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1

Saladrigas, Eduard Miró i. Perfum de silenci = Perfume de silencio = Perfume of silence. Barcelona: La Busca Edicions, 2004.

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2

Robbins, Tom. Jitterbug perfume. New York: Bantam Books, 2003.

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3

Namban, Akahige. Yakuza perfume. New York: Blue Moon, 2001.

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4

Thomas, Gordon. Deadly perfume. London: Chapmans, 1992.

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5

Robbins, Tom. Jitterbug Perfume. New York: Random House Publishing Group, 2003.

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6

Wasserman, Rosanne. Apple perfume. Hudson, N.Y: Groundwater Press, 1989.

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7

Thomas, Gordon. Deadly perfume. London: Chapmans, 1991.

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8

Süskind, Patrick. Perfume: Perfume. Washington Square Press, 1991.

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9

Stevenson, Jane. Flowers in the Abstract. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0017.

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Before the 1920s perfume was strongly encoded. Musky scents and tropical ‘heavy florals’ were associated with prostitution, oriental perfumes with decadence and Catholicism, and light floral scents such as rose and lavender with virtuous femininity, while citrus colognes were unisex. Blending perfumes was held to be decadent in itself. The discovery of synthetic aldehydes increased the range of possible scents, and perfumers began experimenting. The modernization of perfume began with mixing scents from different semiotic categories, thus moving from naturalism to abstraction. ‘Chanel No. 5’ was the most successful of these new inventions, and was consciously conceived of as a synthetic creation.
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10

Thompson, C. J. S. Mystery and Lure of Perfume. Kessinger Publishing, 2003.

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11

Perfume. Random House (a), 1994.

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12

Süskind, Patrick. Perfume. Penguin Classics, 2001.

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13

Publishing, RH Value. Perfume. Random House Value Publishing, 1988.

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14

Blair, Jayne L. Perfume. Xlibris Corporation, 2003.

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15

Süskind, Patrick. Perfume. Knopf, 1986.

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16

Suskind. Perfume. Pocket, 1990.

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17

Vries, David de, and Jean-Claude Ellena. Perfume. Brilliance Audio, 2017.

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18

Alavi, Dariush. Perfume. Hardie Grant Books, 2012.

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19

Süskind, Patrick. Perfume. Vintage International, 2006.

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20

Süskind, Patrick. Perfume. Vintage International, 2006.

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21

Publishing, RH Value. Perfume. Gramercy, 1995.

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22

Cooney, Caroline B. Perfume. Open Road Integrated Media, Inc., 2013.

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23

Suskind. Perfume. Pocket, 1987.

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24

Bogost, Ian, Christopher Schaberg, and Megan Volpert. Perfume. Bloomsbury Publishing Plc, 2022.

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25

Ostrom, Lizzie. Perfume. Norton & Company Limited, W. W., 2017.

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26

Cooney, Caroline B. Perfume. Open Road Integrated Media, Inc., 2013.

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27

Süskind, Patrick. Perfume. Vintage, 2006.

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28

Lorente, José. Perfume. Independently Published, 2017.

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29

Ostrom, Lizzie. Perfume. Pegasus Books, 2016.

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30

Cooney, Caroline B. Perfume. Open Road Integrated Media, Inc., 2013.

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31

Perfume. Aurum Press, 1996.

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32

Perfume. Penguin Classics, 2020.

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33

Perfume. Editorial Planeta, S. A., 2022.

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34

Mohapatra, Swarnalata, and Rajkishore Mohapatra. Perfume. Black Eagle Books, 2023.

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35

Vibes, Creativa. My Perfume Reviews: Perfume Planner. Independently Published, 2021.

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36

Lefkowith, Christie Mayer. Masterpieces of the Perfume Industry. Christie Mayer, Inc., 2006.

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37

The World of Perfume. Knickerbocker Press, 1996.

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38

moorthy, Krishu 80. 10 Fragrant Facts about Perfume: Perfume. Independently Published, 2020.

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39

(Editor), Randall Bruce Monsen, Monsen and Baer (Corporate Author), and Michael Defina (Editor), eds. The Magic of Perfume: The Perfumes of Caron. Monsen & Baer, 2001.

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40

Monsen, Randy. Memories of Perfume: The Perfumes of Lucien Lelong and Masterpieces of Today (Memories of Perfume). Monsen & Baer, 1998.

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41

Aromatica: Essenze, profumi e spezie tra Oriente e Occidente. [Roma]: E. De Rosa, 2003.

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42

Aromatica: Essenze, profumi e spezie tra Oriente e Occidente : Roma, Museo nazionale d'arte orientale, 7 maggio-8 luglio 2003. Roma [etc.]: E. De Rosa, 2003.

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43

Pretty Craft PRETTY CRAFT DESIGN CO. Wearing a Perfume: Perfume Order Book, Perfume Order Log, Perfume Order Book for Business, Perfume Business Order Book, Home Business Gifts. Independently Published, 2020.

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44

Perfume Del Desierto : (the Perfum of the Desert). Harlequin Enterprises, Limited, 2017.

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45

Maxwell, Catherine. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701750.003.0001.

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The Introduction outlines the scope and range of this study of perfume in Victorian literary culture, defining its terms and explaining its specific links with aestheticism and decadence during 1860–1900, the period in which British perfumery developed, expanded, and gained an international reputation. It also explains the important links between perfume and literary language, surveys various kinds of modern writing about smell and perfume, and indicates the relatively small amount of critical writing on olfaction in Victorian literature. Finally, signalling the broadly chronological organization of this monograph, it provides detailed chapter summaries which trace an evolutionary movement from Romantic poetry and early and mid-Victorian fiction to aestheticism, decadence, and the literature of the fin de siècle, ending with Virginia Woolf and Compton Mackenzie, two early twentieth-century novelists whose works provide contrasting reactions to Victorian scented literature and perfumed decadence.
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46

Towse, Mark. Nature's Perfume. Journalstone, 2022.

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47

Gale, Zona. Faint Perfume. Eighteen Hundred Seventy Three Press, 2000.

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48

Presto, Francis Dominic. Perfume Accords. Independently Published, 2022.

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49

Deadly Perfume. HarperCollins, 1991.

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50

Cooney, Caroline B. Perfume, the. Scholastic, 1996.

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