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Journal articles on the topic 'Performativity of gender'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

HAJAR, SITI. "QUEERING EMILY DICKINSON IN DICKINSON TV SERIES." LITERA KULTURA : Journal of Literary and Cultural Studies 11, no. 3 (2024): 79–88. http://dx.doi.org/10.26740/lk.v11i3.59695.

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Gender Performativity talks about Gender performativity explains that gender is formed by behavior that is carried out repeatedly and forms a gender which different with individual’s biological sex. Society creates gender divides between men and women. They think that humans are born in only two genders: male and female. Heteronormativity refers to those who have only two gender or sexual orientation possibilities. This study aims to examine how Gender Performativity proves that gender identity is shaped by society and performed from repetitive acts on homosexual gestures. This study portrays

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2

Alfiyah, Arbangatun, Imam Suhardi, and Widya Putri Ryolita. "Identifikasi Performativitas Gender dalam Novel Sisi Gelap Cinta Karya Mira W." Jurnal Hawa : Studi Pengarus Utamaan Gender dan Anak 6, no. 1 (2023): 99. http://dx.doi.org/10.29300/hawapsga.v6i1.2582.

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Abstract: Discussing feminism and what it studies is not easy, because some things are still very taboo issues, one of which is about LGBTQ issues. This research aims to identify gender performativity that shapes Wibianto's sexual identity in the novel Sisi Gelap Cinta by Mira W. This research uses a qualitative descriptive approach. The object of research is the novel Sisi Gelap Cinta by Mira W published by PT Gramedia Pustaka Utama with 208 pages. This research used two methods, theoretically using Judith Butler's performativity theory. The data analysis technique in this research uses Miles

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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance

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4

Parebong, Revinola Enjelvestia, and Orin Devisa. "DEKOLONIALISASI GENDER." Masokan Ilmu Sosial dan Pendidikan 4, no. 1 (2024): 30–44. http://dx.doi.org/10.34307/misp.v4i1.131.

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This article aims to describe gender decolonization based on Judith Butler's study of gender performativity regarding LGBTIQ issues and its implications for Christian Education. LGBTIQ emerged after the sexual revolution, previously referred to as the "third gender." Western colonialism, which identified gender differences based on socio-cultural aspects, has significantly influenced the debate and rejection of LGBTIQ issues in Indonesia across society, government, churches, and academia. To counter the lingering effects of colonialism, a sustainable decolonization effort is needed. Education,

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Syukur, Andi Abd khaliq, Aquarini Priyatna, and Lina Meilinawati Rahayu. "KEMATIAN DAN PERASAAN KEHILANGAN: KONSTRUKSI IDENTITAS QUEER DALAM EMPAT KARYA YOSHIMOTO (Death And Sense of Loss: Queer Identity Construction in Four Yoshimoto’s Works)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (2016): 193. http://dx.doi.org/10.26610/metasastra.2015.v8i2.193-210.

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Empat novelet Yoshimoto, yaitu Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), dan Hardluck (2001) menghadirkan kematian dan perasaan kehilangan di awal narasi. Kematian dan perasaan kehilangan membuka probabilitas baru sebagai bagian konstruksi identitas queer, seperti kematian sebagai pemutusan matrix heteroseksual, perasaan kehilangan sebagai perubahan identitas gender, penerimaan orang asing sebagai anggota keluarga, hubungan bersifat inses, homoseksualitas perempuan, transgenderisme, dan perubahan peran dalam anggota keluarga. Penelitian ini dilakukan untuk menganalisis cara k

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Arzil, Andrine Prima Afneta. "SELF DISCLOSURE DAN PERFORMATIVITAS KAUM LESBIAN ANDRO PADA MEDIA BARU (TIKTOK)." WACANA: Jurnal Ilmiah Ilmu Komunikasi 21, no. 2 (2022): 277–98. http://dx.doi.org/10.32509/wacana.v21i2.2268.

