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Journal articles on the topic 'Performativity theory'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Cho, Jihoon. "The form of time of performativity —The problem of time in Butler’s concept of performativity." Criticism and Theory Society of Korea 24, no. 2 (2019): 51–68. http://dx.doi.org/10.19116/theory.2019.24.2.51.

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2

Miller, J. H. "Performativity as Performance / Performativity as Speech Act: Derrida's Special Theory of Performativity." South Atlantic Quarterly 106, no. 2 (2007): 219–35. http://dx.doi.org/10.1215/00382876-2006-022.

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3

Garud, Raghu, and Joel Gehman. "Theory Evaluation, Entrepreneurial Processes, and Performativity." Academy of Management Review 41, no. 3 (2016): 544–49. http://dx.doi.org/10.5465/amr.2015.0407.

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4

Aspers, Patrik. "Theory, Reality, and Performativity in Markets." American Journal of Economics and Sociology 66, no. 2 (2007): 379–98. http://dx.doi.org/10.1111/j.1536-7150.2007.00515.x.

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5

Allen, Amy. "Power Trouble: Performativity as Critical Theory." Constellations 5, no. 4 (1998): 456–71. http://dx.doi.org/10.1111/1467-8675.00108.

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6

Figueiredo, Carolina, and Caio Santos. "Facebook Event as a platform to promote engagement in social movements." Culturas Midiáticas 13, no. 1 (2020): 54–69. http://dx.doi.org/10.22478/ufpb.1983-5930.2020v13n1.51507.

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This paper reflects on the application of the Theory of Performativity in complex communication processes as those emerged from the Social Networks. Austin’s (1975) theory of Speech Acts and the concept of Performativity stated by Butler (1997) are recovered to find mechanisms of analysis in utterances that are intrinsic to websites tools. In parallel, the Latour Actor-Network Theory (2017) is also used. As a research result we came to the conclusion that the use of Facebook Event tool implies in performativity, once that by pressing the “Going” and “Interested” buttons the user express differ

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7

Reynolds, David S. "Deformance, Performativity, Posthumanism." Nineteenth-Century Literature 70, no. 1 (2015): 36–64. http://dx.doi.org/10.1525/ncl.2015.70.1.36.

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David S. Reynolds, “Deformance, Performativity, Posthumanism: The Subversive Style and Radical Politics of George Lippard’s The Quaker City” (pp. 36–64) The most interesting American example of the genre known as city-mysteries fiction, George Lippard’s The Quaker City (1844–45), while rich in characters, stymies the novelistic stability conventionally provided by the struggles of heroes against villains in the mystery genre. Lippard’s style thus gets foregrounded as the locus of morality and politics, displaying an acerbic, presurrealistic edge. The current essay surveys linguistic and generi

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Healy, Kieran. "The Performativity of Networks." European Journal of Sociology 56, no. 2 (2015): 175–205. http://dx.doi.org/10.1017/s0003975615000107.

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AbstractThe “performativity thesis” is the claim that parts of contemporary economics and finance, when carried out into the world by professionals and popularizers, reformat and reorganize the phenomena they purport to describe, in ways that bring the world into line with theory. Practical technologies, calculative devices and portable algorithms give actors tools to implement particular models of action. I argue that social network analysis is performative in the same sense as the cases studied in this literature. Social network analysis and finance theory are similar in key aspects of their

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9

Morris, T. "Rakim's Performativity." boundary 2 36, no. 3 (2009): 49–61. http://dx.doi.org/10.1215/01903659-2009-019.

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Baker, Max, and Sven Modell. "Rethinking performativity." Accounting, Auditing & Accountability Journal 32, no. 4 (2019): 930–56. http://dx.doi.org/10.1108/aaaj-11-2017-3247.

