and Physical Education. Common Ground Research Networks, 2024.

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Hauser, Beatrix. Promising Rituals: Gender and Performativity in Eastern India. Taylor & Francis Group, 2016.

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Promising Rituals: Gender and Performativity in Eastern India. Taylor & Francis Group, 2020.

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Book chapters on the topic "Performativity of gender"

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Wojtaszek, Marek. "Gender as performativity." In Masculinities and Desire. Routledge, 2019. http://dx.doi.org/10.4324/9780429437328-5.

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Nasser-Eddin, Nof. "Gender performativity in diaspora." In A Gendered Approach to the Syrian Refugee Crisis. Routledge, 2017. http://dx.doi.org/10.4324/9781315529653-9.

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Kiesling, Scott F. "Interaction, identity, and performativity." In Language, Gender, and Sexuality. Routledge, 2019. http://dx.doi.org/10.4324/9781351042420-6.

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Fanasca, Marta. "Gender identity, performativity and fantasy." In Female Masculinity and the Business of Emotions in Tokyo. Routledge, 2023. http://dx.doi.org/10.4324/9781003449539-2.

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Hook, Genine A. "Judith Butler’s Gender Performativity and Recognition." In Sole Parent Students and Higher Education. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59887-5_5.

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Kinkaid, Eden, and Lise Nelson. "On the Subject of Performativity." In Routledge Handbook of Gender and Feminist Geographies. Routledge, 2020. http://dx.doi.org/10.4324/9781315164748-10.

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Yang, Mayfair. "National Allegory and Media Performativity." In Routledge Handbook of Chinese Gender & Sexuality. Routledge, 2024. http://dx.doi.org/10.4324/9781003273943-8.

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de Souza, Eloisio Moulin. "Intrinsically Intersectional: Difference, Performativity, and Hybridity." In The Palgrave Handbook of Critical Race and Gender. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-83947-5_32.

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Alderman, Bret. "Gender Performativity in the Land of Make-Believe." In Eternal Youth and the Myth of Deconstruction. Routledge, 2023. http://dx.doi.org/10.4324/b23321-7.

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Gray, Emily M., and Anne Harris. "Introduction: Marked Presence/Unremarkable Absence: Queer Teachers, ‘Identity’ and Performativity." In Palgrave Studies in Gender and Education. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137441928_1.

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Conference papers on the topic "Performativity of gender"

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Strain, R. Smith, Noah Leibnitz, Reagan Ruben, Yangqiuting Li, and Eric Burkholder. "Living in the tensions: Investigations of gender performativity in STEM." In 2024 Physics Education Research Conference. American Association of Physics Teachers, 2024. http://dx.doi.org/10.1119/perc.2024.pr.strain.

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He, Li. "The Construction of Gender: Judith Butler and Gender Performativity." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.166.

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"Speech Act Thoughts in Judith Butler’s Gender Performativity Theory." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29166.

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Hafner, Franziska Sofia, Ana Valdivia, and Luc Rocher. "Gender Trouble in Language Models: An Empirical Audit Guided by Gender Performativity Theory." In FAccT '25: The 2025 ACM Conference on Fairness, Accountability, and Transparency. ACM, 2025. https://doi.org/10.1145/3715275.3732112.

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Doerr, Katherine. ""Maybe on the Spectrum": Gender Performativity and Pedagogy at a Major Research University." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1687409.

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Qiu, Chenyu. "Guilt and Poverty: Women's Gleaning in the County of Essex, 1830-1890." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-027.

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This study examines the decline of women’s gleaning practices in Essex, an agrarian county in southeastern England, between 1830 and 1890. Using courtroom records and newspaper reports from the Essex Standard and Essex Newsman, it explores how legal, gendered, and economic forces reshaped this survival strategy. Essex, with its enclosure-driven land consolidation, mechanization, and rural poverty, exemplifies broader nineteenth-century shifts from customary rights to capitalist property regimes. Three key processes drove this transformation. First, the legal status of gleaning became increasin
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Marik, Soma. "Writing the Margins: Plural Perspectives on Transgender Lives from Transgender Activists in India." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8453.

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The Supreme Court of India in a judgement of 2014, affirmed recog-nition of transgenders. This was hailed as a great step forward. However, a more nuanced understanding shows that the verdict also increases greater state and social control over gender marginality and gender expressions that question the binary. This contradictory judgement compels me to look at literary articulations of transgender activists, examining the plural, often quite divergent perspectives that occur. Manobi Bandyopadhyay tells of the conflict between the physical and the mental orientation, and hegemonic concept of p
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Luís, Francisco José Silva do Amaral. "Brazilian transvestites, immigrants and sex workers in Portugal and Europe. A trilogy of subalternizing discrimination. Structuralism or agentic capacity of the subject?" In VI Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvimulti2024-016.

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This article seeks to delve deeper into the role of structural and infrastructural powers in the co-production of identities, through an exercise tacitly delegated to socialization institutions, passive or negotiated by its recipients. In this context, there are authors who have organized their academic careers emphasizing another perspective of approach, commonly known as structuralism or subject agency. Structuralism, as its name indicates, comes from structure and finds in discourse and its action shaping behavior one of its privileged means. The capacity for agency and self-determination o
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