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This research is a scientific analysis of media which is closely related to social practices that occur in society as well as representation of gender identities in digital media. This research was conducted to determine the discourse of self disclosure, physical and appearance performativity, homosexual talk performativity, and sexual activity performativity displayed by lesbian (andro) on her new media accounts (Tik Tok) and how Tik Tok is interpreted as a medium of resistance lesbians today. By using a qualitative research methodology, this study puts itself in a digital ethnographic approa

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Bacchus, Ruth. "SATIAND PERFORMATIVITY." Australian Feminist Studies 28, no. 76 (2013): 155–76. http://dx.doi.org/10.1080/08164649.2013.789577.

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8

Ria Lestari, Ummu Fatimah. "PERFORMATIVITAS QUEER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE (KEBERAGAMAN GENDER MASYARAKAT BUGIS DALAM KARYA SASTRA)." Kibas Cenderawasih 17, no. 2 (2020): 103–14. http://dx.doi.org/10.26499/kc.v17i2.290.

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Karya sastra sebagai tiruan realitas kehidupan manusia terepresentasi dalam novel Calabai karya Pepi Al-Bayqunie. Novel ini berlatar belakang kehidupan masyarakat Bugis di Sulawesi Selatan. Penelitian ini membahas tentang performativitas queer dalam novel Calabai melalui queer theory Judith Butler.Menurut Butler, performativitas adalah kondisi alamiah bagi manusia dalam menampilkan tubuhnya (fisik). Bahasan mengenai jenis kelamin (sex), gender, dan orientasi seksual adalah konstruksi sosial yang dapat bersifat cair, tidak alamiah, dan labil.Performativitas queer dalam narasi pengarang novel Ca

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9

Arruzza, Cinzia. "Gender as Social Temporality: Butler (and Marx)." Historical Materialism 23, no. 1 (2015): 28–52. http://dx.doi.org/10.1163/1569206x-12341396.

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This article addresses the notions of gender performativity and temporality in Butler’s early work on gender. The paper is articulated in four steps. First it gives an account of the role and nature of temporality in Butler’s theory of gender performativity. Second, it shows some similarities and connections between the role played by temporality in Butler’s theory of gender performativity and its role in Marx’s analysis of capital. Third, it raises some criticisms of Butler’s understanding of temporality and historicity, focusing in particular on the lack of historicisation of her own categor

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10

AYE, PA PA MYO. "A Feminist Analysis on Performativity and Gender Identity of Main Character in Virginia Woolf's 'Mrs. Dalloway'." International Journal of Recent Research in Social Sciences and Humanities (IJRRSSH) 10, no. 3 (2023): 62–67. https://doi.org/10.5281/zenodo.8167354.

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<strong>Abstract:</strong> Literature is the kind of the tool to tell the daily life of the people, their behaviours, performances and identities of both genes. There is a close relationship between the gender performativity and literature. In the same way, characters are agents of the people who want to tell or show something they want in daily life for different purposes: political, economic, social and other aspects. In the book ‘Mrs. Dalloway’ written by feministic novelist Virginia Woolf, the writer revealed the life of women and those feelings concerning men, their perception

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Shams, Parisa. "Revisiting The Father: Precarity and subversive performativity." Feminist Theory 19, no. 3 (2017): 289–302. http://dx.doi.org/10.1177/1464700117741244.

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The ambiguity of August Strindberg’s approach to women has engendered varying interpretations, including accusations of misogyny. Among his allegedly misogynistic plays is the 1887 naturalistic masterpiece, The Father. Chronologically coinciding with the rise of the women’s movement in Sweden, The Father, rather than endorsing a misogynistic culture, allows for an alternative reading that contributes to the destabilisation of gender binaries and an understanding of gender identities as relational and performative. In its portrayal of a fierce struggle between a seemingly diabolic wife and a su

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12

MOTSCHENBACHER, HEIKO. "Speaking the gendered body: The performative construction of commercial femininities and masculinities via body-part vocabulary." Language in Society 38, no. 1 (2009): 1–22. http://dx.doi.org/10.1017/s0047404508090015.

