Academic literature on the topic 'Performing Right Society'
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Journal articles on the topic "Performing Right Society"
Lemahieu, D. L., and Cyril Ehrlich. "Harmonious Alliance: A History of the Performing Right Society." American Historical Review 96, no. 2 (April 1991): 518. http://dx.doi.org/10.2307/2163287.
Full textMoore, Julia, and Cyril Ehrlich. "Harmonious Alliance: A History of the Performing Right Society." Notes 47, no. 1 (September 1990): 63. http://dx.doi.org/10.2307/940541.
Full textEARLE, BO. "Policing and Performing Liberal Individuality in Anthony Trollope's The Warden." Nineteenth-Century Literature 61, no. 1 (June 1, 2006): 1–31. http://dx.doi.org/10.1525/ncl.2006.61.1.1.
Full textSiva, Sami. "India's Third Gender and Visual Politics." Journal of Illiberalism Studies 1, no. 1 (2021): 89–96. http://dx.doi.org/10.53483/vchx2528.
Full textRoth, Julia. "Gender, Populism and Anti-Immigrations." Moving the Social 65 (August 9, 2021): 61–79. http://dx.doi.org/10.46586/mts.65.2021.61-79.
Full textBanfield, Stephen. "Cyril Ehrlich. Harmonious Alliance: A History of the Performing Right Society. New York: Oxford University Press. 1989. Pp. xii, 183. $30.00." Albion 22, no. 2 (1990): 352–54. http://dx.doi.org/10.2307/4049639.
Full textRisteski, Temelko, Georgi Tonovski, and Vesna Sijic. "PROTECTION OF HUMAN RIGHTS IN CASES OF POLICE POWERS EXCEED IN THE REPUBLIC OF NORTH MACEDONIA." Knowledge International Journal 30, no. 6 (March 20, 2019): 1371–76. http://dx.doi.org/10.35120/kij30061371r.
Full textW Thaldar, Donrich, and Michaela Steytler. "Time for Cinderella to go to the ball: Reflections on the right to freedom of scientific research." South African Law Journal 138, no. 2 (2021): 260–88. http://dx.doi.org/10.47348/salj/v138/i2a2.
Full textSewu, Pan Lindawaty Suherman, Rahel Octora, and Oey Jaya Melizabeth Veronica. "Legal Protection for Assignee over Repeated Cession Based on Indonesia Legal System." Journal of Politics and Law 12, no. 4 (November 28, 2019): 38. http://dx.doi.org/10.5539/jpl.v12n4p38.
Full textPrijon, Egon, and Lea Prijon. "Slovenia from the Austro-Hungarian Monarchy until nowadays: A brief historical overview." Slovak Journal of Political Sciences 15, no. 2 (April 1, 2015): 133–54. http://dx.doi.org/10.1515/sjps-2015-0008.
Full textDissertations / Theses on the topic "Performing Right Society"
Gibbs, Jenna Marie. "Performing the temple of liberty slavery, rights, and revolution in transatlantic theatricality (1760s-1830s) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1554940031&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textBooks on the topic "Performing Right Society"
Limited, Performing Right Society. The Performing Right Society Limited. London: Performing Right Society, 1996.
Find full textHarmonious alliance: A history of the Performing Right Society. Oxford [Oxfordshire]: Oxford University Press, 1989.
Find full textLimited, Performing Right Society. The Performing Right Society: Yearbook and report and accounts. London: Performing Right Society, 1997.
Find full textLimited, Performing Right Society. The Performing Right Society: Yearbook and report and accounts. London: Performing Right Society, 1998.
Find full textSociety, Performing Right. PRS Composers in Education Scheme, 1990-91: A report for the Performing Right Society. London: Performing Right Society, 1992.
Find full textCulture,Media & Sport Committee. The Performing Right Society and the abolition of the classical music subsidy: Minutes of evidence Monday 5 July 1999. London: Stationery Office, 1999.
Find full textHallam, Susan. The power of music: The strength of music's influence on our lives : a study commissioned by the Performing Right Society. London: Performing Right Society, 2001.
Find full textUnited States. Congress. House. Committee on Small Business. Music licensing and small business: Hearing before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, second session, Washington, DC, May 8, 1996. Washington: U.S. G.P.O., 1997.
Find full textMatejcek, Jan. History of BMI Canada Ltd. and PROCAN: Their role in Canadian music and in the formation of SOCAN (1940-1990). 2nd ed. Toronto: J.V. Matejcek, 1996.
Find full textMedia & Sport Committee Culture. The Performing Right Society and the Abolition of the Classical Music Subsidy. Stationery Office Books, 1999.
Find full textBook chapters on the topic "Performing Right Society"
Rose, Sarah F. "He Had No Home but the County Poor House." In No Right to Be Idle. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469624891.003.0003.
Full textAho, Suvi, Juha Hämäläinen, and Arto Salonen. "Community engagement policies in the era of populism: Finland." In Populism, Democracy and Community Development, 187–206. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447353836.003.0011.
Full textWilliamon, Aaron, Jane Ginsborg, Rosie Perkins, and George Waddell. "Research ethics." In Performing Music Research, 57–82. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198714545.003.0003.