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PurposeThe purpose of this paper is to advance a critical realist perspective on performativity and use it to examine how novel conceptions of corporate social responsibility (CSR) have performative effects.Design/methodology/approachTo illustrate how the authors’ critical realist understanding of performativity can play out, the authors offer a field study of an Australian packaging company and engage in retroductive and retrodictive theorising.FindingsIn contrast to most prior accounting research, the authors advance a structuralist understanding of performativity that pays more systematic a

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11

Beunza, Daniel, and Fabrizio Ferraro. "Performative Work: Bridging Performativity and Institutional Theory in the Responsible Investment Field." Organization Studies 40, no. 4 (2018): 515–43. http://dx.doi.org/10.1177/0170840617747917.

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Callon’s performativity thesis has illuminated how economic theories and calculative devices shape markets, but has been challenged for its neglect of the organizational, institutional and political context. Our seven-year qualitative study of a large financial data company found that the company’s initial attempt to change the responsible investment field through a performative approach failed because of the constraints posed by field practices and organizational norms on the design of the calculative device. However, the company was subsequently able to put in place another form of performat

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12

Jang, Hyehyeon, and Jonggab Kim. "Cinematic Performativity and The Limit of Ambivalent Drag: Focusing on Judith Butler’s Analysis on." Criticism and Theory Society of Korea 25, no. 2 (2020): 51–74. http://dx.doi.org/10.19116/theory.2020.25.2.51.

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13

Carton, Guillaume. "How Assemblages Change When Theories Become Performative: The case of the Blue Ocean Strategy." Organization Studies 41, no. 10 (2020): 1417–39. http://dx.doi.org/10.1177/0170840619897197.

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Assemblages are the actors, artefacts or practices that are intertwined with and co-produce theories. Despite being at the core of the performativity process, assemblages have been overlooked in recent performativity studies. Thus, this study examines how assemblages are changed by theories during performativity. It builds on the case of the historical development of the Blue Ocean Strategy: a management theory that proposes the creation of new market spaces, rather than competing within existing ones. The study shows a process model in which the theory changes the assemblages that change real

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14

Telles, João Antonio. "Teletandem and performativity." Revista Brasileira de Linguística Aplicada 15, no. 1 (2015): 1–30. http://dx.doi.org/10.1590/1984-639820155536.

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Teletandem is a virtual autonomous VoIP2technology-based context (webcam images, voice and text). Within this context, two students help each other learn their native (or other) language through intercultural and linguistic collaboration. Performative Theory can shed light on the constitution of these students' national identities, as they engage in linguistic performances of marking and discussing differences between their countries during teletandem. Based on critical approaches to discourse and intercultural communication, my analysis shows that this online intercultural contact opens innov

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15

XIE, Wenjuan. "Queer[ing] Performativity, Queer[ing] Subversions: A Critique of Judith Butler’s Theory of Performativity." Comparative Literature: East & West 20, no. 1 (2014): 18–39. http://dx.doi.org/10.1080/25723618.2014.12015486.

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16

Folke, Lasse, and Anders Sevelsted. "”Giv mig en økonom, og jeg skal rejse et marked?” Om fagøkonomiens performativitet og konstruktionen af et globalt marked for mikrofinans." Dansk Sociologi 21, no. 4 (2010): 51–73. http://dx.doi.org/10.22439/dansoc.v21i4.3410.

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Denne artikel argumenter for, at Callon og MacKenzies teorier om økonomisk performativitet bidrager til at forstå dels centrale sociale dynamikker på markeder, som i stigende grad får en teknisk-videnskabelig karakter, og dels hvordan økonomer bidrager til at konstruere sådanne. Artiklen introducerer centrale begreber og påstande fra de to forfattere og tester disse i en analyse af, hvordan et globalt marked for mikrofinans er blevet skabt. Analysen viser, at selvom økonomer og økonomisk teori spillede en vigtig rolle i konstruktionen af dette marked, så forblev den performative funktion for d

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17

Mulcahy, Dianne. "Performativity in Practice." International Journal of Actor-Network Theory and Technological Innovation 3, no. 2 (2011): 1–16. http://dx.doi.org/10.4018/jantti.2011040101.