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ABSTRACTThis study illustrates how body-part vocabulary can contribute to linguistic gender construction. As a starting point, gendering mechanisms pertinent to body-part terms are delineated. On a theoretical plane, the study is indebted to poststructuralism and the notion of performativity in identity construction. Gender performativity via body-part vocabulary is explored by quantitatively and qualitatively analyzing material from a corpus of 2,000 advertisements from the two magazines,CosmopolitanandMen’s Health, yielding evidence on how two specific commercial versions of femininity and m

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Supardan, Admiral Indra. "Gender Performativity in Stieg Larsson’s 'The Girl with The Dragon Tattoo'." Rainbow: Journal of Literature, Linguistics and Cultural Studies 9, no. 1 (2020): 103–15. http://dx.doi.org/10.15294/rainbow.v9i1.37993.

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This study investigates the issue of gender performativity in Stieg Larsson’s novel The Girl With The Dragon Tattoo (2008). Judith Butler’s ideas on gender performativity serve as the theoretical framework of this study. A qualitative method is preferred as the study is heavily permeated with textual-analysis. The main objective of this study is to center on Larsson’s presentation of Lisbeth Salander in challenging boundaries in terms of how gender is presented and perceived. The study also provides analysis of other female characters, to see if they challenge or conform to the socially accept

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Thibordee, Rakchuda. "“I hunt. He bakes.”: Constructing and Deconstructing Gender Identity in Suzanne Collins’ The Hunger Games Trilogy." English Language and Literature Studies 10, no. 1 (2020): 77. http://dx.doi.org/10.5539/ells.v10n1p77.

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This article aims to investigate the construction of the gender identity of the young-adult female protagonist in The Hunger Games trilogy. Through the lens of Judith Butler&rsquo;s gender performativity, both male and female characters in the trilogy manifest different perspectives of masculinity and femininity through the deconstruction of the gender binary. Similar to the muttation of the mockingjays, the female protagonist hybridizes masculinity and femininity. Katniss Everdeen embraces both masculine and feminine attributes simultaneously, and this adoption promotes an alternative way

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15

Rokhmansyah, Alfian, Agus Nuryatin, Teguh Supriyanto, and Nas Haryati Setyaningsih. "Gender Performativity of Characters in 2000s Indonesian Novels." Theory and Practice in Language Studies 13, no. 1 (2022): 244–50. http://dx.doi.org/10.17507/tpls.1301.28.

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This study aims to analyze the gender performativity of lesbian and gay characters in 2000s Indonesian novels. The research is based on Judith Butler's theory of gender performativity with a research design based on a literary sociology approach. Data in the form of quotations are collected by reading and note-taking techniques. The data were analyzed using a hermeneutic model to find out the gender performativity of the characters created by the author. The results showed that the performativity of lesbian and gay characters in the novel included physical and conversation, sexual activity, an

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Mizpah, R. "Gender Performativity in Perumal Murugan’s Estuary." Humanities & Social Sciences Reviews 10, no. 1 (2022): 67–74. http://dx.doi.org/10.18510/hssr.2022.1019.

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Purpose of the study: The study aims to trace how the author has portrayed the characters in ways that they perform in specific ways to generate various effects that determine their gender roles. It aims to map gender performativity in the novel Estuary by close reading and analysing the acts and dialogues of the characters from a cultural context. Methodology: Qualitative analysis of the text was done to derive the findings. The text was subjected to close reading. The points relevant to the concept of gender performativity were highlighted using a pencil. The points were neatly organiz

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17

Markussen, Turid. "Practising Performativity." European Journal of Women's Studies 12, no. 3 (2005): 329–44. http://dx.doi.org/10.1177/1350506805054273.