Full textDunay, Pál. "The EU’s engagement with the Eastern Partnership on human rights." In The European Union and Human Rights, 228–43. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198814191.003.0011.
Full text"was seen (as he often still is) as characteristically ‘heavy’, boring and lacking in a sense of humour, or at least irony – in fact the kind of playwright he himself deplored in his own, rational theatre. Furthermore, he was a Marxist and thus his ideas were (and are) unlikely to be suited to the mainly bourgeois institution of British theatre and theatregoers. Since Brecht’s ideology has so often been a barrier to a full appreciation of his work in Britain, and consequently appears regularly in this book, it is worth briefly spelling out here the basis and implications of his political beliefs. Brecht’s commitment to the classic Marxist tradition of ‘dialectical materialism’ (the idea that the individual is created by socio-political and economic factors and is, therefore, able to change his circumstances and environment) provided a ‘legitimacy’ (in his view at least) for an interventionist form of theatre. Brecht’s ‘discovery’ of Marxism (in 1928/9) confirmed his already well-developed idea that theatre should have a social function. As he said, he ‘had written a whole pile of Marxist plays without knowing it’ (Völker, 1979, p. 110). His ‘epic theatre’ was based on the concept of the primary importance of production in social life and it was intended to demonstrate socialism as the constant revolutionising of the forces and relations within the processes of production. Brecht often spoke of his form of theatre as one designed to make a contribution to ‘the full unfettering of everybody’s productivity’ (Suvin, 1984, p.20). He would admit, however, that in order for epic theatre to work fully, the actors involved in the production needed to share a Marxist view of the world. Certainly many theatre critics and historians would agree that without a knowledge of Marxist philosophy and aesthetics, it is virtually impossible to grasp the full meaning of Brecht’s plays. For example, Marxist philosophy is fundamental to Brecht’s dramaturgical exploration of the relationship between the individual and society. As a playwright, he builds up a complex framework of social, political, economic, historical and personal factors, which determine the character as an individual; his phrase for this is ‘statistical causality’. This approach to characterisation enables Brecht to demonstrate through his plays a wider range of possibilities for human behaviour than is the case with more ‘naturalistic’, psychologically-based drama. Brecht’s politics have, of course, been used frequently against him – as a reason for rejecting his artistic achievements, and as a ‘stick’ with which to beat him and expose the apparent hypocrisy in his personal behaviour. His detractors often draw attention to the fact that he never actually joined the Communist Party and that, after returning to East Berlin in 1949, he obtained an Austrian passport (1950), gave exclusive publishing rights to his writing to a West German publisher, and maintained a Swiss bank account. Equally notably, Brecht even refused to sign a binding contract with his own company, the Berliner Ensemble, until 1953, when he signed a form of ‘open’ agreement. In extenuation, it might be claimed that after his years in exile, when his artistic ambitions and activities had been inevitably limited,." In Performing Brecht, 12. Routledge, 2002. http://dx.doi.org/10.4324/9780203129838-8.
Full textPellegrino de Souza, Patrícia, Ana Carolina Calçado Lopes Martins, Tina Stutzman, Danilo Cançado Peixoto Pires, Elimar Pires Vasconcellos Renato da Lacerda, Renato Ferreira Rodrigues de Macedo, and Luz América Castiblanco. "How Knowledge, Technology, and Project Management Processes in Brazilian Universities Help Innovation in Industry." In Advances in IT Personnel and Project Management, 362–82. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-7536-0.ch019.
Full textFogarty-Perry, Barbara, and Margaret McKenzie. "Using Ethnographic Approaches to Co-Construct Strategies for Success With Students With Dyslexia." In Research Anthology on Physical and Intellectual Disabilities in an Inclusive Society, 584–98. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-3542-7.ch030.
Full textWhite, David, Alice Towler, and Richard I. Kemp. "Understanding Professional Expertise in Unfamiliar Face Matching." In Forensic Face Matching, 62–88. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198837749.003.0004.
Full textKiravuo, Timo, Seppo Tiilikainen, Mikko Särelä, and Jukka Manner. "A White Hat Study of a Nation's Publicly Accessible Critical Digital Infrastructure and a Way Forward." In Cyber Warfare and Terrorism, 1672–85. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2466-4.ch098.
Full textConference papers on the topic "Performing Right Society"
Perez, Manuel, Jennifer Green, Monisha Premchand, James Hodson, Lucy Hudsmith, and Nicola Edwards. "5 Visual assessment of systemic right ventricles: does imaging modality and experience matter?" In British Cardiovascular Society Annual Conference ‘High Performing Teams’, 4–6 June 2018, Manchester, UK. BMJ Publishing Group Ltd and British Cardiovascular Society, 2018. http://dx.doi.org/10.1136/heartjnl-2018-bcs.5.
Full textNedbaev, D. N., S. V. Nedbaeva, O. V. Goncharova, I. B. Kotova, and M. M. Filin. "IMPROVEMENT, GREEN CONSTRUCTION AND LANDSCAPE DESIGN AS AN ACTUAL ECOLOGICAL CHALLENGE OF YOUTH." In INNOVATIVE TECHNOLOGIES IN SCIENCE AND EDUCATION. DSTU-Print, 2020. http://dx.doi.org/10.23947/itno.2020.89-94.
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