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In the context of neo-liberal education policy reform, professional teaching standards have become one of the main means of managing improvements to school teaching and assuring its quality. Using the methodology of material semiotics in association with video case data of classroom teaching (in this case, school geography teachers) and their students, the author treats a set of standards in action, towards conducting an ontological inquiry. Bringing the performative perspective of actor-network theory to bear not only is sociality taken into account but also materiality. This paper argues tha

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18

Arruzza, Cinzia. "Gender as Social Temporality: Butler (and Marx)." Historical Materialism 23, no. 1 (2015): 28–52. http://dx.doi.org/10.1163/1569206x-12341396.

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This article addresses the notions of gender performativity and temporality in Butler’s early work on gender. The paper is articulated in four steps. First it gives an account of the role and nature of temporality in Butler’s theory of gender performativity. Second, it shows some similarities and connections between the role played by temporality in Butler’s theory of gender performativity and its role in Marx’s analysis of capital. Third, it raises some criticisms of Butler’s understanding of temporality and historicity, focusing in particular on the lack of historicisation of her own categor

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19

Fiereck, Kirk. "After Performativity, Beyond Custom." GLQ: A Journal of Lesbian and Gay Studies 26, no. 3 (2020): 503–27. http://dx.doi.org/10.1215/10642684-8311829.

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This article explores how Black LGBTQ-identified and other gender nonconforming South Africans juxtapose the queer with the customary as they constitute forms of biofinancial personhood that are paradigmatic of capitalisms globally. These hybrid forms of personhood inadvertently index the secret normativities of so-called antinormative theories of performativity within Euro-American queer theory. Everyday South Africans foreground practices of cross-context citation in the register of “unsuccessful” performatives. Their experiences underscore Jacques Derrida’s diagnosis of the performative’s s

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20

Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance

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21

Marina, L. P. "PERFORMATIVITY OF MEDIA EDUCATION TECHNOLOGIES: THEORY AND PRACTICE." Современные проблемы науки и образования (Modern Problems of Science and Education), no. 6 2019 (2019): 152. http://dx.doi.org/10.17513/spno.29410.

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22

Ria Lestari, Ummu Fatimah. "PERFORMATIVITAS QUEER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE (KEBERAGAMAN GENDER MASYARAKAT BUGIS DALAM KARYA SASTRA)." Kibas Cenderawasih 17, no. 2 (2020): 103–14. http://dx.doi.org/10.26499/kc.v17i2.290.

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Karya sastra sebagai tiruan realitas kehidupan manusia terepresentasi dalam novel Calabai karya Pepi Al-Bayqunie. Novel ini berlatar belakang kehidupan masyarakat Bugis di Sulawesi Selatan. Penelitian ini membahas tentang performativitas queer dalam novel Calabai melalui queer theory Judith Butler.Menurut Butler, performativitas adalah kondisi alamiah bagi manusia dalam menampilkan tubuhnya (fisik). Bahasan mengenai jenis kelamin (sex), gender, dan orientasi seksual adalah konstruksi sosial yang dapat bersifat cair, tidak alamiah, dan labil.Performativitas queer dalam narasi pengarang novel Ca

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23

Gortych-Michalak, Karolina. "Performatives in Cypriot, Greek and Polish Texts of Normative Acts. A Comparative Study." Studies in Logic, Grammar and Rhetoric 38, no. 1 (2014): 103–22. http://dx.doi.org/10.2478/slgr-2014-0034.