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18

Kyselov, Sergiy, and Daria Synhaievska. "Performativity as a Factor of Gender Identity Plasticity." Empirio 1, no. 1 (2024): 34–43. http://dx.doi.org/10.18523/3041-1718.2024.1.34-43.

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The article demonstrates how authority, as a form of address, influences the plasticity of gender. With the aim of exploring performativity as a factor in the plasticity of gender identity, the authors attempt to define how the bearer of gender identity is created.Significant attention is devoted to resisting endowment and realizing authority, which typifies hierarchical relations of status rather than genders. The latter are a consequence of the “capillary” nature of authority and institutionalize discursive practices. Consequently, an attempt is made to identify gender grammatology. For this

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19

Tasnim Jarin and Aftab Ur Rahaman Zahin. "Inter-Caste Gender Performativity in Indian Hindu Culture: A Postcolonial Gender Study in Mulk Raj Anand’s Untouchable and Arundhati Roy’s The God of Small Things." Zakariya Journal of Social Science 2, no. 1 (2023): 11–22. http://dx.doi.org/10.59075/zjss.v2i1.228.

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This study uses Judith Butler's concept of "gender performativity" to examine Mulk Raj Anand's "Untouchable" and Arundhati Roy's "The God of Small Things" in order to draw conclusions about the inter-caste gender performativity in Indian Hindu culture. Some autobiographical writings preserved evidence of voluntary and 'non-theatrical inter-caste connection' which transcends the boundary of untouchability, despite the dogmatic and historic hostility against inter-caste relationships in Indian Hindu society. In a consenting intercaste relationship, women, as the subaltern gender, never know for

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Jarin, Tasnim, and Aftab Ur Rahaman Zahin. "Inter-Caste Gender Performativity in Indian Hindu Culture: A Postcolonial Gender Study in Mulk Raj Anan’s “Untouchable” and Arundhati Roy’s “The God of Small Things”." OPSearch: American Journal of Open Research 1, no. 3 (2022): 116–24. http://dx.doi.org/10.58811/opsearch.v1i3.37.

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This paper attempts to evaluate the inter-caste gender performativity in Indian Hindu Culture through Judith Butler's ‘gender performativity’ by analyzing the texts, Mulk Raj Anand’s Untouchable and Arundhati Roy’s The God of Small Things. In Indian Hindu culture, inter-caste relationship is dogmatically and traditionally antagonistic whereas some autobiographical documents kept evidences of consensual and ‘non-theatrical inter-caste relationship’ which crosses the margin of untouchability. Women, the gender subalterns in inter-caste consensual relationship, never possess the certainty of thei

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Maltais-Bayda, Fabien. "Reorienting Queer Performativity." GLQ 30, no. 1 (2024): 141–44. http://dx.doi.org/10.1215/10642684-10920642.

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Channa, Abdul Razaque, and Tayyaba Batool Tahir. "Be a Man, do not Cry like a Woman: Analyzing Gender Dynamics in Pakistan." Liberal Arts and Social Sciences International Journal (LASSIJ) 4, no. 2 (2020): 361–71. http://dx.doi.org/10.47264/idea.lassij/4.2.28.

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Contrary to the view that gender is fluid, as concurred by several social scientists, in traditional Pakistani understanding, gender is seen in fixed binaries, i.e., either you are a man or a woman. The third category is known as the third gender in Pakistan. It is interesting to note that although gender is seen as fixed in Pakistani cultures, in informal discussions, varied shades of gender are highlighted by informants based on gender performativity. By drawing on the postmodern feminist theory of gender performativity, this paper does a discourse analysis of informant’s views about gender

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Hongru, Xing. "Cheng Dieyi in Farewell My Concubine, A drag or an act? A queer or an actor?" Sinología hispánica. China Studies Review 13, no. 2 (2022): 127–44. http://dx.doi.org/10.18002/sin.v13i2.7232.

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This article reflects on the character Cheng Dieyi, highlighting the gender trouble that emerges through the corporality. From Judith Butler’s theory of gender performativity, the article attempts to propose the possible connection between the drastic shift in Dieyi’s gender identity and the repetitive and performative practices of female impersonation throughout his professional learning to be a male Dan* actor of the Beijing Opera (Jingju). Beyond a usual reading which attributes Dieyi’s suicide to psychological disorders that confuse life and performance, my hypothesis is that his gendertro

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Qin, Shaoyun, and Anna A. Kostikova. "Three planes of consideration for Judith Butler’s Theory of Performativity." Alma mater. Vestnik Vysshey Shkoly, no. 6 (June 2022): 105–9. http://dx.doi.org/10.20339/am.06-22.105.

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In the foreword of “Gender Trouble” in 1999, Judith Butler stated that there are certain difficulties in uncovering the concept of “performativity”. Sometimes performativity needs to be understood in terms of speech, and in some cases performativity needs to be understood in terms of theatricality. However, an in-depth analysis of Butler’s texts reveals that the so-called theory of performativity has three planes of consideration: speech, theater, and from the perspective of norms of behavior.

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Fiereck, Kirk. "After Performativity, Beyond Custom." GLQ: A Journal of Lesbian and Gay Studies 26, no. 3 (2020): 503–27. http://dx.doi.org/10.1215/10642684-8311829.

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This article explores how Black LGBTQ-identified and other gender nonconforming South Africans juxtapose the queer with the customary as they constitute forms of biofinancial personhood that are paradigmatic of capitalisms globally. These hybrid forms of personhood inadvertently index the secret normativities of so-called antinormative theories of performativity within Euro-American queer theory. Everyday South Africans foreground practices of cross-context citation in the register of “unsuccessful” performatives. Their experiences underscore Jacques Derrida’s diagnosis of the performative’s s

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Johnson, Deborah J. "Marcel Duchamp, Rrose Selavy, and Gender Performativity." International Journal of the Arts in Society: Annual Review 1, no. 7 (2007): 191–200. http://dx.doi.org/10.18848/1833-1866/cgp/v01i07/57730.

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Schlichter, Annette. "Do Voices Matter? Vocality, Materiality, Gender Performativity." Body & Society 17, no. 1 (2011): 31–52. http://dx.doi.org/10.1177/1357034x10394669.

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Petersson McIntyre, Magdalena. "Gender by Design: Performativity and Consumer Packaging." Design and Culture 10, no. 3 (2018): 337–58. http://dx.doi.org/10.1080/17547075.2018.1516437.

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Jachyra, Patrick, Michael Atkinson, and Barbara E. Gibson. "Gender performativity during interviews with adolescent boys." Qualitative Research in Sport, Exercise and Health 6, no. 4 (2014): 568–82. http://dx.doi.org/10.1080/2159676x.2013.877960.

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Toft-Nielsen, Claus, and Rikke Toft Nørgård. "Expertise as gender performativity and corporeal craftsmanship." Convergence: The International Journal of Research into New Media Technologies 21, no. 3 (2015): 343–59. http://dx.doi.org/10.1177/1354856515579843.

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Kamalakshan, Krishnapriya, and Sumathy K. Swamy. "The Paradox of Gender Performativity in Winnie-the-Pooh." Boyhood Studies 15, no. 1-2 (2022): 94–102. http://dx.doi.org/10.3167/bhs.2022.15010206.

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In a heteronormative society, boys and girls are trained to dress and act in ways regarded appropriate for their respective genders. Even during play, a boy is expected to indulge only in activities that are traditionally considered masculine. A. A. Milne was inspired by his son’s pretend play to write the Pooh books. From the illustrations in the book, which were modeled upon the real Christopher Robin and his toys, and various biographical material on the Pooh books, it can be discerned that the young boy was dressed in a gender-nonconforming fashion. This article probes this paradox of gend

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Verma, Aanchal. "Gender and performativity Theorizing Vijay Tendulkar’s Kamala and Kanyadaan." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 123–30. https://doi.org/10.22161/ijels.103.21.