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Abstract The theory of speech acts, formulated by Austin and developed by Searle, is widely applied to analyse and classify various speech acts. In this paper it is assumed that legal texts, especially normative acts i.e. constitutions and statutes, are direct speech acts. Normative acts (statutory instruments) are linguistic entities and they do not exist outside the language, thus the theory of speech acts may be applied to examine them. They are also considered to be performative utterances according to Austin’s classification. In this paper the intention is to compare Cypriot, Greek and Po

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24

Smith, Sidonie. "Performativity, Autobiographical Practice, Resistance." a/b: Auto/Biography Studies 10, no. 1 (1995): 17–33. http://dx.doi.org/10.1080/08989575.1995.10815055.

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25

Nealon, C. "Touching Feeling: Affect, Pedagogy, Performativity." American Literature 79, no. 1 (2007): 227–28. http://dx.doi.org/10.1215/00029831-2006-095.

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26

Ruff, Katherine. "How impact measurement devices act: the performativity of theory of change, SROI and dashboards." Qualitative Research in Accounting & Management 18, no. 3 (2021): 332–60. http://dx.doi.org/10.1108/qram-02-2019-0041.

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Purpose This study aims to examine the role of devices in assessing the social impact of an organization. The study examines the effects of device and analyst expertise on the contents and conclusions of the report. Design/methodology/approach Six impact reports based on the same data from the same organization were compared to each other, to the charity data and to the devices used. Specific attention is paid to the role of the device’s sociomaterial form and discursive entanglements. Findings The six reports assessed the impact differently from each other and in ways that were consistent wit

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27

Roscoe, Philip, and Shiona Chillas. "The state of affairs: critical performativity and the online dating industry." Organization 21, no. 6 (2013): 797–820. http://dx.doi.org/10.1177/1350508413485497.

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In this article we pursue a dialogue between Callon’s (1998) ‘performativity thesis’ and Critical Management Studies (CMS). We make use of the performativity thesis to elaborate on the construction of a market and the generation of calculative and rational economic agency in a specific empirical setting: the markets for relationships offered by dating services. We find evidence for ‘effective’ performativity, where technical processes and outcomes are shaped by academic theory. We link the performativity analysis with three critical perspectives: a novel enclosure in the commodification and sa

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28

Herrmann-Pillath, C. "A Neurolinguistic Approach to Performativity in Economics." Voprosy Ekonomiki, no. 2 (February 20, 2011): 50–74. http://dx.doi.org/10.32609/0042-8736-2011-2-50-74.

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What makes institutions "real"? One central notion has been emerging recently in sociology, which is ‘performativity’, a term borrowed from the philosophy of language. The author proposes a neurolinguistic approach to performativity that is based on John Searle’s theory of institutions, especially his concept of a "status function" and his explanation of rule-following as a neurophysiological disposition. Positing a status function, the article shows, is a performative act. The author applies the concept of "conceptual blending" borrowed from cognitive science to the status function, and gives

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Barthold, Lauren Swayne. "True Identities: From Performativity to Festival." Hypatia 29, no. 4 (2014): 808–23. http://dx.doi.org/10.1111/hypa.12106.

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Some feminists have criticized Judith Butler's theory of performativity for providing an insufficient account of agency. In this article I first defend her against such charges by appealing to two themes central to Hans‐Georg Gadamer's hermeneutics. I compare her emphasis on the sociohistorical nature of agency with Gadamer's insistence on the historical nature of knowledge, and I examine the significance Butler assigns to repetition and note its affinities with Gadamer's conception of play. In the final part of the article I argue that in spite of providing an adequate account of agency, Butl

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30

Worthen, W. B. "Drama, Performativity, and Performance." PMLA/Publications of the Modern Language Association of America 113, no. 5 (1998): 1093–107. http://dx.doi.org/10.2307/463244.