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This work explores the themes of gender and performativity in Vijay Tendulkar's plays Kamala and Kanyadaan, specifically how the playwright examines societal conventions and the dynamics of gendered identities. Drawing on Judith Butler's theory of performativity, the paper contends that Tendulkar's representation of women in these plays shows the performative aspect of gender, in which identities are produced and reinforced by social rituals rather than being intrinsic or natural. Kamala emphasises the devaluation of women and the transactional aspect of gendered roles, while Kanyadaan explore

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Arshad, Ghamza, and Bushra Siddiqui. "Gender Fluidity and Subversion of Socio-Cultural Power Structures in Eugenides’ Middlesex: Exploring Performativity." Journal of Policy Research 10, no. 3 (2024): 179–87. http://dx.doi.org/10.61506/02.00334.

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The aim of the research is to explore Eugenides’ Middlesex through the lens of Butler’s concept of performativity that focuses on gender fluidity and identity formation through the socio-cultural repeated acts. The theory of performativity investigates Butler’s idea that gender norms are constructed and sustained within the society. The theoretical application of performativity on Middlesex explores the challenges related to the conventional understanding of gender by analysing the characters as fluid-gendered identities. The research explores the ability of performative acts to both strengthe

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Holder, Heidi J. "Female Performance, Performativity, and Playwriting." Journal of Women's History 23, no. 1 (2011): 166–76. http://dx.doi.org/10.1353/jowh.2011.0009.

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FARHADY, Morteza, and Rahil GOLGIRI. "A politics of the Performativity in Forming of the Gender Identity." JOURNAL OF ADVANCES IN LINGUISTICS 6, no. 2 (2015): 927–31. http://dx.doi.org/10.24297/jal.v6i2.5173.

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This study is an attempt to examine the role of performativity in forming and determining gender identity in a society. This study included articles and books that were written about language, gender, identity of a gender and also politics of performativity. These studies were analyzed qualitatively and quantitatively. The result of these analyzing shows gender identity is not natural or innate. Rather it takes its meaning from the inside of a person. This formation is influenced by the thoughts and ideas of society about gender and identity. It is clear gender and also gender identity constru

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Baider, Fabienne, and Evi Kafetzi. "Gender role reversal in political debate?" Language and Dialogue 7, no. 2 (2017): 189–212. http://dx.doi.org/10.1075/ld.7.2.03bai.

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Abstract Focusing on the Aubry – Hollande debate that took place in the context of the 2011 French socialist party primaries, we observe a possible reversal of gender stereotypes and examine word choices as well as more subtle cues such as interruptions, hedges, etc. If the debate could be described as a stereotypical gender role-reversal, we suggest that these cues point to a more complex picture than a gender reversal, and that the pragmatics structuring the dialogue might be interpreted as a pattern of challenger/champion. Moreover contrasting press articles and comment in online forums on

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Parker, Andrew. "Praxis and performativity." Women & Performance: a journal of feminist theory 8, no. 2 (1996): 265–73. http://dx.doi.org/10.1080/07407709608571244.

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Khurosan, Herpin Nopiandi. "PERFORMATIVITAS IDENTITAS GENDER DAN SEKSUALITAS DALAM NOVEL IMARAH YAKUBIAN KARYA ALA AL-ASWANI." MIMESIS 1, no. 2 (2020): 1. http://dx.doi.org/10.12928/mms.v1i2.2053.

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This study examines aspects of the performativity of gender identity and sexuality in the novel Imarah Yakubian by Alaa al-Awani. Through Judith Butler's theory of performativity, the author examines how the identity and gender sexuality performativity of the characters and how the attitude of the characters in the novel Imarah Yaqubian in responding to the dominance of heteronormativity.The results showed that Egyptian society which was dominated by heteronormativity ideology gave birth to the marginalization of homosexuals. Individuals who have 'deviant' gender and sexuality tendencies respo

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Tebaldi, Raquel. "“Positionality” and “Performativity”." Politikon: The IAPSS Journal of Political Science 25 (December 15, 2014): 80–94. http://dx.doi.org/10.22151/politikon.25.5.

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Over the last few decades, educational reforms have been carried out in many different countries with the aim of expanding the concept of literacy in order to respond to challenges posed by the mass media and the new technologies of information and communication technologies and thus was born the concept of media literacy. Even though some activists consider this kind of education a human right, there is still no consensus over its meaning or even over what objectives such educational policy should seek. This paper aims, therefore, to clarify the most important current debates on the area, to

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Safinuriska, Putri Miswa. "THE CHANGING OF THE MAIN CHARACTER’S IDENTITY IN MOVIE JUST CHARLIE (2017)." Journal of Language and Literature 9, no. 1 (2021): 95–108. http://dx.doi.org/10.35760/jll.2021.v9i1.3858.

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Society constructs gender to distinguish the sexes of men and women. They believe that human is only born with two types male and female. Those are included in the term heteronormativity who have only two gender or sexual orientation options. Queer refers to people who have a gender identity or sexual orientation that differs from their biological gender. One of the terms Queer is Transgender which is a term for someone who needs recognition of gender identity from anatomical gender assigned at birth, or those who are considered ambiguous in their gender. Society finds it difficult to accept t

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Abela, Beverly. "Gender Awareness and Gender Equality in Early Years Education: Lecturers’ Perspectives." MCAST Journal of Applied Research & Practice 8, no. 1 (2024): 135–49. http://dx.doi.org/10.5604/01.3001.0054.5098.

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Gender awareness and equality in early years education is a rather well-researched subject internationally; however, few studies have addressed the local context. This paper addresses whether lecturers teaching early years courses within the Malta College of Art Science and Technology (MCAST) are gender aware and if this awareness impacts their pedagogical delivery. By engaging in the process of self-reflection, participants were able to reflect on how dominant gender ideologies affect their performativity of gender and how these ideologies might be passed on to their students. Theoretical per

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Gambetti, Zeynep. "Queering Performativity." Representations 158, no. 1 (2022): 64–76. http://dx.doi.org/10.1525/rep.2022.158.7.64.

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Grange, Lesley Le. "The many sides to performativity." Journal of Education, no. 96 (November 12, 2024): 25–37. http://dx.doi.org/10.17159/2520-9868/i96a02.

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Performance will dominate the 20th and the 21st century just as discipline did in the 18th and 19th centuries. Performance can be seen as a global formation of power and knowledge, challenging us to perform . . . or else. The technology of performativity exposes the jargon and practices of efficiency, effectiveness, quality assurance, control, inspection, and accountability in contemporary education. Any undertaking must be justified by an increase in productivity, measured by a gain in time. The technology of performativity, based on systems of rewards and sanctions, makes us both perpetrator

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Puji, Lale Garjita Kusumaring, Joko Adianto, and Rossa Turpuk Gabe. "Gender Performance in the Kitchen of Indonesian Middle-Class." International Journal of Built Environment and Scientific Research 7, no. 1 (2023): 61. http://dx.doi.org/10.24853/ijbesr.7.1.61-74.

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This paper explores gender performance in Indonesia's middle-class’ kitchen. Gender mainstreaming and gender responsiveness have been on the Indonesian national development agenda since 2000, especially in vertical housing. However, gaps in the publication of the policy's implementation indicate the need for a basic understanding of gender to specify what should be accommodated to fulfil the agenda. Moreover, in previous studies, gender in Indonesia has not been discussed in the context of gender relations within the household. This research answers the question regarding the performance of da

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Cuadrado-Payeras, Lidia María. "Alterity, Recognition and Performance: The Queer and the Animal in Makeda Silvera’s “Caribbean Chameleon”." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 10 (October 10, 2022): 115–33. http://dx.doi.org/10.14201/candb.v10i115-133.