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There is a crisis in drama studies that is reflected in the ways different disciplines understand dramatic texts and performance. Literary studies, absorbed with the functioning of language, often betrays a desire to locate the meanings of the stage in the dramatic text. Performance studies has developed a vivid account of nondramatic performance, which appears to depart from textual authority. Both disciplines, however, view drama as a species of performance driven by its text; as a result, drama appears as an unduly authorized mode of performance. Here, I read a range of critics (Andrew Park

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31

Gond, Jean-Pascal, Laure Cabantous, Nancy Harding, and Mark Learmonth. "What Do We Mean by Performativity in Organizational and Management Theory? The Uses and Abuses of Performativity." International Journal of Management Reviews 18, no. 4 (2015): 440–63. http://dx.doi.org/10.1111/ijmr.12074.

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32

Powell, Jason L., and Tony Gilbert. "Performativity and helping professions: social theory, power and practice." International Journal of Social Welfare 16, no. 3 (2006): 193–201. http://dx.doi.org/10.1111/j.1468-2397.2006.00459.x.

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33

Brickell, Chris. "Masculinities, Performativity, and Subversion." Men and Masculinities 8, no. 1 (2005): 24–43. http://dx.doi.org/10.1177/1097184x03257515.

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34

Nealon, Christopher. "Affect, performativity, and actually existing poetry." Textual Practice 25, no. 2 (2011): 263–80. http://dx.doi.org/10.1080/0950236x.2011.552291.

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35

Ruitenberg, Claudia W. "Performativity and Affect in Education." Philosophical Inquiry in Education 23, no. 1 (2020): 38–52. http://dx.doi.org/10.7202/1070364ar.

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This essay examines the concept of performativity in relation to what are perceived to be reasonable and unreasonable affective responses to discourse. It considers how discourse, especially in classrooms and other educational contexts, produces effects, and how it is that those effects are sometimes seen as attached to the discourse, and sometimes as attached to the person who perceives and displays the effect. When discourse produces strong affective responses, sometimes the discourse itself is seen as unreasonable and in need of socializing (e.g., racist and homophobic slurs), and sometimes

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36

Simpson, Barbara, Linda Buchan, and John Sillince. "The performativity of leadership talk." Leadership 14, no. 6 (2017): 644–61. http://dx.doi.org/10.1177/1742715017710591.

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Leadership-as-practice holds great promise for the re-theorisation of leadership in ways that reflect the dynamics of ongoing practice in the day-to-day realities of organising. However, in order to progress this agenda there is an urgent need to develop more dynamic theories and complementary methodologies that are better able to engage with the continuities of leadership practice. This paper responds to this need firstly by teasing out the conceptual implications of the practices/practice duality, differentiating between leadership as a set of practices, and leadership in the flow of practic

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37

Powell, Jason L. "Subjection, Social Work and Social Theory." International Letters of Social and Humanistic Sciences 21 (February 2014): 107–20. http://dx.doi.org/10.18052/www.scipress.com/ilshs.21.107.

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Reflecting on Judith Butler’s conception of ‘performativity’, this paper argues that the notion has important implications for contemporary debates over agency, subjection and ‘resistance’ in social work. Using, wider social theory drawn from post-structuralist Butler, makes sense of complex professional-service user relations. The article explores the possibilities and problems for resisting dominant power relationships in micro and meso settings.

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38

Vlajo, Koraljka. "Designing a Socialist Man." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 15. http://dx.doi.org/10.25038/am.v0i19.314.

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This paper asserts that graphic design can be analyzed as a performative act, particularly in relation to political performativity, a term coined by Reuben Rose-Redwood and Michael R. Glass after Judith Butler’s theory of performativity. Graphic design as a mass media tool enables persistent and everyday reiteration of regime authority, thus enforcing the construction of preferable identities of ideal citizens. In the text, the scope of political performativity of graphic design as an example of socialist Yugoslavia is analyzed, based on the cultural theory and the theory of political performa

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Arrizón, Alicia. "Race-ing Performativity through Transculturation, Taste and the Mulata Body." Theatre Research International 27, no. 2 (2002): 136–52. http://dx.doi.org/10.1017/s0307883302000226.

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A Cuban cocktail called mulata inspires an examination of the mulata body. Beyond an analysis of the cocktail as a commercial commodity, the mulata body can be placed within an intercultural space shaped by the processes of colonization, slavery and race relations. By examining the grammars in the mulata cocktail, the discussion moves the subject through other texts and discourses in order to mediate the mulata's embodied genealogy as a form of transculturation. As a hybrid body that inhabits a ‘racialized’ performativity, the mulata's subaltern agency is imagined beyond the exoticism charged

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Musk, Nigel. "Performing bilingualism in Wales." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 22, no. 4 (2012): 651–69. http://dx.doi.org/10.1075/prag.22.4.05mus.

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This article examines Welsh young people’s “performance” and construction of their bilingualism with the help of empirically grounded conversation analysis (CA) and performativity theory grounded in poststructuralism. Some of the incompatibilities, particularly conversation analysts’ narrow conception of context are resolved with reference to dialogical theory. It is argued with the help of video-recorded empirical data that a fine-grained analysis using CA is able to trace the emergence of varying bilingual identities as well as the negotiation of meaning in situ. To take the analysis beyond

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41

Hong, A.-Sung. "Performativity of Neoclassical Economic Theory : Economic Liberalization and Economic Growth." Society and Theory 24 (May 31, 2014): 95. http://dx.doi.org/10.17209/st.2014.05.24.95.

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42

Brisset, Nicolas. "ON PERFORMATIVITY: OPTION THEORY AND THE RESISTANCE OF FINANCIAL PHENOMENA." Journal of the History of Economic Thought 39, no. 4 (2017): 549–69. http://dx.doi.org/10.1017/s1053837217000128.

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The issue of performativity concerns the claim that economics shape rather than merely describe the social world. This idea took hold following a paper by Donald MacKenzie and Yuval Millo entitled “Constructing a Market, Performing Theory: The Historical Sociology of a Financial Derivatives Exchange” (2003). That paper constitutes an important contribution to the history of economic thought, since it provides an original way to focus on the scientific construction of the real economy. The authors discuss the empirical success of the Black–Scholes–Merton (BSM) model on the Chicago Board Options

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43

Nelson, Jacqueline K. "Racism and Anti-Racism in Families: Insights from Performativity Theory." Sociology Compass 9, no. 6 (2015): 487–98. http://dx.doi.org/10.1111/soc4.12268.

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44

Pawlett, William. "‘Media Events’ reconsidered: from ritual theory to simulation and performativity." Journal for Cultural Research 22, no. 1 (2017): 1–15. http://dx.doi.org/10.1080/14797585.2017.1370865.

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45

Cho, JiHoon. "The problem of fictional utterance in the theory of performativity." Korean Association of Cultural Studies 9, no. 1 (2021): 35–54. http://dx.doi.org/10.38185/kjcs.2021.9.1.35.

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46

Reinelt, Janelle. "The Politics of Discourse: Performativity Meets Theatricality." SubStance 31, no. 2/3 (2002): 201. http://dx.doi.org/10.2307/3685486.

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Bennett, Alexandra G. "Female Performativity in "The Tragedy of Mariam"." Studies in English Literature, 1500-1900 40, no. 2 (2000): 293. http://dx.doi.org/10.2307/1556130.

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48

Smith, Hazel. "The erotics of gossip: fictocriticism, performativity, technology†." Textual Practice 23, no. 6 (2009): 1001–12. http://dx.doi.org/10.1080/09502360903361683.

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49

Harte, Liam. "Migrancy, Performativity And Autobiographical Identity." Irish Studies Review 14, no. 2 (2006): 225–38. http://dx.doi.org/10.1080/09670880600603737.

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Sember, Robert. "Touching Feeling: Affect, Pedagogy, Performativity (review)." Literature and Medicine 23, no. 2 (2004): 364–68. http://dx.doi.org/10.1353/lm.2005.0014.

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