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This article explores notions of performativity in the story “Caribbean Chameleon,” published in Makeda Silvera’s collection Her Head a Village (1994). The story emphasises problems of performing with regards to the categories of race and gender as they pertain to the lived experience of Anglo-Caribbean migrants in Canada, a country which, in spite of its ostensible positive engagement with difference, is nevertheless still systemically hostile to migrants. Being able to adequately “perform” race or gender in a non-threatening way for the system becomes imperative for migrants, which the story

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Wu, Lin, and Chenyu Bai. "Analysis of Female Masculinity During Wartime in The Night Watch From the Perspective of Gender Performativity." Theory and Practice in Language Studies 11, no. 5 (2021): 528–32. http://dx.doi.org/10.17507/tpls.1105.10.

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The novel The Night Watch（2006）by Sarah Waters, a contemporary British novelist, tells the story of four women whose fortunes were intertwined before and after World War II. By Judith Butler’s theory of gender performativity, this paper analyzes the wartime female images in the novel. Women’ s wartime drag subverts the binary opposition of people’s presupposed notion about sex and women’ s occupation of men’ job that breaks the fictitious perception of gender opposition; the lesbian love affairs challenge the compulsory heterosexuality. Through the interpretations of the feminist thoughts conv

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Sheerin, Corina, and Margaret Linehan. "Gender performativity and hegemonic masculinity in investment management." Gender in Management: An International Journal 33, no. 7 (2018): 561–76. http://dx.doi.org/10.1108/gm-10-2017-0122.

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PurposeThrough an examination of the everyday organisational and social practices, this paper aims to consider gender performativity and hegemonic masculinity within front office investment management. At the core of this research is the need to understand the interactions between gender, power and patriarchy.Design/methodology/approachAn interpretivist philosophical stance underpins the study. A theory-building approach using 19 semi-structured interviews with investment management employees based in Ireland was undertaken.FindingsThe findings highlight a sector in which gender is performed i

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Lenni Herawati Sirait, Berlian Hasian Keyla Sinambela, Teuku Muhammad Raihan Fadillah, and Rahmadsyah Rangkuti. "Subversion and Gender Performativity in the Film Clueless (1995): An Analysis Based on Judith Butler's Theory." Jurnal Riset Rumpun Ilmu Bahasa 4, no. 1 (2025): 132–43. https://doi.org/10.55606/jurribah.v4i1.4476.

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This study explores the representation and subversion of gender norms in the film Clueless (1995), directed by Amy Heckerling, using Judith Butler's theory of gender performativity. The film blends teen humor with social critique on class, identity, and gender, illustrating how gender identities are constructed and performed through characters such as Cher, Tai, and Christian. By analyzing these characters’ performances, the study reveals how gender is not a fixed identity but a dynamic social construct shaped by repeated actions and societal expectations. Fashion plays a pivotal role in this

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Yaqin, Amina. "Islamic Barbie: The Politics of Gender and Performativity." Fashion Theory 11, no. 2-3 (2007): 173–88. http://dx.doi.org/10.2752/136270407x202736.

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Jergus, Kerstin. "The Limits of Identity – Performativity, Gender and Politics." Encounters in Theory and History of Education 19 (November 30, 2018): 110–22. http://dx.doi.org/10.24908/eoe-ese-rse.v19i0.11918.

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This article explores the limits of identity in the context of gender policy. From a linguistic-philosophical perspective, the first question is how identity is created and under what practical conditions it becomes effective. In light of these considerations on the relationship between identity and social order, matters of recognition and normalization are discussed. These outlines are then related to current gender policies in the university area. The boundaries of identity and the political dimensions of speech acts lead to the question how critical and resistant speech can take shape.

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